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chicinsilk · 11 months

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US Vogue June 1964

Beate Schulz in a short-sleeved white suit with a notched collar. By Handmacher, of Fibranne. Hat, by Sally Victor, Marvella earrings, shoes by Margaret Jerrold in Fleming-Joffe lizard.

Beate Schulz dans un tailleur blanc à manches courtes, avec un col cranté. Par Handmacher, de Fibranne. Chapeau, par Sally Victor, boucles d'oreilles Marvella, chaussures par Margaret Jerrold en lézard Fleming-Joffe.

Photo Henry Clarke

vogue archive

#us vogue #june 1964 #fashion 60s #1964 #spring/summer #printemps/été #handmacher #sally victor #margaret jerrold #marvella #beate schulz #henry clarke #white suit #tailleur blanc #italia #italiy

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victorawhi · 5 months

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Rosalynn Carter, former first lady and tireless humanitarian who advocated for mental health issues, dies at 96

May her soul 🙏 find eternal Restful Peace and may her MEMORY be a BLESSING perpetually

SIGNED ✍

📚VICTOR*📖

Carter devoted herself to several social causes in the course of her public life, including programs that supported health care resources, human rights, social justice and the needs of elderly people.

Born: 18 August 1927 (age 96 years), Plains, Georgia, United States

Children: Amy Carter, Jack Carter, James Carter, Donnel Carter

Grandchildren: Hugo James Wentzel, Jason Carter, Margaret Alicia Carter, Jeremy Carter, more

Spouse: Jimmy Carter (m. 1946)

Siblings: Lillian Allethea Smith Wall, Murray Lee Smith, William Jerrold Smith

Parents: Allie M. Smith, Wilburn Edgar Smith

Hall of fame induction: 2001

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newoncenicetwice · 10 months

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bizypooh · 11 months

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Check out this listing I just added to my Poshmark closet: Vintage Margaret Jerrold pumps.

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tamlovesfashion · 1 year

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Check out this listing I just added to my Poshmark closet: Vintage Art to Wear Leather Margaret Jerrold Slingback Kitten Heels.

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deirdreisme · 2 years

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Check out this listing I just added to my Poshmark closet: Margaret Jerrold by Arsho X Bloomingdales Vintage 80s Snakeskin Heels Sandal.

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handwashonlyco · 2 years

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Check out this listing I just added to my Poshmark closet: Margaret Jerrold | Vintage Peep Toe Stacked Heels Snake Skin Pumps Size 8.

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isabelcostasixties · 7 years

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Three models lean upon Bernard Kirschenbaum’s untitled sculpture in New York’s Central Park, on exhibit for the Sculpture in Environment show; model at left wears a peanut colored wrap-around coat with white trim over a matching skirt and white shirt, by Don Simonelli for Modelia; model at center wears a green/blue/purple plaid reefer jacket with a matching skirt and blue shirt, by Viola Sylbert for Albert Alfus; model at right wears a pale pink coat, buttons at side, over a matching dress by Don Simonelli for Modelia; all wear berets by Madcap; all wear shoes by Margaret Jerrold. Photo by David McCabe, Mademoiselle Magazine, 1968

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historicwomendaily · 5 years

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Recs for Biographies On Historical Women

Women who Spied for Britain Walker Robyn and the War's Unwomanly Face by Svetlana Alexievich

A Woman In Berlin by Anonymous

The Nazi Officer's Wife: How One Jewish Woman Survived the Holocaust by Edith Hahn Beer.

