SKY'S GONE OUT (1988), dir. Jun Kurosawa
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Short films by Jun Kurosawa:
- The Moon in the One Eye (片方の目の中に月)
- Crystal Ship (水晶の舟は光の海を泳ぐ)
- hi ka ri
- Surface
- Requiem
- Jesus With One Leg (片足の神様)
In these short films, Jun Kurosawa looks at the world and its reflections through various glasses, juxtapositions, lenses, mirrors, surfaces, translucence, the water.
I particularly liked Requiem in how the pulling of film negatives were paralleled to the moving rollercoaster, the continuously rotating carousel, the approaching train. The requiem was overlapped with the muffled shouts and conversations of carnival enjoyers and the metronomic click with each pull of the negative, until the rich superimposition of layers is not only seen through multiple exposures but heard through the finally undiscernible orchestra, voices, clicks.
In Crystal Ship, rather than the suggestion of a transparent vehicle bringing a passenger wherever, the magic in transporting to various parts of the globe was delivered more by the music which rightfully gives the viewer (or listener) the illusion of levitation. Similarly, in hi ka ri, the music amplifies the fluidity of orbs, drops, and puddles, as if one is enclosed within these means to observe a giant world. In Surface, the hypnotic music aptly conveys the rippling of light as it passes through different prisms.
Following the aforementioned order, it all begins with the silence in The Moon in the One Eye and ends with the harsh-sounding Jesus With One Leg. From seeing a person attempt to fly in The Moon in the One Eye, to watching a walking angel on the road seemingly having an implied tug-of-war with a lady in black in Jesus With One Leg, the forty minutes or so of absorbing all six short films are a delight and amusement, leaving one wondering, albeit no explanations are actually needed.
Overall, the short films are thorough observations of a dynamic world and experiments on enhancing the sensory experiences this world offers. Some parts are even familiar, reminding one of the times when the eyes roam while the body rests, making sure to have a closer look to the dance of light, the floating specks, the distant noises.
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See also:
[ Indefinite Pitch (2016) ] [ 32-Rbit (2018) ]
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JUN KUROSAWA – SHORT FILMS
Jun Kurosawa, best known as the director of NEKO-MIMI (1994), has produced an important number of films that are yet unreleased. Many of these mysterious private films were thought to have been lost. However, in recent years, a large number of these films have been discovered and digitally restored. In this program, EQUINOX introduces several of Jun Kurosawa’s representative short films, including newly discovered films.
Free for the month of August
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There were a lot of Japanese films featuring Koji Yakusho at the front seat of the car, and Wenders' "Perfect Days" doesn't even rank in the top ten in my mind.
Masato Harada
- Kamikaze Taxi
1995
Kiyoshi Kurosawa
- Cure
1997
Yoshimitsu Morita
- Lost Paradise
1997
Shohei Imamura
- The Eel
1997
Kiyoshi Kurosawa
- License to Live
1999
Shinji Aoyama
- Eureka
2000
Kiyoshi Kurosawa
- Doppelganger
2003
Shinji Aoyama
- Lakeside Murder Case
2004
Kiyoshi Kurosawa
- Tokyo Sonata
2008
Jun Ichikawa
- Tadon and Chikuwa
1998
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SKY'S GONE OUT (1988), dir. Jun Kurosawa
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