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randomfandom815 · 3 years

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Defending the women of LOST/Sexism in LOST

People say they don’t like Kate Austen because she’s “annoying” “can’t choose between Jack and Sawyer” “always wants to join every single mission”. Kate has way bigger things to worry about than sorting out her romantic feelings. Yes, she is developing feelings for both Jack and Sawyer, but she doesn’t have time to figure them out while trying to survive on the island. And the fact that people don’t like her because of the whole “I’m coming with you” thing is a little ridiculous, because they’re hating Kate for wanting to protect her friends and do whatever she can to help. You know who else does that? Jack. But plenty of people love him for those very same reasons. Yeah, a lot of Kate’s character was centered around the love triangle, but that isn’t the character’s fault, it the writers’s.

Then there’s Claire Littleton. People always complain about her “my baby!” thing, but... she only actually says that a few times, AND, if your child was taken from you or you thought your child was going to be hurt, wouldn't you be worried out of your mind? Wouldn’t you want to do anything to help them? People also criticize Claire for her entire Season 6 arc. She was alone, on the island, thinking everyone had abandoned her, with only the MIB for company. She was also tortured by the temple Others, who she thought had taken her child. Claire was a single mother who just wanted to keep her son safe, give her a break.

Sun-Hwa Kwon is a character who actually doesn’t receive that much hate, but there is still the fact that people don’t like her because she left Ji Yeon to go back to the island for Jin. Here’s the thing: Sun had no way of knowing what was would happen on the island. She had no way of knowing that Jin had time traveled to the past, and she had no way of knowing what would happen with the MIB/Locke. She thought that she would be able to go to the island, bring Jin and the others back, and the two of them would reunite with Ji Yeon. And then in the submarine incident, Sun didn't want Jin to stay. She wanted him to live and take care of Ji Yeon. It was Jin who made the decision to die with her, not Sun.

Shannon Rutherford is a very unlikable character. Even I don’t enjoy her character, or Boone, and that is a view shared by many other people in the fandom. Many people call her selfish, spoiled, and just plain rude. And she was all of those things, but that wasn’t her entire character. Remember, they had all just been through a plane crash, landed on an island with no chance of rescue. Also, friendly reminder that she was only 20 years old. She was scared, and her way of coping with that was to try to do something normal. Let’s not forget, in Pilot, Part 2, she volunteered to go on the mission to fix the transceiver. She was constantly feeling useless, and it didn’t help that other characters, especially Boone, were constantly putting her down and mocking her. When she started to see Walt, she genuinely made an attempt to help him, even though she wasn’t sure if he was even there. Her death was untimely, and I wished we had gotten to see her grow more as a person. Also, her death was used for shock value and to further Sayid’s character development.

And now, one of the most hated characters of LOST, Ana Lucia Cortez. Now, while the characters I mentioned above were shit on and criticized, Ana Lucia was absolutely hated by the fandom. People hated her attitude, her toughness, her dislike of most of the people around her, and the fact that she killed Shannon (who, by the way, was just as disliked by many Ana Lucia haters). You know who else has a similar attitude? Who has that same toughness and dislike of people? Who else killed someone? That would be Sawyer, a fan-favorite, white male character who is beloved by the fandom. Now, for the last point, what I am comparing here is Ana Lucia killing Shannon to Sawyer killing the man he thought was Frank Sawyer in Australia, right before flight 815. Ana Lucia killed Shannon because she was trying to protect the people she was leading (including Sawyer!) from who she thought was the Others, and killing Shannon was an accident. Sawyer killed the man completely on purpose and out of revenge. Oh, and it wasn’t even the right person. Yes, I am aware of the man Ana killed long before flight 815 out of revenge, but if we can take her very small amount of character development, in which she refused to kill Henry Gale, a known Other at that point. Whereas Sawyer was still willing to kill a bunch of people in Season 6, the end of his character arc. And yet, Sawyer is still in most people’s top five characters lists (just to be clear, I do not hate Sawyer at all, and this is not anti Sawyer but pro Ana Lucia). You may argue that people love Sawyer because of his character development, which I do agree with. However, Ana Lucia was never given the chance to have Sawyer-like character development because she was killed off in the same season that she was introduced in. She wasn’t even allowed to be in the church in the flash-sideways, and she didn’t get to “move on.” Ana Lucia deserved way better than the death for shock value that she got.

Next up on the list is Juliet Burke. She, like Sun, also isn’t the target of a lot of hate, but there are still things that need defending. The first thing is, of course, her sudden change of mind when it came to detonating the hydrogen bomb in Season 5. Yes, it was selfish of her to endanger everyone on the island just because of the way Sawyer looked at Kate. But if the plan did actually work, which she thought it would, that meant she would lose everything she had gained over the past few years, including Sawyer. Juliet is incredibly kind and feminine while also being badass at the same time, which is amazing because you don’t usually see those two traits coinciding (usually a badass character isn’t very feminine and a “traditionally feminine” character isn’t a good fighter). As for all of her motives in Season 3, Juliet was trapped on the island for three years. All she wanted to do was leave and go home to her sister. Yes, she manipulated Sun, but right after that, she made things right by helping Jack make a plan to stop the Others. Her death was heroic, and I’m glad she was finally able to be happy in the flash-sideways. (I am declining to mention her whole relationship with Goodwin and all the drama with Ben, although I might dive into that in another post).

Now, the character Rose Nadler has almost nothing that needs to be defended. She is a constant wise voice of reason who isn’t concerned with the drama of the rest of the survivors. Her relationship with her husband Bernard is very sweet, but she doesn’t let that stop her from doing the smart thing (like stopping his SOS sign idea). Not only that, but Rose has one of the best (and most meta) lines on the show: “If you say live together, die alone to me, Jack, I’m going to punch you in the face.”

Another character who doesn't need much defending is Charlotte Lewis, but not for the same reason as Rose. Charlotte was done dirty by the writers. Of the science team, she is the least fleshed out and explored. She had a single flashback and a little bit of exposition information from Ben, but that’s pretty much it. Every significant thing she did was for the sake of other characters. She had a fake-out death so Ben would reveal that he had a spy on the boat. She was taken to the Barracks so that members of Jack’s group would have a reason to go there. Her going to the Barracks was also an excuse to get Miles and Kate there. And she only died/was dying for shock value, to up the stakes of the time flashes, to provide more questions to the characters and the audience, and to further Daniel’s character development. In the flash-sideways, all she did was go on a date with Sawyer and further his character development. She didn't get to go to the church and move on. Daniel and Miles, the other members of her team, on the other hands were given compelling backstories and centric episodes.

Penelope Widmore is similar to Charlotte in that there isn’t much to defend because she doesn’t do much that affects the plot. Nearly everything she does is about Desmond, and the writers barely even gave her a personality. I’m sure Penny was an actually interesting person, if they had bothered her to give her any storyline that didn't involve her love interest.

Danielle Rousseau is a character that kind of slides in and out of the story as needed. Now, Danielle isn’t the subject of a lot of criticism just because she isn’t very focused on, but from what I have seen, here’s what I have to say: Danielle was alone on the island for sixteen years. And for sixteen years, she had to live with the knowledge that she was forced to kill the man she loved and her team. Not to mention the fact that her daughter, Alex, was taken away from her when she was just a week old. Can you blame Danielle for being paranoid? Her death was not a fair end to the character, and it was only used to kill off Danielle quickly and provide shock value.

Her daughter, Alex Rousseau, is similar to Charlotte and Penny in that she doesn’t need to be defended because everything she does is to affect other characters. In this case, those characters are Ben and Danielle (especially Ben in the later seasons). Danielle’s entire character is centered around the fact that she lost Alex and has been searching for her, and Ben’s motivations after Season 4 are largely motivated by Alex’s death. She herself doesn’t have much of a character arc, and her death was only to provide shock value and further Ben’s character development.

Another character that falls into the category of not having much to defend because every action is for someone else is Libby Smith. Once the tailies and the main survivors joined together, she was almost immediately shoved in a relationship with Hurley. The only things we knew about her backstory were that her husband died, she was a clinical psychologist, she was in the same mental hospital as Hurley, and she gave Desmond a boat. That’s it. She didn’t have a centric episode, and she only appeared in other people’s flashbacks. Her death was only to provide shock value and further Hurley’s character development, as well to show that Michael betrayed the survivors.

Notice how many of these women died for shock value and/or to further a man’s character development? Notice how many of these women are disliked for traits that other characters are loved for? Notice how many of them barely exist as their own character without a man? I love LOST, I really do, but their treatment of female characters needed a lot of improvement.

#lost #lost tv show #abc lost #lost tv series #fandom sexism #sexism in fandom #kate austen #claire littleton #sun-hwa kwon #shannon rutherford #ana lucia cortez #juliet burke #rose nadler #charlotte lewis #penelope widmore #penny widmore #danielle rousseau #alex rousseau #libby smith

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delicatebluebirdruins · 4 years

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Rereading THG 1

Part 1 the tributes; Part 2 the games; Part 3 the victor

My notes and thoughts as I reread the series in light of finished Ballad (it should have been sooner but I wanted to finish the book I was currently on... I was planning on ending the series and I’m on the fifth book of the six book series its going to drag me for a while I can tell so here I am)

1 - 4

- the first time we see Kat and Gale together they’re in the woods and then they go to the lake when in Ballad the lake is the last place Snow visits in D12

-- I’m listening to the audiobook narrated by Tatiana Maslany and I love that she actually did a quack sound and I quite like her as Katniss thus far

- the humiliation from being made to see the the Hunger Games as a barrel of fun and games

- So what did happen to Lucy Gray?

- I kind of snorted when I read this bit “As far as Reapings go at least this one has a slight entertainment factor” Snow was probably watching this and just going

- I always love the salute

- “Family devotion only goes so far for most people on reaping day” interesting line especially watching Haymitch’s games in CF

- Katniss references 7 year old Prim cleaning there fathers old shaving mirror every night-- not really a comparison but Snow looking at and smelling the powder in his mothers compact mirror--- Did Prim stop? if so when? and why?

- In Ballad Grandma’am made Tigris and Snow sit down and eat their meal together =Kat is telling the bread story she tells us she made Prim wait and fetched her mother and they sat down together eating one of the loaves and had some tea as well... However, I’m sure we can all see the differences in the two very different families

- Everlark shaking hands with the “reassuring squeeze” compared too Lucy and Jessup shaking hands with the blatant show man ship of it all- random note I liked Jessup and was sad with when he died and this was one of the scenes where I wished we were in another persons head as well

- Prim’s faith in Katniss vs Tigris and her faith in Snow

- from Ballad we know they did not have a chance to say bye so when did this come in?

- Katniss’s reaction to the gifts and the gratefulness for them until she rejects the cookies from daddy Mellark

- the conversation between Gale and Katniss is also reminiscent of something in Ballad

“you know how to kill.” “Not really.I say”... The awful thing is that if I can forget they’re people, it will be no different at all”

- I wonder about Johanna’s thought process in her Games

- the differences in trains between Ballad and this

- about Mockingjays “something of a slap in the face to the Capitol“ We all know what Snow thought about them so that leads to even more wondering how long the mockingjay is a symbol of the rebellion

- Katniss appreciating the food and then annoying Effie with eating the rest of the food by using her fingers is still great

- Haymitch self medicating and the first reference to Haymitch’s job of mentoring I wonder if the 10th games is the first and last game when the Capitol kids did mentoring or when the victors became the mentors

5 - 8

- Katniss about Peeta’s kindness vs Snow about Sejanus

- The woods became our saviour and I was desperate to save us.... In Ballad the Snows also struggled with finding food for a few reasons they were in the city with a war going on

- Mrs Everdeen admonishing Katniss about her eating habits

- Everlark exchanging a exasperated look and Katniss admonishing her self about it

- “the best looking tributes always seem to pull more sponsors”

- 64 years of “progress” leading to the tributes having their own recognisable train

- Katniss winning over the prep team with a little manipulation via a smile and sweet words

- D12 were the stylists ordered to be bad or just incompetent?

- Relief about seeing Peeta and his knowledge of fires

- them laughing about their costumes and Haymitch 😂

+ Cinna was there a chance of the fire going horribly wrong?

When did the parades start being a thing and I hope to god it wasn’t inspired by what happened to Brandy?

- who throws the rose?

- The reaction of the Capitol people and how Katniss feels about them

- Katniss about the elevator is precious

- Effie wanting to threaten Haymitch with a gun to get him to the sponser table

- Kat wanting to press all the buttons in her suite

- Was Delly Cartwright just the first person Peeta thought of

- I wonder what Lavinia was running away from specifically

— “that I let the Capitol kill the boy and mutilate her without lifting a finger... Just like I was the games”

- “I can’t do anything, says Peeta” that’s me

- The effect Katniss has on people and think about Maude Ivory

- “its weird how much he’s noticed me... And apparently, I have not been as oblivious to him as I imagined, either”

- the knot station and the camouflage station is two stations that don’t get a lot of action why is that

- I love the bread lesson

- one of the gamemakers fixated on Katniss?

- Rue 😟😔 we first learn her name when Everlark at the spear throwing station

- i kind of hyper focused on the “we finally escape to bed”

- And of course the private audience with the gamemakers theres a little showmanship

— upstaged by the pig

— all the different places Kat shot at

— the reaction of the Avoxes and Gamemakers

- insert point here that I forgot

- “And I realise the impossible has happened. They have actualy cheered me up”

- “I grin at Peeta and realise I’m starving”

- the portrayal of Everlark being a team and the later romance

- the eleven probably made Snow grind his teeth

- the interview prep... “if you appeal to the crowd... you gain favor”

- the interview dress being eye catching

- “I am as radient as the sun”

- the difference between the interviews in Ballad and the ones in THG are also telling

— I think I’m goin to stop listening to the audiobook despite my liking of Tatiana Maslany because I’m also rereading the physical book kind of sad but not really

- Caesar and Lucky interview techniques born from their circumstances in the timeline

- Peeta’s confession gets me everytime... and I really really want to know what he was thinking in this reread

- “It’s all a big show. It’s all how you’re perceived” another Ballad similarity

- Another possible tie it in “more than a piece in their games”

- I really can’t imagine why cannibalism doesn’t play well with the Capitol audience....

- When did the trackers get developed? and when did they start being used for the Games?

-- In Ballad the mentors had a group planning session with Dr Gaul so did this become a regular thing that the head gamemakers had to add things to the games during their stint?

- Who came up with idea for the old arenas to be used as vacation spots?

