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coffeeandacig · 5 months

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HUGE M*A*S*H NEWS!

Direct of the MASH Matters Facebook Page

M*A*S*H: THE COMEDY THAT CHANGED TELEVISION, AN ALL-NEW TWO-HOUR CELEBRATION OF TELEVISION’S MOST INFLUENTIAL SITCOM

NEW ORIGINAL SPECIAL AIRS MONDAY, JANUARY 1, ON FOX

Featuring New Interviews with Cast Members Alan Alda, Gary Burghoff,

William Christopher, Jamie Farr, Mike Farrell, Wayne Rogers and Loretta Swit,

as well as Original Series Executive Producers Gene Reynolds and Burt Metcalfe

Plus Rarely-Seen Archival Interviews with Writer/Producer Larry Gelbart,

and Stars Larry Linville, Harry Morgan, McLean Stevenson and David Ogden Stiers

In the all-new two-hour special, M*A*S*H: The Comedy That Changed Television, premiering Monday, January 1 (8:00-10:00 PM ET/PT) on FOX, join the men and women who made M*A*S*H as they celebrate one of the most beloved, enduringly popular, often quoted and influential comedies ever created.

As the definitive look at the 14-time Emmy-winning television classic, the special centers around new interviews with original cast members Alan Alda (Capt. Benjamin Franklin "Hawkeye" Pierce), Gary Burghoff (Cpl. Walter "Radar" O'Reilly), William Christopher (Father Francis Mulcahy), Jamie Farr (Cpl./Sgt. Maxwell Q. "Max" Klinger), Mike Farrell (Capt. B.J. Hunnicutt), Wayne Rogers (Capt. "Trapper" John McIntyre) and Loretta Swit (Maj. Margaret "Hot Lips" Houlihan) and series executive producers Gene Reynolds and Burt Metcalfe. In these intimate, highly personal remembrances, the creation and evolution of the show’s iconic characters are revealed, alongside rare and never-before-seen behind-the-scenes footage, photos and stories.

Writer/producer Larry Gelbart, as well as additional series stars Larry Linville (Maj. Frank Burns), Harry Morgan (Col. Sherman T. Potter), McLean Stevenson (Lt. Col. Henry Blake) and David Ogden Stiers (Maj. Charles Emerson Winchester III) are remembered through a vibrant collection of clips from the series as well as in rarely-seen archival interviews. With unique experiences, observations and memories from 11 seasons of M*A*S*H, this special will make audiences laugh, touch their heartstrings, and leave them on a nostalgic high while celebrating the sustained brilliance of the iconic sitcom.

“M*A*S*H is not only a great television series, it is a cultural phenomenon. It has made multiple generations of viewers laugh, cry and think, often in the same episode,” said Executive Producers John Scheinfeld and Andy Kaplan. “We are excited to team with FOX to create this unprecedented window into an innovative television classic.”

"M*A*S*H is among the most iconic sitcoms in the annals of television history. It's a timeless show that comedically captures the 4077th medical corps and how they managed to maintain their sanity while saving lives on the front lines of the Korean War,” said Dan Harrison, EVP, Program Planning & Content Strategy, FOX Entertainment. “Larry Gelbart, Gene Reynolds and Burt Metcalfe brought this incredible comedy to life thanks to their ensemble cast led by the incomparable Alan Alda. FOX is proud to celebrate the landmark achievements of one of the best comedies ever created."

The M*A*S*H two-and-a-half-hour series finale that first aired on CBS in 1983 remains the highest rated telecast in television history, delivering an incredible 77 audience share and 60.2 rating. To-date, the show has never left the air, continuously running in syndication, on basic cable and now streaming on Hulu. The series was produced by 20th Television.

M*A*S*H: The Comedy That Changed Television is directed by John Scheinfeld (Reinventing Elvis: The ’68 Comeback, The U.S. vs. John Lennon and What The Hell Happened To Blood, Sweat & Tears?) with Scheinfeld and Andy Kaplan as Executive Producers.

Viewers can watch M*A*S*H: The Comedy That Changed Television next day on Hulu, Fox.com, On Demand and FOX Entertainment’s streaming platform, Tubi. On Demand is available for customers of Cox Contour TV, DIRECTV, DISH, fuboTV, Hulu + Live TV, Optimum, Spectrum, Verizon FiOS, XFINITY, YouTube TV and many more.

#m*a*s*h #mash #mash 4077 #m*a*s*h 4077 #hawkeye pierce #mash4077 #alan alda #trapper john mcintyre #mike farrell #wayne rogers

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denimbex1986 · 28 days

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'From Sherlock’s Moriarty to His Dark Materials’ Colonel John Parry; Hamlet to the one-man adaptation of Vanya, Andrew Scott has been a longtime beloved actor of the stage and screen. And now the Dubliner will be taking on another iconic role as he steps into the shoes of Tom Ripley for the upcoming limited series, Ripley. The series, which is based on Patricia Highsmith’s bestselling novels, is set in 1960s New York — and follows Tom Ripley, a grifter who is hired by a wealthy man to go to Italy and try to talk his vagabond son into coming home.

But as Ripley takes the job, he falls headfirst into a life of deceit, fraud and murder.

The cast includes Dakota Fanning, Johnny Flynn, Eliot Sumner, Maurizio Lombardi, Margherita Buy, John Malkovich, Kenneth Lonergan and Ann Cusack.

All eight episodes — which were directed and written by Steven Zaillian — will land on the streaming service on April 4.

The Dubliner told Empire about taking on the role — and the importance of putting “your own stamp” on the character.

He said, “you have to be respectful, but not too reverent, because otherwise there’s no point in doing this.

“You’ve got to put your own stamp on it. Some people will like this version, and some people will like other versions, and that’s okay. What you have to do is understand why this character remains so fascinating for people.”

The Dubliner made his debut on the big screen when he was 17 years old, when he starred in 1995’s Korea opposite Donal Donnelly.

In 1998, he played Edumnd Tyrone in Karel Reisz’s production of Long Day’s Journey Into Night at the Gate Theatre — and was nominated for Best Actor In A Supporting Role at the Irish Times Theatre Award for his role in the show.

Scott had roles in Saving Private Ryan, Nora and the adaptation of Henry James’ The American — and in 2000, he made his stage debut in London with Dublin Carol.

He also appeared in Longitude opposite Michael Gambon, the miniseries Band of Brothers and Dead Bodies.

In 2005, he won his first Olivier Award for his role in the stage show A Girl in a Car with a Man — and made his debut on Broadway the next year, opposite Bill Nighy and Julianne Moore in The Vertical Hour.

Scott starred in the one-man show Sea Wall in 2008 and the next year — and on the screen, he had roles in Little While Lie, Foyle’s War and Lennon Naked, which saw him play Paul McCartney.

And in 2010, he took on the role of Moriarty in the BBC One series Sherlock, which also starred Benedict Cumberbatch and Martin Freeman.

Scott was nominated for a number of awards for his portrayal of the super sleuth’s nemesis, winning the Best Actor in a Supporting Role at the 2012 BAFTAS and Best Actor in a Supporting Role – Television at the 2013 IFTAS.

And in 2013, the actor opened up about the “extraordinary” reaction to the series.

He told The Independent, “Sherlock has changed all our careers, and I’m really pleased about that. It gives you the benefit of the doubt because executives like to see recognisable faces.

“It was overwhelming to be on a TV show that is quite so popular. That took me totally by surprise. People had an instant affection for it from the first episode. The reaction was extraordinary.”

He followed that up with a number of roles on the big and small screen over the next few years, including The Scapegoat, The Stag, The Town and Dates.

In 2014, Scott played Gethin Roberts in the film Pride, for which he was nominated for Best Actor in a Supporting Role at the 2015 IFTAS and won the Best Supporting Actor award at the 2014 British Independent Film Awards.

The same year, he starred in Locke and Jimmy’s Hall. In 2015, he had a role in the 007 film Spectre — and the next year, he had roles in Alice Through The Looking Glass, Denial, This Beautiful Fantastic and Handsome Devil.

In 2017, he played Hamlet on the stage — and was nominated for the Olivier Award for Best Actor in a Leading Role. The stage show was filmed and broadcast the following year.

Scott starred opposite Anthony Hopkins, Emma Thompson and Florence Pugh in 2018’s King Lear — and that summer, it was announced he would be joining the cast of Fleabag.

