#me! taylor swift ft. brendan urie | Explore Tumblr Posts and Blogs

cause-youre-a-cowboy-like-me · 2 years

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i'm sorry but as a french speaker, the ME! music video is so funny. the bad accent and taylor just screaming:

ET DEVANT NOS FILLES EN PLUS  !

is just comedy to me.

#me!#me! taylor swift #me! taylor swift ft. brendan urie #taylor swift #brendon urie #i will scream et devant nos filles en plus to everyone

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unamused-kookaburra · 11 months

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Remixes of songs should be banned on store radios because it's bad enough hearing the same taylor swift song every day, I don't need to hear a worse version of it immediately after it too.

#it went from anti hero to something else. then anti hero (club remix)#and WHY is me ft. brendan urie still playing why wont it DIE #its not just taylor swift either its done with other songs #not a remix but levels by avicii plays multiple times a day you can set your watch by it #everyone hates it #its become an inside joke in my shop at this point #bc if we dont laugh we'll cry #personal

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badlucksav · 1 year

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LoK Characters and the Taylor Swift Songs That Make Me Think of Them

Korra: Shake It Off (1989, 2014)

Players gonna play, play, play, play, play

And the haters gonna hate, hate, hate, hate, hate (haters gonna hate)

Baby, I'm just gonna shake, shake, shake, shake, shake

I shake it off, I shake it off

Heartbreakers gonna break

Fakers gonna fake

I'm just gonna shake

I shake it off, I shake it off

Mako: evermore ft. Bon Iver (evermore, 2020)

I replay my footsteps on each stepping stone

Trying to find the one where I went wrong

Writing letters

Addressed to the fire

And I was catching my breath

Staring out an open window

Catching my death

And I couldn't be sure

I had a feeling so peculiar

That this pain would be for

Evermore

Bolin: ME! feat. Brendan Urie (Lover, 2019)

I know I tend to make it about me

I know you never get just what you see

But I will never bore you, baby

(And there's a lot of lame guys out there)

And when we had that fight out in the rain

You ran after me and called my name

I never wanna see you walk away

(And there's a lot of lame guys out there)

'Cause one of these things is not like the others

Livin' in winter, I am your summer

Baby doll, when it comes to a lover

I promise that you'll never find another like

Asami Sato: The Man (Lover, 2019)

I'm so sick of running as fast as I can

Wondering if I'd get there quicker

If I was a man

And I'm so sick of them coming at me again

'Cause if I was a man

Then I'd be the man

I'd be the man

They'd say I hustled

Put in the work

They wouldn't shake their heads and question how much of this I deserve

What I was wearing

If I was rude

Could all be separated from my good ideas and power moves?

Iroh II: peace (folklore, 2020)

But there's robbers to the east, clowns to the west

I'd give you my sunshine, give you my best

But the rain is always gonna come if you're standing with me

But I'm a fire, and I'll keep your brittle heart warm

If your cascade ocean wave blues come

All these people think love's for show

But I would die for you in secret

The devil's in the details, but you got a friend in me

Would it be enough if I could never give you peace?

Bonus: Lin Beifong: mad woman (folklore, 2020)

And there's nothin' like a mad woman

What a shame she went mad

No one likes a mad woman

You made her like that

And you'll poke that bear 'til her claws come out

And you find something to wrap your noose around

And there's nothin' like a mad woman

For @orangepanic since she requested these!

#Spotify #lok #legend of korra #korra #lok mako #bolin lok #asami sato #Iroh ii #lin beifong #Taylor Swift

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everysinglepheel · 1 year

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#apologies if you actually love any of these dsfasdf #ive heard them all on my local radio station too much #polls #pheel talk #music #songs #im picking Treat You Better cuz if i ignore the lyrics i can at least let it stay in the background #the other songs i have to immediately change the station dfadsfs #i dont think the rob thomas song is played at all anymore but man 2019 was rough with that song

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moodmusicmonday · 2 years

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Good gracious... We knew it was too good to be true to think that maybe our tags were working correctly this week! NEWSFLASH: they're not. Ugh, our apologies if you got a tag for the 9/20 post... again. Who wants to yell it with us? You ready? *clears throat*

GO HOME TUMBLR! YOU'RE DRUNK!

On to better things...

Check out this AMAZING ✨NEW✨ playlist! I can vouch that this group of songs will get you up and grooving to your chores! Give it a listen!

