#lowrezjam
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bad flesh.
made for #lowrez jam.
average play time 3 - 5 mins
download it or play it in your browser here: https://toothandclaw.itch.io/bad-flesh
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Added some performance improvements to my sand breakout game https://drspaceman0.itch.io/sand-trap
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#indie games#free game#casual gameplay#bonsai simulator#bonsai#pico8#Lua#python#game design#game development#desktop#mac games#toy#software#game jam
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64 х 64 game jam submission
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Scale it Down for the Love of Pixels: 64x64 is the Limit in Upcoming 'LOWREZJAM 2020'
Who needs fancy (and quite frankly, borderline insane) resolutions like 7680x4320 when you can have... wait for it... 64x64? Okay so that may be going too far in the opposite direction for some, but be that as it may, that resolution is still what LOWREZJAM 2020 is all about. That and, needless to say, appreciating the glory of pixel art. Because pixel art is awesome!
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high and low rez things
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Adding some cheap and nasty items and UI.
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Valkyrie Dungeon Mini https://gelokaiser.itch.io/valkyrie-dungeon-mini Dungeon-crawling Roguelike game submitted for LOWREZJAM 2019. #krita #godotengine #digitalart #pixelart #indiegame #game #roguelike #dungeoncrawler #gamejam #lowrezjam #lowrezjam2019 https://www.instagram.com/p/B1EjjE0geaQ/?igshid=q28j1papkjda
#krita#godotengine#digitalart#pixelart#indiegame#game#roguelike#dungeoncrawler#gamejam#lowrezjam#lowrezjam2019
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It's been a while since I've posted here, but here's my LOWREZJAM submission for this year:
🖼️ dot.Market 2: Pixel Art Repair Simulator 🖼️
The sequel to my LOWREZJAM 2014 game, buy and restore broken pixel art and sell them for a profit, market forces willing.
Play/Download: https://quadolorgames.itch.io/dotmarket-2
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a jam-ready version of my game is now posted on itch.io!
in case you haven’t played it yet, now’s a great time!
WASD to move, arrow keys to aim, space to shoot.
starting tomorrow evening, other game developers will be rating the game as part of LowRezJam 2017. you can check out all the entries here!
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hi i made a gamejam game i think
https://itch.io/jam/lowrezjam2017/rate/168505
if you care here is the link i guess
if you dont care then oh
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RELOAD (Quickly, now)
Keep your endless supply of pistols loaded to fend off the beast horde!
This is my entry for LOWREZJAM 2017. Please have a play, and if you feel like it, add a rating too. I’d be very grateful.
https://demmy.itch.io/lrj-17
#LOWREZJAM#low rez#pixel art#pixel#pixelart#gamedev#indiedev#madewithunity#game jam#video games#videogames#gun#reload#pistol#beast#werewolf#werewolves#vote
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low rez jam 2017 should be fun ;) Follow @stuffbyspencer For Dev-Updates
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LOWREZJAM Post-Mortem
From August 1st to the 16th I spent an inordinate amount of time working on my first game. As someone who has only spent the past couple of months pursuing game development in earnest, I needed a way to stop generating an assortment of half-baked concepts and prototypes and instead release a completed product. LOWREZJAM allowed me to do just that, but perhaps not in the way I was expecting.
My experience in gamedev thus far can best be summed up as a trial-by-fire-where-everything-is-on-fire-and-new-fires-keep-popping-up.
The trickiest part of this whole process has been bridging the gap between expectations and reality. I’d tried to establish manageable goals for myself, and I don’t think my rationale was too unreasonable: a game limited to a 64x64 canvas using PICO-8. The constraints were so small that a game just had to get made, right?
youtube
That was how LOWREZJAM began for me: cleaning the barrel, loading the chamber, and priming the trigger just so I could shoot myself in the foot down the line. I’d read several beginner's guides to game development and gotten it into my head to not start with my dream game. That was fine. My roguelike dating sim will just have to wait. From there I reasoned, “Well, why not use arcade games as a template? They’re simple and straightforward with plenty of replay value.” Not a terrible point of view to approach the project from. No, instead what was terrible was how much I allowed that initial concept to evolve into a Frankenstein’s monster patchwork of ideas and mechanics. The game, whose final release title is A-Taco-Lypse Driving, was supposed to be “an arcade-style vertical scroller where you deliver food to customers while avoiding hazards and battling enemy competitors. Easy enough, right?*
*see previously linked video
The original proof of concept drawn by my brother.