He captured hearts around the world for his portrayal of The Priest, and was nominated for the Golden Globe for Best Supporting Actor in a Series, Miniseries or Television Film in 2020.

During an appearance on Late Night with Seth Meyers earlier this year, he opened up about being cast in the show — and stepping away from some of the more villainous roles.

He said, “when I was in my 20s, I had a little baby face and I felt like I had this kind of darkness inside me. And I was like ,‘why can’t I get a part as a villain?’

“And then that happened — and then there were loads of villains happening, and I was like, ‘why can’t people see the real me?’

“Phoebe and I had done a play together in London that nobody saw, and she came a knocking — and that’s where the Priest came from.”

The same year, he played Lieutenant Leslie in 1917 and had roles in Black Mirror — which he got an IFTA and Emmy nomination for — and Modern Love.

Scott also took on the role of Colonel John Parry in the BBC’S His Dark Materials, an adaptation of Philip Pullman’s trilogy of the same name. The series ran from 2019 until 2022, and Scott was nominated for Best Supporting Actor (Drama) at the 2021 IFTAS.

On the stage, the actor played Garry Essendine in the revival of Noël Coward’s Present Laughter — and won the Olivier Award for Best Actor. The following year, he played Patrick in The Three Kings.

In 2021, he played Lord Merlin in the three-part adaptation of The Pursuit of Love and Terje Rødlarsen in the film Oslo. The next year, Scott played Lord Rollo in the Lena Dunham-directed comedy Catherine Called Birdy.

Last year, he starred in an adaptation of Vanya which saw him play all of the characters in the show.

He also starred opposite Paul Mescal in All of Us Strangers, which saw him nominated for Best Actor in a Motion Picture Drama at the Golden Globes.'

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boricuacherry-blog · 1 year

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Some of the books in MJ's library

Taj Jackson shared that his famous uncle loved the book The Law of Success by Napoleon Hill. He says Jackson loved this book and owned several copies of it.

According to biographer J. Randy Taraborrelli, in the early 80s, Jackson gave copies of the book The Autobiography of P.T. Barnum to both his lawyer and manager and told them, "Make this your Bible. I want my life to be the greatest show on earth."

The Old Man and The Sea by Ernest Hemingway

Rip Van Winkle by Washington Irving

The Power of Positive Thinking by Norman Vincent Peale

Animal Language by Michael Bright

Complete Writings of Ralph Waldo Emerson

The 48 Laws of Power

Seagull by Jonathan Livingston

Poetry by Rabindranath Tagore

Robert Burns poems

White Nights: The Story of a Prisoner in Russia by Menachem Begin

Hagakure: The Book of The Samurai by T. Yamamoto

Books by Sri Aurobindo

Books by Kalki Krishnamurthy

The Greatest Salesman in the World by OG Mandino

Malcolm X by Malcolm Haley

The Red Balloon by Albert Lamorisse

The Complete Works of O. Henry

The Verger by Somerset Maugham

The Reluctant Dragon by Kenneth Grahame

The Children's Hour by Henry Wadsworth Longfellow

The Tyger by William Blake

Sufi Poetry

The Bridge of Sighs by Thomas Hood

The Prophet by Khalil Gibran

Thoughts of Love: A Collection of Poems on Love by Susan Polis Schutz

Complete Stories and Poems of Edgar Allen Poe

They Cage the Animals at Night by Jennings Michael Burch

The Gift of Acabar by Og Mandino

Leaders of Men by Henry Woldmar Ruoff

Reflections in Black by Deborah Willis

Black in America by Eli Reed

Black Heroes of The 20th Century by Jessie Carney Smith

The Negro Caravan by Sterling A. Brown

Before the Mayflower by Lerone Bennet Jr.

How to Eat To Live by Elijah Muhammad

Your Creative Power by Alex Osborn

My Autobiography by Charlie Chaplin

Elvis Day By Day by Peter Guralnick

James Dean: An American Icon by David Loehr

Goldwyn: A Biography by A. Scott Berg

Duse: A Biography by William Weaver

Steps In Time by Fred Astaire

Bruce Lee: The Celebrated Life of the Golden Dragon by John Little

Songs My Mother Taught Me by Marlon Brando

Elia Kazan: A Life by Elia Kazan

The Rolling Stones: A Life on the Road

Abraham Lincoln by Carl Sandburg

Lincoln's Devotional by Carl Sandburg

Lennon in America: 1971-1980, Based in Part on the Lost Lennon Diaries, by Geoffrey Giuliano

Glass Onion: The Beatles In Their Own Words by Geoffrey Giuliano

The Beatles Illustrated Lyrics by Alan Aldridge

The Lost Lennon Interviews by Geoffrey Giuliano

Things We Said Today: Conversations with the Beatles by Geoffrey Giuliano

Books about Hitler - talking to Rabbi Schmuley Boteach, he said, "Hitler was a genius orator. To make that many people turn and change and hate, he had to be a showman and he was."

#mj #michael jackson #book #books #neverland #neverland ranch #library #neverland library

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ardn631-sophiewilliamson · 2 years

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RESEARCH- Portrait photographers

IN THE AMERICAN WEST -Richard Avedon

images via https://www.theguardian.com/culture/gallery/2017/feb/25/richard-avedon-american-west-texas-in-pictures

Richard Avedon was an influential American fashion and fine art photographer. His iconic portraits of celebrities, spanned more than half of the 20th century, and included Marilyn Monroe, Audrey Hepburn, The Beatles, Andy Warhol and Tupac Shakur. Avedon’s photos are very visually distinctive. Black and white, high contrast and with a stark white background, they are instantly recognisable.

In 1987 The Carter museum commissioned Avedon to create a portrait of the American West through its people. The resulting photographic series, In the American West, has become a touchstone in photographic history. In his photos, Avedon captured the spirit of people who conveyed through their faces, clothes, and postures not merely hard living but the full embrace of existence. Focusing on the rural West, Avedon visited ranches and rodeos, but he also went to truck stops, oil fields, and slaughterhouses. Rather than playing to the western myths of grandeur and space, he sought out people whose appearance and life circumstances were the antithesis of mythical images of the ruggedly handsome cowboy, beautiful pioneer wife, dashing outdoor adventurer, or industry mogul. The subjects he chose for the portraits were more ordinary people coping with normal daily struggles.

ANNIE LEIBOVITZ

images via https://www.instagram.com/annieleibovitz/?hl=en

Annie Leibovitz is a well known and much loved American photographer famous for her engaging and bold portraits of pop culture icons. Adept at capturing her subject’s personality and personal life, her images show intimate or staged moments that reveal the playful and not often seen aspects of her celebrity sitters. Her subjects have included Dolly Parton, Kieth Harrington and Queen Elizabeth, to name but a few, and she famously photographed John Lennon just hours before his death.

She began working as a commercial photographer at Rolling Stone magazine, and soon became the first woman to be named chief photographer. She left the publication and began working at Vanity Fair where she developed her style of staged and brightly lit portraits, and today, still regularly contributes to the magazine, as well as to Vogue. She has cited both Richard Avedon and Henry Cartier Bresson as influences to her work. In 1991, she became the first woman ever to have a solo exhibition at the National Portrait Gallery in Washington, D.C.

Her images are mainly posed and staged, taken in a studio with a carefully arranged set.

MARTIN CHAMBI

images via http://martinchambi.org/en/

Martín Chambi Jiménez was a Peruvian photographer in the early 20th century, and one of the first major Indigenous Latin American photographers. Recognised for the historic and ethnic documentary value of his photographs, he shot hundreds of portraits in the towns and countryside of the Peruvian Andes. Chambi is well-known for his work in documenting the Indigenous culture, including Machu-Picchu and other ruins. In a magazine interview in 1936, he is quoted saying "in my archive I have more than two hundred photographs of diverse aspects of the Quechua culture.”

