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#like bros this is my whole motivation

spaciebabie · 9 months

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i really don't know what to feel about this, on one hand the whole "the nightmares were actually mannequins/plushies and are the result of hallucinations" has been fairly popular theory since the release of SL so there's Confirmation on that i guess??

ON THE OTHER HAND idk if I'm misinterpreting the lore or something but where does Charlie + CC fit into this? They're basically catalysts for Afton's drive (discovering Remnant + his need for immorality). You're telling me he was ALREADY experimenting on this shit BEFORE their deaths. Somehow in a totally unrelated event prior to literally the entire series he just discovered what Remnant is and began his search for eternal life??

I've seen ppl say it's the MCI that was the trigger but NO??? Cuz that HAD to have happened AFTER charlie which goes back to my original question

maybe im wrong about the details but idk that's the one of the biggest hangups ive had since all of this sorry for ranting jdjsjs

no you're right b/c this is literally the way i think abt this too. theres no reason for him ta know remnant exists until someone dies or he kills someone. he cant be experimenting on his kids that early cuz 1) it just doesnt make sense and 2) WHY THE FUCK IS HE TRYING TA DISCOVER REMNANT AND LIVING FOREVER WITHOUT A CATALYST?????? A CATALYST BEING THAT ONE OF HIS CHILDREN DIED???????

AND ALSO. WHY IS HE EXPERIMENTING WITH A GAS CHAMBER. LITERALLY SO OUT OF NOWHERE. FNAF 4 CAN BE EXPLAINED WITH ILLUSION DISKS SO????? WHAT THE FUCK IS HAPPENING??????

#spacie splains #you're not the only one all my fnaf fan friends are so confused and Tired #like i dont get it #why would you do this bro WHY #HE HAS NO MOTIVATION TA BE EXPERIMENTING LET ALONE ON HIS KIDS??????#IM A DIEHARD WILLY A LOVING HIS KIDS JHE WOULD NEVER DO THAT #I KEEP REPEATING IT BUT IVE BEEN SAYING THIS FOR A WHOLE ASS YEAR NOW #THATS NOT MY MAN!!!!!!!!!!!!!!!!!

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many-gay-magpies · 3 months

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while im already on the train of teen wolf thoughts, i might as well say that i do not get sterek. romantically anyway. that ship is so intensely POPULAR and ive been seeing stuff about it for literal years, way before i ever even considered watching teen wolf or really knew what it was. pretty much every teen wolf fic i see on ao3 has some manner of sterek in it unless i SPECIFICALLY search for something else, like its just a given part of fanon, but now that im actually watching it im kinda like. where? like yeah they had that one vaguely homoerotic wall-pinning moment in season 1, they snark at each other a lot, but like. i don't even see them together that often. and that's not even MENTIONING the fact that in season 1 stiles is 15/16 and derek is fucking,, 22 (or 20, I'm not sure on his age but ik its at least a four-year difference),,, which is just. yeah no thanks

if anything they strike me more as, like, goofy, vaguely sibling-coded friends. stiles came along as a package deal with scott and started annoying the shit out of derek and derek had no say in the matter whatsoever, and i think that's beautiful.

all this being said, stiles is absolutely bisexual

#out of all the ships ive seen for teen wolf the one i can get behind the most is scott and isaac #like. that's some MAJOR devotion bro. isaac brings scott up like every other sentence (not literally but ykwim) its cute #the whole allison love triangle is mucking that up a bit and honestly just. what even is the point of that #but WITHOUT THAT. <3 #and they dont even have a disturbing age gap!!!#(yeah it has not escaped my notice that teen wolf has some. issues. with minor/adult relationships and inappropriate age gaps)#(theres the whole thing with lydia and that deputy whose apparently like 24 or some shit that i havent even gotten to yet. not looking #-forward to that)#other random tw ship opinions:#scott and allison are actually cute! i was pleasantly surprised in season one when i actually LIKED the main het ship lmao #stiles and lydia (or what exists of them so far anyway) are also cute #i still think it would have been cute/nice/whatever if jackson had repressed feelings for danny (which i know is not an impossibility since #-he DOES apparently come back with a bf later on)#but like i dont know how much i actually see that or if i just like it in theory . really i appreciate their friendship as a friendship in #-its own right #on that note. danny and ethan: SWEET. get it danny. love the trope of 'i originally had an alterior motive for getting with you but i #-caught feelings and really care about you now oops'#speaking generally though the romance (whether canonical or otherwise) is definitely NOT what attracts me to and keeps me hooked on teen #-wolf. not by far #but i like having opinions about it anyway uwu #magpie thoughts

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paegei · 4 months

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MOANER, GROANER, OR WHIMPERER ?

what sounds do the seventeen members make in bed ?

NSFW CONTENT ! MDNI !

a/n: GUYS i am so sorry i haven't written in so long ╯︿╰ i lose motivation for things VERY easily. anywho,,, if anyone has any requests or anything feel free to send them in ! ( just be prepared for me to take my time to respond ϵ( ‘Θ’ )϶ )

MOANER:

jeonghan:

when i tell you this man has the PRETTIEST moans i mean it. borderline angelic. every noise that comes out of his mouth has you on the verge of orgasm LITERALLY. he's upstaging you i'm sorry !

joshua:

the things i would do to hear him moaning.... 28:50 of the youngji interview is EMBEDDED in my brain. def more on the quiet side, his moans are pretty low in volume, but he is for SURE right next to your ear cuz he knows how much his moans affect you.

