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loopdrive · 4 years

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明日重工コンピ12頒布開始です。よろしくおねがいします。【Release Info.】秋葉原重工コンピレーション12 - AHI COMPILATION 12 - 2019/12/31 (Tue.) Release in ComicMarket 97 Day4 西F-17a Booth 2CD - DirectAudio EVENT: 2000JPY SHOPS: 2666JPY + tax . - tracklist - DISC1 Tr.01 TAKAMI - AH RAVE FACTORY(ARF) Tr.02 bassmicrobe - under the influence Tr.03 Takayuki Kamiya - Fragment Smack Tr.04 HIROSHI WATANABE aka Kaito - CYGNUS (Kouki Izumi Remix 2020 Version) Tr.05 Homma Honganji & ATT - Binder Tr.06 polygon prompt - duro lavoro Tr.07 Atomic - fo line Tr.08 tetsuya tamura - Seven Bars Tr.09 Hiroyuki Arakawa - enter higher DISC2 Tr.01 HIROSHI WATANABE - Live The Life (909state Remix) Tr.02 bitscape - cortex (Dry matter Remix) Tr.03 HIROSHI WATANABE - High Definition Memories (Reqterdrumer Remix) Tr.04 REBUSTAPE NoiseElectronicDivision - MetaStroke Tr.05 wat - Blurring The Borderline Tr.06 Lyoma - Krimson Tr.07 909state - Architect1 (Yebisu303 Remix) Tr.08 HIROSHI WATANABE - Live The Life (Tomohiro Nakamura Remix) Compose: 909state [ AcidWorx / DESTRUCTION BABY ] Atomic [ Technomy ] ATT [ BUZZ×3 / GLAMOROUS ] bassmicrobe [ commune310 ] bitscape [ flow and stagnation ] HIROSHI WATANABE [ Transmat / Kompakt ] Hiroyuki Arakawa [ SPECTRA / Toolroom / Muller Record ] Homma Honganji [ Adult Records / Tourism / ビッグファイア ] Lyoma [ abend kollektiv ] polygon prompt REBUSTAPE NoiseElectronicDivision TAKAMI [ REBOOT / BUZZ×3 ] Takayuki Kamiya tetsuya tamura wat [ Body Inform ] Remix: 909state [ AcidWorx / DESTRUCTION BABY ] Dry matter [ Delayer ] Kouki Izumi [ 荒御霊 / technoA ] Reqterdrumer [ Blue Arts Music ] Tomohiro Nakamura [ 7th Gate ] Yebisu303 [ Acid Alliance ] Mastering: Hedonist [ Katana Bits ] Jacket Design: clocknote. [ Diverse System / technoA ] Special Thanks: MOGRA (Akihabara) Contact (Shibuya) Comic Market Diverse System flow and stagnation Direction: Atsushi Ohara Takayuki Kamiya . ©2019 Akihabara Heavy Industry Inc. #秋葉原重工 #ahi_jp #technomusic #minimal #909state #atomic #att #bassmicrobe #bitscape #hiroshiwatanabe #hiroyukiarakawa #hommahonganji #lyoma #polygonprompt #rebustapenoiseelectronicdivision #takami #takayukikamiya #tetsuyatamura #wat #loopdrive #drymatter #koukiizumi #reqterdrumer https://www.instagram.com/p/B6swYmgD_X7/?igshid=qv0r6edi8abp

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architectnews · 4 years

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Ibsen Library, Skien

Ibsen Library, Skien Learning Facility, Norwegian Community Building, Norway, Architecture Images

Ibsen Library in Skien

29 Oct 2020

Ibsen Library

Architects: Kengo Kuma & Associates

Location: Skien, Norway

Democratic Keystone Skien is the birthplace of world-renowned playwright Henrik Ibsen, creator of iconic characters such as Nora of A Doll’s House, Peer Gynt, Brand, The Master Builder and Hedvig of The Wild Duck.

image © MIR

The Ibsen Library is the result of a desire to make Ibsen’s drama and literature accessible to everyone. A new library will be integrated with residents’ services, tourist information and a National Ibsen Centre. Skien municipality also has bold ambitions regarding Ibsen Library’s contribution to the maintenance and development of democracy, as an arena of inclusion, openness, and integration of art as a resource in society.

