my favorite guys <3

put on your war paint

killer belongs to rahafwabas cross belongs to jael peñaloza apocalyptic kross au belongs to me, @denieatsart, and @psycho-chair !!!!

@priellan COME GET THE BOY!!! ✨

Some different ideas for how that could go down >:D And me picking something personally self indulgent again asdlfjsdLJSDGLDSJG I wanna see him with a Tangled rapunzel length hair braid... it would be so pretty...

good luck to @spooksier (and happy late bday ozzy) on your upcoming thesis defense!!! You’ll do amazing!!!

week 4 of my dailies from @brifdi-daily ! the gender ratio of these was getting kind of annoyingly skewed in favor of dudes so i rerolled until i got girls for this week ! hooray for girl week

Spa Day

I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents

alright this one is getting its own post instead of a reblog on a post that is Entirely Not About That. presenting the 'what if we put amy and alec in a room together' manifesto because the thing is that it is interesting but not in the way amy/alec shippers think

Amy shook her head, talking over her, “She’s always been emotional, passionate, unrestrained, and she’s channeling all this new emotion into hate, because it’s the closest equivalent.” “New emotion?” Regent asked.  “You mean you mindraped her.” Amy looked like she’d been slapped across the face.  I wasn’t surprised, but hearing it said out loud was unsettling.

“Nice,” Regent said.  “She could be a human-spider hybrid.  Add some insult to injury with the mindrape thing.” I could see Amy tense.

it is relevant to his character that he's the first person to cut through amy's euphemisms (and everyone else's avoidance of saying the unsettling part out loud) and outright say "you mindraped her." he calls the euphemistic language out and then intentionally repeats it a second time for no other reason than to bug her about it. it's vaguely reminiscent of something he says to sophia during his interlude:

“You and I are more alike than you’d suspect, I think,” he said. “We’re both arrogant assholes, yeah?  Difference is, I admit it, I don’t dress it up and tell myself that I’m a bitch and that that’s a good thing.”  He burned Emma’s face out of another photo.

he has a repeated habit of making people uncomfortable by calling something out for exactly what it is, whether it be "yeah sure cape groupies, my dad's girls, people i used my power on towards the end" or "you mean you mindraped her." he's desensitized enough to really all forms of violence to be unbothered by committing or witnessing them, but he seems to harbor a genuine pet peeve for people who obscure or unreasonably justify what they're actually doing. as uncomfortable as he can make taylor, it's often not that he's doing things worse than the other undersiders, but that he's the person most willing to openly admit what he's doing--or to pettily call out what someone else is doing.

i think it more or less boils down to the fact that he's never gotten to be the person on the peripherals of violence making up neat and tidy ways to talk about it: he spent his entire childhood being hurt in every way imaginable & being coerced into doing the same to others. i think it left him with a sort of genuine distaste for being expected to talk in circles around the viscerally awful things he had done to him or did to others, and subsequently, for people who have done similar things but can't fucking fess up to the reality of it. it's like he's been walking around his entire life just absolutely drenched in blood, witnessing so much else get covered in it, and he's starting to get legitimately bothered over people standing around twiddling their thumbs and pretending it's red paint. he knows it's blood. he's been tasting it since he was 6. he would really like if everyone else could also grow up and admit it's fucking blood.

it's always funny to me that amy/alec shipping is, like, a Thing--a niche thing, but a Thing, because i could not think of a rapist more hand-crafted to piss amy dallon off than alec vasil. he cannot go Three seconds in her presence without going "oh you raped her? you mean you raped her? with your mind? like she doesn't just have new feelings you specifically mean you mindraped her?"

she, on some level, views herself as someone who did harm because she's irrevocably, ontologically evil, and is sort of desperately obsessed with minimalizing or half-justifying her actions to herself so that she can avoid recognizing that she feels like she can't be better. she's clinging to the idea that she can be "redeemed" if she does something of equal measure in the opposite direction (e.g 'spending the rest of her life healing people' as she mentions), but because she can't even directly acknowledge how bad her actions actually were without crumbling under the weight of the idea that she's doomed to be that bad, she's fundamentally incapable of looking directly at what she did at this point in the story.