#the hunger games #ellie rereads #ballad of songbirds and snakes #tbosas spoilers #kind of #feel free to chat with me about this #reaction gifs #shit #jodie whittaker #part one #long post #May #2020

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blackswaneuroparedux · 5 years

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Martin Luther and Beer: the other reformation

Almost 500 years ago, an obscure Saxon monk launched a protest movement against the Catholic Church that would transform Europe. Martin Luther's Protestant Reformation changed not just the way Europeans lived, fought, worshiped, worked and created art but also how they ate and drank. For among the things it impacted was a drink beloved throughout the world and especially in Luther's native Germany: beer.

The change in beer production was wrought by the pale green conical flower of a wildly prolific plant — hops.

Every hip craft brewery today peddling expensive hoppy beers owes a debt of gratitude to Luther and his followers for promoting the use of hops as an act of rebellion against the Catholic Church. But why did Protestants decide to embrace this pretty flower, and what did it have to do with religious rebellion?

Therein foams a bitter pint of history.

In the 16th century, the Catholic Church had a stranglehold on beer production, since it held the monopoly on gruit — the mixture of herbs and botanicals (sweet gale, mug wort, yarrow, ground ivy, heather, rosemary, juniper berries, ginger, cinnamon) used to flavor and preserve beer. Hops, however, were not taxed. Considered undesirable weeds, they grew plentifully and vigorously — their invasive nature captured by their melodic Latin name, Humulus lupulus (which the music-loving Luther would have loved), which means "climbing wolf."

The church didn't like hops. One reason was that the 12th century German mystic and abbess Hildegard had pronounced that hops were not very good for you, because they 'make the soul of a man sad and weigh down his inner organs. So, if you were a Protestant brewer and wanted to thumb your nose at Catholicism, you used hops instead of herbs.

Even before the Reformation, German princes had been moving toward hops — in 1516, for instance, a Bavarian law mandated that beer could be made only with hops, water and barley. But Luther's revolt gave the weed a significant boost. The fact that hops were tax-free constituted only part of the draw. Hops had other qualities that appealed to the new movement; chiefly, their excellent preservative qualities.

All herbs and spices have preservative qualities, but with hops, beer could travel really well, so it became a unit of international trade that symbolized the growing business class, which was tangentially connected with the Protestant work ethic and capitalism.

Another virtue in hops' favor was their sedative properties. The mystic Hildegard was right in saying hops weighed down one's innards. "I sleep six or seven hours running, and afterwards two or three. I am sure it is owing to the beer," wrote Luther to his wife, Katharina, from the town of Torgau, renowned for its beer.

The soporific, mellowing effect of hops might seem like a drawback, but in fact it offered a welcome alternative to many of the spices and herbs used by the church that had hallucinogenic and aphrodisiacal properties. Fueled by these potent concoctions, church ales could be as boisterous as the Germanic drinking bouts church elders once frowned on. And so, to distance themselves further from papal excesses, when Protestants drank beer they preferred it hopped.

If the Catholic Church lost control over the printed word with the invention of the printing press — the technological weapon that ensured Luther's success — it lost control over beer with the rise of hops. The head went flat on monastic beer. Did Protestantism explicitly promote hops? Perhaps. But did it encourage the use of hops? More likely.

Luther would have relished his role in promoting hops. If anyone loved and appreciated good beer, it was this stout, sensual and gregarious monk. His letters often mentioned beer, whether it was the delicious Torgau beer that he extolled as finer than wine or the "nasty" Dessau beer that made him long for Katharina's homebrew. "I keep thinking what good wine and beer I have at home, as well as a beautiful wife," Martin Luther wrote. "You would do well to send me over my whole cellar of wine and a bottle of thy beer."

Days before he died, in February 1546, in one of his last letters to his wife, he praised Naumburg beer for its laxative properties. Luther suffered excruciating agonies from constipation, and it was therefore with immense satisfaction that he announced his "three bowel movements" that morning.

In an age where the water was unsafe, beer was drunk by everyone and was the nutritional and social fuel of Germany. It was a really natural and very common part of every household pantry. It would be compared these days to a pot of coffee always simmering on your countertop. Back then it was a kettle of beer. Beer was brewed less for pure enjoyment than for medicinal reasons (it incorporated herbs and spices) and for pure sustenance. Beers then were richer and heartier than today. They were a source of calories for the lower classes who did not have access to rich foods.

Not surprisingly, beer pops up at pivotal moments in Luther's life. Most notably, after taking on the formidable might of the Catholic Church, an unruffled Luther famously declared that God and the Word did everything, "while I drank beer with my [friends] Philipp and Amsdorf."

Luther's teachings were mocked as "sour beer," and one of his critics disparaged him as a heretic from the filthy market town of Wittenberg, populated by "a barbarous people who make their living from breweries and saloons." But as he gained fame and became a popular hero, a range of Lutheran merchandise was launched, including beer mugs featuring the pope as the Antichrist.

The intelligent, talented and exceptionally competent Katharina not only bore six children and managed the Luthers' large household with its endless stream of guests but also planted a vegetable garden and fruit trees, raised cows and pigs, had a fish pond, drove a wagon, and — to her husband's undying delight — opened a brewery that produced thousands of pints of beer each year.

Her initial shaky attempts produced a thin, weak brew, but she soon got the hang of it and learned exactly how much malt to add to suit her husband's taste. Luther was ecstatic — “Lord Katie”, as he affectionately called her, had assured him a steady supply even when Wittenberg's breweries ran dry.

Luther's favourite spot to hold forth on theology, philosophy and life in general was not the tavern but the table. The long refectory table in the cavernous Luther home seated up to 50 people. "This was Luther's especial domain," writes Andrew Pettegree in his elegant biography Brand Luther: How an Unheralded Monk Turned History. "The day's labors past, he would sit with his friends and talk. Fueled by his wife's excellent beer, conversation would become general, discursive, and sometimes unbuttoned."

Unbuttoned is an understatement. Voluble, energetic and beery, Luther's conversation zigged and zagged between the sublime and the scatological, to the amazement of his students, who hung on his every word. The church was called a brothel and the pope the Antichrist. Former popes "farted like the devil" and were sodomites and transvestites. His students collected these jewels into a book called Table Talk. When it was published, it went viral.

But though he clearly loved his tankard, there is no record of Luther being a lush. In fact, he could be quite a scold when it came to drunken behaviour. He lamented the German addiction to beer, saying, "such an eternal thirst, I am afraid, will remain as Germany's plague until the Last Day." And he once declared, "I wish brewing had never been invented, for a great deal of grain is consumed to make it, and nothing good is brewed."

This was no doubt a spot of grandstanding. For all his protestations, Luther's beer stein was always full. He loved local beer, boasted of his wife's brewing skills, and launched a movement that helped promote hops. Does that make him a patron saint of the craft brewery?

Luther might blanch a bit as a good Protestant at being called a saint, and there's already a brewery saint called St. Arnold, who saved his congregation from the plague by making them drink beer. In the interests of Protestantism, he would never have called himself a saint, but he was certainly a beer enthusiast, and many a beer bar and brewery today has a picture of Martin Luther on their wall.

Cheers!

#beer #martin luther #katherine #protestant #hobs #catholic church #religion #germany #medieval history

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ribbonsed · 5 years

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To Build A Home: An Ode To A Certain Enigmatic Crow

Disclaimer: Okay before proceeding, please note several of these things:

These are merely my headcanon, being my headcanon, these are how I view Lin’s actions for this season. THIS IS SO MESSY OK I'm so sorry for any of you bothered to read this mess, I'm not a writer I'm dying I love Thunderbolt Fantasy so much;

I’m an annoying Lin Xue Ya stan and apologist first and foremost, and needless to say that this headcanon will be heavily centered on him. I do love and attached to ALL characters and puppets on Thunderbolt Fantasy, and I would gladly write for every single of them if only my knowledge, my time and my creativity reservoir would allow me write any worthy piece for them. But I can’t help to get this out of my head, and for now, this will do for Lin;

I can’t help but notice Lin’s actions especially during the course of Season Two, especially his breakdown after failing to trap Xiao Kuang Juan’s prompted me to write this. So, the start point of this headcanon will be from there. Also, I’m beginning to start building this headcanon in the middle of watching Season Two, and I start writing this after Episode 11 Season 2 and added a little bit after watching Episode 12. So I might be going a little back and forth with the timeline so please do bear with me;

I can't speak nor I can read Chinese/Mandarin and Japanese. Thus, I can't understand Thunderbolt Fantasy on its original language, so, all materials I use for reference on this headcanon will be based on from translated materials in English (the show, the movie, the manga, wikipedias, news articles, etc.) and I apologize if there are mistake on from my understanding of translated material (whether is it because of my lack knowledge or because of mistranslation or just misinformation altogether, let me apologize first here);

trigger warning: mild curse words (lmao I can't be civil);

tldr: Lin Xue Ya is getting way way more softer in Season Two compared to previous materials (The Movie, Season One) and here is my take on why is a certain Wandering Tired Man Way Too Soft and Too Good For This World is responsible for that

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Lin's visible foul mood over Xiao Kuang Juan outsmarting him by refusing to go back to Xi You over the course of Episode 11 Season 2 doesn't make all that much sense to me on first glance. Why? Because no matter how hard I think about it, it just doesn't make sense that Lin would get 'that' mad just because Xiao refusing to go back to Xi You. I mean yeah, Lin got the taste of humilation and defeat on Season 1 finale at Mie Tian Hai's hand where the latter literally killed himself and broke Tengyouken, depriving Lin of tasting his complete, successful scheme of stealing Mie Tian Hai's pride. That's where we saw Lin Xue Ya, the notorious Enigmatic Gale, for the first time ever, truly losing his composure and his vulnerable, emotional side breaking through an ice-cold, unpenetrable facade he has been keeping for the whole course of Season 1.

So, this is where it got tricky to me. Does Lin Xue Ya really learn nothing at all from his whole fiasco with Mie Tian Hai? Does Lin Xue Ya, is really so above himself that he flat out refuses to use his defeat on Mie Tian Hai as a lesson learned to avoid him the same mistake on near future? Does Lin Xue Ya, the infamous, great thief and trickster across Dong Li did NOT, even consider, just freaking once, of the possibility of Xiao Kuang Juan, a high-ranking, corrupt, shady, military official that is powerful enough to cross The Wasteland of Spirit, making a choice that would thwarted his plan over? Wouldn't a great, high-functioning schemer like Lin Xue Ya know first thing first that things would not always go like the plan, that there is always a possibility after a possibility, a single stone that could overturn the flow of the river. Why is the emo breakdown, Lin?

This is also highlighted by the fact that, unlike Mie Tian Hai who straight up killed himself, making Lin stripped of another chance at fucking him over again, Xiao Kuang Juan is literally, still alive. Dude is literally still out there, alive, breathing, running amok. Wouldn't a calm, reasonable, level-headed choice here would be playing along with Xiao newfound plan of starting over in Dong Li, let him do whatever he pleases, then strikes him, humiliate him when another opportunity strikes. Doesn't Lin also has upper hand with this would-be scenario, since The Enigmatic Gale knows Dong Li inside out like the back of his own hand. So, why not wait, Lin? Why not let Xiao slip this time, giving him the illusion of how easy to escape persecution of his own crime and to start anew, to crush him later when the time is prime. Are you really that upset, that your plan got thwarted so easily, Lin? Are you? Why the rush, Lin?

Another comparation to Mie Tian Hai case, where Lin waited until the very last, opportune moment, to confirm it himself clear that Mie Tian Hai utmost pride was his sword skill, and him collecting fancy powerful holy sword is because he wants swords worthy enough for his skill. Doesn't it indirectly implies that the whole cave scene of Episode 11 Season 2 basically Xiao Kuang Juan confirming it himself that his pride does not lie with his wealth, status, nor title back in Xi You? Xiao Kuang Juan flat-out admitted in Episode 11, that he is glad he is still in Dong Li where his stolen goods is currently being exposed on Xi You now, that he is glad that his head is even still intact and attached to his body right now. Interesting part of their whole conversation in the cave excerpted here:

Xiao Kuang Juan : Whatever, it doesn't matter. If anything, it's a relief. If I've lost all my prestige and authority, I at least don't have to act like a pompous jackass anymore. I can take things easy from here on out.

Lin Xue Ya : What's gotten into you? Are you feeling alright, Sir Fugitive Hunter?

Xiao Kuang Juan : When you deal in dangerous and dirty deeds, you've gotta know when to give it up. Sure, I was hoping I could score enough loot for early retirement first. But, whenever you make the long, risky gamble, you've gotta realize that one wrong play, and you'll end up going bust. If anything, I'm just glad my head's still attached to my shoulders.

Wouldn't his very confession infers that, Xiao Kuang Juan treasures his own life, his own survival, no matter how wretched his soul is, how many life he stole, how many wealth he embezzled, more than anything else? So, if Lin's initial goal of sending Xiao Kuang Juan back to Xi You along with his corrupt deeds failed because he mistakenly certain that man's pride lies within his boastful honor and titles in Xi You Imperial Army, wouldn't The Hunting Fox confession on that cave just confirms that Lin is just mistaken about his pride all along? So, why the big fuss, Lin? Didn't you also made the effort to swap Tengyouken's part in Season 1, because you were still uncertain about Mie Tian Hai's utmost pride, while also keep patiently waiting until the very last minute to confirm Mie Tian Hai's actual pride---his sword skill--not him merely wanting to posses Tengyouken. So, Xiao Kuang Juan just revealed his utter, most, prized possesion on his life, his own life. Wouldn't it be a simple matter for you to rework your strategy and concoct another plan for Xiao, Lin? Don't you seek amusement and thrill out of outsmarting the most corrupt and wretched individual, Lin? So, isn't Xiao Kuang Juan---a shameless, corrupt official banished from his original country, trying to rebuild his life in a foreign land---, just the perfect target to occupy your time, Lin?

That is, if Lin Xue Ya end goal is solely to humiliate Xiao Kuang Juan, as per Lin usual motive with his scheme. So, what makes this job is not Lin Xue ya usual scheme? This is where Shang Bu Huan, Lang Wu Yao, and the whole Sword Index feud comes into play. What if Lin started to play Xiao on the first place, because he, genuinely wanted to help Shang? Yes, Lin triggered the whole plot of Season 2 by spreading the word of Shang Bu Huan's heroic deeds against Mie Tian Hai, and that's how hordes of Xi You people came crossing The Wasteland of Spirit in pursuit of Shang and The Sword Index. But what if, that was Lin way of trying to help and repay Shang? By inviting people who has been against Shang Bu Huan this whole time, to his dominion, Dong Li, and play them here, where he arguably has the upper hand to his familiarity with the country.