image © Kengo Kuma & Associates

A New Urban Fabric The selected site at the Cultural Quarter for the Ibsen Library offers a great potential to create a new cultural core in the city of Skien. The unity of the Ibsen House and the Library would create the firm thread of the New Urban Fabric to be woven over the areas, linking important public and cultural facilities such as the School of Culture and the new sports hall. The site is situated in the prominent crossing point of the flow from various directions. Our urban planning strategy for the project is to take full advantage of this critical location by drawing in the flow into the new library to activate the urban scene.

image © MIR

Ibsen Library would act as the new Cultural Hub that houses activities of people in daily life and to be the new destination for the visitors. Our intent is to reflect the nature of the Silver Vein in Ibsen’s writing, implemented in the urban fabric for a continuous journey through the cityscape to the library with moments of unexpected encounters. For the aim of achieving an active flow and an inviting setting, our proposal is strategically planned with multiple accesses from all directions at every level.

image © MIR

The park being one of the most attractive elements of the site, our aim is to connect the park with a softscape in a gentle down slope so to create a wider aperture to the city in a more spontaneous and inviting manner. Currently the park is rather hidden, but our new proposal will expose its face to the city. The curvilinear footprint of the new library is carefully drawn around the existing trees, along the perimeter of the park in an embracing configuration to create seamless indoor and outdoor spaces. The soft curved landscaping roof of the new Library lays low towards the park to relate to the human scale and rises up towards the city’s urban scale. The architecture volume of the Library expresses its distinctive presence together with the well recognized Ibsen House as a new cultural core.

“Trekrone” takes up the dynamics of Ibsen’s literature. The dizzying heights, the terrifying depths, the endless horizons and what clings like the sea or The Great Boyg, and closes like the mountain mines. With “tree” and “crown” as reoccurring figures that symbolize a path of life, ascending/descending moments, life and death. This makes it all a central desire for our architectural expression to interpret Ibsen’s literature in architecture. Hence the planning strategy of the Ibsen Library is to reflect the nature of the Silver Vein. It is not with fixed, rigid walls, but an open plan in free flow, non-linear path that one discovers by experiencing the spaces. The Silver Vein as the exhibition program required in the brief is implemented, not in one concentrated zone, but it runs through the entire project in unexpected manner. Ibsen exhibition appears everywhere in various media, objects, prints, paint in screen mostly in back to back display with the bookshelves.

The display along the exterior wall is visible towards the city that announces the presence of Ibsen to the greater extent.

images © MIR

Performative Library The footprint of the new Ibsen Library is planned to the full extent of the site boundary to accommodate as generous floor area at the ground and underground levels as possible. Both levels have open plans free of fixed walls but with low bookshelves acting as soft dividers. The ground floor is seamlessly connected and exposed entirely to the park with incredible trees. Programs that seek for the open activities such as café, children area, are placed on the ground floor to take full advantage of the park with the opportunities of spilling out to the nature.

The underground experience offers a different spatial character from the above ground. It is designed as if the terrain is sunken, that one would feel submerged, protected, and nested under the earth. It is a quiet, calm and intimate space mostly dedicated to adult use, and partly for a children area that is connected to the above ground. Floor level gradually lowers in multiple wide steps. It is entirely accessible with a gentle slope and bookshelves are integrated in the slope acting as soft separations among the various heights. Steps are to be used for spontaneous seating.

The opportunity for the performance is found everywhere in the underground terrain configuration, the above ground towards the urban view and at the outdoor amphitheater in the nature. The architectural base offers diverse opportunities for special scenography effects. They become a unique backdrop for spaces at each level that underlines the presence of Ibsen. The project departs from the conventional idea of the library with the space to focus on research, reading and study, but our proposal for this new library is the full integration of special and daily activities.

image © MIR

The architecture of the Ibsen Library is generated in focus to connect to the park, enjoy the natural setting and to activate the park for special events and everyday activities. The entire stretch of the curvilinear façade towards the park is fully transparent and open to the natural setting to achieve seamless outdoor and indoor space. In comfortable seasons windows can be opened for fresh air and one could enjoy reading, protected under the shade of the tree crown and sensing the scent of green.

Currently the park is rather quiet and hidden but in integration with the new space of the library it will be fully activated with spontaneous flow of people and spill out of the indoor activities. All active and open programs are placed at the ground floor. The café, children’s activity area and the Silver Vein have opportunities for spilling out to the immediate outdoor spaces for dining, reading, workshops and various activities. The new down slope terrain connection to the city side would be a unique and special venue for performances and events. It can be a natural open amphitheater with the stage being at the bottom of the slope. Audience seating can be all around the stage and to be viewed from the interior space of the library.

