For no discernible reason Waylon Jennings, Johnny Cash, Marty Stuart, and Christopher Reeve show up in the audience of a Season 10 episode of Saturday Night Live.
John Prine and Marty Stuart performing "Souvenirs".
______________
Souvenirs
Songwriter: John Prine
All the snow has turned to water
Christmas days have come and gone
Broken toys and faded colors
Are all that's left to linger on
I hate graveyards and old pawn shops
For they always bring me tears
I can't forgive the way they robbed me
Of my childhood souvenirs
Memories, they can't be boughten
They can't be won at carnivals for free
Well, it took me years to get those souvenirs
And I don't know how they slipped away from me
Broken hearts and dirty windows
Make life difficult to see
That's why last night and this morning
Always look the same to me
And I hate reading old love letters
For they always bring me tears
I can't forgive the way they robbed me
Of my sweetheart's souvenirs
Memories, they can't be boughten
They can't be won at carnivals for free
Well, it took me years to get those souvenirs
And I don't know how they slipped away from me
Johnny Cash wrote and recorded an LP’s worth of songs in 1993 and then shelved the thing. Now, it’s set to be released as Songwriter and if “Well Alright” is any indication, it’s about damn time.
Featuring Cash’s trademark boom-chuck guitar and baritone voice, it’s a whimsical number about turning laundry time into get-naked time.
I met her at the laundromat, she was washing extra hot/I said, ‘don’t you need a little help with that big load you got?’/she said ‘no,’ but did a double take and then she smiled and said, ‘I might’/as I rolled up my sleeves, I said to myself, ‘well alright, well alright,’ he sings.
Cash chuckles as he recounts the story and sings some do-do-dos in an uncharacteristically carefree manner. The song announces Songwriter’s June 28 arrival; it’ll feature appearances from Marty Stuart, who plays on “Well Alright,” Vince Gill, Dan Auerbach and Waylon Jennings.
The Del McCoury Band with Marty Stuart performing "Foggy Mountain Breakdown".
__________________________
Foggy Mountain Breakdown
Songwriter: Earl Scruggs
Song Review: Lester Flatt & The Nashville Grass - “Great Big Woman”
Playing with the Nashville Grass, Lester Flatt made art of the novelty.
“Great Big Woman” is out to preview the March 15 reissue of Flatt & the Grass’ 1976 LP, Heaven’s Bluegrass Band. And though it’s entirely cheeky and full of innuendo and talking among the band members, there’s nothing unserious about Flatt and Marty Stuart’s vocalizing and the septet’s ensemble playing. This, despite such lyrics as:
Great big woman had a little bitty bottle of wine/I don’t care to lose the woman but I sure wanna keep my wine
“Great Big Woman” is a musical joke. Performance wise, however, it’s deathly serious.
Grade card: Lester Flatt & The Nashville Grass - “Great Big Woman” - A
I almost lost this video, so I’m uploading it as 1). triumph I refound it, and 2). extra security. Marty Stuart and the Fabulous Superlatives can put on a powerful concert seeped in musicality and virtuosity... and impressive variation. They know how to switch from acoustic to electric, or mix-and-match instruments, leaning into everything from bluegrass to Western swing to honky-tonk to country rock. And everything they do is to the highest quality, expressivity, and taste.
To me, one of the most profound and startling performances on the night I saw them was Chris Scruggs performing an old Bob Wills song, Brain Cloudy Blues. I hadn’t heard the song before, but after the concert, I was obsessed relistening to it. Chris’s vocal performance is compelling and better than the original. A highlight of a night that was a highlight unto itself.