Even if Lin, still, intentionally invited Xiao Kuang Juan to Dong Li himself, Lin's whole trap for Xiao is set up specifically to be resulting in the infamous fugitive hunter getting back into Xi You, humiliated with his stolen goods and corrupt deeds exposed in front of Royal Army. Xiao Kuang Juan back in Xi You, his corrupt deeds exposed and facing Imperial Court punishment kills two birds one stone. It clears Shang the additional trouble of getting chased by Xiao in Dong Li when he is already busy enough protecting his Sword Index and trying to contain Seven Blasphemous Death, and maybe, Xiao crooked dealings getting punished would also exposes other Xi You corrupt military doing and would be a start of getting Shang's name cleared, even if it's for just bit by bit, and even if Shang himself cares not about clearing his name back in Xi You. Lin is going out of his way to make sure his (initial) endgame plan for Xiao Kuang Juan benefits Shang Bu Huan.

Lin greatly implies during his two pool scene with Shang (where he was fishing) that all he has been doing on Season 2 is for Shang's sake. He stated explicitly, from their 'first' Pool Scene, on Episode 7, with excerpt from said scene goes like this:

Lin Xue Ya : I want to propose a mutually benefical deal regarding something else, actually. I'd like you to tell me about Xiao Kuang Juan. His accomplishments, insight into his character, past conflicts between the two of you... anything will do. It will be information that will go into the calculations of my next scheme.

Shang Bu Huan : And then, you're gonna screw him over for the fun of it, huh?

Lin Xue Ya : Exactly! He is your enemy, isn't he? I can't imagine you'd have any reason to show him sympathy.

Shang Bu Huan : Yeah, I wouldn't shed any tears over him getting his. He's earned everything you've got cooked up for him. That doesn't mean I have to go help you with your fun, though.

Lin Xue Ya : I had thought that my sabotage of his efforts would be benefical to you.

Shang Bu Huan : That guy's free to dig his own grave. I just don't wanna sneak up behind him and kick him into it. Feeling guilty about it later might spoil a meal.

(Note: I would like to note that Shang Bu Huan's and Lin Xue Ya pool scenes on this season are very important to me (as a viewer, and yes, as a shipper) because in my opinion it holds a significant purpose as running symbolism to testament their relationship and character growth, and I might be go back and refers The Pool Scenes many times later).

So, when Xiao Kuang Juan refuses to fall into Lin's sweetly prepared trap, and instead choosing to reside in Dong Li and build his new way into crime, Lin goes frenzy, because Xiao retaliates in one of the worst way possible that goes against Lin's initial goal of fucking him over in the first place. Xiao Kuang Juan residing in Dong Li, Night of Mourning on his hand, building his new band of thugs would mean that: (1) his past crimes committed during his time in Xi You goes unpunished because he doesn't return there and it would be impossible to indict him; (2) Shang Bu Huan reputation in Xi You is still in murky water; (3) it adds to the trouble they already facing on top of the imminent danger Lou Zhen Jie---powerfully wielding Seven Blasphemous Death making his way across Dong Li holy sword shrines---, and who knows how dangerous Xiao could get knowing how resilient and how little he regards others life and how he would not mind making innocent civilians as his victim.

Lin's mistakenly judge Xiao Kuang Juan's pride over his honor and titles, when actually Xiao is so shameless, he is happy just to be alive after his corrupt scheme on the Imperial Army exposed. Not only Lin unintentionally humiliate himself by misjudging his foe true nature, he also completely fucks over his supposed one job. During the second Pool Scene on Episode 10, Lin boasted to Shang that his plan is ripe to take Xiao Kuang Juan down. But, how is the reality, our sweet dear thief? Nope, it ain't working out. Killing Xiao Kuang Juan right there and taking his life as his life is most precious to him right now is arguably the most efficient way of stopping him, but it also goes against Lin's principle of spilling unnecessary blood and drawing Yan Zhue unless it is most necessary. On the other hand, waiting for Xiao Kuang Juan to thrive with his plan and destroy him when the opportunity arises also takes way way too much time, because after the whole event of Season Two unfolds, and underneath Lin needing to get his share of getting high over fucking Xiao Kuang Juan over, Lin realizes a little too late that what needed most is for said Fugitive Hunter, to get away from Dong Li, as far as possible from Shang.

For the first time ever, Lin Xue Ya finally feels it how devastating it feels to fail in something you proudly prides yourself with when it's directly involves the well-being of someone you care about (re: Shang Bu Huan, and also arguably, yes, to Lang, also--because despite how hostile their interaction on Episode 4 and 5 seems, deep down Lin respects Lang as someone who used to be Shang's partner in Xi Yo) For the first time ever, Lin feels... for lack of better word, useless. Lin prides himself so much as master manipulator, more so than his carefully hidden yet unbelievable gift as swordsman--, but when the occasion calls for it, he failed. He said it so himself during his fight with Mie Tian Hai that he shied away from swordmanship because it would straight up send him down into villainy path, and that's the reason Lin resorts to trickery and manipulation instead, BUT when the the time needed for him to be, he failed manage to use his trickery to protect the people he cared about.

Of course when talking about Lin Xue Ya, one can not simply throw terms like 'endearment', 'affection', and 'care' around. We clearly see throughout the course of Thunderbolt Fantasy timeline, depicted effortlessly throughout The Movie, Season One, and also side material like the novel and the manga, how Lin seemed to completely show no remorse over fucking up Sha Wu Sheng, Xing Hai, getting Shou Yun Xiao killed with his so called expedition against Mie Tian Hai. But, as we also see from the event of Season One, and expanded in the manga itself, when Lin was shown visibly quite somber after he saw his master brutally killed, partly also because of him, because he toyed with Sha Wu Sheng and that karma comes back to bite him in the ass by taking his master away. The manga even goes in length to show how he kindly asked the group to help him bury his master body.

Season 2 had that scene where he objected Xiao Kuang Juan method of slaughtering innocent townfolks during his confrontation against Xie Yingluo. Albeit, yes, Lin arrived way too fashionably late to prevent the slaughter of the people controlled by Night of Mourning on the hand of Xiao Kuang Juan, but my stance is that he is also against taking the lives of people who do not actively take up arms. Heck, dude even did not straight up kill Mie Tian Hai and pulled his blade away before Mie Tian Hai's neck. I think it is safe to say that Lin, is against killing. My point is that, (also as I said in the disclaimer before, this is coming from huuuuuuge annoying Lin Xue Ya stan/apologist so yeah hahahahahahaha) yes, Lin is capable of feeling emotion despite it is his trade to get high off his target misery. He is capable of feeling affection and adoration toward other people, albeit said people receiving his admiration maybe is so very easily to count with fingers. The question is, how does our dear thief fare when it comes to building trust and relationship with other people?

This is where Shang Bu Huan comes into the equation. Lin explicitly stated by the end of Season One that Shang is so fascinating to him, that keeping him around will most likely to draw the most wicked, the trashiest people for him to toy around. Are we sure this is Lin's only motivation for triggering the event of Season Two by posing as that jester, spreading the word of Shang Bu Huan's heroic deeds? Are we sure, there is nothing more, to Lin Xue Ya actions throughout Season Two, especially in relation to the man that is Shang Bu Huan? Why did Lin managed to meticulously showed up at Certain Dong Li Government Office, right where Xiao Kuang Juan popped up first thing first he arrived at Dong Li, complete with a whole fake identity he already secured before? Why did Lin, even amidst 'entertaining' Xiao Kuang Juan during the first three episodes of Season Two, also bothered to track Shang down and cured him out of his ailment from Xie Yingluo deadly, first-rate poison?

My personal answer is that, Lin Xue Ya, is, attempting to build a healthy, trustful relationship with Shang Bu Huan (note at ATTEMPTING, because as much as I like this trashy garbage snow bird puppet as a character I acknowledge his messy ass personality and his questionably ability /so far/ to keep healthy functional relationship like most of normal people). Yes, he is, attempting to build a healthy, trustful relationship with Shang Bu Huan, as two people, who despite their complete utmost difference, acknowledge each other strong and weak side, trust each other, and help each other during needed times.

Why Shang Bu Huan?

Despite his motor mouth and Shang constant no-nonsense attitude toward Lin's antics, he really never ask him to... change. He asked why Lin is the way he is, during Season One, and Lin answered with smart ass, sassy, "Do you really want to know because I could go on length here but do you have the time for that", but Shang, never ask Lin to change.

Shang, the guy who is so against taking the live of another person, who intentionally tires himself using a battle technique that drains his qi, who believes every single person, even the most villainous ones, deserves a second chance and that they are capable of change and transformation. But Shang saw Lin, this shady ass dude, who intentionally plunged him into a dangerous journey against evil dark dude along with several other evil dudes, saw with his own two eyes that said shady ass dude fucked up real bad by dooming an entire country to a giant praying mantis eldrich abomination, proceeded to clean up said dude mess, left off wishing he would never have to meet said shady guy again, only for said shady guy to spread his rumor and whereabouts to and Shang reaction basically could be summed up as something along the line of "Man, you are really fucked up man... But, but... But whatever!".

Because Shang, deep down, despite always raising his eyebrows and we, as viewer, could personally hear him whispered softly "What the fuck" at every single Lin's Options in Life, he acknowledges and sees Lin's redeeming qualities under his lying, manipulating ass. That, Lin Xue Ya is Lin Xue Ya. And Shang knows, that deep down, there is part of him that is also intrigued by Lin despite another part of him (initially) repulsed by Lin's way of scamming. But Shang could not help but admit that Lin's method works most of the time, especially against big time villains since they share common principle against unnecessary killing. A whole, interesting mix of fascination, repulse, but the fascination part always outweigh the repulsed part, and by the end of Season 2, I dare say that the repulsed part for Lin Xue Ya's antics on Shang would be completely gone.

The fascination goes both way of course, but in Lin's part, there is nothing in Shang that repulses him, only endless fascination and surprise. Shang is far from the definition of a 'villain' or a 'bad guy', he does not seeks destruction, really, just a humble, wandering, a slightly bit old (the 4-koma comic had me rolling) but really powerful guy who happens to possess three dozens of stolen mythical swords. But no! It's okay, there is nothing bad, he is not going to use those swords for Evil, he just want to keep them safe out of bad people who will use them wrongly. At first glance, there should be nothing in Shang that should fascinate him, right? Dude is so chill, laidback, and berates his antics more than anything. But Shang just keep surprising him over and over again. As flat-out admitted by Lin himself on Episode 4 Season Two:

Shang Bu Huan : And who the hell is my friend in this equation?

Lin Xue Ya : Ah, a good question. Does a friend lend their aid because they're a friend? Or does someone become a friend once they've lent their aid? Sorting out the course of events can be a bit like solving a riddle.

And still on the same episode, but different scene with different character asking him the question;:

Ling Ya : Hey man, why do you care so much about Shang, anyway?

Lin Xue Ya : I'd say my interest begins and ends with how much fun he is. Come now, spare me the probing looks. This is no lie or exaggeration. Amusement is the solitary motivating force in my life. You could call it my very reason for living.

Upon knowing and seeing it firsthand Lin's usual dealing yes, Shang may be disgusted, but does Shang completely cut his ties off with Lin? No. For as much as Lin spreading mischief, intentionally spreading Shang's tale of taking down Mie Tian Hai and his horde of Black Demon Force, Shang just casually find him, pop up, give him several sigh and that's that.

Lin feels acknowledged by Shang. Lin feels acknowledged by Shang not asking him to change. And Lin feels appreciated. Yes, he feels appreciated because to him, Shang is easily categorized under his decent dude on his list of relation, and by Lin's standard to the people he kept company so far, Shang is basically a hero. A good guy. And for such upright guy to not immediately fend him off despite knowing his trickery? So, for the rare instance on his life, Lin decided to do something he just knows he is highkey sucks at doing, and that is, yes, building a trustful, healthy relationship with Shang Bu Huan.

Speaking of pursuing a healthy, mutual trust, this where Lin Xue Ya failed to do on his past relationship with Sha Wu Sheng. See, Sha Wu Sheng, for as merciless and as skillful a warrior he was, he also managed to peer underneath the facade Lin kept. Sha Wu Sheng wanted and planned to still be Lin's bodyguard even after he gained Sword Saint title, prolly out of his pity seeing how lonely Lin is, underneath all that. However, Lin's instinct and thirst for mischief outweighed his subconscious that sees Sha Wu Sheng's sincere, genuine attempt at starting a new life free from killing and Sha Wu Sheng's gesture of reaching out to him. Instead, Lin one-sidedly decide it himself that Sha Wu Sheng talent is too good to waste on building a sword school and set the ploy of what would be The Sword Saint Tournament.

By doing this to Sha, Lin Xue Ya not only ended up depriving Sha Wu Sheng of his what-could-have been life, but also his future and plunges him into his suicidal mission that makes Sha looking for an enemy stronger than him and him ending up dying on Mie Tian Hai's hand. Since Sha Wu Sheng arc is beautifully crafted onto the timeline that spans from The Movie first half into Season One, where Shang is present halfway, this could infer that maybe, Lin deep down regretted over what happened to Sha Wu Sheng so much and this too, could also goes into part of Lin's decision to keep an open, honest relationship with Shang ('honest' by Lin Xue Ya's standard, by all means) over the end of Season One and into Season Two.

This goes into the part that the whole event of Season Two was Lin trying to help Shang, albeit yes, it's still done on Lin's fucked up, round about way that ends up getting way more people hurt and killed than necessary. But his underlying motive is purely to help Shang Bu Huan. Yes, Lin might be hoping to secure a good prey along the way, but his whole priority is still Shang and his attempt to make Shang believe in him, that he, too, capable of forming a meaningful, trustful, healthy, relationship. No tricks, no ploy.

By finally encouraging himself to build a healthy relationship with someone else that involves no trickery and lies (no trick and lies on 'most' part, remember that we are talking about Lin Xue Ya here, little lies here and ther counts as a honesty with him considering his usual trade), Lin is also, inevitably and unconsciously making himself more vulnerable emotionally, in a good way. I always felt that the way Lin's puppeteer making him move on Season Two and the way the directing is shot during his scene is way, way more extra compared to Season One and The Movie. I initially guessed that this is maybe because the cat is out of the bag, that Lin Xue Ya is Enigmatic Gale, a notorious, infamous thief across Dong Li for his scheme, compared to Season One where his reveal was held off until the good last quarter of the season. That's why Lin's movement and mannerism is more subdued in Season One, especially on the first three quarters, in order to avoid spoiling way too much into his true nature and reveal.