The continuous deep and light eaves serve to protect the approach ways and offer comfortable spaces for spontaneous activities and seating. The new terrain configuration extends to the city side and can also provide comfortable and unique seating areas for gathering. The use of natural material is one of the focus in designing Ibsen Library.

The library would be in harmony with the rich trees in the park and would create a tangible texture, warmth and scent of nature that appeals to our senses. It would be a suitable, comfortable environment for learning and creation. The interior floors and walls are extensively finished with timber on the ground floor where it changes to earthy tone render material to express the feeling of being in the terrain. The exterior walls are mostly with glazing to give maximum transparency to the surroundings as well as to give the roof a floating sensation.

The wood shingle, commonly used for the traditional Norwegian buildings, is selected for the roof construction to echo the scale of the leaves, how they are fragmented, and it gives a very soft texture to the architecture. It echoes the scale of the books as if the roof skin is composed with loose pages. The wood shingle elements are detailed in a special way as porous screens over the skylights to filter the natural light into the interior spaces in a similar way of tree leaves filtering the light. In the dark seasons of the year and during the evening, the light from the interior of the library leaks out from the skylights to give a soft glow. With the indirect lighting implemented in the steps of the outdoor amphitheater the entire park will glow in a subtle way. The evening sets another attractive scenography to experience the park and the library.

image © Kengo Kuma & Associates

Ibsen Library in Skien, Norway – Building Information:

Location: Skien, Norway Program: Public Library, National Ibsen Centre, Democratic Corner, Tourist Information, Café, Landscape Floor Area: 7,760 sqm Competition Period: 2019 – 2020 Client: Skien Kommune

Kengo Kuma & Associates, Lead Architect: Kengo Kuma (Principal), Yuki Ikeguchi (Partner in Charge), Marc Moukarzel (Chief Project Manager), Jagoda Krawczyk, Nicolas Guichard, Asger Taarnberg, Carlos Roig Gimenez, Italo Mazzoleni, Hiromichi Kamiya, Tomohiro Matsunaga, Benan Ataulusoy, Aglaia Danai Devetzoglou Mad Arkitekter, Associate Architect: Torkel Njå, Jens Walter, Monica Bellika Esaiassen, Léo Lesage Buro Happold, Engineering Design: Max Doelling, Peter Konnerup, Jose Allerhand, Daniya Doelling

Finalist First Prize: Team KKAA: Kengo Kuma & Associates, Mad Arkitekter, Buro Happold Engineering

Other Pre-Qualified Entrants: Snøhetta, Transborder Studio, Schmidt Hammer Lassen, Atelier Oslo, Helen & Hard.

“Kengo Kuma & Associates + Mad Arkitekter, in collaboration with Buro Happold Engineering won the competition to design Ibsen Library in the city of Skien, Norway. The proposal is to create an open and engaging cultural hub in full integration with the existing Ibsen House, and to be in harmony with the natural setting of the park.”

image © MIR

Renderings: MIR, Kengo Kuma & Associates

Ibsen Library, Skien images / information received 281020

Location: Skien, Norway

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Comments / photos for the Ibsen Library, Skien page welcome

Website: Snøhetta

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cobrakaistore-blog · 4 years

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TV anime "Attack on Titan" The Final Season PV Link del video: https://youtu.be/SlNpRThS9t8 El anime de televisión "Attack on Titan" se transmitirá en The Final Season síntesis de NHK Trabajo original Isayama So (Separación de volumen de la revista Shonen / Kodansha) Director: Yuichiro Hayashi Composición de la serie: Koji Seko Diseño de personajes: Tomohiro Kishi Director general: Daisuke Niinuma Director: Director de animación del efecto Atsushi Shishido: Satoshi Sakai Taichi Furumata Diseño de color: Ayako Suenaga Director de arte: Kazuo Ogura Diseño de pantalla: Yusuke Awawa Director de 3DCG: Takahiro Kamizono Director de fotografía: Shigeaki Asakawa Editor: Masato Yoshitake Director acústico: Masafumi Miyama Música: Hiroyuki Sawano / KOHTA YAMAMOTO Efecto de sonido: Naoto Yamatani (caja de sonido) Producción de sonido: Techno sound Productor de animación: Ritsu Matsunaga Producción: MAPPA Ellen Yeager: Yuki Kaji Mikasa Ackermann: Yui Ishikawa Armin Arlert: Marina Inoue Connie Springer: Hiroshi Shimono Sasha Blusa: Yu Kobayashi Historia Reis: Shiori Mikami Jean Kirstein: Kisho Taniyama Forro Marrón: Yoshimasa Hosoya Hanji Zoe: Park Rumi Levi: Hiroshi Kamiya Sieg: Takehito Koyasu https://www.instagram.com/p/CA-bWMglZK1/?igshid=1egyknitv851m