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camera-link · 5 months

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Top 20 Photographers Who Shaped the Art of Photography

Photography is a powerful medium that can capture emotions, tell stories, and document the world around us. Some photographers have risen to prominence for their exceptional skills, creativity, and impact on the art of photography. Here are 20 of the most famous and influential photographers in the world, along with a brief overview of their contributions: 1. Henri Cartier-Bresson (1908-2004)

Henri Cartier-Bresson, a French photographer, is widely regarded as the father of photojournalism. His candid and spontaneous photographs, capturing the "decisive moment," have become synonymous with the genre. His work has influenced generations of photographers and continues to inspire and amaze audiences worldwide. 2. Ansel Adams (1902-1984)

Ansel Adams, an American photographer, is revered for his black-and-white photographs of the American West. His mastery of the zone system, a technique for controlling exposure, has revolutionized landscape photography. His stunning images of mountains, deserts, and national parks have become iconic symbols of American beauty and wilderness. 3. Annie Leibovitz (born 1949)

Annie Leibovitz, an American portrait photographer, has captured the portraits of some of the most iconic figures of our time. Her work is characterized by its glamour, intimacy, and ability to capture the essence of her subjects. Her iconic photographs, such as the image of John Lennon and Yoko Ono embracing, have become cultural touchstones. 4. Richard Avedon (1923-2004)

Richard Avedon, an American fashion and portrait photographer, was a master of dramatic and stylized imagery. His fashion photography redefined the genre by incorporating elements of theater and storytelling. His portraits of celebrities and ordinary people alike captured their personalities and emotions with honesty and depth. 5. Steve McCurry (born 1950)

Steve McCurry, an American photojournalist, is perhaps best known for his iconic photograph "Afghan Girl," which captured the haunting and captivating gaze of a young Afghan refugee. His work has chronicled conflicts and humanitarian crises around the world, bringing attention to human struggles and resilience. 6. Sebastião Salgado (born 1944)

Sebastião Salgado, a Brazilian photographer, is renowned for his black-and-white photographs that document human suffering and hardship. His work has exposed the devastating effects of wars, famines, and natural disasters, highlighting the plight of vulnerable communities worldwide. 7. Jimmy Nelson (born 1967)

Jimmy Nelson, a British photographer, has embarked on an ambitious project to capture portraits of indigenous peoples around the globe. His work celebrates cultural diversity and beauty, showcasing the rich traditions and resilience of indigenous communities. 8. David LaChapelle (born 1963)

David LaChapelle, an American photographer, is known for his surreal and provocative imagery, often incorporating elements of pop culture, religion, and sexuality. His work has been featured in magazines, music videos, and advertising, blurring the lines between art and commerce. 9. Ellen von Unwerth (born 1954)

Ellen von Unwerth, a German fashion photographer, has revolutionized the genre with her sensual and playful style. Her work is characterized by its use of natural light, candid moments, and a sense of effortless beauty. She has photographed some of the most iconic models and celebrities of our time. 10. Tim Walker (born 1970)

Tim Walker, a British fashion photographer, creates whimsical and fantastical images inspired by fairy tales and mythology. His work is characterized by its elaborate sets, dreamy lighting, and use of props and costumes. He has collaborated with fashion houses, magazines, and celebrities to create some of the most memorable fashion imagery of our time. 11. Gregory Crewdson (born 1962)

Gregory Crewdson, an American photographer, creates staged and cinematic photographs of suburban landscapes, often imbued with a sense of mystery and unease. His work explores themes of isolation, alienation, and the American Dream. His photographs are often compared to films or paintings, and they have been exhibited in galleries and museums around the world. 12. Erwin Olaf (born 1959)

Erwin Olaf, a Dutch photographer, is known for his provocative and surreal portraits, often featuring celebrities and models. His work explores themes of identity, sexuality, and consumerism, challenging conventional notions of beauty and gender. His photographs are often highly stylized and visually striking, blurring the lines between reality and fantasy. 13. Imogen Cunningham (1883-1976)

Imogen Cunningham, an American photographer, was a pioneer of West Coast photography. Her work spanned a wide range of subjects, including portraits, landscapes, and nudes. She was known for her sharp focus, subtle compositions, and ability to capture the essence of her subjects. Her photographs have helped to define the American photographic tradition. 14. William Eggleston (born 1939)

William Eggleston, an American photographer, is known for his color photographs of everyday life in the American South. His work is often characterized by its mundane and overlooked subjects, such as suburban streets, strip malls, and food advertisements. His photographs have been credited with revolutionizing color photography and challenging traditional notions of beauty. 15. Martin Parr (born 1954)

Martin Parr, a British photographer, is known for his humorous and satirical photographs of British society. His work often takes aim at consumerism, globalization, and social class. His photographs are characterized by their use of bright colors, flash photography, and candid moments. He has been awarded numerous prizes for his work, including the prestigious Deutsche Börse Photography Prize. 16. Sally Mann (born 1951)

Sally Mann, an American photographer, is known for her intimate and haunting photographs of her children. Her work explores themes of family, identity, and mortality. Her photographs are often black-and-white and have been praised for their honesty and emotional depth. 17. Diane Arbus (1923-1971)

Diane Arbus, an American photographer, is known for her portraits of outsiders and marginalized people. Her work is often unsettling and challenging, confronting viewers with the uncomfortable realities of human existence. Her photographs have been praised for their psychological insight and their ability to capture the complexities of human nature. 18. Robert Capa (1913-1954)

Robert Capa, a Hungarian-American photojournalist, covered five wars during his career. His work is characterized by its bravery and its ability to capture the immediacy and chaos of war. His iconic photographs, such as "Falling Soldier" during the Spanish Civil War, have become symbols of war and its human impact. 19. Gerda Taro (1910-1937)

Gerda Taro, a German-Jewish photographer, was a pioneer of photojournalism and a key figure in the Spanish Civil War. Her work is known for its humanity and its ability to capture the courage and resilience of ordinary people caught in the midst of war. Her untimely death at the age of 26 cut her career short, but her legacy continues to inspire photographers and activists worldwide. 20. Dorothea Lange (1895-1965)

Dorothea Lange, an American photographer, is best known for her work documenting the Great Depression. Her photographs, such as "Migrant Mother," captured the suffering and resilience of the American working class during the economic crisis. Her work has become a powerful reminder of the human cost of economic hardship. These 20 photographers have not only captured the world around them but have also shaped the art of photography, leaving an indelible mark on the history of the medium. Their work continues to inspire and challenge us, reminding us of the power of photography to document, tell stories, and evoke emotions. Read the full article

#art #black-and-white #color #creativity #fashion #history #iconic #landscapes #photographers #photography #photojournalism #portraits #storytelling

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androsky-lugo · 2 years

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New York's Famous Buildings

New York is home to numerous renowned structures. This article will look at a few of the most well-known. The Cloud Club may be the place for you if you are a history enthusiast or simply appreciate photographing prominent landmarks. It was opened in June 1930, attracting 300 powerful male businessmen. Because to the recession, the Cloud Club closed in 1970, with just 17% of the room filled. The Cloud Club has now been rented out to several businesses, and its spire is one of the city's most recognizable structures.

Androsky Lugo pointed out that, The Dakota Building, where John Lennon was assassinated, is another well-known New York landmark. This structure, created by architect Henry Hardenbergh, is one of the city's oldest. The Dakota, which is on the National Register of Historic Places and is located on West 70th Street and Central Park West, had numerous prominent occupants. You will discover something to wow you whether you are a Beatles fan or an architect.

Another New York City landmark is the Flatiron Building. This triangular structure is one of the city's most prominent monuments and is known for its triangle design. The Fuller Building was the initial name of the Flatiron Building, which was eventually altered to reflect its new owner. The structure, on the other hand, has stood the test of time and has earned cult status among the population. The Flatiron Building is so iconic in New York that most residents can't envision the city without it.

Despite its massive size, the Washington National Cathedral is the city's highest structure on the west side. It is also the city's most historic structure, and it is where Alexander Hamilton is buried. It is a stunning monument that preserves the city's history, standing 1,776 feet tall. The National Cathedral will amaze you whether you are here for service or to see a gorgeous cathedral.

Androsky Lugo explained that, The American Museum of Natural History, which is situated within the museum's historic edifice, is one of the top museums in the city. Robert Lyons designed it, and it was finished in 1906. The structure is located at 115 Central Park West, between the Morgan Library and Tavern on the Green. The American Museum of Natural History was sold for $26 million, according to reputable sources. Green ceramic tiles adorn the building's façade.

Another notable structure is the Dorilton Hotel. Built between 1900 and 1902, this opulent structure has a stunning facade with carved figures reminiscent of French palaces. It was also New York's first air-conditioned hotel. In 1983, it was listed on the National Register of Historic Places. This structure may be found in the middle of the city and will never let you down. If you're interested in history, this may be the place for you!

Another well-known landmark in New York City is the Chrysler Building. It is located on 42nd Street, only steps from from Grand Central Terminal. Before the Empire State Building was erected in 1931, this 1,046-foot-high structure was the world's highest building. Although it is not as tall as the Empire State Building, it is still the world's highest brick structure. The trip to New York City is well worth it!