But now that we've got to Episode 11, with his whole emotional fit over Xiao refusing to go back to Xi You (he has emotional breakdown in front of two people, one being his supposed victim, Xiao Kuang Juan and the other one being Lang Wu Yao), to me this opens the interpretation that the dramatic, over the top puppeteering, writing, and directing style for Lin Xue Ya this season is intentionally on the showrunners part as a way of telling us how soft he has become. Lin Xue Ya is far, far more, expressful this season due to him more open of letting his guard down and expresses himself more emotionally. It's as if, in Season One and The Movie (I refer to the first part of the movie only, when we saw Lin and Sha Wu Sheng story, and not including the second part of the movie where he goes around as a jester spreading Shang's telltale), there is a dark, black cloth that Lin is purposely putting up between himself and us viewer. We could never see him past beyond the dark cloth, and the only way for us to see him is when he intentionally puts himself in front of the dark cloth and show us what's he doing. But beyond that, nothing. Compared to the dark cloth, the Season Two Lin forgoes the dark cloth completely, and instead replaces them with a kind of white mesh fabric, that is sheer and see-through. Despite the fabric still conceals his true doing, but with the mesh fabric we could guess his movement through his silhouette.

Going back to Lin's whole motivation of Season Two in helping Shang, this is also why Lin hurried his ass to save Lang Wu Yao and Ling Ya from Lou Zhen Jie and Seven Blasphemous Death after he failed his plan to send Xiao back to Dong Li. He sure nonchalantly dodged Ling Ya question and stated that he merely just passed by and the sight of someone chuckling so proudly just after his humiliation on Xiao Kuang Juan's hand is so irritating to him he want to turn said person into his pet food. But, is it all that there is to it, Lin?

I already mentioned briefly how expertly Lin's handling his whole cover during the first three episodes of Season Two. While he was pretending to be a government envoy, humoring Xiao Kuang Juan spreading lies about Shang being absurdly evil individual about to threaten Dong Li, Lin also managed to keep track on Shang and Lang's whereabout. When he knew that Shang and Lang are at disadvantage due to Xie Yingluo poison, Lin quickly hurried off and tracked them to their hideout, all the while covering up Lang's previous track, and putting up off new, fake tracks meant to throw Xiao Kuang Juan. Our resident Thief then proceed to find Shang, diagnoses his poison, and together with Lang managed to find the antidote for Scorpion Princess best poison all the while still keeping his cover as a government envoy in front of Xiao Kuang Juan.

Based from these events, it would not be far too much of a stretch to guess that Lin is actively keeping track of Shang and Lang's whereabout during the course of Season Two. So, assuming Lin keeping track of Lang's whereabout, sensing that Lang was in danger, up against Lou Zhen Jie, a proficient man wielding a notorious demon sword, Lin goes and proceed to save him. Why, Lin? Isn't he the man who is not hesitant to pull his sword attacking him you back when you guys in the middle of Wasteland of Spirit, procuring dragon's horn together? I know you hate seeing unnecessary bloodshed, but you never strikes me as the type who would go in such active way into saving people, Lin. Were you not in the middle of your mental breakdown, Lin Xue Ya?

Plot-wise, it would be to heartless and maybe, a tad anticlimatic just to let Lou Zhen Jie finishes off Lang right then without Lin interfering. But also, if we track back to the second Shang and Lin's pool scene, during Episode 10, and if we put the context of Episode 10 and Episode 11 weaven together, it makes it clear that the whole pond scene was Shang entrusting Lin with... his best buddy, Lang's safety, because Shang is about to went away to meet Juan Can Yun. Shang Bu Huan knew a psychopatic nihilistic monk is running amok with a freaking demon sword that enchants and drains life-force from people. As much as Shang have faith on Lang's ability as a warrior, Shang also desperately wants Lang to be alive, safe and sound, from the mess he created and Lang had nothing to do on the first place, and Shang wanted some kind of an insurance--fail proof way to ensure Lang safe no matter what. So, he asked Lin Xue Ya for help. He asked Lin Xue Ya for help, he entrust Lin Xue Ya to help him keep his dearest friend, alive. It might not be explicitly stated, but;

Lin Xue Ya : Urgent and distant business, then?

Shang Bu Huan : You could say that. I'm gonna try and get back as soon as possible, so until I do, try not to make things even worse, all right?

This is the freaking Shang Bu Huan, who knows Lin's track record and also Lin's tendency to fuck things up just for the sake of fucking things up and experienced it first hand. So, he asked Lin Xue Ya, specifically, to keep everything under control until he gets back pawning The Sword Index off to Juan Can Yun. This is, a big deal, because when in the beginning of Season Two, Shang vehemently refused Lang's idea to call someone for help (which is, in this case, incidentally said person on Shang mind happens to be Lin) until Lin showed up himself at his doorstep and forced his way to cure Shang, and now, several episodes later, Shang, specifically asked Lin for help. This means so much, because in a way, this is Shang's way of reciprocating and acknowledging Lin's attempt to be a better version of himself. Shang sees Lin's effort, and he acknowledges it.

And... AND... LIN KEPT HIS WORDS !!!!!! THIS THIEF FUCKERY VAPING WIZARD IS KEEPING HIS PROMISE!!! Even though Lin, partly on his fault, lowkey already fucked things up by failing to send Xiao away back to Xi You, but he managed to save Lang from great peril, and this is of course, the better deal. Lin's honoring Shang's request, even though he admitted himself that he has some kind incompatibility with Lang, shows how Lin respects both Shang Bu Huan, and even, to some degree, to Lang. Lin understands and accepts that Lang, is a part of Shang's life, and needless to say that Shang would be broken if anything ever happens to him.

Instead of succumbing into a dark desire lurking somewhere within his unconsciousness to toy with Lang's life (and given he context of Season Two, if Lin plays Lang then he would indirectly toy with Shang’s too), Lin represses that urge and strive to work with Lang instead, not just once, but twice. It could be also that Lang has nothing that Lin would ever want, and that Lang is not Lin's target and he had nothing on fucking up his life, but this also does not automatically making Lang exempt and safe from Lin Xue Ya's destructive tendencies to people around him, because Lin's past actions have shown that his machinations often proven fatal and claims collateral damage on Lin's own acquaintance even whom he did not actively mark as his prey at the moment (re: Sha Wu Sheng and Shou Yun Xiao dead bodies during their 'expedition' against Mie Tian Hai). Lin's active action on saving Lang's life is a great deal, because not only by doing so he is committed to his mission learning how to have a healthy relationship, it also shows Lin's character development striving to be a... less destructive version of him.

On top of saving Lang, Lin does not even bother on concealing his pissed stance in front of him, showing Lang his, ungraceful side as he shamelessly continues his emotional breakdown in front of Lang the moment Xiao Kuang Juan name mentioned. This part is just so, so endearing to me because we can see in the screen, both Lang and Ling Ya too, are baffled seeing Lin's throwing tantrum, something that they does never expect coming off from the dude who nonchalantly, politely asked a dragon before chopping off said dragon's horn. Retreating back into Season One, Lin Xue Ya was alone when Mie Tian Hai humiliated his ass off, nobody is even there to saw him getting his trickster ass owned and yet, the moment Shang came up to him, asking how the hell did a giant praying mantis monster got unleashed, Lin is seen masking his agony over his humiliation and feigning a nonchalant attitude as per usual. This contrasts heavily with Season Two, where Lin is visibly upset over his failure at scheming Xiao Kuang Juan, and even goes on a rampage to show how upset he is to someone he just know several days ago.

Now into Episode 12, when Shang Bu Huan finally retrieved Night of Mourning off from Xiao Kuang Juan, and Shang called out to Lin Xue Ya to undo his disguise, we can see how the two of them have full come circle and reaches another level of trust and bond between the two of them. On this scene, with Shang Bu Huan, Lang Wu Ya, and Ling Ya all present, Lin really went and admitted how he is pissy af because he fucked up his plan with Xiao Kuang Juan. Lin. Freaking. Xue. Ya. Admitting. His. Failure. He nonchalantly brought up his failure of messing with The Fugitive Hunter and reasoned that he wants to tag along because he want to see Xiao getting his due with his own eyes (or don't you really, just wanna help, Lin). And Shang Bu Huan, hearing Lin's failure, did not flinch, did not even comment, did not even make fun of it or rejoice on Lin's failure despite Shang never agreeing with his method. Shang just brushed it by and instead offered Lin to tag along and help them.

(You want Lin on his usual fancy clothing instead of those boring lawmen outfit, don’t you Shang ( ͡° ͜ʖ ͡°) )

Shang Bu Huan : Why are you following us?

Lin Xue Ya : Well, what else? I'm hoping that you might lead me to some new amusement. To be honest, I'm feeling incredibly frustrated. I'm willing to do just about anything to clear my head as a result. If I don't see someone get their painful just dessert's soon, I think I might go mad.

Ling Ya : Man, this guy's as twisted as they come, huh?

Shang Bu Huan : Well, we're about to go after Xiao Kuang Juan. You willing to help?

One episode left for Season Two, and where this season has it's ups and downs, and it's owns pros and cons, I personally think with the lesser amount of main cast we really get our main cast fleshed out more and I'm really happy with this development of Lin. As much as his trickster, jester side of a character is entertaining and incredibly potent and powerful on it's own right, but I as viewer could not help but happy seeing Lin's making some good decisions for once. Here is to praying that our main trio makes it out alive of Season Two.

#thunderbolt fantasy #lin xue ya #lin setsu a #thunderbolt fantasy 2 #shang bu huan

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imgonnabeyourbubblegumwitch · 5 years

Text

Lies Sleeping - A Review

Lies sleeping by Ben Aaronovitch

Chances were I was going to like this book - I liked the rest of the series after all. So how did Lies Sleeping compare?

The spoiler free bit -

This book was one long call back to the first book, the most obvious being the return of Mr Punch (not counting this as a spoiler since its announced in the blurb). As with the previous books I found there was no way I could really follow what was happening - I'm no good at remembering names of people or places and these are often key to "getting" the plot. Not only are you bombarded with people and places and companies and names, so much happens and you aren't sure what's important and what's a random side trip somewhere. I think there are a couple of reasons why that has never bothered me historically with this series and why it didn't bother me this time round.

The first is that the books are still an enjoyable read (even Foxglove Summer) even when I don't have a clue what's going on. Another is that things do make sense in retrospect with a second read, and I really do enjoy reading these books a second, third and even in the case of approximately 60% of the series (skipped Whispers Underground and Foxglove Summer) a fourth time. Four times is by no means a personal record for me rereading, but these books still have a lot of life left in them and I don't see myself getting bored of them anytime soon.

There is another reason why I tend to give these books a pass at the fact the plot absolutely escapes me, given that this would normally be within my top three complaints (others being boring/unnecessary and/or boringly unnecessary love interest with bonus points for tired clichés applied lazily, and character (lack of)). It only really occurred to me in Lies Sleeping, but the flood of information is (probably) what an investigation is like. A series of events and you have to figure out what's connected and how. Aaronovitch tends to be clever enough with his foreshadowing that I connect enough dots to keep me happy, but the hints are hints enough that I'm never 100% sure of myself so that if I'm right I get to feel smug and if I'm wrong I get to feel delight at being tricked.

An example of this from Lies Sleeping, kept to a spoiler free minimum but expanded below the cut, is the sense that this book was a gamechanger. I thought it would be as such before I'd even read the first sentence: the reintroduction of Mr Punch in the blurb and the fact The Faceless Man was unmasked suggested this book would further change the status quo somehow.

That's probably all I can get away with saying spoiler free so I'll carry on below the cut.

So continued from the point above I knew we'd end on some kind of shift in dynamics. By the time I was approximately two thirds of the way through I had narrowed this guess down to a) Nightingale dying or b) Martin Chorley actually accomplishing what he wanted to do which somehow altered magic's status possibly even bringing it into the public consciousness. What we got, of course was Peter being suspended. I didn't expect it but I didn't feel cheated in any way. And then there was the second game changer - Beverly being pregnant. In retrospect comments about Peter acting as Abby's parent have more weight - at the time I took them to be hinting towards a baby but maybe in a couple of books time. I'm actually really excited about Peter and Beverly having a child because I think it will bring an interesting new dimension to Peter - will he act the same when he has a child to think about? Is he still going to be as reckless? Will magic start to worry him?

And of course there's Lesley.

If I liked the Peter being suspended thing and the baby thing, I loved Lesley shooting Chorley. It's going to add another layer of changed dynamic and world shift. Peter isn't fighting a "Faceless man" (pardon the pun) anymore, someone he doesn't have any particular personal history with other than the two repeatedly trying to outwit and maim each other. Now it's Lesley and that's a whole different kettle of fish. I really like how Lesley's arc mirrors that of Mr Punch. Lesley has always seemed preoccupied with law and seemed more frustrated than Peter whenever she saw someone from the magic-world apparently getting away with crimes, just as Mr Punch was originally fond of the law and order the Romans brought. You could argue that Lesley is now slipping into chaos, however much she believes that she is trying to make things better: shooting Chorley for instance is not something I could see her doing in previous books but it felt right at this point in her journey.

I'm very interested to see what happens next with Lesley and where she's going to go. Did Chorley have something in the pipeline in case the whole Arthurian thing didn't work out, that she'll now take over? Or perhaps she'll go her own way.

One thing is certain: this book felt like the end and a new beginning and I think the series will continue to shift from here. It's not just the big details that have changed: this was the first book where it wasn't just Nightingale and Peter helped somewhat distantly by whichever police were involved in the crime of the day. With magic seeping into the police as a whole and what with the exchange about other societies not revealing magic between Peter and Nightingale I wonder if we are going to start dealing with magic becoming common knowledge as was my original prediction for the ending of this book.

I'll leave the speculation there - I'd like to re-read Lies Sleeping, and possibly the whole series - before I get into any serious guess work. I'll finish off this review for now with some little things I enjoyed that weren't to do with the ending as well as my one little niggle.

The first thing I really liked was the introduction of Foxglove (which I'm only know realising ties into Foxglove Summer - yeah I'm slow). I didn't really have much to say for the reveal that Molly might be high fae. It didn't annoy or upset me but equally it didn't really interest me. But with the introduction of Foxglove and the links to the Pale Lady, the Pale Nanny and the awful strip club I have changed my mind on this revelation. I really like how threads I thought were finished with come back later on - as confusing and haphazard as the worldbuilding can feel at times, I enjoy when it comes back together and pulls tight. On a more basic level I just really like that Molly has a friend.