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loopdrivemicro · 5 years

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Tweeted

2019/05/20 (Mon.) 21:00-28:00 秋葉原重工 - Akihabara Heavy Industry Inc. Shibuya Branch #1 @ContactTokyo Contact:TAKAMI, Tomohiro Nakamura, kk, 909state, KURAYAMI, Atsushi Ohara, clocknote., KAZUMiX Folyer:iz, Kouki Izumi, orinetone, Takayuki Kamiya Food:ビリヤニ☆タカシ#ahi_jp https://t.co/eX1GRXbvkC

— 秋葉原重工 (@ahi_inc) May 14, 2019

#IFTTT #Twitter

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movielosophy · 3 months

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Hakubo no Chronicle ep 1

#accidentally stumble upon this detective dorama and i like the cinematography #Hakubo no Chronicle #白暮のクロニクル #kamiya tomohiro #dorama #matsui airi #aesthetics #it's typical dark wowow drama #but with vibrant colors

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leenaevilin · 4 years

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[Announcement] 逆転裁判～逆転のパラレルワールド～ (gyakuten saiban ~saiban no parallel world)

the show will be running from May 1st, 2020 to May 10th, 2020 (Tokyo) @ サンシャイン劇場 (Sunshine Gekijou)

Cast:

Hara Yoshitaka as Naruhodou Ryuuichi (成歩堂龍一) Nakamura Reno as Ayasato Mayoi (綾里真宵) Kohatsu Aren as Mitsurugi Reiji (御剣怜侍) Kimoto Kanon as Karuma Mei (狩魔冥) Ide Takuya as Yahari Masashi (矢張政志) Tanaka Kouhei as Itonokogiri Keisuke (糸鋸圭介) Kuge Megumi as Ooba Kaoru (大場カオル) Tomotsune Yuuki as Godou (ゴドー) Ichikawa Tomohiro as Mysterious Judge (謎の裁判長) Nakajima Saki as Naruhodou Ruichi/Ryuuichi?? (成歩堂琉市) Hashimoto Hikari as Kamiya Kirio (華宮霧緒) Akuzawa Nana as Himegami Sakura (姫神サクラ) Kubota Shou as Shibakuzou Toranosuke (芝九蔵虎ノ助) Maeda Riku as Yamano Hoshio (山野星雄) Maeda Riku as Kanada Seiya (金田聖也) Sugi Shouma as Konaka Masaru (小中大) Nozoe Yoshihiro as Karuma Gou (狩魔豪) Nishiumi Kenjirou as Koroshiya Sazaemon (虎狼死家左々右エ門) Tagami Hiroshi as Judge (裁判長)

homepage twitter natalie

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tokuconnect · 7 years

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The 9 Ultimate Saviours of the Universe, led by their commander, fight against the villainous group Jark Matter.

Cast:

Lucky / ShiShiRed played by Takumi Kizu

Stinger / SasoriOrange played by Yousuke Kishi

Naga Ray / HebitsukaiSilver played by Taiki Yamazaki

Hammy / ChameleonGreen played by Sakurako Okubo

Spada / KajikiYellow played by Tetsuji Sakakibara

Garu / OkamiBlue voiced by Kazuya Nakai (One Piece’s Roronoa Zoro)

Balance / TenbinGold voiced by Yuki Ono (JoJo’s Josuke Higashikata)

Champ / OushiBlack voiced by Akio Otsuka (Black Jack’s Black Jack)

Raptor 283 / WashiPink voiced by M·A·O (Gokaiger’s Luka/GokaiYellow)

Shou Longpo voiced by Hiroshi Kamiya (Attack on Titan’s Levi)

Music:

Opening: LUCKYSTAR by Tomohiro Hatano (Debut)