Grace of Monaco by Jeffrey Robinson

The Life and Death of Anne Boleyn by Eric Ives

The First Iron Lady: A Life of Caroline of Ansbach by Matthew Dennison

Madame de Pompadour by Nancy Mitford

Love and Louis XIV: The Women in the Life of the Sun King by Antonia Fraser

Wedlock: How Georgian Britain's Worst Husband Met His Match by Wendy Moore

Jurassic Mary: Mary Anning and the Primeval Monsters by Patricia Pierce

Nell Gwynn by Charles Beauclerk

Perdita: The Literary, Theatrical and Scandalous Life of Mary Robinson by Paula Byrne

Peg Plunkett: The Memoirs of a Whore by Julie Peakman

Casanova's Women: The Great Seducer and the Women He Loved by Judith Summers

Catherine the Great by Robert K Massie

Queen Anne: The Politics of Passion by Anne Somerset

Madame du Barry: The Wages of Beauty by Joan Haslip

King's Mistress: The True and Scandalous Story of the Woman who Stole the Heart of George I by Claudia Gold

Beloved Emma: The Life of Emma, Lady Hamilton by Flora Fraser

Romantic Outlaws by Charlotte Gordon

Doomed Queens by Kris Waldherr

Cleopatra: A Life by Stacy Schiff

The Boleyn Women by Elizabeth Norton

Catherine of Aragon: Henry’s Spanish Queen by Giles Tremlett

Mary Tudor: The First Queen by Linda Porter

Mary Tudor: The Spanish Tudor by HFM Prescott

Sister Queens: The Noble Tragic Lives of Katherine of Aragon and Juana, Queen of Castile by Julia Fox

Queenship in Medieval Europe by Theresa Earenfight

Isabel the Queen: Life and Times by Peggy K. Liss

Isabella: The Warrior Queen by Kirstin Downey

Elizabeth: The Struggle for the Throne by David Starkey

Margaret Tudor: The Life of Henry VIII’s Sister by Melanie Clegg

Young and Damned and Fair: The Life of Catherine Howard, Fifth Wife of King Henry VIII by Gareth Russell

The Sisters Who Would Be Queen: The tragedy of Mary, Katherine and Lady Jane Grey by Leanda de Lisle

Empress of the East: How a European Slave Girl Became Queen of the Ottoman Empire by Leslie Peirce

Daughters of the Winter Queen: Four Remarkable Sisters, the Crown of Bohemia, and the Enduring Legacy of Mary, Queen of Scots by Nancy Goldstone

Marie Antoinette: The Journey by Antonia Fraser

Victoria’s Daughters by Jerrold M. Packard

Empress Dowager Cixi: The Concubine who Launched Modern China by Jung Chang

Comfort Woman: Slave of Destiny by Maria Rosa Henson

Cleopatra’s Daughter: And Other Royal Women of the Augustan Era by Duane W. Roller

Cleopatra: A Biography by Michael Grant

Cleopatra: A Biography by Duane W. Roller

Cleopatra: A Sourcebook by Prudence Jones

Cleopatra and Rome by Diana E.E. Kleiner

Antony and Cleopatra by Adrian Goldsworthy

Victoria: An Intimate Biography by Stanley Weintraub

The Young Victoria by Alison Plowden

Victoria and Albert by Richard Hough

Nicholas and Alexandra by Robert Massie

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weirdletter · 4 years

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Global Frankenstein (Studies in Global Science Fiction), by Carol Margaret Davison and Marie Mulvey-Roberts, Palgrave Macmillan, softcover reprint, 2019 (2018). Cover image by CSA Images/Getty, info: palgrave.com.

Consisting of sixteen original essays by experts in the field, including leading and lesser-known international scholars, Global Frankenstein considers the tremendous adaptability and rich afterlives of Mary Shelley’s iconic novel, Frankenstein, at its bicentenary, in such fields and disciplines as digital technology, film, theatre, dance, medicine, book illustration, science fiction, comic books, science, and performance art. This ground-breaking, celebratory volume, edited by two established Gothic Studies scholars, reassesses Frankenstein’s global impact for the twenty-first century across a myriad of cultures and nations, from Japan, Mexico, and Turkey, to Britain, Iraq, Europe, and North America. Offering compelling critical dissections of reincarnations of Frankenstein, a generically hybrid novel described by its early reviewers as a “bold,” “bizarre,” and “impious” production by a writer “with no common powers of mind”, this collection interrogates its sustained relevance over two centuries during which it has engaged with such issues as mortality, global capitalism, gender, race, embodiment, neoliberalism, disability, technology, and the role of science.