I enjoyed the way the book followed a trajectory of Rivers of London, while remaining it's own story. It'd be more precise on this but I'm lending out Rivers of London at the moment so can't check on all the things that felt familiar but the more obvious ones are the back through history to meet Mr Punch ending, the actor's church, Mr Punch being in it at all. As a beginning and an end this provided a nice symmetry.

Nightingale is my favourite character by a fair amount and so I really enjoyed that we got to see more of him being kickass. I especially enjoyed his command of magic in the interview with Patrick Gale. I mean I enjoy any and all magic Nightingale does, but after seeing his explosive, fighting magic seeing him perform something more subtle was a treat and gives us a better indication of what he really could do if he set his mind to it. Let's all be glad he's on the side of the "good guys". Continuing with the Nightingale is incredibly powerful line, the list of reasons why Nightingale is absent to allow Peter to get into all the dangerous situations is fantastic. One of the problems with having one significantly more powerful character is the well why haven't they just stopped the bad guy already? Nightingale's absences from key moments allowing Peter to get into trouble are noticeable, but they do feel organic enough that though I find it funny I don't find it distracting or unrealistic.

On the magic front I also enjoyed hearing more about everyone's signares. The first description of Nightingale's as being "as heavy as a mallet and as sharp and as controlled as the point of a needle" was a great description that completely sums up his character, while the later descriptions of it as the precise tick-tock are lovely. Lesley's being a combination of Nightingale's, Chorley's and a cry like a seagull screaming was both hilarious and somehow completely fitting.

On the favourite character front my favourite rivers (plus possible war spirit) are Lady Ty, Effra, Oberon and Ash. I was disappointed to not hear much from Effra, Oberon and Ash therefore (he wasn't even at the Summer Court) but I wasn't surprised either. Can't have everything. I did, however, greatly enjoy the Lady Ty scene where Peter offers her a sacrifice as well as the return of the original Tyburn who I love as much as his modern counterpart.

Continuing with character for a moment is my one niggle with the book. I'm not sure if it was because this book had more continually high stakes, as the team tried to predict and forestall Chorley, but there didn't seem to be as many character moments. As many isn't no, and some were really unexpected but lovely such as Seawoll reminding Peter and Guleed to look out for each other and talk to someone if the pressure gets too much.

I think the main place it was noticeable was the reunion between Nightingale and Peter, or lack thereof. And I know Nightingale isn't the sort of hugging, crying, making a scene sort of guy, and they had other operational priorities at that moment as well as an audience. I wasn't expecting a huge scene at that moment. But information later on in the narrative about what Nightingale had done to try and find Peter would have been fitting in with the character and the time limits the characters have - could have come as an offhand comment from Guleed or someone else during a conversation about work for example. A kind of well we know Nightingale can do a-awesome-thing because he did it while searching for you thing. Or even Nightingale looking tired, Peter commenting on it and someone, probably Guleed or maybe Abdul, answering it was because he'd barely slept while looking for Peter. Nightingale has shown he feels responsible for Peter, so the lack of acknowledgment of the fact Peter was missing for a considerable chunk of time just felt like a missed opportunity to me.

Still it wasn't enough to ruin this book for me by any stretch of the imagination and I'm excited to re-read it and connect all the dots I missed the first time around. A great, read and a solid addition to the series that has me desperate for the next book.

Lies Sleeping: 5/5

#rivers of london #lies sleeping #lies sleeping spoilers #book review

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riddledeep · 5 years

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LEARNATORIUM CREW + KENNY: IN SHORT

Brief bios about three kidnapped well-paid teenagers and a clown.

(Minor spoilers for Pink and Gray if you don’t already know Gary’s heritage)

GARRETT JUANDISSIMO TUCKFIELD CABRERA

Birthday: October 6th, 1984

Height: 6′7″

Age During Frozen Timestream: 18

Alignment: Lawful Good -> Chaotic Good

MBTI: INFJ

Love Language: Quality time

Handedness: Left dominant

Hometown: Dimmsdale - A coastal city in California, USA

Favorite School Subject: Painting

Least Favorite Subject: Physics

Occupation: Caretaker at Dimmsdale’s Camp Learnatorium; counselor at Camp Wannahurtastranger (Formerly)

Bio: Gary and Betty have been raised by the Pixies since the age of 8 (although the term “raised” is used loosely). The pair were placed in a Dimmsdale apartment and looked after by Sanderson- frequently at first, then less and less often until they were mostly taking care of themselves. As such, the pair are very close; Gary clings to Betty as his tether to reality while Betty sees him as an interesting best friend who brings excitement to her boring life.

Contrary to very popular belief, Gary actually does have friends besides Betty (Don’t confuse the fact you never see them with them not existing at all). He tries to make friends with other teens whenever he can, but is oblivious to romantic cues and often ends up a third wheel. Compared to Betty, Gary is softer and more sensitive. At the Learnatorium, he focuses on arts, crafts, and music. One of his quirks is using Fae aphorisms instead of human ones.

Gary is descended from a genie, which means he has three chromosomes (XYZ) and a magical parallel of Klinefelter syndrome. He also has a trickle of latent magic, which gives him the ability to alter the fabric of space around him when he snaps his fingers (his magic makes a ding-dong sound). Mostly, he can change clothes. Being a witch, Gary’s magic is alive and it only cooperates if it wants to, so sometimes nothing happens at all. His powers can be briefly passed to anyone he kisses, which complicated his relationship with Betty growing up. Recently she began dating their coworker, Pete, which has complicated things even more (See Prompt 81, “Trying Too Hard”).

Gary and Better are major characters in the 130 Prompts and the protagonists of Pink and Gray. Gary is intrinsically motivated to do his best at everything; when you put him to work, he’ll go all in. If you can get Betty on board with an idea, Gary won’t be far behind. As of “Trying Too Hard,” Camp Learnatorium is out of Gary’s and Betty’s hands and under Ed Leadly’s charge.

Apartment Layout || Family Tree

ELIZABETH ARICA LOVELL

Birthday: July 23rd, 1984

Height: 5′9″ (Taller when Gary kisses her)

Age During Frozen Timestream: 18

Alignment: Neutral Good

MBTI: ESTP (Turbulent)

Love Language: Physical touch

Handedness: Right dominant

Favorite School Subject: Drama

Least Favorite Subject: English

Occupation: Caretaker at Dimmsdale’s Camp Learnatorium; counselor at Camp Wannahurtastranger (Formerly)

Bio: Just like Gary, Betty was taken in by the Pixies at the age of 8, after losing his father in a car crash that the Pixies had orchestrated. Unlike Gary, Betty came with a 4-year-old brother named Kenny, whom she tried to include in activities despite the Pixies’ obvious indifference to him.

Betty is the more dominant of the happy peppy duo. Her natural personality is to stand up for what she believes is right, argue against what she believes is wrong, and always push forward with her own agenda to meet her own goals. Years of being beaten back into “her place” by firm Pixie rules have left her with severe anxiety about stepping out of line under most circumstances. She regularly forces herself to keep up her happy peppy appearance (which comes much more easily to Gary). Betty lives her life feeling inauthentic, clawing happiness from whatever corners she can.

On the clock, Betty is the spunky, peppy girl we know from canon. But now that she has a boyfriend, Betty “turns off” after hours and totally rejects Gary’s attempts at physical affection, like leaning her head on his shoulder during movies on the couch back at their apartment. Gary is still adjusting to this change in their relationship and doesn’t seem to be taking it very well.

Since Flappy left Camp Learnatorium for his parents and Gary is more interested in arts and crafts than bills and taxes, Betty has taken management duties upon herself. She manages the day-to-day affairs behind the scenes at Camp Learnatorium. In the 130 Prompt “Solo,” she faced a major event that flipped her world (and Gary’s) upside-down. Lately she’s been struggling with a lot of confusing emotions. From her side of things, it looks like Gary has up and made a change on her, shifting from the sweet brotherly soul she always got along with to the sketchy, awkward, invasive guy that she’s for some reason sharing an apartment with. For now.

Apartment Layout || Family Tree

KENNETH THOMAS LOVELL

Birthday: August 14th, 1988

Height: 6′0″

Age: It’s complicated

Alignment: Lawful Neutral

MBTI: INTP

Love Language: Physical touch

Handedness: Right dominant

Occupation: Burger World’s sole employee; later works with the Dimmsdale Days carnival.

Bio: Kenny is Betty’s younger brother and was taken in by the Pixies at the age of 4. The Pixies chose Betty for their 37-year-plan, but kept Kenny around because disposing of him would have upset her. Kenny was always the least favored of the trio, never impressing the Pixies or receiving much attention from them. He was relocated to Burger World at a young age and has the skewed social skills to prove it. His signature quirk is using long sentences full of synonyms, saying the same thing three different ways before you can respond.

Kenny turned 14 in 2002. Unlike the people of Earth, he continued aging since he was off the planet when Timmy made his secret wish to freeze time. Kenny returned at age 19 (much to Gary’s, Betty’s, and his own confusion) and stopped aging until the world was unfrozen (See Prompt 7, “Shouldn’t Have Survived”). Throughout his appearances in the 130 Prompts, he’s the only one (sans Timmy) to notice and question the flow of time on Earth (or lack thereof). But no one believes him.

Kenny is a minor character in Pink and Gray. He also appears throughout the 130 Prompts, his most notable appearances being “Shouldn’t Have Survived,” “Dignity,” “Lucky,” and “Out For the Count.” Having little schooling, Kenny struggles with a lot of regular things Earthlings take for granted. His years of experience in the fast food industry help pay a few bills, at least... It’s not like the Pixies are looking out for him.

ROBERT “FLAPPY BOB” FLAPPOTINI

Birthday: September 19th, 1965 (Celebrated)

Height: 5′10″

Age During Frozen Timestream: 37

Alignment: Lawful Good

MBTI: ESTP

Love Language: Quality time

Handedness: Ambidextrous

Graduated: Harvard Law

Occupation: CEO of Dimmsdale’s Camp Learn-A-Torium (Formerly); currently spending time with his parents, living off the money they won in Vegas

Bio: Flappy Bob was separated from his parents as a baby, and when H.P. and Sanderson found him abandoned in a field, it kicked off a 37-year plan to take over Earth and Fairy World. Flappy was placed in the Dimmsdale Orphanage and monitored near-constantly by pixies... not that he knew at the time. From a distance, the Pixies influenced what toys he grew up with and what food he ate, molding him into a puppet of a businessman instead of the super hilarious clown he was destined to be.

Thanks to the Pixies’ meddling, Flappy grew up with skewed concepts of fun and danger. However, his moral compass remained steady; he always tried to do what he felt was right first, no matter how many times his behavior was corrected with magic and spritzer bottles. Flappy’s childhood was micromanaged, but he could never quite articulate the way the world seemed to change around him, or explain it to other people.

In his late teens, Flappy went through a phase where he actively rebelled against the magical spritzer bottles the Pixies used to alter his behavior (See also Prompt 18, “Blame”). When he received a full scholarship to Harvard Law from an anonymous benefactor, however, he surrendered and settled into a more quiet and business-oriented life. Flappy graduated after several grueling years, then went on to build Camp Learn-A-Torium in his hometown of Dimmsdale. Following the Musical, he agreed to keep the legal paperwork in his name but turn management over to Gary and Betty.

Flappy never had a lot of friends growing up, apart from a few on-and-off relationships with a girl named Beatrice Gale. He daydreams regularly and struggles to focus on his surroundings. Despite the 20-year age gap between them, Gary and Betty are easily his closest friends (Betty especially). Being a businessman in Dimmsdale, Flappy butts heads occasionally with Doug Dimmadome (who once torched part of the Learn-A-Torium; see also, “Odd, Odd West”) and Ed Leadly (independent collector of strange and magical things; see also, “Dog Gone”).

Flappy Bob is a minor character in Baby, You’re a Rich Man and appears a few times in the 130 Prompts, most notably in “Blame” and “Refusal.” Fun fact: he’s probably my favorite of all the FOP characters.

#RD canon characters #RD side characters #RD short bios #RD Gary #RD Betty #RD Kenny #RD Flappy

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amorremanet · 7 years

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For the meme: Hunger Games?

my all-time ultimate fave character: Katniss and Finnick. Like, I have a lot of them who I love, but Katniss and Finnick are tied for my number one spot.

a character I didn’t used to like but now do: Mrs. Everdeen took a while to grow on me, but by the end of Mockingjay, she really had.

a character I used to like but now don’t: tbh, it’s not that I used to like Peeta and now don’t, because I never really liked him and I still wouldn’t say that I dislike him, personally

—but there’s a lot about Peeta, especially with regard to his and Katniss’s relationship, that I find troublesome for various reasons (e.g., the way that Katniss, who is definitely canonically dark-skinned and is written against a backdrop that’s blatantly inspired by the racialized dimensions of classism and poverty, is always contextualized as Not Really Deserving the blonde white boy, who is regularly written in terms that are super not subtle about comparing him to Jesus)

To say nothing of how the text itself seems to agree with this idea, and does shit like go, “Wow, Peeta is oppressed by the Capitol too, like damn Katniss how much of a bitch are you, I mean your family and Gale’s only haven’t very literally starved to death because you and Gale know how to hunt, but wow, damn, Peeta had to help make the goat cheese and apple tarts and he wasn’t allowed to eat them because they were too expensive, that’s totally the same thing as people in the Seam literally starving to death”

Like, I’m not saying that Peeta and his family weren’t oppressed by the Capitol, because they were…… but it’s explicitly established in-text that the Capitol manufactures gradations as part of how they try to keep the Districts all fighting each other instead of fighting them, so yes, Peeta and his family did not experience the same thing as Gale, Katniss, and theirs, and part of that difference was how the Mellarks didn’t need to worry about getting enough to eat, they just couldn’t eat the expensive treats

The thing that bugs me the most, though, is the way that Peeta has supposedly been in love with Katniss since they were kids — except……… how? How can you say that he has truly been in love with Katniss when he, by his own goddamn admission, knew basically nothing about her and never even tried to get to know her for real? I’d buy that he was in love with his ludicrous headcanons about Katniss, but that’s not the same as being in love with Katniss Everdeen: Actual Person

And sorry not sorry, Peeta, but it is NOT true that you, “couldn’t talk to her”; you COULD have talked to Katniss and you chose not to talk to Katniss or deal with her at all in any context where you didn’t have the power of life and death over her (whether it was because she was literally dying of starvation, or because she needed you to make her look sympathetic to viewers in the 74th Games, and you needed her to literally and immediately keep you alive)

……Also, his version of how he fell in love with her has way too much in common with Dante Alighieri’s account of how he first fell in love with Beatrice Portinari for me to be truly okay with it, because Dante is one of the Western Literary Canon’s biggest examples of entitled dudebros who objectify women even while they claim to adore them (because over-idealizing someone is a form of dehumanizing them).