Ending: Kyutama Dance by Tsuyoshi Matsubara (Gokaiger’s OP)

#Super Sentai #Uchu Sentai Kyuranger #Space Sentai Kyuranger #Kyuranger #Kyuranger Cast #Kyuranger Music #Kyuranger Images #News

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recentanimenews · 4 years

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TV Anime Kingdom 3rd Season Main PV Reveals OP Theme Song "TOMORROW" by Idol Group BiSH

The official website for the TV anime adaptation of Yasuhisa Hara's historical adventure manga Kingdom has started streaming a 90-second main PV for its forthcoming third season featuring the new OP theme song "TOMORROW" performed by six-member idol group BiSH. Also, the new season's ED song "Deep inside" is confirmed to be provided by four-member melodic hardcore band waterweed.

youtube

Message from Cent Chihiro Chicchi (BiSH):

"It is a great honor for us to perform the theme song for 'Kingdom,' which is full of charms loved by a wide range of people. Strongly and nobly. BiSH was inspired by the growth of the characters who were full of individuality, regardless of friends or enemies. They and we are living in different times, but both of us are warriors, who keep running wildly to survive. Everyone is so cool! BiSH will deliver this song with all our might. Please support us."

Message from Tomohiro Ohga (waterweed):

"We wrote the ending theme for our favorite anime, 'Kingdom.' We have nothing but appreciation. From now on, we will continue to move forward with the thoughts of everyone involved."

The third season of the Kingdom TV anime is set to premiere on NHK General TV on April 5, 2020. In place of the first season (2012-2013)'s Jun Kamiya and the second season (2013-2014)'s Akira Iwanaga, Kenichi Imaizumi newly serves as director, while the manga author Hara has joined the anime project as supervisor.

アニメ「#キングダム」メインPVを公開しました！秦国vs合従軍、#合従軍編ついに開戦！ ▶4/5（日）24:15～NHK総合にて放送開始（予定）そしてOPテーマは #BiSH、EDテーマを #waterweed ！コメントを公式サイトにて公開中です。https://t.co/oWFJx3iGVi pic.twitter.com/c6ihivOoIw

— TVアニメ「キングダム」第3シリーズ (@kingdom_animePR) March 18, 2020

Source: TV anime "Kingdom" official website / Twitter

©Yasuhisa Hara/Shueisha, Kingdom Production Committee

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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style-yesnews · 6 years

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[專訪] 「理大紙仙」陳柏熹憑摺紙藝術衝出國際

今次StarsHK訪問了有「理大紙仙」之稱，國際著名摺紙藝術家陳柏熹 Kade Chan。90後的Kade Chan，2015年畢業於香港理工大學 – 設計學院(產品設計(榮譽) 文學士)，他由12歲(2005年) 開始接觸摺紙藝術，至今已經擁有超過13年的摺紙教學經驗以及超過100件的原創摺紙作品，亦舉辦了超過500場公開展覽及活動，合作機構包括了多個國際知名品牌如 Lamborghini，LV，Ferrero Rocher及 Berluti等等。

無師自通，遠赴多國深造

Kade Chan沉迷於摺紙，全因有一次在網上無意之中找到一份摺紙教學，為日本摺紙藝術家Satoshi Kamiya設計的巴哈姆特飛龍。由一張正方形紙，在不剪不貼的情況下經過十多個小時，可摺出有手指腳趾，非常精致的模型。只靠摺疊方法就可以把一張紙由平面變成立體，這就是深深吸引Kade Chan去鑽研的原因。自此之後Kade Chan就在網絡上搜尋更多的教學資源，將自己仿製的作品放到討論區分享，吸引到香港摺紙社的招思良老師注意，引薦入會。

在2008年，當時14歲的Kade Chan，設計了第一個個人作品噴火飛龍Fiery Dragon，由設計到成品一共花了4個月，為Kade Chan的摺紙生涯奠下了基石。Fiery Dragon推出後，馬上受到國際間的注意，美國摺紙藝術家John Montroll及Brian K. Webb在網上看到後十分賞識，將作品收錄在書籍Origami Worldwide中。而授權YouTuber Tadashi Mori製作的影片教學，至今更超過6,000,000人次觀看。但Kade Chan對作品不盡滿意，不斷作出修改，在2013年終於推出Fiery Dragon 2.0版本，教學收錄了在「日本折紙協會 – 折紙探偵團」雜誌中，更是首位中國人登上封面，為莫大的榮幸。