In addition to Androsky Lugo The Rockefeller Center houses many of New York's most prominent museums and art galleries. This is the city's center of activity, and enormous numbers congregate here throughout the holidays. The Rockefeller Tree may also be seen in Rockefeller Center. One of Frank Lloyd Wright's most famous works is the Guggenheim Museum. Sadly, Wright died tragically six months before it opened, but his masterwork is a work of beauty that attracts over one million tourists each year.

Time Square, often known as 'The Crossroads of the World,' is a prominent entertainment center in New York City. Over one million people assemble in the center for the traditional New Year's Eve event to watch the broadcast New York Times. Election outcomes and key athletic events are also popular events in Times Square. For those in attendance, many huge screens are installed on adjacent buildings. You'll wonder what is stealing your heart after you've seen the wonders of the city.

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eppysboys · 4 years

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The Beatles photographed by Henry Grossman, Abbey Road Studios, Feburary 28th 1967

#The Beatles #John Lennon #Paul McCartney #Ringo Starr #George Harrison #George Martin #Mal Evans #John #Paul #George #Ringo #look at our little fashion icon there :') cape + sneakers #photos by henry grossman

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blackswaneuroparedux · 3 years

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Curiosity endows the people who have it with a generosity in argument and a serenity in their own mode of life which springs from their cheerful willingness to let life take the form it will.

- Alistair Cooke KBE

Even as a well travelled Brit I had never heard of Masterpiece Theatre growing up until American friends told me they became Anglophiles by watching it.

I had no idea that Masterpiece Theatre Theater (it’s American English after all) was the central place for Americans to watch the best of British culture with such iconic British television series like Downton Abbey, Agatha Christie’s Miss Marple, or even Shakespeare plays.

But the man who really made the series famous was broadcaster Alistair Cooke, the series’ crisp, avuncular host. Seated in a leather chair, surrounded by bound volumes, Cooke introduced all of the great British programming brought to the States by WGBH - I, Claudius and Upstairs, Downstairs and The Six Wives of Henry VIII - and brought a cosy British Oxbridge gravitas to American television.

At 95 years old, Cooke died in 2004 and left a legacy as a broadcast essayist: Letter from America, a series of 15-minute radio pieces now collected into an extensive digital archive by BBC Radio 4.

Letter from America was something I devoured hungrily on the BBC World Service as a curious child about the world outside my bedroom window of whichever Commonwealth country we happen to be in. It was a family ritual listening to that warm patrician voice of Cooke’s that filled our home from home.

Later at Cambridge, I directed a very forgettable play under the banner of the Mummer’s Society. Mummers was a student theatrical drama society that Alistair Cooke founded as an undergrad at Jesus College. It was the university’s first theatre group open to men and women, from which he notably rejected a young James Mason (who was at Peterhouse), telling him to stick to architecture!

While James Mason thankfully ignored Cooke’s advice, Cooke himself went into broadcasting by accident via academia. Cooke's first visit to the United States was in 1932 on a two-year Commonwealth Fund Fellowship (now called the Harkness Fellowship) to both Yale and Harvard universities. He studied very little English literature but instead focused on acting and music. His acting and music skills came to the fore with visits to Hollywood.

Legend has it Cooke saw a newspaper headline stating that Oliver Baldwin, the Prime Minister Stanley Baldwin's son, had been sacked by the BBC as film critic. Cooke sent a telegram to the Director of Talks, asking if he would be considered for the post. He was invited for an interview and took a Cunard ocean liner back to Britain, arriving twenty-four hours late for his interview. He suggested typing out a film review on the spot, and a few minutes later, he was offered the job.

In 1937, Cooke emigrated to the United States; but became a United States citizen and swore the Oath of Allegiance on 1 December 1941, six days before Pearl Harbour was attacked. In between his film reviews, Cooke undertook a journey through the whole United States, recording the lifestyle of ordinary Americans during the war and their reactions to it. The manuscript was published as The American Home Front: 1941–1942 in the United States.

Letter from America only came to be realised after the war in 1946. But initially it was called American Letter. The first American Letter was broadcast on 24 March 1946. The series was initially commissioned for only 13 instalments. But it went on and on sending Cooke’s slightly amused voice over the airwaves. Indeed these BBC radio essays aired weekly throughout the world for the next 58 years.

He gave Britons (and those living in the British Commonwealth countries) his ex-patriate take on everything from American holidays (including his personal involvement in making George Washington’s birthday a national holiday), to the ways American English varies from British English, to major events in American history.

Cooke captured America’s grief after John F. Kennedy was assassinated, but his eyewitness account of Bobby Kennedy’s death would become one of his most powerful reports. Cooke was in the lobby of the Ambassador Hotel when Kennedy was shot and used scratch paper to scribble down his impressions of the chaos.

He was brilliant at crafting character-driven stories about issues. His piece about John Lennon’s death segued neatly into an exploration of gun violence in America. He reported on the suicide of actress Jean Seberg and used the obituary as an opportunity to discuss the excesses of FBI surveillance and witch-hunting.

Cooke wasn’t as good a writer as he was a reporter and he audibly sighs during some broadcasts, as if he is either tired or bored. But his point of view is priceless: an observant, charming outsider who fell in love with his adopted country, warts and all.

#alistair cooke #cooke #quote #british #america #letter from america #radio #BBC #icon #culture #history #society #politics #britain #personal

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justforbooks · 4 years

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The man who gave reggae its name and helped make it an international movement, Toots Hibbert, born Frederick Nathaniel Hibbert, has died at age 77.

Hibbert, one of the genre's founders and most beloved stars, was known for classics including “Pressure Drop,” “Monkey Man” and "Funky Kingston." He claimed to have named reggae on his song "Do The Reggay," which was released in 1968, according to the BBC.

The frontman of Toots & the Maytals, whose nickname "Toots" came from childhood, had been in a medically-induced coma at a hospital in Kingston since earlier this month. He was admitted in intensive care after complaints of having breathing difficulties according to his publicist. It was revealed in local media that the singer was awaiting results from a COVID-19 test after showing symptoms.

The Maytals started out as a trio made up of Hibbert, Henry “Raleigh” Gordon and Nathaniel “Jerry” Mathias. Later on, they added instrumentalists including bassist Jackie Jackson and drummer Paul Douglas. They broke up in the early 1980s, but the following decade Hibbert began working with a new lineup of Maytals.

The group posted a statement on Instagram and Twitter announcing his death.

"It is with the heaviest of hearts to announce that Frederick Nathaniel 'Toots' Hibbert passed away peacefully tonight, surrounded by his family at the University Hospital of the West Indies in Kingston, Jamaica," Toots & the Maytals wrote. "The family and his management team would like to thank the medical teams and professionals for their care and diligence, and ask that you respect their privacy during their time of grief."

They shared that Hibbert is survived by seven of his eight children and his wife, "Miss D," named Doreen, to whom he was married for nearly 40 years. Two of his children, Junior Hibebrt and Leba Hibbert, are also reggae performers.

The five-time Grammy nominee fell ill following his last known performance in August which was performed on a live-stream during Jamaica's Emancipation and Independence celebrations.

Hibbert was born the youngest of seven children in May Pen, which is situated about 30 miles from Jamaica's capital, according to the BBC.

He was the son of Seventh-day Adventist ministers and would remember miles-long walks along dirt roads to schools, hours of singing in church and private moments listening to such American stars on the radio as Ray Charles and Elvis Presley.

An ex-boxer, Hibbert was a bandleader, songwriter, multi-instrumentalist and showman whose concerts sometimes ended with dozens of audience members dancing with him on stage.

He was also, in the opinion of many, reggae's greatest singer, so deeply spiritual he could transform “Do re mi fa so la ti do" into a hymn. His raspy tenor, uncommonly warm and rough, was likened to the voice of Otis Redding and made him more accessible to American listeners than many reggae artists. Hibbert also recorded an album of hits, “Toots In Memphis,” which featured tracks such as "Hard to Handle" and "Knock on Wood" came out in 1988.

While he was not as involved politically as his friend, the late Bob Marley, he did preach justice, peace and righteousness in some songs, including "Pressure Drop," "Revolution" and "Bam Bam." He also reflected on his personal life in some of his music including on "54-46 That’s My Number" which was about his drug arrest and imprisonment that nearly derailed his career in the 1960s, according to the Independent.