This said, I still don’t dislike Peeta. I just don’t think he’s that great, or that he’s as pure and innocent and cinnamon roll-ish as the books and fandom all make him out to be. Even without my misgivings about Ever*lark, ffs, he is one of the sneakiest, most manipulative characters in the series, and his BS sense of entitlement doesn’t only come out with Katniss

a character I’m indifferent about: Presidents Coin and Snow are both well-executed villains, but I don’t have a lot of feelings about them, personally. They were actually helped by the movies, for me, because Donald Sutherland and Julianne Moore were both really good in their roles, and it made me like them a little more, even if it still didn’t make me have feelings about them or anything

a character who deserved better: Most of them, tbh, but my top six are (in no particular order) Johanna, Madge, Rue, Annie, Finnick, and Gale

a ship I’ve never been able to get into: Katniss/Peeta, see above

But also? Gale/Madge. In my experience, the whole thing only exists so people can have some kind of “uptown girl” fantasy and go, “Look, see, I don’t hate Gale!!! Stop saying that I hate Gale!!! Just let me shove him off to the side and completely mischaracterize the shit out of him and pair him up with Madge for no reason beyond getting him out of the way so I can have Katniss/Peeta!!!!”

Also, Madge Undersee is a lesbian. #sorrynotsorry

Even worse: Effie/Haymitch. For one thing, both of them are gay. I don’t know what books everybody else is reading, but in MY copies of the books, Effie and Haymitch are both gay as fuck, why would you pair up a gay man and a lesbian like that unless it’s like, a situation where Effie and Haymitch get married so no one knows that they’re actually married to Portia and Cinna, respectively

But aside from that (because it’s admittedly a matter of my own headcanons even though I refuse to back down from them), I just??? Effie/Haymitch is just so blatantly a bunch of straight nonsense, pairing the two of them up because he’s a man and she’s a woman and therefore any time they exchange more than two words, it’s ~flirting~ even when Effie has HAPPILY AND ENERGETICALLY been a part of the system that treats all the kids Haymitch as mentored as if their lives mean nothing, and she’s been helping shepherd them to their deaths without getting that this is not good until it affects Katniss and Peeta (which only makes Effie get it because she likes them), and as much as Haymitch’s distaste for Effie is understandable, a lot of his lashing out at her isn’t actually coming from a place of, “I object to you for these fair reasons” so much as it’s coming from a place of Haymitch being a troll for the sake of being a troll, and I just

Why

Why is this ship a THING

Why is it so fucking POPULAR

I only understand this phenomenon in the most cynical way possible (i.e., the way where my explanation for it is, “they are so popular because it’s an M/F ship and, in the movies, both of them are white, even though Haymitch has dark skin and black hair, and the same racialized poverty-coded background as Gale and Katniss, in the books”)

Also, both of them are gay, sooooooo……… #sorrynotsorry

a ship I’ve never been able to get over: Katniss/Johanna, Katniss/Madge, Katniss/Finnick, Annie/Finnick

a cute, low-key ship: Annie/Johanna, and in some AU where Rue and Prim both get to grow up, I think they’d be cute together.

Also, Gale/Peeta. I’m just saying, it’s a perfect solution to the issue of the alleged love triangle because it means neither of them ends up without a ship, but Katniss doesn’t have to be with either of them.

an unpopular ship but I still enjoyed it: dude, my only M/F “ship that deserves to be called an OTP” for Katniss is called a crack ship by most of the fandom, even though she and Finnick have better-written relationship development than Katniss/Peeta and even though Finnick consistently respects Katniss Everdeen: Actual Facts Person and not some shiny pretty pretty princess headcanon about her

Sure, he may not want to be her friend, at first, because he assumes, like she does, that friends are not A Thing that’s going to happen, and if he maybe feels like he has been tasked with babysitting her and Peeta during the Quarter Quell, then… that’s not actually inaccurate, because he was kinda tasked with babysitting them by the other rebels.

Like, helping the two of them to survive and getting them out of the arena was the job that Finnick and Mags were given by the other rebels, and he had to be more hands-on about it than, say, Johanna, since Katniss wanted to have an alliance with Mags, which meant she had to have one with Finnick

So, no. The two of them aren’t exactly cozying up to each other in Catching Fire, because both of them are playing certain parts and performing certain versions of themselves based on a lot of assumptions about How The Fuck This Shit Works and a lot of assumptions about their roles and positions in everything (which admittedly end up being less than accurate… because both of them have been manipulated and lied to by everybody who’s pulling the strings)

Anyway, I shouldn’t go on about this too much more because it will make me get defensive and angry, but Finnick and Katniss are my autistic children and they are not a goddamn crack ship and if I had money, I would pay people to stop saying that so I could look at their tags and only see people tagging everything with them as “BROTP,” as opposed to that plus people calling them a crack ship

Also: Finnick/Gale, Cinna/Haymitch, Annie/Katniss

Also, I didn’t really LIKE Gale/Katniss, but it made me feel more things than Katniss/Peeta (even if I have more thoughts on that one, that’s the thing: they’re thoughts, not Feels; the only thing that I ever really feel about Katniss/Peeta is frustrated), and the whole, “Katniss is all but explicitly suicidal and that’s why she wants to mack on Gale” thing from Mockingjay totally does it for a lot of my angsty catharsis interests

a ship that was totally wrong and never should have happened: Effie/Haymitch. I went, “EEEUGH” out loud when they kissed, when I say MJ2 in the theatre, and I didn’t feel bad about it because: 1. all of the people who loved them collectively when, “AWWWWW”; and 2. eww, can you say, “what the fuck is this hetero pandering bullshit”

my favourite storyline/moment: The entire, “I drag myself out of nightmares and find there’s no relief in waking. Better not to give into it” scene, because I’m a human cliché and Katniss and Finnick are my autistic children. Also, any and every Joniss scene, because I’m garbage and a human cliché and I just want them to be together, is that so bad

a storyline that never should have been written: idk about anyone else, but I personally choose to live in a world where the series-long alleged “love triangle” was between Katniss/Madge and Johanna/Katniss, and the Katniss/Peeta stuff was only ever during the Games and not actually for real, and Gale and Peeta can go do each other or something, because fuck forced hetero love triangles, that’s why

Also? I’m willing to accept that Prim’s death was legitimately necessary for the plot and the narrative, in the same way that I hate Sirius Black’s death but accept that it was necessary for the sake of the story that JKR wanted to tell, so I can just go, “I see your point and I don’t begrudge you this in canon, but I am going to headcanon around it anyway because I don’t like it”

—but there was ABSOLUTELY NO REASON to kill Finnick. See, much like JKR’s senseless murders of Remus and Tonks in DH, Finnick’s death did nothing to make a point that hadn’t already been made multiple times over, and it added nothing to the story. Yea, like JKR before her, SCollins only killed Finnick for the sake of cheap shock value and reaffirming certain ideas about heroism that the rest of the series tried to deconstruct

It was pointless, it was senseless, it wasn’t necessary, and the story, characters, and readers all deserved better than that

Finnick Odair is happy and fine and he’s definitely alive, because all that unadulterated bullshit, “lmao finnick dies” crap never happened

my first thoughts on the series: uh. The first time I tried to read the books, I didn’t even get to the games themselves, because SCollins introduced Madge, introduced the backstory of her and Katniss being like kinda friends but kinda not but they’re not sure, and I was like, “ugh, why. I already know you’re going to make me suffer this bullshit between the two boys, but why would you hand me a totally valid and much more interesting F/F option. Why” and on the other hand, because Katniss reminded me too much of myself at a point when I wasn’t ready to deal with that

my thoughts now: We all deserved better, but I say that all the time about the HP series, too, so me feeling like the series was kind of a let down in various places and criticizing different aspects of it? Isn’t going to stop me from enjoying it

Also, Finnick is fine, Madge is fine, Effie and Haymitch are gay, Gale is bi, and most of my favorite characters are autistic because I said so, that’s why (—I mean, I actually have cases based on canon evidence for Finnick and Katniss, but my real rationale here is, “I want them to be autistic, so they are now, okay peace bye”)

#builttobalance #memes for ts #ask box tag #mine: memes #opinions for ts #criticism for ts #ship disliking for ts #the hunger games #mine: thg

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theconservativebrief · 6 years

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Jared Kushner loved Michael Moore’s health care crisis documentary Sicko. He loved it so much that he threw an after-party for it following the film’s premiere in 2007. The future son-in-law of and senior adviser to the future president effusively praised Moore to a reporter, singling out the filmmaker’s ability to construct a compelling argument and bring important issues in American life to light.

A clip of Kushner’s salute to Moore appears early in the documentarian’s latest feature, Fahrenheit 11/9, which made its debut at the 2018 Toronto International Film Festival to an exuberant crowd on Thursday night. Red bandanas were handed out at the door — late in the film, Moore calls for audiences to readopt the red bandana as a symbol, in the spirit of those worn by miners in support of unions in the 1920s — and someone in the crowd shouted, “Michael for president!”

The thing is, Kushner was right. Moore argues for his left-leaning political views passionately and forcefully, often building his case by mixing damning archival footage and expert interviews with his own goofy antics and sly commentary. The effect is something of a gale force, sweeping you along and compelling you to nod your head, without a lot of time to wonder what’s been left off the screen.

It’s effective, and Moore’s sources as embedded in his narrative are generally reliable. But it can feel loose and free-associative in some ways, and Moore’s injection of his own persona into his films — especially the smug snark of his commentary and the affected cluelessness he uses as an interview technique — can get old very quickly.

So his films are by turns convincing and infuriating, and more recent offerings have inspired tepid reviews even from critics who share his political views. His 2017 one-man Broadway show, The Terms of My Surrender, leaned into the worst of these tendencies and garnered flat-out bad reviews, in a city where his political leanings might be assumed to be shared by most of the audience. With Moore, mileage greatly varies.

In particular, self-mythologizing has always been his Achilles heel, so there was a great deal of eye-rolling among critics in June, when the title of his next project was announced to be Fahrenheit 11/9 — a reference to his 2004 documentary Fahrenheit 9/11, which criticized the George W. Bush administration and the War on Terror. That film won the Palme d’Or at Cannes and became the highest-grossing documentary of all time. Was Moore really about to draw a comparison between the events of 9/11/2001 and 11/9/2016 — the day after Donald Trump was elected America’s next president?

He was. But the film is much better than the baggage that comes with its title might imply. Moore still suffers from bouts of self-aggrandizement and snide generalization. But they feel jarringly out of place, and in a good way. That’s because, for a great deal of the film, Moore cedes the floor to people whose voices are not as easily heard, or who have had to fight to have a voice at all.

Fahrenheit 11/9 is a sweeping broadside against Trump, to be sure — not an original approach in documentary filmmaking these days. But it also does what few political films seem willing to do in the Trump era: It powerfully (if unsystematically) dismantles idealistic notions about how much better things were before Trump took office.

The film’s news peg may be the current administration, but its target is self-satisfied liberals who more or less trust the system. Early on, Moore even implicates himself, offering up a series of mea culpas for people he’s hobnobbed with in the past — Kushner, Steve Bannon, Kellyanne Conway, and Trump himself (on Roseanne Barr’s talk show, no less).

And when Fahrenheit 11/9 does turn to the election itself, it’s less interested in Trump as cause and more as symptom of nationwide disillusionment, money-driven elections, and a resulting apathy about the political process. (Forty percent of eligible Americans didn’t even vote in the 2016 election.)

Moore sprays water from Flint, Michigan, on Gov. Rick Snyder’s mansion in his new documentary Fahrenheit 11/9. Courtesy of TIFF

Moore goes after everyone close to the president, even insinuating early on that there is something very inappropriate about his relationship with his daughter Ivanka. He even winds up not just comparing Trump to Hitler, but layering one of Trump’s speeches atop video of one of Hitler’s. But he reserves his most angry, pointed, and well-constructed criticisms for what he paints as a toothless, crony-driven Democratic establishment and — in a turn that might surprise some viewers — Barack Obama, and particularly Obama’s visit to Flint, Michigan, in 2016.

Moore is from Flint, and the best sequences in Fahrenheit 11/9 are about the city’s ongoing water crisis as well as the political situation that led to it, as more or less engineered by Republican Gov. Rick Snyder, whom Moore repeatedly calls a “criminal.”

At the Fahrenheit 11/9’s Toronto premiere, there were audible gasps in the theater many times, but perhaps the loudest one came when the film detailed how Snyder ordered that the water supply for Flint’s General Motors factory be switched back to clean water because it was corroding auto parts — while leaving the population with a contaminated supply that the government continued to insist was totally fine to drink, despite overwhelming evidence to the contrary.

The Flint section of the film is infuriating but also illuminating; Moore lets whistleblowers, doctors, residents, and local law enforcement vent their anger while also drawing a line between Snyder and Trump that is, at minimum, disturbing.

But he has a larger point. There’s optimism woven throughout Fahrenheit 11/9, borne out of Moore’s conviction that on the whole, the American people (“us,” as he says in the film’s narration, knowing who his audience is) hold progressive views that are more in line with the left-leaning end of the political spectrum than anything Trump represents. (He supports this belief with a raft of polls on health care, taxes, gun control, immigration, abortion, and other matters, mostly from 2018.)

If democracy worked in America, he suggests — if people really felt that their vote meant something — then perhaps the nation could travel down a path that would lead somewhere positive.

Moore dutifully attacks the idiosyncrasies of the system, like the Electoral College and the Democratic Party’s system of superdelegates. But he seems pretty sure that it’s actually activism from the bottom up that will change the country. And so in addition to his own activism in Flint, he spotlights the Parkland, Florida, teens and the March for Our Lives movement and the teachers’ strikes that began in West Virginia and spread to other states.

Is he right? It’s too early to tell. After infusing a solid stretch of Fahrenheit 11/9 with hope, clearly seeking to inspire the audience to actually believe things can change, Moore returns to a more somber tone. He reminds viewers of the apparently enlightened and free-thinking historical context into which Adolf Hitler stepped, less than a century ago, and his thesis is clear: It — meaning the dehumanization of large groups of citizens and devotion to a charismatic strongman leader — can happen here, and it may already have happened.