With a concept in mind, most of the time spent on the game was taken up by learning how to code. I’d attempted other projects in Lua before, but this was the first time I’d really dug into the language and what it was capable of. In spite of my best efforts, the problems that arose seemed to be unending. For every issue I solved two more would pop up in its place.
One of the issues I encountered early on. Lesson learned: be better organized.
For several days my process essentially boiled down to throwing possible solutions at the wall until something stuck. The big paradigm shift that increased my productivity occurred when I approached the game on its more elementary levels. For something that involves so much math and logic, it’d taken me longer than it should have to realize that planning out possible solutions with discrete data and information produces better results.
Remember kids: always show your work.
This was also the point in the development process where I realized my scope was larger than I had anticipated. In a bit of interesting retrospection, my friend Julian had the notion that I may have bit off more than I could chew and warned me as much. In a recent conversation with him, however, he admitted that it was something I’d have to find out for myself. While coding proved to be the bulk of my challenges, I most definitely learned more than just programming. Ironically enough, my focus on shoring up coding deficiencies resulted in me neglecting perhaps the most important part of the game: the gameplay.
Believe it or not, the released version of the game is just as cluttered and messy, if not moreso.
I had gotten so wrapped up in getting my game to work that I completely forgot to take a step back and figure out if the the game was fun. The development process for me was a triage of shoddy mechanics when it should’ve been a clear roadmap of priorities. My mistake was in not understanding what my limits were and what I was capable of. This goes back to my conversation with Julian where he helped me realize that perhaps this would be (and it was) a fact that I would just have to learn the hard way. The hard way ended up looking like:
Start with a nugget of a game idea
Add more facets/features to that nugget
Figure out how to program it into the existing build
Realize there are roadblocks and obstacles popping up that prevent me from easily implementing these features
Spend time to try and work it in anyways
Be pressured by the deadline and shift focus onto another aspect of the game
Realize these features also have their own roadblocks and obstacles
Back to Step 2 and keep jumping around Steps 2 to 8 depending on the mood of the day
I saw the words “Runtime Error” more times than I care to admit. And I’m already admitting having seen them a lot.
What was interesting to see in how I worked was my tendency to fall back to my comfort zone. On a micro level this meant fixing the issues I could immediately address and/or knew how to address. On a macro level this meant stepping out of the developer role into the manager role. I was fortunate enough to work with two incredibly talented individuals, my brother, Noah, and my friend, Grant, who helped to produce the visuals and sound respectively. Coming from a background in the arts and entertainment, it took me (comparatively) little effort to crystallize a final vision for the narrative aesthetic and tone for the game and communicate that to the rest of my team.
Original game is 64x64 but PICO-8 scales screenshots up to the engine’s default 128x128 resolution. Here you can see the ravaged post-apocalyptic wasteland of the distant future: 1999.
The end result is a game that has a strong personality, but is severely lacking in mechanics. There were far too many moving parts that weren’t intuitive and didn’t mesh well with each other, pitfalls of the game that stem from the seat-of-my-pants approach I took with the development process.
The final PICO-8 Cartridge.
In spite of all the glaring flaws with gameplay and the amount of stress I endured, creating this game left me with a complete and utter sense of satisfaction, something I haven’t felt in a long while. This was entirely a labor of love and I think (read: hope) it shows.
Organization is still very much an issue I face as an artist and developer. Maintaining focus and discipline towards a project is a difficult endeavor, especially knowing myself and how easily I lose interest or steam. But understanding my shortcomings is worthless if I don’t take steps to rectify them. The first step to avoiding these mistakes in the future is to take it slowly, ensuring that above all a finished product will have polish. What that means for me is understanding my limits, both in terms of what I can and can’t do.
And maybe, just maybe, that roguelike dating sim I have floating around in my end will someday end up on somebody else’s screen.
-Kyle
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There's Still Time to Make Something Tiny For LOWREZJAM 2019
In 2019, everyone's making games that crank the resolution way up - some even as high as 7680×4320 (8K) - but what say we dial it back a bit? Back to a simpler time. One of... say... 64x64? Crazy? Maybe I am, but such is the 'cage' within which you'll be working, should you choose to partake in this year's soon-to-be-over LOWREZJAM. Groovy stuff.
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