And the best part: several of these fanfictions have ALREADY BEEN RELEASED! They are linked below (look for the 📖), so go give these creators some love! Read, like, comment and reblog!

Thanks for another fabulous MMM! We'll see y'all again SOOOOOON!

~🎵~

@alj4890

📖 “Don’t Let the Light Go Out” - Panic! At The Disco; Don’t Let the Light Go Out (OPH; Tobias Carrick x MC)

@bebepac

📖 School Days, The Adorkable Liam Rys (TRR; Liam x Riley)

“Take Me There” - Blackstreet, Mya, Mace, Blinky Blink “Gangsta’s Paradise” - Coolio, LV

@phoenixrising308

“Toothbrush” - DNCE; Falling for you, one-shot (Forged in Fire AU) [TRR/Perfect Match; Damien x MC (Jessica Garcia)]

“ME!” - Taylor Swift ft. Brendan Urie; Needle in a Haystack, one-shot (Prince Charming AU Pencil Chronicles) [TRR/TRH; Liam x MC (Jessica Garcia)]

“Angel by the Wings” - Sia; Dying young, part 1 (OPH; no pairing)

“Footprints” - Sia; What dreams may come, part 1 [TRR; Liam Rys x MC (Jessica Garcia)]

@queenrileyrose

📖 “Shine a Light” - BANNERS; Irreplaceable, Chapter 21: I’m Only Looking for a Little Peace (TRR/RoE; Leo x Riley)

📖 “Beige” - Yoke Lore; Irreplaceable, Chapter 22: Do You Wonder if Every Stupid Little Thing Has Led Us to This? (TRR/RoE; Leo x Riley)

📖 “Night Changes” - One Direction; When in Rome: Changes (TRR/RoE; Leo x Riley)

~🎵~

Tags (please let us know if you'd like to be added/removed)

@21-wishes @alj4890 @ao719 @aussiegurl1234 @axwalker @bebepac @burnsoslow @charlotteg234 @chemist-ana @choicesmonthlychallenge @foreverethereal123 @issabees @jerzwriter @karahalloway @kat-tia801 @lovingchoices14 @marshmallowsaremyfavorite @neotericthemis @nestledonthaveone @peonierose @phoenixrising308 @queenrileyrose @quixoticdreamer16 @sfb123 @socalwriterbee @tessa-liam @twinkleallnight @txemrn @walkerdrakewalker @zaffrenotes

#mood music monday #choices mmm #moodmusicmonday #choices fanfics #choices fanfic #choices fanfiction #choices stories you play #choices open heart #choices the royal romance #choices oph #choices roe #choices trr #spotify #fanfiction #music inspo #choices music inspo #Spotify

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firstelevens · 5 months

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69, 99, 100 :)

69) Damage Gets Done - Hozier and Brandi Carlile

99) Banana Pancakes - Jack Johnson

100) ME! - Taylor Swift ft. Brendan Urie

#zainab does ask meme things #Spotify wrapped #abnerkrill

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incorrect-kingdom-hearts-quotes · 5 years

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#kingdom hearts #axel (kingdom hearts)#saix #isa (kingdom hearts)#lea (kingdom hearts)#xion #roxas (kingdom hearts)#kh3 spoilers #kingdom hearts 3 #source: taylor swift ft brendan urie's me! music video #300 #quote imagery #500

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rachelsophielesch · 2 years

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I’m Never Going to Make Things Easy for You: A Percabeth Playlist

1. I’ll follow you into the dark- Death Cab for Cutie

2. Perfect- Ed Sheeran

3. A Thousand Years- Christina Perry

4. I Miss You- Blink-182

5. That Girl- All Time Low

6. Just The Girl- Click 5

7. Me!- Taylor Swift ft. Brendan Urie

8. Miss Americana and the Heartbreak Prince- Taylor Swift

9. Dance Inside- The All-American Rejects

10. Something Just Like This- The Chainsmokers and Coldplay

11. Kiss Me- Sixpence None The Richer

12. Stand by You- Rachel Platten

13. Take on the World- You Me at Six

14. True Love- Pink ft Lily Allen

15. Mine- Taylor Swift

16. Love Story- Taylor Swift

17. Everything has Changed- Taylor Swift and Ed Sheeran

18. Check Yes, Juliet- We the Kings.

#pjo #percy jackon and the olympians #percy jackson #annabeth chase #percabeth #playlist #spotify

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playsthetics · 4 years

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Enneagram Wing Boards: Type 3 Wing 2 - The Charmer

Ambitious, adaptable, popular, confident, seductive.

