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#lonan and harrison only having the anniversary of their first book being finished every 4 years..... so them
coffeeandcalligraphy · 5 months
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the seventh virtue drafting journey is soooo crazy to me bc I did the 10k day in may 2021 & then exactly a year later I was 60k into the manuscript & then from august 2022 to early march 2023 (a tiny bit over 6 months) I wrote the remaining 138 000 words LOL
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send me a 👀 and i’ll post a snippet of art/writing that i never got around to finishing this year (r.i.p)
okay so here’s the tea on all the things that didn’t get finished in 2019!
2019 was the year of abandoning short stories lol oops! Here’s the hit list: :’(
1. Growing Season
This is such a hard hit because who doesn’t want to read a story about a woman replacing her boyfriend with a cactus, narrated BY the cactus?? I’d love to revisit this story because a) it’s told in my fave POV (first person directed to “you”) and b) “you” is an apathetic college dropout who goes for the hard dRAG after a bad breakup with her boyfriend, and c) because a cactus NARRATES it.
I’m at a little over 800 words in this story (it def gives me Sea Life by Eliza Robertson vibes).
2. Phantom Limbs in D Minor
Biggest hit! I’ve been working on this story since March, made good progress in the beginning, and slowly began drifting from it. I’ve chipped away at it sporadically over the last few months, and I’ve made it my goal to finish it over break! I don’t see myself hitting this goal, but I do hope to actually finish this story because I feel like it contains some of the best prose I’ve written and I love the vibe! I’m at over 2k words with a scene of about 1k floating around. I’ve actually toyed with making this story a novel because the scope seems quite large, but I definitely want to finish the short story before I think about that more! We follow chaotic Linda as she stress renovates her childhood home (a past! commune!) after her mother’s death. Linda is so precious to me, and I’d love to give her a story! If New York by Ex:Re was a person, it would be Linda lol. 
3. Anatomy of a Swinging Door
I’m making a statement, and my statement is that this is my designated cult story which means it must happen in the future. This was originally my “test out first person retrospective” story, though I think the point of view isn’t working super well here, but we’ll see! I conveniently wrote a logline for this story when I was trying to narrow down the scope, so here you go: A young woman visits her childhood home on the one-year anniversary of her brother’s disappearance and meets the new (and strange) family who lives there. 
(cult!)
So the second round of tragedies goes toward novels, AKA Houses With Teeth (which I can share excerpts from!). 
4. Houses With Teeth
I really struggled with this book this year, because it came to be in a time where my writing was getting an overhaul (though I didn’t realize it at the time)! I’ve learned a lot about intention in writing over the last year, something the Fostered series has lacked (oops). This led to me being very unsure about where I wanted to go with this book in particular--the same route as all the others (weird contemporary with dystopian elements that haven’t fully gone away yet) orrrr plan out something a bit more literary! I’ve fought with myself over this since April, and still don’t know where I’m going, but I’m missing my chaotic diva narrator Reeve and would love to get back into her head! 
This book has gone through about 3 openings, and I haven’t fully landed on any yet. I’m rethinking how I want to start this book, but taking my time with Moth Work to work me up to the timeline in HWT (which takes place about 8 months after the end of Rewired). I think I’ve shared most of this!
Some excerpts of first person retrospective Reeve (AKA Rachel trying to be Emma Cline looool):
Though the church was only a fifteen minute walk from the apartment, I packed a picnic basket of cha siu bao and a bottle of red wine and wore heels so they would know I wasn’t Christian. The basket wasn’t mine and neither were the bao—these were both things I’d taken from Liu. This wasn’t the first time I’d stolen from her. I’d once taken her fifty-dollar jar of saffron from the pantry because I’d heard it was the most expensive spice and wanted to feel rich. I took her jade Buddha necklace because she’d left it in the back and I wanted to feel cultured in her city, I wanted to become her history. The saffron jar was replaced. She didn’t comment when I wore the necklace at my next shift. This was why Liu and I worked well together. She pitied me so would never fire me, even when I skipped shifts and cussed at the customers. I felt entitled to her things because she was kind to me. I felt entitled to her kindness. 
lol I haven’t read this in months and it made me laugh #valid:
I crossed the street before the streetlight changed because this is how I lived in New York City. The world was unfair and lightless and I was an atheist who believed in God, walking in five inch heels on a busted road in the ghetto so I could get enough holy water to drown the ghost out of my apartment. 