Contents: Foreword – Nora Crook Acknowledgements Contents Notes on Contributors 1. Introduction: Global Reanimations of Frankenstein – Carol Margaret Davison and Marie Mulvey-Roberts Part I. Frankenstein: Science, Technology, and the Nature of Life 2. The Gothic Image and the Quandaries of Science in Mary Shelley’s Frankenstein – Jerrold E. Hogle 3. Paracelsus and ‘P[r]etty Experimentalism’: The Glass Prison of Science and Secrecy in Frankenstein – Victor Sage 4. Monstrous Dissections and Surgery as Performance: Gender, Race and the Bride of Frankenstein – Marie Mulvey-Roberts Part II. Frankenstein and Disabled, Indecorous, Mortal Bodies 5. ‘The Human Senses Are Insurmountable Barriers’: Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein – Bruce Wyse 6. ‘We Sometimes Paused to Laugh Outright’: Frankenstein and the Struggle for Decorum – Carolyn D. Williams 7. Monstrous, Mortal Embodiment and Last Dances: Frankenstein and the Ballet – Carol Margaret Davison Part III. Spectacular Frankenstein on Screen and Stage 8. ‘Now I Am a Man!’: Performing Sexual Violence in the National Theatre Production of Frankenstein – Courtney A. Hoffman 9. The Cadaver’s Pulse: Cinema and the Modern Prometheus – Scott MacKenzie 10. Promethean Myths of the Twenty-First Century: Contemporary Frankenstein Film Adaptations and the Rise of the Viral Zombie – Xavier Aldana Reyes Part IV. Frankensteinian Illustrations and Literary Adaptations 11. Frankenstein and the Peculiar Power of the Comics – Scott Bukatman 12. Our Progeny’s Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels – Emily Alder 13. Beyond the Filthy Form: Illustrating Mary Shelley’s Frankenstein – Beatriz González Moreno and Fernando González Moreno Part V. Futuristic Frankenstein/Frankensteinian Futures 14. The Frankenstein Meme: The Memetic Prominence of Mary Shelley’s Creature in Anglo-American Visual and Material Cultures – Shannon Rollins 15. Frankenstein in Hyperspace: The Gothic Return of Digital Technologies to the Origins of Virtual Space in Mary Shelley’s Frankenstein – Kirstin A. Mills 16. Playing the Intercorporeal: Frankenstein’s Legacy for Games – Tanya Krzywinska 17. What Was Man…? Reimagining Monstrosity from Humanism to Trashumanism – Fred Botting Afterword: Meditation on the Monser, a Poem – David Punter Index

#book #essay #weird essay #gothic essay #horror essay #weird studies #gothic studies #horror studies #frankenstein #frankenfiction

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formerlymarco · 4 years

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With Adam Schiff and Jerrold Nadler cast as Laurel and Hardy, the Democratic Party entered the slapstick phase of its self-destruction, moving from one botched scheme to the next amidst a chaos of falling pianos, splintered two-by-fours, and crashed bi-planes. The old 1930s screen comedies usually also featured a “grand dame” character making herself ridiculous, like Margaret Dumont in Duck Soup, and congressional central casting has fashioned just such a late-career role for Nancy Pelosi, all fluster and spleen, and well-supplied with comic props like the carefully pre-torn State of the Union address she ceremoniously sundered on Tuesday night. Can someone drop an anvil on her, please?

The news media is saying that President Trump had “his best week ever.” My sense of him hasn’t changed: he remains the Golden Golem of Greatness, a kind of mystical and mystifying comic figure himself, but not of the 1930s slapstick sort, more like a character drawn from the neo-gothic Joker phase of American history — and, hey, he really did spring full-blown on the scene from our real-life Gotham City. I was impressed, during his Thursday post-acquittal White House gala, at the stunning incoherence of his remarks, his facility for leaving absolutely every thought hanging unfinished in mid-sentence as he turned to the next uncompleted thought. I can’t say for sure that this makes him an ineffective manager of the nation’s affairs, but it does leave you kind of wondering. The fact remains, though, that his antagonists have behaved much worse, and now they are going to be punished.