Hibbert worked with musicians including Keith Richards, John Lennon, Eric Clapton and other rock stars who had become reggae fans in the 1970s. A tribute album from 2004, the Grammy winning “True Love,” included cameos by Richards, Bonnie Raitt, Ryan Adams and Jeff Beck. Hibbert also was the subject of a 2011 BBC documentary, “Reggae Got Soul,” with Clapton, Richards and Willie Nelson among the commentators.

A guest appearance on “Saturday Night Live” in 2004 brought Hibbert an unexpected admirer, the show's guest host, Donald Trump, who in his book “Think Like a Billionaire” recalled hearing the Maytals rehearse: "My daughter Ivanka had told me how great they were, and she was right. The music relaxed me, and surprisingly, I was not nervous.”

Hibbert's career was halted in 2013 after he sustained a head injury from a vodka bottle thrown during a concert in Richmond, Virginia, and suffered from headaches and depression. But by the end of the decade he was performing again and in 2020 he released another album, “Got To Be Tough,” which included contributions from Ziggy Marley and Ringo Starr, whose son, Zak Starkey, served as co-producer. The album illustrated the musician's "indomitable spirit" according to Pitchfork's review.

Loved ones, fans and colleagues took to social media to pay their respects.

Ziggy Marley, son of Bob Marley, tweeted about Hibbert's death noting he spoke with Hibbert recently.

"i told him how much i loved him we laughed & shared our mutual respect," Marley wrote. “He was a father figure to me his spirit is w/us his music fills us w/his energy i will never forget him."

Trojan Records, which released some of Toots and the Maytals' earlier work, also took to Twitter to share their reflections.

"Trojan mourns the passing of legendary reggae icon Toots Hibbert, frontman of the groundbreaking reggae and ska group Toots & The Maytals," the company wrote. "Our condolences to all his family, friends, and loved ones."

Jamaican Prime Minister Andrew Holness tweeted out a photo of Hibbert and himself.

"Today I mourn with all Jamaicans as we woke to news of the passing of our very own legendary Reggae singer Frederick 'Toots' Hibbert from the iconic band, 'Toots and the Maytals,'" he wrote.

British artist Cat Stevens tweeted too writing he was sad about the musician's passing, with an image of Hibbert. "God bless his soul."

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Toots Hibbert

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noreasonjustbored · 4 years

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Don’t Dress Up As My Enemy

Hi guys! I’ve been working on this since a few days before Halloween and I just finished it. Sorry, it was supposed to be a Halloween one shot but I hope you still enjoy. If you would like to be added to my tag list for future writing, please let me know by responding to this post.

Tag List:

@mychenrymadness @up-the-tube @heyimtavia @adorkable-blackgirl @henryhearts

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“So what should we be for Halloween this year?” Henry asks Charlotte who was at the monitor. “I was thinking like Sandy and Danny from Grease or even better, Brittany and Justin in those denim outfits. I look gooooodddd in denim.”

“I do look great in denim. But no.”

“Alright, what about the Disney route? Princess Tiana and Prince Naveen?”

“Uhhhh...” Charlotte hesitates.

“Ariel and Eric?”

Charlotte turns away from what she was looking at and spins the chair around to face Henry who is sitting on the couch. She shakes her head.

“John Lennon and Yoko Ono? You like the Beatles, right?”

“Yeah the Beatles are cool. But something’s off.”

“Off? What do you mean by off?” Henry wonders.

“I don’t know, I just don’t like those options. Any other suggestions?”

“Okkkkk...How about the Joker and Harley Quinn?”

“Eww no, their whole dynamic was toxic” Char replies instantly.

“Oh! How about Barbie and Ken? We are totally hot enough to pull that off!”

“Yeeaaahh I don’t think so. Anything else?”

“Wow you’re being so picky this year. What about Red and Abe from Us? Super scary. Plus red jumpsuits and scissors should be easy enough.”

“That would be pretty simple to put together but it’s not doing it for me.”

“Well do you have any ideas?” Henry poses exasperatedly.

At that moment the elevator opens and Jasper pops out. “Guys, guess what I got?”

“A snake?” “A new bucket?” They respond simultaneously.

“No! It’s wands! I figured that we could be Harry Potter characters for Halloween this year. Charlotte can be Harry!”

“Jasper!” Char exclaims. “That’s what was missing! None of those choices had a good option for him, that’s why I didn’t like them.”

“What are we talking about?” Jasper asks curiously.

“Nothing, Henry was just suggesting different costumes for us but they were only for two people” she clarifies.

Jasper turns to Henry, “You didn’t include me in your planning?”

Looking like a deer caught in the headlights Henry stammers out, “No, buddy! I totally thought about you!”

“Really?” Jasper asks Henry with an eyebrow raised. “Hey Charlotte, name one of the ideas he gave you.”

“Barbie and Ken.”

“The iconic duo. Anything else?”

“Ummm...guys I don’t think that this-“

“No Char, I want to know. What was another option?” Jasper asks seriously.

Charlotte sighs but decides to answer his question. “Tiana and Naveen. The main characters from the Princess and the Frog.”

“Oh really?” Jasper looks back at Henry who is now looking guilty. “And who was I going to be Hen?”

Henry looks everywhere expect at Jasper. “Louis the Alligator?”

“Louis the- wowww okay. If you didn’t want to dress up with me this year dude you could’ve just said something.”

“Of course I want to dress up with you! I just forgot. Temporarily.”

“Yeah sure, well thank you to Charlotte for being a good friend and thinking about me.”

“Dude I’m sorry. It’s not like that. Can I...talk to you for a minute?”

“We’re talking right now.”

“I mean alone. Just, come upstairs to Junk and Stuff with me.”

“Are you sure you want to talk to ME and not Charlotte?”

“Leave me outta this.” Charlotte piped up, facing the monitors at the console once again.

“Look, just meet me up there. Okay?” Henry pleaded.

“I’ll think about it” Jasper huffed.

After Henry took the elevator up to the store, Jasper plopped down onto the couch with a long sigh. “You know this is your fault.”

Knowing that they were the only two remaining in the ManCave, Charlotte assumes that Jasper was addressing her.

“What’s my fault?” she inquires while rising from her seat and walking to the couch to sit down next to her friend.

Jasper seems to disconnect from reality, staring blankly at nothing. It’s as if he is in a trance. Then he starts to speak.

“Before you came into the picture, Henry and I were thick as thieves. Practically inseparable. We did everything together. There were no doubts about our friendship. And then one day while we were playing, Henry saw you. A tiny girl with a book that was half her body weight, sitting on the swing set. You were rocking gently back and forth. Not too high, not too hard. Henry thought it was awesome that you could swing and read at the same time.”

“That took a second to master, it made me motion sick at first.” Charlotte says lightly amused.

“He saw some kind of wild flower next to the sandbox and picked it for you. And when he gave it to you he said it was because doing two things at once made you ‘the coolest person he had ever met’. When you accepted it, you said that the type of flower was a daisy. You asked him if he knew that daisies could symbolize true love and new beginnings? Henry said that he didn’t know those things but thought it was very smart that you did. You thanked him for the flower and asked where he had gotten it from. When he pointed by the sandbox you were confused because you didn’t see any other flowers there. You told him that daisies usually grow in clusters and it was strange that the flower as alone.”

“That was weird, daises typically grow in groups.” Charlotte mumbles softly.

“Do you remember Henry saying that the flower was like you? Because you were by yourself? He said that he could be a part of your cluster. So you wouldn’t have to be alone anymore. And the whole time this was happening, I was right there. A few feet away, watching. Not knowing how to contribute to the conversation my best friend up and left me to have with this random girl.”

“I didn’t know you were there.”

“Well I was. You know, I think that day started his love affair with flowers. He was so impressed that you knew exactly what type it was and that you knew so many facts about it. And he wanted to be liked you in that way. You inspired him. I don’t think I’ve ever inspired anything that Henry’s done.”

“Jasper....”

“It’s okay. I’ve mostly accepted the fact that I’ll never be as important to him as you are.”

“Hey listen, you are important to him. I know that Henry loves you. You guys were friends before I even came into the picture, there had to be a connection there. You’re just a little hurt right now because he wasn’t thinking things completely through earlier. But come on, it’s Henry. Not thinking things through is basically one of his personality traits.”

“Yeah I guess” Jasper sighs. “I’m just sick of feeling like I’m the only one invested in our friendship.”

