I'm just gonna say it again real quick:
Yes!! Iron Man is a tragedy! It has and always has been since the very first appearance in 1963 which describes itself, Tony's life, and legacy, as such.
Tony causes most of his issues himself, he is his biggest villain, a majority of his rogues gallery are caricatures of the worst versions of himself brought to life (when they're not just being racist cuz...60s...). The worst thing about being Tony Stark is that he can't stop being Tony Stark (he tried!!) That is the point.
The majority of pain Tony goes through, is pain he inflicts on himself, whether intentionally or inadvertently. That is the point.
He is not A villain (at least. Not usually. There are...some rough moments and arcs that are. Not great. As there is with any character as old as he is). But he is his own main antagonist.
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I am going to start flopping on people if the dbd fandom falls to the poison of misogyny. If I see a single person hating Crystal just because she's a woman within proximity to a mlm ship I'm starting a petition to not get season 2 I swear.
Genuinely I absolutely fear for the tsunami of hate I anticipate most of the women in that show getting because how DARE a show marked LGBT+ and with queer men main characters also prominently feature women.
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Top surgery scaremongering does not worry me because if I ever find myself weeping womanly tears because I've settled down to be a 25 year old rural Iowa tradwife homemaker with a g*d-honoring Christian man but I can't breastfeed my three homebirthed children then something has gone very wrong with my ideals even just beyond the gender/sexuality mixup and I have bigger concerns
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See, it's less about whether or not Willow is the braincell, and more about the fact that Willow likes taking care of her friends and looking out for them. It's both a source of self esteem and worth for her (she feels useful and competent if she's helping others) AND it's her main way of expressing her gratitude and affection for her friends presence in her life. They make her happy so she's gonna keep them safe and out of harms way. Plus most of her friends (sans hunter) have a history of looking out for her that, as much as she appreciates, she'd rather not return to. She likes her independence and she likes her new role in the friend group, she doesn't want to take steps back.
Sometimes this Need To Help manifests as magical outbursts that may not be great strategic moves (when she thinks Hunters been kidnapped in coth). Sometimes it manifests as scolding and steering in the right direction (her with Gus in something ventured) but ultimately letting them make their own choices. Ultimately Willows the sort of person to do whatever she thinks is right in the given situation for the people around her. When she can summon it, she has a lot of wisdom for her age (seen in the scene w/ her getting everyone to share food on the airship in king's tide). And if she can't summon it, she'll still try and do whatever seems right in the moment (gives hunter the pic of flapjack) and just problem solve as the day goes on until someone feels better, goddamit! <- this is the kinda moment that leads to rash decisions, bottling her feelings and burning out bc she really doesn't wanna fail due to her history and self esteem issues. It's why Hunter comforting her works so well in ftf and completely shifts their dynamic. She finally has confirmation that someone who loves her won't love her any less when she fucks up, but I digress.
Willows always looking out for others, and sometimes she's dumb about it, sometimes she's smart about it! It depends on who she's helping, why they need help and what kind of day she's had/where she is. Thanks to Them showed Willow in a pretty stable situation, hence there's extra room for silliness. For the future was following extremely distressing events and put even more stresses on Willow herself. Hence she bottles things up and struggles to make the good decisions she was once able to. It's not like she became a worse leader or friend since asias or king's tide (episodes that take time to include small moments of her playing to people's strengths, doing good strategy, making sure no one's left behind, etc). She's just having a really garbage fucking day.
She's probably only gonna get 1 Moment™ or so in the finale bc she had her day in ftf and I'm content with that, but I was rewatching asias where she DOES take on a responsible leadership role (while still maintaining her whole "blossoming wallflower/crouching underdog hidden badass" thing) and it reminded me of the small contained debate that happened around thanks to thems airing. Because yes, Willow and Gus were Goofy™ that ep, but a) they were literally comic relief in season 1 + 2A, it kinda has precedent and b) Willow is only as sensible as the situation calls for her and as her environment allows. She's nuanced like that!
