#minya diez-dührkoop
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Minya Diez-Dührkoop (1873–1929) ~ Tanzmaske Springvieh von Lavinia Schulz, Hamburg, 1924 | src MK&G
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#lavinia schulz#minya duhrkoop#Bibo#minya diez duhrkoop#expressionist dance#costume design#full body masks#women artists#women photographers#minya diez-dührkoop#Springvieh#minya dührkoop#maskentänzer#tanzmaske#tanzmasken#dance masks#dance mask#danse#Tanz#dansa#dance costume#1920s#1924
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Vestuario realizado en los años 20 por los bailarines Lavinia Schulz y Walter Holdt. Los 18 trajes diferentes que hicieron fueron fotografiados en 1924 por Minya Diez-Dührkoop.
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Minya Diez-Dührkoop, The New Shoe, 1903
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Rudolf Dührkoop & Minya Diez-Dührkoop
Two girls, 1916
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1907 Monsieur Mabire de Paris (photo by Minya Diez-Dührkoop)
(Museum für Kunst und Gewerbe Hamburg)
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Minya Diez-Dührkoop’s photograph of costume design for avant garde dance performance, 1924 (via here)
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Minya Diez-Dührkoop
Monsieur Mabire de Paris
1907
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Portrait of Clotilde von Derp-Sacharoff
Photography by Minya Diez-Dührkoop
#Minya Diez-Dührkoop#art#artist#photography#Portrait of Clotilde von Derp-Sacharoff#photo#portrait#Clotilde von Derp-Sacharoff#Photography by Minya Diez-Dührkoop#beauty
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Minya Diez-Dührkoop, 1908
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“Springvieh” dance mask by Lavinia Schulz; photograph by Minya Diez-Dührkoop, 1924.
(source: MK&G Hamburg)
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laviniaschulz by Thomas Ruff
Thomas Ruff ~ neg◊laviniaschulz_07, 2021, c-print. Work from the series of Negative | src Mai 36 Galerie
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The neg◊laviniaschulz subgroup from the series of Negative are expressionist dance studies of the dancer Lavinia Schulz and the actor Walter Holdt in full-body masks, which they both designed together in the early 1920s. The starting point of the series are photographs of the 19th and 20th…
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#Minya Diez Duhrkoop#Lavinia Schulz#Thomas Ruff#dance masks#dance study#ditto#expressionist dance#full body masks#homage#hommage#inverted photos#Minya Dührkoop#Julie Wilhelmine Dührkoop#Minya Duhrkoop#Minya Diez-Dührkoop#reinterpretation#reversed positive#tanzmaske#1920s#walter holdt#women artists#2020s#dance studies#women photographers#chromogenic print
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Minya Diez-Dührkoop, The New Shoe, 1903.
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Minya Diez-Dührkoop - Renate Scholz, 1929
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Avant-Garde 1920s Costumes Reemerge, Revealing Their Makers’ Tragic,
In 1920s Hamburg, a dancer couple created wild, Expressionist costumes that looked like retro robots and Bauhaus knights. The dancers were Lavinia Schulz and Walter Holdt, and through the new Museum für Kunst und Gewerbe Hamburg (MKG) online collection, their tragic, forgotten story can be rediscovered.
The 1924 series of photographs of their costumes by Minya Diez-Dührkoop, herself a fascinating figure who took over her father’s Hamburg portrait studio in the early days of photography, are among thousands of public domain items released by MKG online this month.
According to MKG, the dancers created 20 full-body costumes for performances between 1919 and 1924, all accompanied by avant-garde music, often composed by Hans Heinz Stuckenschmidt. One reason the striking costumes might have been left to gather dust was the startling and sad end to Schulz and Holdt’s story.
Both were in their 20s, and had earned little money from their artistic work. In financial ruin, on June 18, 1924, Schulz shot Holdt, and then turned the gun on herself. They both died from their wounds.
Story by Allison Meier / Hyperallergic
#art#design#costume#1920s#hamburg#germany#expressionism#retro#robot#bauhaus#lavinia schulz#walter holdt#museum fur kunst und gewerbe#MKG#photography#minya diez-duhrkoop#performance#suicide#avant-garde#hyperallergic#allison meier#surreal
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