Kade Chan的設計以簡約線條為主，絕無多餘摺痕。這種風格讓他在國際摺紙比賽中突圍而出。在2012年，他獲得由加拿大摺紙學會頒發的 Éric Joisel Award，隻身遠赴加拿大與其他摺紙藝術家作學術交流。2013年，他更獲得由日本摺紙學會頒發的吉野一生基金來肯定他在推廣摺紙藝術上的貢獻，此為摺紙藝術界上最享負盛名的獎項，而他更是首位中國人獲得此殊榮。 2015年，Kade Chan受 TEDx HKPolyU 邀請，與公眾分享他的創意設計思維及摺紙創作技巧。另外在2016及2017年間，他更獲美國摺紙協會及韓國摺紙協會邀請成為年度展覽特別嘉賓，這是他在摺紙藝術界上的一大榮耀。

摺紙發展創新科技，蘊藏深奥數學理論

摺紙並不只是左疊右疊那麼簡單，由設計到製作，當中包含了不少數學計算，平均一個作品需要十多個小時摺製，數十小時去設計，所以行內有句說話叫「三分摺製，七分整型」。麻省理工學院物理學教授Robert J. Lang，日本的Jun Mitani及Tomohiro Tachi，設計了幾套軟件，以方程式去協助摺紙創作，以數學的角度去解釋摺紙藝術，有興趣的讀者可以自行搜索”Origami TreeMaker”及”Ori-Revo”下載。Robert J. Lang曾經協助美國太空總署NASA研發太陽能板，以摺紙結構方式將太陽能板體積縮小，搭載火箭運載到太空，可見摺紙並非「小兒科」。Kade Chan在未來打算結合摺紙藝術與工業設計，打造新市場。過去他曾經協助過幾間外國公司，生產可以摺疊方式縮小體積的家品，部份產品成功推出市場，在香港亦可買到。

學以致用，打造個人品牌

Kade Chan在理工大學修讀產品設計時，學到如何將產品包裝推廣，配合市場營銷策略，將「KADE CHAN ORIGAMI」打造成摺紙界權威品牌，作品曾經以港幣5位數字賣出。惟他慨嘆香港發展機會不足，推廣門檻高。Kade Chan表示，香港人普遍認為摺紙只是小朋友玩意，他們並不了解背後的技巧及可應用範籌。他試過參加設計界的YDTA比賽，因評判認為沒有商業價值而落選。亦試過申請政府機構的資助，卻被評為是小眾活動沒有價值而拒絕資助。但在國外，摺紙不但有價有市，摺紙藝術家更廣受欣賞及專重，在日本更被視為國技，但香港的資本主義社會，都是從金錢看藝術。

加入國外組織，捍衛知識產權

2013年的一件商業作品，令Kade Chan惹上官非，更令他意識到知識產權的重要性，從而加入了國際摺紙版權保護組織”Origami Authors and Creators”，成為中國代表。很多人以為摺紙並沒有版權，其實是錯的，公司直接使用網上的摺紙資源作商業用途，原作者是可以入稟法院追討賠償。Kade Chan曾與國外律師團隊合作，協助日本名作家受香港商場展覽侵權的案件作出追討，該律師團隊表示，摺紙屬比較特別的例子，須經過特定的步驟才可以製作出一樣的成品，因此無論步驟還是最終成品，都符合知識產權法例保障範圍之內。

創立非牟利組織，推廣摺紙藝術

多年在國外交流，Kade Chan與多國的摺紙藝術組織都有緊密聯系，亦在香港創立了「香港摺紙協會 Hong Kong Origami Academy」，致力在香港推動摺紙藝術發展，舉辦多項國際性展覽及工作坊，使香港能與國際摺紙界接軌，提升本土摺紙藝術水平。

Kade Chan 摺紙網站： www.kadechan.com

消閒資訊由熱新聞提供原文連結: [專訪] 「理大紙仙」陳柏熹憑摺紙藝術衝出國際更多相關內容

音樂過來人專訪 – 譚日康Coby 從創作找真愛

Stars-HK娛網本站集中報道娛樂新聞，包括在音樂圈、電影圈、電視圈、劇團裡面，歌手和演員的活動和最新動向等。我們採取「只談專業，不談緋聞」的編審方針，希望帶給讀者清新的體驗。無論是中、港、台、日、韓等地的大明星以至新人的消息，娛網都會悉數報道。我們也會重點發掘未來新星，致力推廣。