alec, on the other hand, is really fucking upfront and fairly objective about his actions--he never ties them into some Inarguable Truth About His Soul, and he's pretty honest about whether or not he thinks they're justifiable. in 14.1, he has this dialogue with cherie:

“When daddy had you practicing your powers, you ‘hijacked’ a few people at a time, used their bodies to get high with no consequences for you, you threw orgies for yourself…” “Again.  I was a kid.”

but despite the fact that sophia is, on some level, justified in his mind by his "eye for an eye, this is a favor for taylor" rhetoric--he's fine with admitting that he's also just doing it because, yeah, he's an arrogant asshole and he feels like it. some of it was because he was a kid being groomed, and some of it was because He Felt Like It.*

*sure, he only Felt Like It because he has a comically large cocktail of unpacked psychological issues--but he doesn't know that, he just knows he felt like it.

in other words, he doesn't subscribe to the idea that any of his actions are, like, Ontologically Predetermined By His Inner Being or even necessarily all related. he's like the fuckin' "might do it again, prolly not" dude from the sex offender shuffle. okay, sorry for saying that in my seriouspost. but his philosophies would clash hilariously badly with amy--he insists on accepting his own & others actions for exactly what they are, he's generally very invested in not being his father (being asked if he intends to turn out like his dad is one of the only times something briefly upsets him), and he's actually doing pretty okay at that. he's like...shockingly well-adjusted given the circumstances. his entire arc is more or less a slow upward climb.

i think having to be around someone who both believes and would outright admit "yeah i raped people, no i dunno if i feel that bad, no i'm not raking myself over the coals for it, yeah some of it was because i was a kid, yeah some of the other stuff wasn't, no i'm not Predestined To Suck," would like. clash with her beliefs abt 'ontologically evil' being a real thing, abt punishment as justice, etc. in a way that would really bother her. she spends a lot of her time in her head trying to twist things around until they feel salvageable to her, but alec is 0 amount concerned with rationalizing to make him feel alright--he just does things, some bad, most shitty attempts to be better.

it's, funnily enough, far more functional for improving than what amy has going on--he operates on material actions as opposed to her Self-Flagellating Thought Labyrinths, and the fact that he's busier moving on from things he can't materially change than he is kicking himself in the face means he can actually achieve some form of progress towards more functional approaches wrt human interaction. i think if amy had an extended conversation w/ him about the subject, she'd both be disgusted with him for not thinking thoughtcrime is real and deeply resentful that this fellow ontologically evil villain is doing better at moving forwards as a person than her despite not 24/7 flagellating himself + yearning for "redemption" like she is. it'd throw a disturbingly large wrench in her worldview, and she would not be happy about it.

oh, and alec would think she's weird and mopey and dumb and annoying and "why do it if you can't even admit it." and he would probably tell her as much. which is the point where i unlock the door to the room so alec can sprint out to escape amy's attempt to put tastebuds on his asshole.

i just finished a really good sprite but i want the character reveal to be kind of a surprise so i blurred it a bunch and flipped it upside down i hope the experience is just as enjoyable as any other

Young Lloyd drawing!

I actually really like this :D

Dancing with the devil...

@estelletheskeleton forgot to add this here but here you go >:Dc

Happy belated birthday to my baby Piko! ᕕ( ՞ ᗜ ՞ )ᕗ

Day 7 (Barnaby)

Yall I feel sick rn but I didn't want to miss my 'streak' so sorry if he doesn't look as great 😭😭😭

My throat hurts sm

this website doesn’t have memes. we have echolalia. we all see one post and collectively go “yes, mhm, we are going to repeat this phrase for years to come”

"I'm playing a young character named Scanlan Shorthalt, who is a gnome bard. Let's say that he's wearing purple. He's wearing tight purple pants and a white shirt, but the shirt is buttoned all... let's say it's buttoned all the way up. He's got long hair down to his shoulders, but he's a little bit uncomfortable in his skin. He doesn't have the swagger of some other performers or folks that we might meet later in the world." [laughs]

oh my god