When all else fails, add a dash of mother:
The air that summer was always the same: dense and wet, even on the good days. It clung to my arms and threatened to erode the skin there, even when it wasn’t sunny. I remembered my mother’s insistence of sunscreen when I was a child; before the pool, in the pool, out of the pool, when we weren’t even at the pool. Her hands were always cold and the sunscreen was always liquid—Izzy was never good at temperature or putting things in the right places. She’d put the instant coffee in the fridge and the cream on the counter. She’d cook the eggs too long and the ice too little. My father would criticize her as a joke and she’d threaten a divorce. This was the only thing I knew was true about my mother. Sunscreen was expensive, so I never bought it. 
Reeve bringing out the drag:
“Grab me a pack of cigarettes?” I shifted the picnic basket so it rested in the crook of my elbow.
“ID?”
“You don’t need my ID.”
“I ID every customer. You’re nothing special, baby.”
The man’s mustache wilted in the tungsten light of the variety store, spindly like loose threads. My father had grown a mustache like that once, and it took only two nights before my mother cut it off in his sleep. Izzy was brash like that, and I wanted that too; to find a pair of scissors in one of the aisles and chip at that flaccid mustache. There was nothing special about this man, either. All men in New York City tried to look like that; facial hair like coiled up leeches, a gut they pretended wasn’t a gut, but the fault of an unflattering polo from their wives. I imagined the snip of the kitchen scissors on my father’s upper lip, the same snip I heard the next day when he clipped the evergreens lining the walkup. There was something coarse about how similar it all was—pruning trees, grooming facial hair. I had turned twenty that spring—it would’ve taken only a minute for him to pass me a pack, but this was too easy. I wasn’t biological in New York City; I shouldn’t have been. 
5. Fostered But It’s Magic
So this was never meant to be a full project, though I had hoped to write a bit of it just for fun and never got around to it! FBIM (obvi working title lol) is exactly what it sounds like: the Fostered series but with a magical twist! I don’t write very much genre fiction, nor have I ever written fantasy, but a few months ago, felt drawn to the idea of putting Fostered in a magical world (my comp titles are SHREK 4 meets HOWL’S MOVING CASTLE). 
I don’t have any of this written, but I do have a few notes which I can share! 
I didn’t realize I’d made a tag yourself writing these notes but (I’m Lonan):
Reeve is a magical con artist who runs her own business selling bootleg magic. 
Lonan is absent and part bird
Harrison *believes* he is #magic free but has been recently getting hot flashes during nightmares.
Foster has an in-home herbalism business where he helps mostly the elderly and children. He has a cart that he wheels monthly into town. Kind of a failing business.
The gist is that Harrison (who we’d be following) can’t sleep due to hot flashes and nightmares of his ex (@ Lonan) and is referred to a small business run by a clairvoyant who promises to make all psychological problems disappear—relationship issues, sleep issues, life issues. This clairvoyant is actually Reeve who is telikinetic of some sorts, and doesn’t actually provide magic, but manipulates (usually weak) brains, AKA tricks people into paying her large sums of money when she gives them no magical help in return. We ALSO have a “past” plotline, and this is the very loose logline I’d written down (tho if I ever write any of this, is subject to change):
After being tormented by nightmares of his ex lover resulting in violent hot flashes and an inability to keep up employment, Harrison seeks a magical intervention. When the clairvoyant he hopes will cure his strange ailment turns out to be a con woman—and his old friend—he is thrown back into the past and forced to rekindle relationships he thought he’d left behind.  
Some dialogue I wrote down ft. clairvoyant Reeve being Reeve:
H: Why are you doing this? 
R (reapplying lip colour): Is my lipstick distracting you? The colour is dazzling.
H: It’s bullshit. 
R (abruptly stops drawing on lip colour): The lipstick? 
H: Your work.
My fave interaction tho has to be this bit I’d noted down with pure Foster comforting Harrison after a nightmare:
Foster *reading on couch when Harrison wakes up in #panique*: What happened? Harrison? Do you need some eucalyptus? 
*do u need some eucalyptus*
That’s basically all the writing related things I didn’t finish in 2019! I’d love to explore them all in 2020 though! Thanks for asking. :)
--Rachel
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