-

Love Me - The 1975

7 Rings - Ariana Grande

Fergalicious - Fergie ft Will.i.am

Lip Gloss - Lil Mama

Grace Kelly - Mika

Fancy - Iggy Azalea ft Charli XCX

Good As Hell - Lizzo

Applause - Lady Gaga

ME! - Taylor Swift ft Brendan Urie

Cool Girl - Tove Lo

Me Too - Meghan Trainor

Worth It - Fifth Harmony ft Kid Ink

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bananaofswifts · 4 years

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The second to last song on Taylor Swift’s quiet, exquisite album 'folklore' is called 'peace'. A once-vindictive Swift, once at the mercy of her come-and-go lovers, has finally found peace. Peace can be used to describe everything about folklore, from the sonic atmosphere it creates, to the creative period in which she’s written it, to the cocoon of misplaced longing and self-reflective mental housekeeping that quarantine forces you into.

That the fast-paced nature of our lives has finally fallen away in favor of something much more deliberate has birthed 'folklore', an album that favours self-actualisation - the long-awaited second chance that we give ourselves as we make peace with what is and allow something beautiful to come out of it. Quarantine has become a time for crafts, isolation, self-reflection, longing, and realisation. And it has become all of these things at once for Swift, whose rather delicate eighth album came together on a whim in the seething, never-ending throes of isolation.

A lucky addition to Swift’s catalogue - one borne only out of the fractious uncertainty of our current era - it is quite frankly a miracle that this album ever came to fruition. Had the world never turned upside down three months ago, had we still been living our high-speed, touch-and-go lives, Lover would still be the last album to grace her discography, the perfume-sweet stickiness of 'ME! (ft. Brendan Urie)' still lingering in the summer air.

But 'folklore', Taylor’s grandiose musical start to the roaring ‘20s (which have started, by all other accounts, terribly) has done much to make the impact of a tumultuous new decade a little softer. A serene, wintery album released smack in the middle of summer, folklore is Red but gentler, reputation but more insightful, Speak Now but more lyrically complex. It reverberates with the energy of a former pop-star finally navigating production without grasping for a hit, and forces us to slow down and take stock of where we are now in love and life.

The devil is indeed in the details: folklore unabashedly champions cinematic grace in a time of turbulent unease. It prioritizes the feelings that make themselves known in times of quiet reflection, in the tranquil darkness of the night, in between the longing stares of clandestine “meetings in parking lots”.

While in the past, Swift’s works have tended to sucker-punch with euphemisms rather than with blunt, bold statements, there is a refreshing directness to some of the songs here. Where she was once shaky with metaphors and a victim of “fake-deep” lyrics, she seems to smooth out the kinks of her lyrical composition, turning her already masterful storytelling into an even more deft game of saying the most with the least words.

The gentle, unhurried pace of the songs as she tells her stories in rich, hidden metaphors shows us an unanticipated side of her, one that now appreciates the nuances of life and accepts that not everything is cut-and-dry. From twisted waltzes to tried-and-true ‘80s-inspired pop, her musical repertoire has expanded to unexpected directions, and she, too, has grown - to be more blunt, more unapologetic, and at the same time, more self-reflective.

The sonic beauty on folklore really comes on 'Exile'. Another Jack Antonoff-produced track, Swift’s scintillating duet with Justin Vernon (Bon Iver) whisks us right back to the beautiful harmonies on her 2012 duet with Snow Patrol’s Gary Lightbody on 'Red'. Taken line by line, the conversational lyrics of Swift and Bon Iver’s impassioned duet - a beautiful, wintry, tortured monster of a song - seems to be told from the perspectives of two lovers walking away from a whirlwind relationship right before they get roped into something inescapable.

That alone is new ground for her - where she once used to plunge wholeheartedly into things she knew would hurt her, the resulting lyrics a necessary catharsis as she searched for the pieces of herself lost at sea, she now is careful, calculated, guarded with her heart. Deep down, the song is more of Swift’s closing the chapter on the last decade, looking back at her past relationships with the benefit of hindsight and maturity, vowing not to make the same mistakes again. The powerful bridge brings us what is an obvious nod to 'If This A Was A Movie': she has indeed seen this film before in her past six albums. And never once did she like the ending.

