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thejakeformerlyknownasprince · 6 years

Note

What other fandoms are you familiar enough with to use as an AU prompt? Pokemon Trainer AU? Homestuck AU (they'd still probably die but at least there are lots of ways to come back to life)?

I’m not that familiar with Homestuck, definitely not enough to do an AU. I read the novelizations of the Pokemon show as a kid but never saw the show or played any of the video games. I did play the super-obscure Pokemon board game, but most of my trading cards were printed in Japanese (I had a strange childhood), so my experience there is, uh, probably not quite overlapping with everyone else’s.

Anyway, if you want list of all my fandoms… Boy howdy. I don’t think I can come up with them all. However, I can list everything that comes to mind between now and ~20 minutes from now when I have to end my procrastination break and go back to dissertating. So here it is, below the cut:

Okay, there is no way in hell I’ll be able to make an exhaustive list. But off the top of my head, the fandoms I’m most familiar/comfortable with are as follows:

Authors (as in, I’ve read all or most of their books)

Patricia Briggs

Megan Whalen Turner

Michael Crichton

Marge Piercy

Stephenie Meyer

Dean Koontz

Stephen King

Neil Gaiman

K.A. Applegate

Ernest Hemingway

Tamora Pierce

Roald Dahl

Short Stories/Anthologies

A Good Man is Hard to Find, Flannery O’Connor

The Metamorphosis, Franz Kafka

I Am Legend, Richard Matheson

Dubliners, James Joyce

Flowers for Algernon, Daniel Keyes

Who Goes There? John W. Campbell

The Man Who Bridged the Mist, Kij Johnson

Flatland, Edwin Abbott

I Have No Mouth, And I Must Scream, Harlan Ellison

To Build a Fire, Jack London

An Occurrence at Owl Creek Bridge, Ambrose Bier

At the Mountains of Madness/Cthulu mythos, H.P. Lovecraft

The Adventures of Sherlock Holmes, Arthur Conan Doyle

The Things They Carried, Tim O’Brien

The Legend of Sleepy Hollow, Washington Irving

The Martian Chronicles, Ray Bradbury

Close Range: Wyoming Stories, E. Annie Proulx

The Curious Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson

Bartleby the Scrivener (and a bunch of others), Herman Melville

Books (Classics)

Their Eyes Were Watching God, Zora Neal Hurston

The Little Prince, Antoine de Saint-Exupery

The Secret Garden, Francis Hodgson Burnett

Treasure Island, Robert Louis Stevenson

Wuthering Heights, Emily Bronte

The Secret Annex, Anne Frank

Nine Stories, J.D. Salinger

Frankenstein, Mary Shelley

Tom Sawyer/Huckleberry Finn, Mark Twain

East of Eden, John Steinbeck

To Kill a Mockingbird, Harper Lee

The Bluest Eye, Toni Morrison

Slaughterhouse-Five, Kurt Vonnegut

The Stranger, Albert Camus

The Call of the Wild, Jack London

Brave New World, Aldous Huxley

Lord of the Flies, William Golding

Atonement, Ian McEwan

1984, George Orwell

A Tree Grows in Brooklyn, Betty Smith

The Iliad/The Odyssey, Homer

Metamorphoses, Ovid

Journey to the Center of the Earth, Jules Verne

The Time-Machine, H.G. Wells

The Tempest, Much Ado About Nothing, Twelfth Night, Romeo and Juliet, Henry V, Hamlet, MacBeth, Othello, and The Taming of the Shrew, William Shakespeare

Rosencrantz & Guildenstern Are Dead, Thomas Stoppard

Waiting for Godot, Samuel Beckett

Handmaid’s Tale, Margaret Atwood

Books (YA SF)