jun:

pathetic moans. PATHETIC. loud, whiny, GUTTURAL moans. he also has no shame. and i mean that. does not care how loud he's being. he has to let you know how good you make him feel, who cares about who hears ? also def makes those ah- ah- ah- sounds before he cums

minghao:

hao's moans are like josh's, low in volume but close enough for you to hear. gives me the vibes of someone who doesn't make much noise in bed, he prefers to focus on your blabbering, but when his sounds grace your ears, it is HEAVENLY. ( his moans are borderline whimpers too just saying )

seungkwan:

DEEP. DEEP. SO DEEP. yk that one good to me performance where he said "make some noise" in his deep ass voice ? yeah, that's his tone in bed. moans coming straight from the chest LAWDDDDDD. was pretty shy at first when it came to making noise, but after seeing how badly it affected you ( because who wouldn't go insane hearing them ), he just goes AT IT. unless he's in sub mode and is borderline sobbing

GROANER:

seungcheol:

bro. words could not describe how hot this man sounds ( i would know we're actually married ). GUTTERAL groaning. genuinely sounds like he is working out ＞︿＜ lets out a groan every time he pulls out, followed by a whimper when he shoves his cock back in :/

wonwoo:

practically inaudible with how deep his groans are. all you would be able to hear is this deep grumble. rarely likes making sounds in bed as he prefers to be all ears for your moans, but hey, sometimes good sex makes a man whimper okay there's nothing wrong with that :3

vernon:

kinda like jun, in the aspect that his groans have a pathetic tilt to them. every sound he makes, no matter how hard he tries to keep them in, just ends up sounding absolutely RUINED. im talking you'd think he was crying from how desperate he sounds ( maybe he is who knows ¯\_(ツ)_/¯ )

chan:

he's right on the barrier between groans and gasps. OMLLLL HIS LITTLE GASP WHEN HE FIRST SLIPS IN !!!!!!!!!!! no shame either he wants to let the whole world know he's getting the best pussy of his LIFE. anime girl ~gah~ kinda noises IM SORRY

WHIMPERER:

jihoon:

dooooont care what you think. he WHIMPERS !!!!!!!!!!!!!!!!!!!!!!! his whimpers are very low in volume however, he knows that if the guys ever found out the little noises he makes for you he would be a goner. tries his hardest to hold the whines back, much to your dismay, but at least then you get the gorgeous sight of him biting his lip till it bleeds (/▽＼)

seokmin:

man does not care how embarrassing his sounds are he NEEDS you to know how good you feel. he is the EPITONE of whimpers. men be afraid to moan in their girls ear, but seokmin is sobbing out "f-fuck oh m- oh my god- 's good, 's good-" and other barely audible curses :3

mingyu:

his whimpers are WET sorrynotsorry. im saying he's borderline drooling. dumb puppy can't help it if your cunt feels so good :( sobs, cries, just the most desperate and shaky words tumbling from his mouth ( if he can still form words is a different story ).

ALL OF THE ABOVE:

soonyoung:

does not give a FUCK what noise he is making, he's just going for it. somehow sounds like whimpers, cries and growls all in one ?? also yes 80% of the time he is growling but are we suprised. just says any word that comes to his mind too. bro does nawt understand why people hold in their moans... if it feels good, it feels good you know ?

not proof-read ! lmk if there's any mistakes (づ￣ 3￣)づ

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todayisafridaynight · 1 year

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I was thinking about this before I want to bed last night so I have no idea if it's anything, but do you think the fact Arakawa (allegedly) was still seeing women for (at least) more than half the time they knew each other would've made it harder for Jo to label whatever they had going on...

Like I don't know if he would've been bothered (or allowed himself to let it on if he was), but crossroads of imperfect communication, only being in one relationship prior, being somewhat old-fashioned, and knowing Arakawa met Akane through an "affair"... no idea where I'm going with this but makes me wonder...

it's a fair thought to have in this (alleged) timeline me thinks

jo wholly doesn't really have experience with other people, whether that's platonically, romantically, or whatever demon lies in-between those. i dont think he wouldve been explicitly bothered- not bothered in a way he'd be ready to acknowledge. just that weird feeling you get when something's off but you can't place it (or rather you don't really want to)

#snap chats #forgive my nine hour late respose i was writing for my life #but it's like. when you KNOW something makes sense and there's not /real/ reason why you should object to it #but you still feel Off right #in this Alleged timeline jo and arakawa dont have something concrete/established #so if arakawa wants to 'explore his options' so to speak then jo doesnt have a reason to be upset right #oh man i forgot a point i was going to say FUCK #gimme like. ten minutes my eyebags feel like LVs rn #godi just have to spit ball what i mean bear with me #its not that jo would ever feel entitled to arakawa's time or attention no of course not thats not his thing #its an involuntary feeling- like when youve been neglected for so long so when Someone spares you SOME kindness #its an accidental attachment thing yk what i mean #thats where that Off feeling coems in see theyre connected i Think im making sense <- i havent connected shit #like jo's not Wholly motivated by companionship thats the trippy part #Accidental Attachment im telling you bro thats what it is......#i do know what youre cookin. i do see and smell it in the kitchen #oh god i shouldnt talk bout food rn i didnt eat yesterday BUT I CAN TODAY #i got a date with a whole can of spam and chicken breast later yes SIRRR....

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the-cat-and-the-birdie · 11 months

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Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

#ill repost the ending as its own post as well yay #hobie brown #spider punk #spiderpunk #miles morales #gwen stacy #jessica drew #miguel o'hara #spiderman 2099 #atsv #atsv analysis #across the spiderverse #spidergwen #spiderwoman #peter parker #peter b parker

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