It’s these new perspectives that give this record a new dimension unlike any of her others. Further down the tracklist is 'illicit affairs', a brilliant follow-up to 'this is me trying', that manages to turn a tale of infidelity - one that 2006 Taylor would’ve explicitly condemned - into a tale of impassioned, embittered, jagged love. Similarly 'betty', whose harmonicas bring you to near tears as Swift paints a picture of a sapphic love triangle through the lens of naive adolescence, describes a complicated tale of cheating and emotional entanglement that ends in heartbreak and shattered dreams. Listening to the lyrics on “august” feels almost vouyeristic, as we lean in to hear all the stories that “innocent-era” Swift would’ve kept secret.

Immediately noticeable is that there are no quintessentially “pop” songs on this album. There’s enough material for you to float around your room longingly in white garb, to sit and think about relationships past, to look at life in the rearview, wondering what things would be like had things been done differently, but nothing to dance around and pretend like everything is and will be alright.

Arguably, we don’t need this. It will come, Swift urges, once we’ve made peace with the battle within ourselves. Simply put, folklore is a speed bump. It is a small sliver of familiarity and nostalgia that broadcasts openness without resentment, mockery or one-sided representations, and finds Swift finally committing to shedding the brash, poppy sound in favor of the soft, tonal glow of reverb and contemplation.

But fans of '1989', 'Reputation', and 'The Archer' on Lover, will be thrilled to hear that the synthy, sugarcoated drama and breathy vocals of yore ('Wildest Dreams', 'Getaway Car', 'Dress') have once again returned to Taylor Swift’s tracklist in earnest, albeit buried under a layer of bright, folksy guitars and ringing pianos. folklore indeed lives up to its title by being completely devoid of any beats faster than that of “invisible string”, and presents Swift almost like a children’s storybook: melodically fresh-faced, lyrically bare.

Swift’s penchant for blending the last remnants of her country roots with a more modern edge shines through the most on synth powerhouses 'this is me trying' and 'mirrorball', the ethereal children of the album. 'my tears ricochet' is a similarly gentle track with hints of synth pop that are a little more on the subtle side, and according to Swift is about “an embittered tormentor showing up at the funeral of his fallen object of affection”. And 'hoax', almost entirely piano, takes the album out with a whisper, Swift’s voice dovetailing over soft piano notes that sound almost like her tip-toeing away as she plays those closing notes, wisping away forever.

And 'cardigan[', which begs for a seat at its own table, is a tranquil love song of hope. Part of “the collection of three songs [she] refers to as The Teenage Love Triangle,” that “explore a love triangle from all three people’s perspectives at different times in their lives,” cardigan was “inspired by the feeling of isolation and how it is freeing and terrifying and causes you to reminisce.”

The visuals, a dark and stormy cross between 'Out Of The Woods' and 'Safe And Sound', sees Swift grasping onto her piano, about to be swept away by a storm surge in the middle of the sea. But the video, instead, has a happy ending: Swift escapes troubled waters by climbing into the magical realm of her piano, which opens to a quiet room lit only by candlelight. She puts on her weathered cardigan, and sits delicately at her piano.

For an isolated moment, she finds peace.

9/10

#taylor swift #folklore #review

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pb-nj · 3 years

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Easier Said - Alessia Cara, 2002 - Anne-Marie, ME!- Taylor Swift ft Brendan Urie, Something Wild - Lindsey Stirling ft Andrew MacMahon, The Cure - Little Mix. I feel like you have soft pop vibes but also a sense of love and adventure

OMG YES! I agree to all of these hahaha I do love my soft pop a lot and I am a sucker for love songs.

I love that my vibe is this for you!

#nikki asks #game asks

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leoleofitz · 4 years

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2019 in review

rules: answer the questions about 2019 and tag some people! tagged by: @ashergarcias and @quincywillows

top 5 films you watched in 2019:

Spiderman: Into the Spiderverse (2018)

Hustlers (2019)

Rocketman (2019)

Avengers: Endgame (2019)

Charlie Wilson’s War (2007)

top 5 tv shows in 2019:

Roswell New Mexico

Skam NL

The Society

Schitt’s Creek

@ambitionsource

top 10 songs of 2019:

“hurricane” by forever in your mind

"put a little love on me” by niall horan

“look what god gave her” by thomas rhett

“younger” by ruel

“cruel summer” by taylor swift

"youngblood” by 5 seconds of summer

“looking at me” by sabrina carpenter

"arms open” by the script

"me!” by taylor swift ft. brendan urie

"lover” by taylor swift