Young Wizards series, Diane Duane

Redwall, Brian Jaques

The Dark is Rising sequence, Susan Cooper

The Chronicles of Chrestomanci, Diana Wynne Jones

The Chronicles of Narnia, C.S. Lewis

Abhorsen trilogy, Garth Nix

The Giver series, Lois Lowry

The Hitchhiker’s Guide to the Galaxy, Douglas Adams

Uglies series, Scott Westerfeld

Tuck Everlasting, Natalie Babbitt

A Wizard of Earthsea, Ursula K. Le Guin

Song of the Lioness, Tamora Pierce

A Wrinkle in Time, Madeline L’Engle

Unwind, Neal Shusterman

The Maze Runner series, James Dashner

The Enchanted Forest Chronicles, Patricia C. Wrede

Sideways Stories from Wayside School, Louis Sachar

Ella Enchanted, Gail Carson Levine

Ender’s Game, Orson Scott Card

The Phantom Tollbooth, Norton Juster

Coraline, Neil Gaiman

Among the Hidden, Margaret Peterson Haddix

The True Confessions of Charlotte Doyle, Avi

Interview with the Vampire, Anne Rice

Poppy series, Avi

The Secret Life of Bees, Sue Monk Kidd

Tithe, Holly Black

Life as We Knew It, Susan Beth Pfeffer

Blood and Chocolate, Annette Curtis Klause

Peter Pan, J.M. Barrie

The Wizard of Oz, L. Frank Baum

Haunted, Gregory Maguire

Weetzie Bat, Francesca Lia Block

Charlotte’s Web, E.B. White

East, Edith Pattou

Z for Zachariah, Robert C. O’Brien

The Looking-Glass Wars, Frank Beddor

The Egypt Game, Zilpha Keatley Snyder

The Book Thief, Markus Zusak

Homecoming, Cynthia Voigt

Alice in Wonderland/Through the Looking Glass, Lewis Carroll

The Landry News, Andrew Clements

Fever 1793, Laurie Halse Anderson

Bloody Jack, L.A. Meyer

The Boxcar Children, Gertrude Chandler Warner

A Certain Slant of Light, Laura Whitcomb

Generation Dead, Daniel Waters

Pendragon series, D.J. MacHale

Silverwing, Kenneth Oppel

Good Omens, Neil Gaiman and Terry Pratchett

Define Normal, Julie Anne Peters

Hawksong, Ameila Atwater Rhodes

Heir Apparent, Vivian Vande Velde

Running Out of Time, Margaret Peterson Haddix

The Keys to the Kingdom series, Garth Nix

The Wolves of Willoughby Chase, Joan Aiken

The Seer and the Sword, Victoria Hanley

My Side of the Mountain, Jean Craighead George

Daughters of the Moon series, Lynne Ewing

The Midwife’s Apprentice, Karen Cushman

Island of the Aunts, Eva Ibbotson

The Night Circus, Erin Morgenstern

The Ear, the Eye, and the Arm, Nancy Farmer

A Great and Terrible Beauty, Libba Bray

A School for Sorcery, E. Rose Sabin

The House with a Clock in Its Walls, John Bellairs

The Edge Chronicles, Paul Stewart and Chris Riddell

Hope was Here, Joan Bauer

Bunnicula, James Howe

Wise Child, Monica Furlong

Silent to the Bone, E.L. Konigsburg

The Twenty-One Balloons, William Pene du Bois

Dead Girls Don’t Write Letters, Gail Giles

The Supernaturalist, Eoin Colfer

Blue is for Nightmares, Laurie Faria Stolarz

Mystery of the Blue Gowned Ghost, Linda Wirkner

Wait Till Helen Comes, Mary Downing Hahn

I was a Teenage Fairy, Francesca Lia Block

City of the Beasts series, Isabelle Allende

Summerland, Michael Chabon

The Geography Club, Brent Hartinger

The Last Safe Place on Earth, Richard Peck

Liar, Justine Larbalestier

The Doll People, Ann M. Martin