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Not sure if this has been brought up before, but I don’t think that there’s that significant of a secret behind the mural man. LIke? Apparently the political figures of Vinyl City are determined not by public voting (alone) or running for candidacy, but through the Lights Up competition for a combination of 1) completing the arena, 2) ‘lighting up’ the stage as the competition implies, and 3) passing the final vote from the NSRtists and the Head. If there was only 5 musicians and a head with NO vacancies, why would any of the Charters vote ‘yes’ to the contestant/s if there’s a risk in getting replaced?
I would think that the mural man filled in that 6th artist slot present even on DJ Subatomic Supernova’s satellite, and I suppose the mystery then would be if their absence was either through retiring, quitting or simply the end of their term as a Charter. Like, instead of an election season or whatever, Vinyl City holds Lights Up Auditions during a set period during that 6th Charter’s crossover or something; on the satellite again, it’s not as if we see the mural man’s name in 6th (we see Bunk Bed Junction’s), maybe they’re already gone or are archiving stuff from their district. Does Tatiana temporarily hold ‘charter’ to the district? Does she hold the platinum disc until a new position is filled? Is Festival Plaza that district that once had mural man as a Charter? Do you think with the Rock Revolution and the subsequent approval of indie bands that the position was left empty or even completely abolished?
idk, lmao-
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so like, aw man, this is not what you asked for but AVSNAVDJSVDA so you mentioned a theoretical timeline in which wars does have to go back to his era and has to live on his own in an era that hates him, and I still think abt that sometimes because I’m a sucker for angst. but because I’m an even BIGGER sucker for hurt/comfort, I still hold on in my heart that somehow, SOMEWAY, in that theoretical timeline, legend would not take no for an answer, and— being as stubborn as he is— somehow through magic and the spite and willpower of demanding a happy ending, manage to find wars down the line anyway.
If anyone could do it, it would probably be legend, honestly. Drag chboy back into comfort and safety and the arms of someone who loves him no matter what other people say or do. And honestly, Legend’s earned it. They both have. I know ranch au exists but the idea of both theoretical ends being soft because they just love each other That Much is one that warms me heart.
while it makes me sad that they're not All together, i personally love this idea to bits and i think legend would absolutely be the one to flip off fate and tell it to go fuck itself. the narrative of that is so heartwarming ??
he's done nothing but save the world since he was nine at the request of beings he'll never be able to truly comprehend. he's been beaten and bloodied out of necessity and he's been starved bc nine year olds that come from orchards r not taught how to hunt. the world forced him—a little kid—to destroy himself for it, and he never had any say in the matter. and eventually, he gave up trying to find a hole in the agreement or a promise of freedom between the lines. it's for the safety and security of the kingdom, after all
he never valued himself enough to try harder to escape it. but warriors? he loves wars more than anything. he'd Do anything for the guy. and when legend realizes that wars is prolly gonna get sucked back into his own shitty era, filled with shitty people who routinely bite the hands that feed them, legend felt So much dread at that thought.
warriors deserves better. warriors deserves So much better than that. and thanks to wars, legend now believes that he himself deserves better than this—ripped away from his partner as thanks for keeping humanity alive. he's in a better spot mentally, and now that he truly has smth to fight for that's not just an assigned task by a goddess, he's pretty much unstoppable
it could go two ways—either legend goes to wars' era and lives w him, or he takes wars backs to his own. since wars is in genuine danger of people attacking him in his era, once they have their tearful reunion, they prolly go back to legend's time If they were able. legend might have enough power to make two warps (wow! convenient!)
i rly love the idea of them leaving legend's current house to ravio, and they move to find a bigger space to settle down. they 100% buy a nice home on a more peaceful side of the kingdom and they live in the same space and breathe the same air and they have Never been happier. legend starts a garden and teaches wars how to care for plants n shit. wars becomes an author like he always wanted. they already have enough money to retire cuz bein a hero is a very lucrative business, so their house is Nice and they never go hungry and also they get a dog . i said so.
the end. they live like an old married couple . i Said so
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