“Have you spoken to Henry about how you feel?”

“No, I haven’t.”

“Well maybe you should.”

“I know.”

It’s silent for a moment. “Uggghhhh” Jasper groans in frustration. “I’m so sorry Charlotte, I know it’s not your fault that I feel this way. It was just easier to blame you than face the fact that I might be losing my best friend.”

“It’s okay Jasper. I understand where you are coming from. Believe it or not, I’ve felt like this before too. Henry and I were way closer in middle school before you found out he was Kid Danger. We spent so much time together at school and then here at work. Secrets bind people together. So whenever you were let in on the secret, we lost some of that closeness and everything changed. Instead of it being just the two of us, it felt like the two of you and then me. It was like I barely hung out with him anymore because you were always there. Henry spent so much of his time showing you all the cool tech stuff and explaining how everything worked in the ManCave, things I already knew about. For a while it was rough for me. It was like I was alone in a room full of people trying to figure out where I fit in.”

“I never knew you felt like that.”

“Yeah. That feeling of neglect was real. Because while we were friends, neither one of us were as close to each other as we were with Henry. That is, until we started spending more time together when Henry and Ray were on missions. We built our friendship stronger and bonded without Henry. He had always been the glue. Then, we created our own glue. And I’m so glad that we did. You are my best friend. That statement doesn’t lose any value just because it’s also true for Henry. The same thing applies to us. Henry loves you. You should go talk to him.”

“I will. Thanks Char.”

“You’re welcome.”

“Hug?”

“Just this once.”

“Yay!” Jasper said as he scooped his smaller friend in his arms, squeezing tightly.

Charlotte patted him awkwardly on the back. “Okay that’s enough.”

Upstairs, Henry was at the register cashing out a customer when Jasper came from behind the beaded curtain. After he handed the person their change, he turned to his friend. “Listen Jasper, I’m sorry man. I didn’t mean to-“

“No Henry, you listen to me for once. I know you didn’t mean to hurt my feelings.”

“Exactly! My bad I’m just so into-“

“Hold up. As I was saying, I know you didn’t mean to hurt my feelings. But you did. You hurt my feelings today when you didn’t include me in your costume plans, especially since we dressed up as a group last year. That hurt man. And you know what that reminded me of? That time I asked you how long you thought you could keep a secret from your best friend and your response was, ‘Oh, Charlotte knows’. It didn’t even cross your mind that I meant me. That I was your best friend.”

“Dude...”

“I’m just saying Henry. For a hero, you sure know how to hurt people.”

“That’s not fair.”

“Isn’t it?”

“Listen. Of course Charlotte is my best friend, but so are you. I know that sometimes I don’t show you the appreciation you deserve. I am truly sorry. You’ve been such a constant in my life that I just assume you know how much I care about you. I should tell you more often, that’s on me. I love you man. Forgive me?”

Jasper stared at Henry with a stoic face for a tense twenty seconds before caving.

“Of course. That’s all I wanted to hear” Jasper said before giving him a big bro hug.

“So the costume thing really was you just being obtuse without realizing, Charlotte was right” Jasper said mostly to himself.

“Well” Henry says in his signature high pitched voice.

“What is it?”

“Um, you see, Ikindawantedtowearacouple’scostumewithCharbecauseImighthaveacrushonher.”

“Huh?”

“I saaaaaiiiiddd, I kinda wanted to wear a couple’s costume with Char because I might have a crush on her. I figured if we had matching costumes, when people commented on them I could look at her reaction to try and gauge if she liked me back.” Henry responds while looking at the floor and scratching the back of his neck nervously.

“Really?” Jasper said excitedly.

Henry whips his head back up to see Jasper beaming at him.

“You’re not like, mad? Because you just went on this whole tangent about how I like her more than you...”

“No this is great! Honestly. I’ve always known that you like her more than me. My problem was that I don’t like it when you treat her like she’s your only best friend and leave me out completely. Plus, you’ve liked her ever since you gave her that flower when we were kids. You stare at her like she hung the moon. And...her contact name in your phone has been Daisy since you got a phone. You’re completely obvious dude.”

“Okayyy, geez. I didn’t know I was so transparent. I just realized this like a few weeks ago.” Henry says.

“You poor sap. Well come on, I’ll help you get your girl” Jasper replies as they walk to the back and push the button for the elevator.

“How are you gonna do that? My costume idea backfired.”

“Yeah she is definitely not going to leave me out after our talk.” Jasper says.

Henry sighs in defeat.

“Hmmmm...oh, I got it! We can still do Harry Potter but instead I’ll be Harry, Charlotte can be Hermoine.”

“And I can be Ron!” Henry concludes excitedly.

“Yeah exactly! That way, you can still technically have a couple’s costume. Even though we both know if anyone was gonna save the world it would definitely be her” Jasper muses.

“This is true.” Henry agrees as they both step into the elevator.

#Chenry #Henry Danger #Charlotte Page #Henry Hart #Jasper Dunlop #Charlotte Bolton #Kid Danger #Henlotte #Riele Downs #Jace Norman #Sean Ryan Fox #Nickelodeon #Halloween

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gemmasianpowellphotography · 4 years

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A Photographer I Like

Annie Leibovitz

Annie Leibovitz is a celebrated American photographer best known for her engaging and dramatic celebrity portraits. Adept at capturing her subject’s personality and inner life, her images reflect intimate or staged moments that reveal the playful and expressive aspects of her sitters, as seen in her Disney Dream Portraits (2011). “I no longer believe that there is such a thing as objectivity,” she once said. “Everyone has a point of view. Some people call it style, but what we’re really talking about is the guts of a photograph. When you trust your point of view, that’s when you start taking pictures.” Born on October 2, 1949 in Waterbury, CT, the artist studied painting at the San Francisco Art Institute with the intention of becoming an art teacher, and took night classes in photography. In 1970, she began working as a commercial photographer at Rolling Stone magazine, and soon became the first woman to be named chief photographer. She left the publication and began working at Vanity Fair where she developed her style of staged and brightly lit portraits, and today, still regularly contributes to the magazine, as well as to Vogue. She has cited both Richard Avedon and Henri-Cartier Bresson as influences to her work, as well as taking photos during her family vacations as a child. Leibovitz is known for her celebrity portraits—famously captured the last image of John Lennon and Yoko Ono before his death in 1980. In 1991, she became the first woman ever to have a solo exhibition at the National Portrait Gallery in Washington, D.C. In 2008, the photographer authored and published the book Annie Leibovitz at Work, which dissects in detail how some of her most iconic images came to be. The artist’s photographs are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, and the Los Angeles County Museum of Art, among others. Leibovitz currently lives and works in New York, NY.

Source. Artnet.

Some of her portrait work I admire.

Kate Winslet - I like the colour tones of this portrait and the soft light on the rightside of the image. The harsh shadow on the lift side of her face and where the eyes are looking. The refection in the background adds to the atmosphere and works well with the colour palette blue, grey and black.

John Lennon - In this image I like both viewpoint and composition. The light is much brighter and his clothing adds to the contast of the light chair he is sitting on. The position he is sitting also adds to the mood and tone very relaxed yet the serious face and eyes looking directly at the lens shows a more direct portrait.

Dakota Fanning - In this portrait the light source is coming in from above and refected in her eyes. The movement of the hair is a great visual and the colour of her eyes shines through and blends with the dark blue/black background. What she is wearing is important here too - dark with no neck showing.

Bruce Springsteen - I see the importance of what he is wearing with the background colour. His arm position in this adds character and the lighting can be seen in the eyes darker shadows to the left side.

#preproduction #inspiration #research

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teatimewithlennon · 4 years

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I Know The Way There [John Lennon] - Part 2

~~Lydia makes her way to her dad's cafe to help out when he gives her a good piece of advice~~

Part One

Song Inspo

Word Count: 1298

{Also, the cafe name came from my friend Brandon, he wanted me to tell y’all.}

One of the great parts of living in such a big, weird, city is that you don't look that crazy taking a bus in full glam-rock clothes at 9 am. You do still get weird looks from old ladies, but it's not too bad.

I do realize that I could just jump to the places I need to go to, but there are a few problems with it.

1) It's not exactly the most conspicuous thing to just pop out of nowhere in the middle of a crowded city 2) It does quite a number on the body to do multiple times in a row And finally...

3) You don't get the lovely experience of little kids asking to touch your jacket spikes.

