Good morning Pandora Hearts, Vanitas, Crimson Shell fans.

It’s the Fanclub’s third birthday 😈

Come join us

Vanitas no Carte [Volumes 1-10], Jun Mochizuki.

The recent chapter has reinforced what I’ve been screaming about Noé from day one. If you will not take anything else from Noé Archiviste, take this. To analyze him you are required to understand that Noé is disconnected from everything.

He is disconnected from himself, his past, the world, and reality. And this isn’t simply from being sheltered (though that plays a significant role). Because of this, he offers an honest, open and “pure” view of a situation. Even without going into the psychological rabbit hole mochijun executed in Pandora Hearts, you can see Noe’s lines/scenes are chosen with calculation and are very layered. A minor example, him getting lost all the time. It makes for a funny gag but it feeds into the point I’m making here. Conceptually, Noé is a floating balloon, hovering over the world. He can give you the best perspective because he’s not on the ground. That is why Noé sees himself as too strong or untouchable. Because he believes he is in a different world from anyone else. And I think this is something many people can relate to. But then it becomes complicated when Noé chooses to be unaware. Noé knows treating Dante and his companions like shit is wrong. But the gears turned in his head, people that he likes are doing something harmful. And he picks the option that won’t make him dwell on it: it’s an accident. Oh perhaps they didn’t know their names.

Noé depends on toxic optimism. From this we’ve seen it, several times throughout the story, turn into utter delusion. This is why some ppl, including myself, get Jack vibes from him. If you know you know, that man invented the word delusional. In order to keep himself together, to distract himself from his own self-loathing and loneliness, he has clung onto this thinking like a lifeline. Noe and Vanitas are very similar but chose different ways of coping which is a reason he is able to reach him. It’s easier to focus and believe in the beauty of everything else than looking at your own reflection. It’s easier to proclaim that the world is beautiful than to say that it wronged you and you feel so different and so you hate yourself.

Which is why I believe Noé will be the final antagonist, anti-hero whatever the fuck. Not bc it’ll be a cool twist, the writing is on the wall. This is the logical destination of his character. Will he be saved at the end? Probably but who fucking knows mochijun. Noé is going be confronted with so many harsh truths and Vanitas dying is the biggest one. It is set in stone, an event that is fated to happen no matter what Noé does. Whether he’s time-looping this shit or living on alone. Vanitas’ death is the biggest reality Noé cannot escape from. And thus, that will break him. He will try to remain in his dreams, memories, and delusions. But eventually....you’re going to wake up.

Vanitas no Carte Vol.11 (Special Edition)

Vanitas flirting at Noe is something I never realized I needed until now

here we go again 1/104

The Case Study of Vanitas | Vanitas no Carte by Jun Mochizuki – Chapter 60 ☾ Sweets, Complaints, and Reconciliation 

alucard sketch

"You are important to me because you are Domi"

Hello Vanitas fans Tumblr, in celebration of the new chapter, join the Jun Mochizuki Fanclub on discord

Pandora Hearts by Mochizuki Jun

“Vanitas wanted us to run this blog for him. go ahead, ask us something or tell us whatever.”

the ask blog is officially open! ask or send a message to anyone you’d like in the vanitas no carte cast. posts will not be everyday as this blog is for fun, out of passion for the series and i have a full time job, but i hope to receive lots of interaction! 💙

The crazy thing about the “are interested in kisses” panel isn’t the line itself but that Noé deadass considered it. This man, for a couple seconds, imagined himself locking lips with Vanitas. Everyone talks about Vanitas flirting here but he wasn’t serious.

They met two days ago.

Vanitas no Carte Vol.11