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chicinsilk · 2 years

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US Vogue October 1, 1968 ❤️❤️❤️❤️❤️

Both dresses by Eric, made to order at Bergdorf Goodman.

(top) Model Windsor Elliot wears a pale, mist-pink chiffon, skirt full, gathered, floaty… turtleneck top drenched in pearly beading. Schreiner earrings.

(below) Model Ann Turkel wears a magnificent gypsy dress, right, in black silk, to whirl through a thousand evenings… the dirndl skirt, flared sleeves awhirl with red, white, and black satin bands, golden embroidery, beading. K.J.L. earrings and ring. Necklace by Calabro for Palacio. Pins on necklaces by Apex Art. Margaret Jerrold black velvet pumps (jewelled buckles added).

Photo Bert Stern

vogue archive

#us vogue #october 1968 #fall/winter #fashion 60s #sixties #eric #windsor elliot #ann turkel #bert stern #schreiner #thomas calabro #palacio #margaret jerrold

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yegarts · 6 years

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2018 Large Artist Project Grant Recipients

Artist Project Grants are investments in the specific projects of individual artists and artist collectives as they pursue their artistic and professional advancement. Twice per year, EAC awards small Artist Project Grants up to $5,000. Once per year, EAC awards large Artist Project Grants up to $25,000, intended to fund projects that are larger in scope and take longer to develop.

We are excited to announce the 42 artists and projects that have been awarded large project grants in 2018, and are looking forward to seeing the projects they create. Look out for most of the final projects as they are exhibited, showcased, and published in 2019, though some of the projects you’ll be able to see for yourself as early as this month. Congratulations!

The next deadline for Small Artist Project Grant applications is February 15, 2019. Click here for more information and to apply; applications open on January 15, 2019.

Alida Kendell is a choreographer developing a piece of dance theatre called The Particulars working with local composer Dean Musani and playwright Matthew MacKenzie.

Composer Allan Gilliland is recording two of his symphony compositions, Dreaming of the Masters I and Dreaming of the Masters IV, with a 60-piece orchestra in Dvorak Hall in Prague.

Visual artist Allison Tunis is developing mixed media paintings and an interactive installation that will explore the relationship between language, body size, mental health, self-esteem, relationships, and safety.

Musician Ann Vriend is writing, recording, and performing a new album of soul music based on living in Edmonton’s McCauley neighborhood.

Theatre artist Beth Dart is producing and directing a site-specific, immersive, historically-based horror theatre experience called Dead Centre of Town in Fort Edmonton Park—experience it for yourself October 18 - 31, 2018.

Experience Dead Centre of Town at Fort Edmonton Park October 18 - 31 Filmmaker Beth Wishart MacKenzie and visual artist Lana Whiskeyjack are touring a collaborative arts project called pîkiskwe-speak Art and Film Installation: An Invitation to Conversations in Reconciliation.

Theatre artist Brenley Charkow produced the play Scorch, which looks at the complex nature of gender identity, at the Edmonton International Fringe Theatre Festival.

Musician Cam Neufeld is travelling to Bulgaria, Istanbul, Azerbaijan, and Trabzon to study the tonalities of music from these regions that will inform concerts and educational materials in Edmonton.

Filmmaker Conor McNally is creating a short film about local visual artist, and McLuhan House Artist in Residence, Lauren Crazybull.

Visual artist Dana Belcourt is researching, writing, and painting a children’s book, Billy and the Magical Skate, based on a story passed down to her through her family through the use of Indigenous traditions.

Darren Jordan is producing a multi-disciplinary showcase 5 Artists 1 Love for Black History Month.

Darrin Hagen is writing a literary nonfiction book based on his play Witch Hunt at the Strand, which looks at the arrest of gay Edmontonians in 1942.

Dean Kheroufi, founder of Keeping on Records, will be producing and manufacturing vinyl singles by three local artists.

Musician Garth Prince will be recording music with The Edmonton Youth Choir, Edmonton-based Tanzanian-born children’s author, Tololwa Mollel, and Francophone artist Patrick Dunn for a children’s album.