So I tend to just take the bus when I need to go somewhere. Driving in Seattle is a nightmare and I don't even have a license. You'd think with the ability to time travel I could find the time to go get my license, but honestly, the real problem isn't time. It's the lack of ability to pass a driver's test. My dad always gets on my ass about it.

Henry Tyler is a great man and an even better father. He and my mother always tried to give me the best in life. Even if they didn't mean to have me, they cherished me with every fiber of their being. See, my parents never tried to have kids; when my mother was younger she had been told she could probably never have kids due to an illness she had. My parents were fairly old when they had me and had already settled down into a life without kids. They owned a cafe, had a cute little apartment, and they thought their dogs were enough; having never considered adopting. But, like many things in life, something unexpected happened and my mother had me. While both my parents were excited, my dad was ecstatic; something he'd never thought he'd feel about a child.

Even more unexpected was that I'd have the abilities I do. They were extremely freak at first; when I started teleporting as a toddler. In the beginning, they thought I was just moving around the house really fast until they found me in very strange places. Like inside the dryer, or on top of the bookcases. My mother believed it to be a gift from the universe, that I was a gift from the universe. She relished every second she had with me.

When I get to me stop, I swing myself out of my seat and off the bus, making quick pace down the street.

The Ballard neighborhood is much prettier than Seattle proper. I mean, nothing against downtown, but I hate towering buildings and the smell of piss everywhere. Also, this is where I grew up. The area is full of breweries and therefore, hipsters. It's a quaint area and looking out over the water from the locks is a real sight to behold.

As I turn around the corner my dad's cafe comes into view. The building is brick and very old as is most of the Ballard area. There are two metal tables out front on either side of the door with beautiful white and yellow striped umbrellas. At one table sits a couple enjoying an early morning cup of coffee before heading off to start their days. On the glass in the front of the cafe is a cute drawing of a coffee mug with the words, "Terrains De Repos" printed in cursive.

I push open the door and am greeted with the smell of freshly ground coffee and baked goods. Slow music plays softly in the background.

"Dad!" I call out, "I'm here to help set up for tonight."

The morning sun shines through the glass onto the checkered floor tiles. In the front windows of the shop, on either side, are counters with four bar stools. On the right wall is an old sofa with colorful pillows set out. Next to it is a couple of comfy armchairs. The coffee table in front is covered in old copies of Rolling Stone. Across from this sitting area is another, this one with several bean bag chairs on top of a bright orange rug from the 70s. Against the brick wall is a record player with several wood cartons of vinyl under it.

Moving further back into the cafe there is an elevated platform on the left wall. On it, there is a small music setup, with two guitars, one electric, and the other acoustic; as well as a couple of amps and a microphone. There are a few tables against the wall opposite the makeshift stage. The walls are covered in old photos and posters. Some from my parents' escapades and some from my own.

Then, there's the counter. It stretches across the back wall ending just before a hallway. Half of it has a pastry case full of wonderful goodies. There sits a vintage cash register on one end. Next to the register is a tip jar labeled "LSD Fund" and a bell. Behind the counter are all of the coffee machines and other accouterments of the trade. On the Back wall is a photo of my mom smiling brightly.

Just as I reach to ring the bell on the counter, my dad comes out from behind the bead curtain leading to the kitchen.

"Hey there kiddo," He says with a smile, "Didn't think you'd be here so early."

"Well, I got in earlier than I thought I would," I hop onto the counter.

"You sure don't look like it. You doing okay?" He asks with that fatherly concern of his.

"I'm fine. Just a little hungover is all." I say with a sigh.

"The 80s will do that to a person," He starts pouring a cup of tea for me. "but to me, this seems like more than a hangover. I can see it in your eyes pumpkin."

"I'm just having a hard time finding inspiration for my music." He hands me my cup and I look into the brown liquid.

"You've never had that problem before." He looks concerned, "Has something changed?"

"It's just- It's that I've been all sorts of wonderful places. I keep going to all these places hoping that I'll find something that drives me to make real music. I've met so many people, but no one has made me really feel something authentic." I look up from my cup of tea, "I want to have something like you did with mom. I've realized I'm nowhere near that. And for some reason, I can't see it in the future."

"Maybe your love isn't waiting for you in your future, maybe your love is somewhere unexpected." His eyes are soft when I meet them.

"I just don't know how that would work. If it's someone in the past, wouldn't they already be here?" I ask

"How would I know, you're the time wizard." He shrugs at me. Walking over to put a recond on. "This one goes out to a one Miss Tyler."

I hop off the counter and skip over to him as the iconic beginning song of Rubber Soul starts to play. And as those first notes play I start to dance, and my dad sings the opening to me.

"Asked a girl what she wanted to be She said, 'baby, can't you see I want to be famous, a star on the screen But you can do something in-between'"

When the chorus builds I grab the microphone of the stage and sing back to him.

"Baby, you can drive my car Yes, I'm gonna be a star Baby, you can drive my car And maybe I'll love you"

#john lennon fanfiction #time travel au #John Lennon #slow burn #slowburn #Ringo Starr #George Harrison #paul mccartney #beatles fanfiction #the beatles #Beatles #beatles fanfic #time travel #IKTWT

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groupiesoutrageously · 5 years

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RIP to the visionary Peter Fonda. The son of Hollywood legend Henry Fonda, Peter paved his own way as an actor, director, and countercultural icon. Easy Rider (1969), which he produced, co-wrote and starred in was a pivotal moment for both the counterculture and independent filmmaking.

#RIP Peter Fonda #peter fonda

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nicolahndphoto · 5 years

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Research - Photographers

Wednesday the 11th of September

During Tuesdays double studio class, we were asked to research about 5 portrait photographers; both historical and current. Doing this will demonstrate our knowledge of reading photographs as well as broadening techniques of portraits and how different photographers approach the aspect.

Annie Leibovitz

Annie Leibovitz will forever be known as a hugely successful portrait photographer who regularly photographs celebrities such as Angelina Jolie and Anne Hathaway (pictured above). Born in October 1949, in America. Leibovitz work has been featured in many magazines. During John Lennon’s era, she was the photographer who photographed him before he was murdered. At the start of Lebovitz’s career, she was a staff photographer for the The Rolling Stones magazine. Working for the magazine allowed her confidence when working with celebrities. Both portraits are very similar. Most of her images contains a delicate hand, which give Leibovitz her trademark. Both images have very much in common; a sharpness in the eye, a clean background with no distractions and of course, a simple outfit that adds a little something to both individual photograph. Anne Hathaway’s (left) coloured outfit is the only colour seen in the image which allows a very mute colour palette with no tones clashing. However, the one of Angelina Jolie (right) wearing a black top blending in with the background makes a strong contrast between the black and whites.

Diane Arbus

The images above are very similar as they both feature a woman impersonator. Left is of a man wearing nothing but make-up and a wig whilst holding a pair of tights in preparation for what looks like a show. The background features a rack of women’s clothing and tables of make-up set up in row with mirrors and lights above them. The set-up is clear to be some sort of a show/job. Despite the background being messy and all over the place, almost a distraction, the model is clear. As the image was taken on film, the greys are flat with no contrast unlike the second image which features strong blacks and whites. This image is also featuring a female impersonator smoking a cigarette with curlers in their hair which makes the image feel very 60’s. The first image was photographed in 1959 and I’m sure the second one wasn’t very distant from that. Out of the two, the most successful image is the second as I have seen it before. Furthermore, it features an extreme amount of quality and detail from the fake nails to the eyes. Flash was used for this image which is evident in the models hair which has that artificial light glint, making the hair look like a wig, plastic like.

Phillipe Halsman

Marilyn Monroe 1952 & Andy Warhol 1968

Phillipe Halsman was an American photographer who was born in Russia. He died in the late 70s in New York. Halsman focused many bodies of work on humans and portraits, many of which are different and unique. The first image I selected of Marilyn Monroe is very mysterious due to the way she is sloughed against the wall with her eyes half shut. Monroe is positioned at the join of two walls: one dark and the other a white. Despite Monroe wearing a white dress, she still stands out in the image but isn't outlined in black lines. The image overall is relaxed and informal which gives the impression that Halsman got to know her allowing her to relax. As this image is clearly photographed in a studio, small soft shadows are seen behind her left arm and head meaning a light possibly a soft box was positioned not far from her right side. The second image is of an artist called Andy Warhol. Warhol was similar to Halsman in respect of their creative sides. Warhol was a creator of pop art and unusual pieces of art similar to Halsman. The image itself is so beautiful with the light shimmer of colour over the models head with harsh shadows to the side of his face. I'm guessing the image was shot in a studio due to the hard light. The image perspective is tilted allowing a different perspective. Warhol is photographed as if removing a contact lens - so surreal. Dark and unreal is how I'd explain the image as I have never seen anything like it.