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newsintheshell · 7 years

Photo

“Shoujo☆Kageki Revue Starlight”

Serie TV anime, 13 luglio 2018

Progetto d’animazione originale prodotto da Bushiroad e Nelke Planning che verrà affiancato da un live musical. Il cast sarà formato da doppiatrici, idol e attrici.

youtube

Spot e trailer: [CM musical] [CM2]

-STAFF-

Regia: Tomohiro Furukawa

Sceneggiatura: Tatsuto Higuchi

Character design: Hiroyuki Saita

Studio di animazione: Kinema Citrus

Assistente di regia: Takushi Koide

Prop Design: Takeshi Takakura, Shiori Tani

Grafiche: Yuuto Hama, Mai Yamaguchi

Colorazioni: Chie Yoshimura

Direttore artistico: Kentarou Akiyama, Kenji Fukuda (Studio Pablo)

Direttore 3D: Hisashi Akimoto (T2 Studio)

Illuminazione 3D: Hisayasu Kamiya

Direttore della fotografia: Kazuto Izumida (T2 Studio)

Montaggio: Masayuki Kurosawa

Direttore del suono: You Yamada

Musiche: Yoshiaki Fujisawa, Tatsuya Katou

Copioni e testi: Kanata Nakamura

Sigla di apertura: Starlight Kugumi "Hoshi no Dialogue"

-CAST-

Karen Aijou: Momoyo Koyama

Hikari Kaguya: Suzuko Mimori

Maya Tendou: Maho Tomita

Junna Hoshimi: Hinata Satou

Mahiru Tsuyuzaki: Haruki Iwata

Nana Daiba: Moeka Koizumi

Claudine Saijou: Aina Aiba

Futaba Isuruzaki: Teru Ikuta

Kaoruko Hanayagi: Ayasa Itou

La storia vede diverse ragazze competere nelle audizioni di un misterioso varietà musicale. Fra esibizioni di canto, danza e recitazione, la giovane Karen incontrerà dopo molto tempo l’amica d’infanzia Hikari. Il destino dà loro l’occasione di calcare il palco assieme come sognavano da bambine!

Lo stesso cast dell’anime di esibirà in degli spettacoli musicali “2.5D” al AiiA 2.5 Theater di Tokyo.

Sito ufficiale Twitter ufficiale

SilenziO)))

#shoujo kageki revue starlight #anime #serie tv #musical #progetto crossmediale #Starlight Kukugumi #estate 2018

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loopdrivemicro · 5 years

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Tweeted

イベントやります！ 5/1 秋葉原重工 - Akihabara Heavy Industry Inc. r06 #1 大阪Compufunk Records Door 1800 JPY + 1d Advance 1800 JPY 17:00~24:00 Guest AOKI takamasa Nakamura Tomohiro Live: polyshaft Plugman Masayoshi Sakaguchi DJ: Takayuki Kamiya+909state Batsu Aon You-key 7A pic.twitter.com/CxqXyR1977

— 909state (@909st) April 18, 2019

#IFTTT #Twitter

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fighterxaos · 7 years

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With the conclusion of this year’s Super Sentai Press Conference details about Uchu Sentai Kyuranger have been revealed.

First the actors who will play the non human Kyurangers have been announced.

They include:

Kazuya Nakai – Garu

Yuki Ono – Balance

Mao Ichimichi – Raptor 283

Akio Otsuka – Champ

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Next the mentor for the Kyurangers has been revealed. Their mentor Sho Lonpo will be voiced by Hiroshi Kamiya. Sho is trying to show others he is the strongest being in the universe, however in reality he is a nice and polite old man.

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Lastly, the performers for the intro and ending for the series have been revealed. The intro song title “, LUCKYSTAR,” will be peformed by Tomohiro Hatano. The ending song “, Kyutama Dancing,” will be performed by Tsuyoshi Matsubara.

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Source: Heroshock

Uchu Sentai Kyuranger Press Conference Show Details Revealed

With the conclusion of this year’s Super Sentai Press Conference details about Uchu Sentai Kyuranger have been revealed.

Uchu Sentai Kyuranger Press Conference Show Details Revealed With the conclusion of this year's Super Sentai Press Conference details about Uchu Sentai Kyuranger have been revealed.

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