As a film, Fahrenheit 11/9 is flawed. The movie feels at times more like a crash course in what’s happened since 2016, a kind of “worst hits” album desperate to hit every possible point and draw them all into a unifying theory.

We get Trump, Steve Bannon (“I don’t agree with [Moore’s] politics,” Bannon is shown saying, “but I think he makes a great film”), birtherism, the Central Park Five, Roger Ailes, Bill O’Reilly, Mark Halperin, Matt Lauer, Charlie Rose, Roseanne, “the media” (and especially the New York Times), Trump’s “treasonous” meeting with Putin in Helsinki in July 2018, Bill Clinton, Bernie Sanders, Flint, Parkland, Obama, Nancy Pelosi, Colin Kaepernick, Nazis, and Gwen Stefani, whom Moore insists is the reason Trump ran for president in the first place. (It was, according to Moore, Trump’s discovery that Stefani made more money on The Voice than he did on The Apprentice that made Trump announce his candidacy, to goad NBC into seeing how popular he was. It backfired, but the wheels started turning.)

That’s all crammed into about two hours, and the whiplash is considerable. It’s possible that Moore was trying to mimic the chaos of the news cycle over the past couple of years, but much of the film doesn’t stick so much as leave you with a lot of feelings.

At times, it seems as though some important issues have been wrapped into an argument against Trump because Moore isn’t sure people would have cared otherwise. (Whether or not he’s right, I can’t say.) I especially found myself wishing that, given Moore’s stature among socially conscious audiences as well as his personal connection to Flint, that he had spent less time writing clever zingers about the president and instead made an entire feature film about Flint alone, digging more deeply into its problems and their potential solutions.

Michael Moore speaks with Parkland teenager David Hogg in Fahrenheit 11/9. Courtesy of TIFF

Still, whenever he steps out of the way and hands over the microphone to those without household name recognition, Moore is an effective filmmaker. He knows who to talk to, and he doesn’t focus only on the big names. Voters and public school teachers in West Virginia; an Iraq war vet and various left-wing candidates running for Congress (including Alexandria Ocasio-Cortez and Rashida Tlaib); the last living Nuremberg prosecutor; whistleblowers and doctors and parents and residents in Flint; and many more individuals who don’t grab headlines quite as easily as Trump are all part of Fahrenheit 11/9. With their aid, Moore weaves a tapestry not of hope, but optimistic outrage.

Fahrenheit 11/9 is not going to convince any Trump loyalists to reconsider. But it has no interest in doing that. #NeverTrump conservatives aren’t likely to watch the film either, even though it may offer them some surprising common ground, despite the fact that Moore’s critique of the Democratic Party comes from his democratic socialist views.

Instead, the film concentrates on not letting its more natural audience off easy. It criticizes the easy generalizations, ahistoricity, and even tribalism of a liberal audience (the critiques of Obama and of Clinton, in particular, don’t hold anything back). It suggests the country is a wreck not because of those other people out there, but because the people in the theater itself aren’t even committed enough to their own ideals to get uncomfortable and do something — unlike, for instance, the West Virginia teachers who stayed on strike after their union leaders came to a compromise they wouldn’t accept, or the teenagers who organized the March for Our Lives.

Moore with a group of teens who organized the “March for Our Lives” in Parkland, Florida. Courtesy of TIFF

That means there’s something in this film to irritate everyone. And it’s certainly true that a more focused approach may have ultimately been more effective at dismantling his opponents. After all, everything Moore says has been out there, publicly reported by “the media” for years, and it’s the barrage of information that has sent a lot of people into a spiral of apathy, overwhelmed by everything that needs doing and everything that is awful. Do we need more outrage in 2018?

Moore thinks America does need more outrage — but more focused outrage. It’s useless to hate on Trump, he posits. What we need to do is to “get rid of the whole rotten system that gave us Trump,” as he declares toward the end of Fahrenheit 11/9. And that effort, to him, will start with the “real” America, the people to whom he’s increasingly handing the microphone.

Fahrenheit 11/9 premiered at the Toronto International Film Festival in September and opens in theaters on September 21.

Original Source -> In Fahrenheit 11/9, Michael Moore spares no one — especially self-satisfied liberals

via The Conservative Brief

#IFTTT #The Conservative Brief

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engagedfamilygaming · 6 years

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Kickstarter Campaign of the Week: Fire Tower

Fire Tower is a area control and hand management fire fighting board game that is currently live on Kickstarter. It was designed and is being published by Runaway Parade Games. They took the time to answer some questions for us about their campaign. Take a look below and check out the campaign! It is currently funded and a copy of the game is only $39 with free shipping in the United States.

Can you give us a “Tale of the Tape” for your game? The title, genre, playtime, age ranges, etc.

Fire Tower is for 2-4 players, ages 13+ (although this is only because of certification, since 7-year-olds have enjoyed this game). The game takes 15 – 30 minutes, and is a competitive forest fire fighting game.

What is the elevator pitch?

Prepare for a unique experience, a relentless battle for survival packed with shocking reversals and exhilarating victories. Fire Tower is a competitive fire fighting game for 2-4 players where each player mans a fire tower in the forest. Most games about firefighting have some cooperative aspect, with players working together to beat back the flames and stem the chaos. In Fire Tower your objectives are to protect your own tower and spread the flames towards your opponents. Can you be the last tower standing?

One of the main mechanics in the game is the wind, an unrelenting natural force that can be diverted but never stopped. At the start of each turn you must expand the fire in the direction of the current wind. If you find the flames encroaching on your tower, you’ll want to look to your action cards. In your five card hand you’ll find wind cards that allow you to harness the destructive force of the gale. Fire cards add a varying of patterns of fire to the board. Water cards beat back the flames. Firebreak cards that let you remove combustible vegetation to create barriers that slow the blaze.

Your opponents will come after you with explosions, burning snags, and flare ups, but you can fight back by calling in airdrops of water, deploying fire engines and smoke jumpers, or constructing fire breaks. Undermine your opponent’s defenses by replanting trees they’ve removed, or douse flames on your tower with your trusty bucket. The choices are numerous; it’s up you to make the right one.

Fire Tower is easy to learn, has minimal set-up time, and is intuitive to play, so that the action begins within minutes of opening the box. That said, this is not a simple game to master: multiple variables allow for a wide range of strategies, and no two games look alike. Fire Tower features a vibrant watercolor design by celebrated artist Kevin Ruelle. You can see Kevin’s fine art by visiting his website, ruellefineart.com.

When is your Kickstarter going live

The Kickstarter launched April 24, 2018, and funded in 2 hours.

Where are you in production/development? How close are you to complete?

The game is finished, has been heavily play-tested, the artwork is complete, and the manufacturer is chosen. We have spent the past 3 years working on the game, tweaking it, paying close attention to every detail. Of course, we are open to new ideas, and we always welcome feedback from the game community, which has been incredibly warm and welcoming to us throughout this entire process.

Are there any other games that you think are comparable to your game?

One of our favorite things about Fire Tower is that people who play our game can never think of another game that is quite like it. There are other games about fire fighting, but all the ones we know are cooperative games. There are other games that use patterns and spatial planning to strategize, but most of them are abstract games that don’t also include the more secretive elements that come with having a hand of action cards. What we love about Fire Tower is it has a retro look and feel, but the mechanics themselves are very unique.

You’re a game designer. You could have made any game you wanted. Why did you make THIS game?

This is the first game that we have taken this far into the production process, so it is definitely our baby! The two of us have always loved board games and board game design, and our conversations often start with, “What if you made a game about…” and go on for hours and hours.

One day we were going for a walk in the woods and we were talking about how coop games are fun because you are playing against the game, and competitive games are fun because you are playing against each other. What about a game where you are playing against both? We wanted to create an experience that ramps up over time, one where it becomes increasingly difficult to resist the building momentum of the game. A forest fire really stuck out to us as an exciting theme with a natural progression that would be both formidable and exhilarating.

What was your design process like?

You can always tell when one of us is really excited about a game, because they start building a prototype right away. After we went for that walk, we couldn’t stop talking about Fire Tower, and it was only a matter of days before we had a prototype built and were playtesting it. Of course, the game was very different from what it is now. The mechanics were different, the cards were different, and we were playing on this huge piece of white board that took up half our dining room. But the basic idea was the same, and after we played the game once, we couldn’t wait to play again. That’s how we knew we were onto something.

We’ve been lucky to have an amazing community of gamers and designers around us as we’ve gone through this process. We can’t thank them enough for all the insights they’ve offered. The two of us kept meticulous notes on all suggestions received, and have developed a framework to apply this information. We really tried to distill player’s impressions of the game into positive change, and learned the importance of finding common ground in what at first seems like contradicting feedback. Parsing out the trends in our data led to important developments that have been essential to Fire Tower.

What is the number one reason why a family MUST purchase this game?

This game takes about five minutes to learn and gets everyone laughing almost instantly. It is competitive, but at the same time lighthearted. One of our favorite parts about demoing Fire Tower at conventions has been watching the interactions between families as they battle for control of the forest. We love showing this game to kids and their parents, because it’s fun to listen to their hilarious banter as they go after each other. The game also works well for families because it presents core gameplay that young gamers can easily grasp, while at the same time offering unique mechanics and strategies that appeal to more seasoned gamers. This keeps every age bracket invested in the action, and also leaves room for kids to develop more nuanced strategies over time.

We wanted to create a game that was accessible to different types of learners, and tried to make it as intuitive as possible. We included cards that have both text and visual-based instructions, with a grid on each card that shows how it can be used. At one convention we met a father whose son had a hard time understanding text-based instructions and was pleasantly surprised that he found the visual directions of Fire Tower easy to digest. We’re overjoyed that Fire Tower is an inclusive experience that spans age and learning style. The social interactions the game encourages also compliment family gaming. Temporary alliances form and break as the wind changes, with players working together to send the fire away from themselves (and towards the other opponents).

Fire Tower forces players to try to predict how others will react to a varying range of situations, which leads to a lot of interesting interplay between personalities. The game is fiercely competitive, but at 15-30 minutes a game, it’s hard to be too sore of a loser (especially when you can just play again). In the meantime, kids are learning wildfire fighting terms and enhancing their spatial planning skills.

How long has this game been in development?

Just about three years. We are excited to finally get the game into the hands of gamers!

What obstacles did you encounter making this game?

Because Fire Tower is the first game we’ve taken to the edge of production, and our first KS project, we have had to educate ourselves on every aspect that goes into making a game. Ranging from the first design concept to the final product on your shelf. It’s hard to imagine the entire process while drawing your first prototype on a piece of poster board! We want to make sure that we manufacture a high quality product that is affordable for gamers. This means spending countless hours finding the perfect component. This included waking up in the middle of the night and weighing options of card size or the shade of our fire gems. We needed to consider sizing the game box to fit efficiently on pallets, and so much more. Overcoming these obstacles has helped us create a better product.

As co-designers it is hard to give up on some of your own ideas, even if you know they aren’t right. Both of us have had to learn to step back and ask, “Am I defending this idea because it truly enhances the game, or because I came up with it?”. Some of the hardest choices in the design process have been deciding when something has run its course and letting it go. Although some of these missteps end up fueling the next breakthrough! Creating Fire Tower has been one of the most challenging and rewarding logic puzzles we have ever encountered.

Designing a game brings out that same feeling of exhilaration you receive when planning out a complicated move for your next turn at game night. Designing Fire Tower has turned out to be one of the most addictive games we have ever played. Where all the limitations imposed on gameplay are up to your own discretion, and the possibilities for adjustments are endless.

What did your first prototype look like?

Our first prototype was this monolithic piece of poster board that had five or six versions of the game board. We used a lot of different things to represent the fire gems at first: plastic golden coins with a skull and crossbone printed on one side, pennies, torn pieces of paper, and sugar packets when we were in a bind once. Our first playtesters got to pick from a pile of plastic animals to represent their towers on the board. People often argued about who got to play as the jellyfish.

The first version of the firebreak tokens were ceramic tiles we found at a craft store. We had various friends with artistic skills who helped us draw the initial art on the cards. The deck was always changing! We used this setup until we’d locked down the core mechanics of the game. It was very exciting when we finally had some real artwork and were able to print a prototype through The Game Crafter. Still, sometimes we miss our giant poster board game.

Why did you get into making games?

Both of us have played around with game designing our whole lives. As kids we developed games that we played with our parents and close friends. At a certain point we were bouncing around so many ideas that we just had to see one all the way through. Designing a game was also an excuse to embed gaming even more into our lives. Meeting designers and playing their games has been one of our favorite parts of this whole process. Once we have Fire Tower produced and delivered we’re excited to turn our attention to other designs we’ve been working on!

What other information do you want us to know about you, your company, and/or your game?

Runaway Parade Games has a core mission to bring enjoyment to gamers through unique tabletop experiences. We’ve really enjoyed the process of showing Fire Tower to people at a range of extraordinary conventions including The Connecticut Festival of Indie Games, SnowCon, Pax Unplugged, Total Con, The Boston Festival of Indie Games, RetroWorld Expo, Too Many Games, Metatopia, and more. Games have been a lifelong passion for us. We’re excited to bring a new edition to a world that has brought us an extraordinary amount of joy. We’ve received a warm welcome from the tabletop world as a whole. Going forward we want to give back to the community, and share everything we’ve learned with people who are now embarking on the same journey we started three years ago.

The post Kickstarter Campaign of the Week: Fire Tower appeared first on Engaged Family Gaming.

from Kickstarter Campaign of the Week: Fire Tower

#Kickstarter Campaign of the Week: Fire Tower

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faithstruetales · 6 years

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When traveling, my itineraries are typically well-researched and packed with excitement to the minute, in fear that I’d miss out on some incredible experiences. However, with Seattle, for some reason I just let go, and everything magically fell into place.

We flew into Seattle and rented a car with Hertz. I’m still in awe of how super easy it was to get our car, despite being a packed holiday weekend. I read quickly that Seattle had many eclectic neighborhoods. I wanted to try them all, but time was too short in this soulful city, especially as we were staying at the Maxwell Hotel.

Maxwell Hotel – Pineapple hospitality

AKA “The Naked Experience”

This place ruined my life forever because I loved it so damn much. Upon walking into the lobby, a very friendly lady talked to me for fifteen minutes about her recommendations for the night. She then suggested I either take a cute adorable yellow bike or shuttle to one of their hot spots for free. There’s a funky lounge and bar, a rock star pizza restaurant surrounding welcoming pineapple water, coffee, and coconut cupcakes. The elevator was quirky, the hallways were classy, and I opened my door to see an adorable husky stuffed animal named “Fluffy” on my bed. Come to find out I could even adopt him to benefit local animal shelters.