Henri Cartier-Bresson

André Breton, 1961 & Rue Moufetard, 1954

Both images are so brilliant. Especially the second one which makes me laugh. First image involves a man who is possibly a carver as I think I can see a tool in his hand - I could be wrong. He is however surrounded by wooden almost South African carvings. The man in the image is photographed inside, near a window which is seen by the split of light on his face with shadows on the other. Location is similar to that of a workshop or even his own house with a bookshelf holding thousands of books. Furthermore, I feel the first image to be very personal as Cartier-Bresson photographed this man in a well-known and comfortable environment of his. He looks almost angry that his environment was intruded. Following on from the first image, we have an almost full body portrait of a young boy carrying two corked bottles. From the reaction of the girls behind, the image causes me to feel as though the boy has items that he shouldn't, possibly alcohol. The confidence is radiating from the young boy but this could be because he noticed the camera and is acting cool for the passing audience as well as Cartier-Bresson. The image was photographed on the street which is evident from the buildings seen in the background. The composition is on point in the image as it allows just enough information to be shown in the frame. If taken straight on, the atmosphere wouldn't be the same. That slight tilt really makes the image.

Herb Ritts

Lastly we have Herb Ritts who I have heard of for so many years but never looked into his work. These two portraits really caught my eye. The first one is of a young woman sat against a brick wall. Despite the grey tones of the image, I feel that it isn't necessary a black and white portrait. I'm not sure what it is but the image almost has an overlay of colour. As if black and white and sepia are both featured. The photograph is really complimentary for the model as it features soft shadows on the wall as well as herself. Including the shadows around the cheek bones also. Despite her almost expressionless emotion, I feel as though she is empowering the camera with her stare, direct and firm. Overall, I really love how this image was constructed especially the viewpoint that Ritts perceived where it isn't full body. The second image is less serious and more comical. A lady in what looks like a bed, wrapped in a sheet with Minnie Mouse ears on. The background is very flat which is why I feel as though it was shot in studio. The model herself stands out despite the image itself I feel being very soft. Her expression with her dark lips as well as nail polish and the headband is what draws my attention. Yet again the shadows are very soft as there is no harsh lines or even many shadows apart from a few gathering around her collarbones. Ritts is another person who captured the composition perfectly. As this model has her hand resting under her chin, it is sat almost perfectly straight, aligning the photograph creating the illusion of a straight image, despite the background being wonky.

Sources:

https://lifesprism.com/photography/portraits-annie-leibovitz-2442

https://www.pinterest.co.uk/pin/618189486324548491/

https://en.m.wikipedia.org/wiki/Annie_Leibovitz

https://nypost.com/2016/07/09/diane-arbus-life-was-stranger-than-her-often-odd-subjects/

https://www.anothermag.com/art-photography/11483/diane-arbus-photography-exhibition-in-london-hayward-gallery-2019

http://www.jeudepaume.org/index.php?page=article&idArt=2279

https://www.michaelhoppengallery.com/artists/79-henri-cartier-bresson/overview/#/artworks/9978

http://fulloftaste.com/iconic-photography-herb-ritts/

#Studio

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postpunkpontypandyphantomthief · 5 years

Text

10th Comedy Monologue

(Note: this monologue is in a slightly different style than the others it’s more deadpan and about breaking the fourth wall than it is about pop culture references)

So, How are you all finding World War Tea?

If you don’t know what I mean, basically the beauty community on Youtube has exploded and

Hang on that’s a bit too niche for my audience...I mean I don’t know what you're into

You could be a critic looking to see what the new performers are offering in the world of comedy

You could just be someone interested in the genre wondering what jokes I’m going to conjure

I mean what features are there that I could poke fun at,

Before I got interested in doing this as a hobby, people would say

“I wouldn’t be able to handle it”

but I’m used to people laughing at me

Despite this, I never really got my family’s sense of humour

I might like the old greats like Chaplin, Laurel and Hardy and the Pythons

But my sense of humour is very different than that of my family.

Mine is a lot darker

I laugh at some public information films and jokes about some of the ugly aspects of life

They laugh at...Mrs Browns Boys, Michael McIntyre and other things that I don’t find funny

What’s the point in these references, are they genuine questions and opinions or just observations for the audience?

I’m a 2000s kid so I must have material about my days as a One Direction fan but back then I wasn’t even open about being one, I could joke about my anime days but they were mildly problematic and cringy, I could joke about my childhood but half the time I sound whingy

I watched a lot of 80s cartoons as a kid but I already referenced them before so I did

I’ve been through almost every phase imaginable.

I read Jacqueline Wilson and Horrid Henry books, I played with teenage mutant ninja turtle toys and Bratz dolls, I like Video games, Drag Queens, Japanese animation, Films, Musicals, Pokemon, Youtube videos, Emo Music, The Sims, Sherlock and many other things

I was not a popular kid who went to clubs or pubs but I wasn’t always a complete loner either

I was in between, sometimes I want to be energetic and loud and other times I’m chill and I barely make a sound

Despite being at times a total clown

I never really thought of myself as a class clown, half the time even if I was happy I’d just have a neutral frown

Right, ok I know I’m a poet, but I need to cut the rhyming, I’m not Bob Dylan or Pete Doherty

I do love performing, but I only do that part-time, I used to do a course for it but not anymore

Although there are the odd few good memories and the friends I have from there whom I adore

There were some fun times, we’d do improv games, we’d reference memes, it was a blast

This was around the time I was getting more into British Comedy, watching shows like Peep Show, The Young Ones and the Two Ronnies.

While It took time for me to break free from my shy shell, I did enjoy spending time with my fellow performers and getting to know them well

Sometimes my jokes worked other times they didn’t….but there was one time

Now, I’m usually not one for double entendres even if I at times have the habit of making them unintentionally

Me and one of my mates were joking around, as usual, he was making a joke about being a knob, so I said……….”Bet you like it hard then”

Then there was just complete silence….I thought I had done something wrong, I hadn’t it’s just usually with his jokes he would always know how to respond but with this one there was no response just…… Radio static

Wow, …...but I’m not the only one, one time when my mum was talking about McDonald's

Guess what she said instead….Dicky Me’s

Ok!,

You Know sometimes it’s like

I'm a mouse

I'm short

I have small hands

And I like cheese

Speaking of famous cheeses, did you know that John Cleese’s dad, Reginald, his surname was originally cheese but he changed it because it was too embarrassing

And we all know to air out your dirty laundry is quite embarrassing too

This bad joke is sticking out, like a dead parrot

You, know when you think about it there’s a lot of famous Johns aren’t there?

With all the showbiz icons

Whether they be legends or morons

All have the name, John

There’s Lil Jon

John Lennon,

Lydon, Legend

John Deacon

Green, Cena,

Travolta, McCain,

Mulaney

the Dead Kennedys

Majors, Candy

Goodman,

Wayne, Williams

Take Me Home Country Roads~

Rhys Meyers playing copycat bowie

And Jonathan Van Ness

Don’t you forget it, Henny

(stops singing)

(attempts impersonation)

My Name is Michael Caine

And I like to complain

Now I've never really understood the point of using "snowflake" as an insult because doesn't each snowflake look different?

What about Film?

There’s Elton John’s biopic, live-action Aladdin and Pikachu being voiced by Deadpool

Interesting choices,

I recently watched a film called Velvet Goldmine

It’s a pseudo-David bowie biopic because they don’t use their real names

Instead of Bowie and Iggy Pop

It’s Brian Slade and Curt Wild

It’s a lovely tribute to the glam rock culture of the 70s

Even if Bowie attempted to sue the producers because of how accurate the main character was

It’s made me realise

That glam rock subculture needs a revival

We still have Goth, Punk, Alternative and Ska

But not rock and roll with lipstick on

Well that’s what John Lennon called it

I want to wear big coats, scarves and big boots and listen to 70s/80s music

and wear colourful wigs and paint my nails and reenact music videos and host parties

The era of Bryan Ferry and Marc Bolan isn’t as bright as it used to be

I’m just a 21st Century Boy~

#comedy monologue #original monologue

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