Playwright Harley Morison is producing the site-specific play KalderSaga: A Queer Tavern Drama for a Midwinter’s Night, which works to establish an origin myth for queer people.

Playwright Jason Chinn is producing the play E Day, a political comedy set during the 2015 provincial election.

Writer Jason Lee Norman is publishing Funicular, a literary magazine of short fiction and poetry by writers in Edmonton and around the world. Look for the first issue available later this year.

Filmmaker and dance artist Jennifer Mesch is creating a short film about Edmonton painter Violet Owen.

Musician Jerrold Dubyk is travelling to Cuba with his band to perform at the Jazz Plaza International Festival in January 2019.

Visual artist Jessa Gillespie is using digital media and virtual reality to explore built environments and ecology during a residency at Residency Unlimited in Brooklyn.

Filmmaker Justin Kueber is producing a fictional short film about racial equality.

Musician Karen Donaldson Shepherd and photographer Noella Steinhauer are producing the Kisâkihitin gala which will feature photography and live music showcasing Indigenous people in the Edmonton region.

Visual artist Kasie Campbell is presenting her performative work We Are Revealed at Art in Odd Places 2018: Body festival in New York City.

Dance artists Kate Stashko and Krista Posyniak are creating a new site-specific contemporary dance production.

Kate Ryan is producing and directing a version of the musical Fun Home which explores suicide, sexuality, LGBTQ equality, and familial relationships.

Kristi Hansen and The Maggie Tree are producing the play Blood: A Scientific Romance. See it October 16 - 27, 2018 at Backstage Theatre in the Fringe Theatre Building.

Gianna Vacirca and Jayce Mckenzie in The Maggie Tree’s play Blood: A Scientific Romance. Photo by BB Collective Photography Lady Vanessa Cardona is producing her play Three Ladies, about healing from trauma of sexual abuse and civil war in Colombia.

Liam Salmon is developing his play The Boy with No Face, which address gun violence and toxic masculinity.

Lizzie Derksen is writing a fiction novel, Rascal, about the spectacle of mass murder.

Margaret Macpherson is writing a creative nonfiction book, Skin, and seeking out professional development opportunities and mentorship.

Marianne Watchel is creating a multidisciplinary show with new Canadians, local musicians, and local visual artists.

Marie Winters will perform a durational web-based performance that will address mental health, PTSD, and sexual assault.

Artists Sean Caulfield, Marilene Oliver, and Scott Smallwood are creating and curating multimedia artwork for an exhibition called Dyscorpia: Future Intersections of the Body and Technology that will look at the physical body as framed by medicine, artificial intelligence, and digital communications.

Sound artist and photographer Mark Templeton is creating a photobook and accompanying musical score recorded onto cassettes to explore themes of alienation and the exotic.

Filmmaker Niobe Thompson is making a short film, Makepeace, inspired by Marcel Theroux’s Western thriller novel Far North.

Rachel and Sarah Seburn are organizing a project called Parking Lot Platforms that will see two Edmonton visual artists work with two Estonian artists to create art for transient gallery spaces in The Quarters.

Kathak dancer Riya Mittal is creating and presenting a new dance under the mentorship of renowned dancer Ayan Banerjee.

Photographer Scott Portingale is using time-lapse photographic and animation techniques to create visual representations of black holes based on scientific research.

Writer Theresa Shea is researching and writing a novel, The Constellations of Youth, which will examine the effects of divorce.

Writer Tim Bowling is researching and writing a literary nonfiction book that explores hermitage in the digital age.

Poet Titilope Sonuga is producing a spoken word album that will feature Edmonton artists Ahmed Ali, Sierra Jamerson, Brandon Wint, and Oozeela.

Theatre artist Wayne Paquette is producing Anne Washburn’s play, Mr. Burns, a Post-Electric Play.

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tamlovesfashion · 1 year

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Check out this listing I just added to my Poshmark closet: Vintage Art to Wear Leather Margaret Jerrold Slingback Kitten Heels.

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zimbabwegirl40 · 3 years

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Check out this listing I just found on Poshmark: Margaret Jerrold Shoes.

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