Although the complimentary hot popcorn was tempting, I took a steaming hot shower, slipped on my complimentary robe and slippers, and fell into a cloud of dreams. A friend from back home had assured me that heaven was not ready for me, and I would not be dying on the plane, but perhaps my plane had in fact crashed. Not only was the bed divine but my husband and I each had our own fluffy twin duvet. I tried to buy them later but unfortunately the Simmons Beautyrest Black Luxury Hotel Collection Mattress cost $1,395 and the two twin duvets would end up being $900.

After an hour nap, it took great effort to get up, but we ventured to an amazing restaurant in Capitol Hill.

Capitol Hill

Capitol Hill is said to be an eclectic hipster neighborhood, perfect for a night out on the town with fun bars and restaurants. During my research, I too, believed the restaurant selection was the perfect entrance to a foodie’s paradise. It took me awhile to make a decision, but I finally settled on Herb & Bitter Public House.

Dinner at Herb & Bitter Public House

The Herb & Bitter Public House was a whimsical tapas bar where every table featured a menu covered by a different children’s book. I loved the atmosphere, the cheese platter was yummy, and the mixed drinks were handsomely strong.

Like the bars in Georgetown, the ones in Capitol Hill felt like they had soul, enough to inspire the likes of Nirvana. The area reminded me of the lively narrow streets in Boston, highlighted by beautiful rainbow crosswalks.

We were supposed to do some bar hopping and neighborhood exploring but we just couldn’t get that bed out of our thought clouds. Unfortunately Capitol Hill was not as exciting as the gigantic marshmallow patiently waiting for us at the Maxwell Hotel. We soon took an Uber back, put the “I’m naked” notice on the door and sank into Cloud 9. I’m sorry to say that I fell asleep at 10:00 in Seattle but I don’t regret it for a second. Days later I’m still thinking about that stupid bed, checking Seattle flights, scrolling past the haunting advertisements in my Facebook feed, and ultimately booked a night at their sister location in San Diego.

The First Starbucks Ever

The very first Starbucks to ever come into existence is conveniently right out side the Pike Place Market. We waited 45 minutes to get a coffee. To our dismay, the barista confirmed the quality of coffee found here was exactly the same at every other Starbucks. I had hoped they’d have some sort of exclusive blend but as they didn’t, I was feeling the crisp fall weather and ordered a pumpkin spice latte. I will forever be labeled as “ridiculous for being a basic bitch at the Mecca of coffee.” In my defense, there are much better brews out there, even in Seattle, so as always, follow your bliss.

Beecher’s – Cheese. Cheese. And More Cheese.

I cannot honestly say that Beecher’s has the best cheese I’ve ever had. Their grilled cheese was actually kind of meh compared to some I’ve tried at L.A. food trucks. However seeing cheese handmade and trying their mac & cheese was definitely worth the experience.

Sorry, I was too hungry to take a proper “before” picture

Pike Place Market

I’ve been to many markets around the world and after Camden in London, Pike Place Market was my favorite. It’s perfect for foodies, the eclectic, and the adventurous. You could easily spend a few hours here, taking it all in, especially on an empty stomach. I loved listening to the musicians as I tried the original Starbucks, went cheese tasting, and slowly sipped a cup of fresh apple cider.

Inside the market, you can try some of the freshest fruits, vegetables, and organic apple cider varieties.

You can even try chocolate pasta and go olive oil/ balsamic tasting

Among all of mother’s natures gifts, I was most impressed by the incredible exotic flower bouquets, ranging from $5-$15. If I ever lived here, I would need to have a serious weekly flower budget.

I bought this endearing necklace featuring stones from Puget Sound near Seattle, for whenever I needed the city to be a little extra close to my heart. I checked out some toys and other local crafts. I was beginning to wonder where I could find some hacky sacks, chili pepper lights, and zombie dolls in the same place, and as luck should have it, someone had already thought of that for me. Score.

The Seattle Waterfront

From inside Pike Place, take the elevator down and walk left towards the water. You will come across an enormous Ferris wheel, the aquarium, an artistic fountain, and a riddle to solve. Now, you may be asking yourself, why is “Ferris” in “Ferris wheel” capitalized? Which brings me to Fun Fact 206: In 1890, George Washington Gale Ferris Jr., a 33 year old engineer from Pittsburgh, put up $25,000 of his own money to create a giant revolving steel wheel in Chicago to rival the Eiffel Tower being displayed for the world fair. Unfortunately, even though the wheel was a huge success, after the fair Ferris was sued countless times, went into bankruptcy, and died from typhoid fever in 6 years later. While that’s a crappy way to go out, I hope he’s sitting on a cloud somewhere watching all of the beautiful Ferris wheels turning around the world and seeing his name capitalized.

Good job, Ferris

PAX

The plan after Pike Place Market was to venture into one of Seattle’s many other amazing neighborhoods, like Fremont or Ballard. However, as we were leaving we saw this… and well… parked the car.

PAX is an incredible yet intimate gaming convention held every year in Downtown Seattle. Even if you aren’t a gamer, but can appreciate magic and creativity, I’d highly suggest checking it out. I didn’t attend any of the panels but immensely enjoyed myself walking around, looking at games, and people watching.

Cannabis Tours

You might not smoke marijuana but it’s kind of interesting that it’s completely legal in the state of Washington. I was curious how it all worked, as our hotel lobby had stacks of cannabis tour pamphlets.

We walked into a smoke shop and asked, “How does this work? Do I need some kind of special card?” She took our licenses and we entered a room with all kinds of variations – rolled joints in pretty tubes and bags, cookies, brownies, and candy. A man put a huge menu binder on a glass case, describing all the differences and all I could think, is gee, there must be some really happy people in Washington.

The Gorge Amphitheater

The main purpose for our Washington trip was to experience one of the countries most stunning concert venues – the Gorge Amphitheater. The Gorge is a nice 2.5 hour drive east to Quincy, Washington, right outside George, Washington. Yes, there are people who get to say, “I live in George Washington.”What a wonderful world…

Camping there alone, especially with all the friendly enthusiastic fans, was an incredible once-in-a-lifetime experience. The Gorge was so much more than a concert. I don’t think I will ever be able to appreciate one the same way ever again, so hopefully I’ll be back here one day to hear that beautiful sound complimented by a sun setting over a scenic panorama of majestic cliffs.

The Space Needle

Some would say that Seattle is most known for the Space Needle – a 360 degree observation deck 540 feet high. While I’m sure the view is amazing and it might be fun to eat inside, to me, Seattle seemed like it would be better experienced somewhere random on the ground level.

Georgetown

A ten minute drive from downtown Seattle, you’ll find the delightful town of Georgetown. Walking around, we were welcomed by street art and some acoustic rock playing in the distance. The vibe felt like I always had imagined Seattle to be – a place with perfect combination of heart, grit, and soul.

We stayed at the Georgetown Inn for a night since it was close to the airport. It was cheap, clean, friendly, and a short walk to some intimate restaurants and bars with just the right amount of character. As we took in some homemade orangecello and happy hour pizzas at Via Tribunali, I felt comfortable just lingering for awhile.

Street Art in Georgetown

I wish I could have lingered in Seattle longer, because I loved every moment here, even when I wasn’t enjoying “The Naked Experience.” I can see why people love this unique city, but for me sleeping in thi was just a tad more enjoyable than becoming sleepless in Seattle.

Ever so often, travelers must make an ultimate decision. Is it better to explore or get naked? When traveling, my itineraries are typically well-researched and packed with excitement to the minute, in fear that I'd miss out on some incredible experiences.

#Capitol Hill #Georgetown #Gorge #PAX #Pike Place #Seattle #Space Needle #Travel #Wanderlust

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newstfionline · 7 years

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The Other Reformation: How Martin Luther Changed Our Beer, Too

Nina Martyris, NPR, October 31, 2017

On this day 500 years ago, an obscure Saxon monk launched a protest movement against the Catholic Church that would transform Europe. Martin Luther’s Protestant Reformation changed not just the way Europeans lived, fought, worshiped, worked and created art, but also how they ate and drank. For among the things it impacted was a drink beloved throughout the world and especially in Luther’s native Germany: beer.

The change in beer production was wrought by the pale green conical flower of a wildly prolific plant: hops.

Therein foams a bitter pint of history.

In the 16th century, the Catholic Church had a stranglehold on beer production, since it held the monopoly on gruit--the mixture of herbs and botanicals (sweet gale, mug wort, yarrow, ground ivy, heather, rosemary, juniper berries, ginger, cinnamon) used to flavor and preserve beer. Hops, however, were not taxed. Considered undesirable weeds, they grew plentifully and vigorously.

“The church didn’t like hops,” says William Bostwick, the beer critic for The Wall Street Journal and author of The Brewer’s Tale: A History of the World According to Beer. “One reason was that the 12th-century German mystic and abbess Hildegard had pronounced that hops were not very good for you, because they ‘make the soul of a man sad and weigh down his inner organs.’ So, if you were a Protestant brewer and wanted to thumb your nose at Catholicism, you used hops instead of herbs.”

Even before the Reformation, German princes had been moving towards hops--in 1516, for instance, a Bavarian law mandated that beer could only be made with hops, water and barley. But Luther’s revolt gave the weed a significant boost. The fact that hops were tax-free constituted only part of the draw. Hops had other qualities that appealed to the new movement. Chiefly, their excellent preservative qualities. “All herbs and spices have preservative qualities, but with hops, beer could travel really well, so it became a unit of international trade that symbolized the growing business class, which was tangentially connected with the Protestant work ethic and capitalism,” says Bostwick.

Another virtue in hops’ favor was their sedative properties. The mystic Hildegard was right in saying hops weighed down one’s innards. “I sleep six or seven hours running, and afterwards two or three. I am sure it is owing to the beer,” wrote Luther to his wife, Katharina, from the town of Torgau, renowned for its beer. The soporific, mellowing effect of hops might seem like a drawback, but in fact it offered a welcome alternative to many of the spices and herbs used by the church that had hallucinogenic and aphrodisiacal properties. “Fueled by these potent concoctions, church ales could be as boisterous as the Germanic drinking bouts church elders once frowned on,” writes Bostwick. “And so, to distance themselves further from papal excesses, when Protestants drank beer they preferred it hopped.”

If the Catholic Church lost control over the printed word with the invention of the printing press--the technological weapon that ensured Luther’s success--it lost control over beer with the rise of hops. “The head went flat on monastic beer,” says Bostwick.

Luther would have relished his role in promoting hops. If anyone loved and appreciated good beer, it was this stout, sensual and gregarious monk. His letters often mentioned beer, whether it was the delicious Torgau beer that he extolled as finer than wine or the “nasty” Dessau beer that made him long for Katharina’s home brew. “I keep thinking what good wine and beer I have at home, as well as a beautiful wife,” he wrote. “You would do well to send me over my whole cellar of wine and a bottle of thy beer.”

In an age where the water was unsafe, beer was drunk by everyone, and was the nutritional and social fuel of Germany. “It was a really natural and very common part of every household pantry,” says Bostwick. “I compare it these days to a pot of coffee always simmering on your countertop. Back then it was a kettle of beer. Beer was brewed less for pure enjoyment than for medicinal reasons (it incorporated herbs and spices) and for pure sustenance. Beers then were richer and heartier than today. They were a source of calories for the lower classes who did not have access to rich foods.”

Not surprisingly, beer pops up at pivotal moments in Luther’s life. Most notably, after taking on the formidable might of the Church, an unruffled Luther famously declared that God and the Word did everything, “while I drank beer with my [friends] Philipp and Amsdorf.” Luther’s teachings were mocked as “sour beer,” and one of his critics disparaged him as a heretic from the filthy market town of Wittenberg, populated by “a barbarous people who make their living from breweries and saloons.” But as he gained fame and became a popular hero, a range of Lutheran merchandise was launched, including beer mugs featuring the Pope as the Antichrist.

When the excommunicated Luther married the runaway nun Katharina von Bora, the town council gave the couple a barrel of excellent Einbeck beer. It was a fitting gift. Beer was soon to assume an even more central role in Luther’s life, thanks to his wife. The intelligent, talented and exceptionally competent Katharina not only had six children and managed the Luthers’ large household with its endless stream of guests, she also planted a vegetable garden and fruit trees, raised cows and pigs, had a fishpond, drove a wagon, and to her husband’s undying delight, opened a brewery that produced thousands of pints of beer each year. Her initial shaky attempts produced a thin, weak brew, but she soon got the hang of it and learned exactly how much malt to add to suit her husband’s taste. Luther was ecstatic--Lord Katie, as he affectionately called her, had assured him a steady supply even when Wittenberg’s breweries ran dry.

Luther’s favorite spot to hold forth on theology, philosophy and life in general was not the tavern but the table. The long refectory table in the cavernous Luther home seated up to 50 people. “This was Luther’s especial domain,” writes Andrew Pettegree in his elegant biography Brand Luther: How an Unheralded Monk Turned History. “The day’s labors past, he would sit with his friends and talk. Fueled by his wife’s excellent beer, conversation would become general, discursive, and sometimes unbuttoned.”

Unbuttoned is an understatement. Voluble, energetic and beery, Luther’s conversation zigged and zagged between the sublime and the scatological, to the amazement of his students, who hung onto his every word. The church was called a brothel and the pope the Antichrist. Former popes “farted like the devil” and were sodomites and transvestites. His students collected these jewels into a book called Table Talk. When it was published, it went viral.

But though he clearly loved his tankard, there is no record of Luther being a lush. In fact, he could be quite a scold when it came to drunken behavior. He lamented the German addiction to beer, saying, “such an eternal thirst, I am afraid, will remain as Germany’s plague until the Last Day.” And he once declared, “I wish brewing had never been invented, for a great deal of grain is consumed to make it, and nothing good is brewed.”

This was no doubt a spot of grandstanding. For all his protestations, Luther’s beer stein was always full. He loved local beer, boasted of his wife’s brewing skills, and launched a movement that helped promote hops. Does that make him a patron saint of the craft brewery?

“Luther might blanch a bit as a good protestant at being called a saint,” points out Bostwick, “and there’s already a brewery saint called St. Arnold, who saved his congregation from the plague by making them drink beer. In the interests of Protestantism, I wouldn’t call him a saint, but he was certainly a beer enthusiast, and many a beer bar and brewery today has a picture of Martin Luther on their wall. So let’s say that while we certainly don’t genuflect to him, he’s known and appreciated.”

#Martin Luther #Martin Luther and beer #hops #beer brewing

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