The Lost Years of Merlin, T.A. Barron

Matilda Bone, Karen Cushman

Nine Stories, J.D. Salinger

The Tiger Rising, Kate DiCamillo

The Spiderwick Chronicles, Holly Black and Tony DiTerlizzi

In the Forests of the Night, Amelia Atwater-Rhodes

My Teacher is an Alien, Bruce Coville

The Last of the Really Great Whangdoodles, Julie Andrews Edwards

Storytime, Edward Bloor

Magic Shop series, Bruce Coville

A Series of Unfortunate Events, Lemony Snicket

Veritas Project series, Frank Peretti

The Once and Future King, T.H. White

Raven’s Strike, Patricia Briggs

What-the-Dickens: The Story of a Rogue Tooth Fairy, Gregory Maguire

The Wind Singer, William Nicholson

Sweetblood, Pete Hautman

The Trumpet of the Swan, E.B. White

Half Magic, Edward Eager

A Ring of Endless Light, Madeline L'Engle

The Heroes of Olympus, Rick Riordan

Maximum Ride series, James Patterson

The Edge on the Sword, Rebecca Tingle

World War Z, Max Brooks

Adaline Falling Star, Mary Pope Osborne

Six of Crows, Leigh Bardugo

Children of Blood and Bone, Tomi Adeyemi

Parable of the Sower series, Octavia Butler

I, Robot, Isaac Asimov

Neuomancer, William Gibson

Dune, Frank Herbert

The Miseducation of Cameron Post, Emily M. Danforth

The Martian, Andy Weir

Skeleton Man, Joseph Bruchac

Comics/Manga

Marvel 616 (most of the major titles)

Marvel 1610/Ultimates

Persepolis

This One Summer

Nimona

Death Note

Ouran High School Host Club

Vampire Knight

Emily Carroll comics

Watchmen

Fun Home

From Hell

American Born Chinese

Smile

The Eternal Smile

The Sandman

Calvin and Hobbes

The Essential Dykes to Watch Out For

TV Shows

Fullmetal Alchemist

Avatar the Last Airbender

Teen Titans (2003)

Luke Cage/Jessica Jones/Iron Fist/Defenders/Daredevil/The Punisher

Agents of SHIELD/Agent Carter

Supernatural

Sherlock

Brooklyn Nine-Nine

Angel/Buffy the Vampire Slayer

Firefly

American Horror Story

Ouran High School Host Club

Orange is the New Black

Black Sails

Stranger Things

Westworld

Unbreakable Kimmy Schmidt

Movies

Marvel Cinematic Universe

Jurassic Park/Lost World/Jurassic World/Lost Park?

The Breakfast Club

Cloverfield/10 Cloverfield Lane/The Cloverfield Paradox

Attack the Block

The Prestige

Moon

Ferris Bueler’s Day Off

Django Unchained/Kill Bill/Inglourious Basterds/Hateful 8/Pulp Fiction/etcetera

Primer

THX 1138/Akira/How I Live Now/Lost World/[anything I’ve named a fic after]

Star Wars

The Meg

A Quiet Place

Baby Driver

Mother!

Alien/Aliens/Prometheus

X-Men (et al.)

10 Things I Hate About You

The Lost Boys

Teen Wolf

Juno

Pirates of the Caribbean (et al.)

Die Hard

Most Disney classics: Toy Story, Mulan, Treasure Planet, Emperor’s New Groove, etc.

Most Pixar classics: Up, Wall-E, The Incredibles

The Matrix

Dark Knight trilogy

Halloween

Friday the 13th

A Nightmare on Elm Street

The Descent

Ghostbusters

Ocean’s Eight/11/12/13

King Kong

The Conjuring

Fantastic Four

Minority Report/Blade Runner/Adjustment Bureau/Total Recall

Fight Club

Spirited Away

Disturbing Behavior

The Faculty

Poets

Edna St. Vincent Millay

Marge Piercy

Thomas Hardy

Sigfried Sassoon

W. B. Yeats

Edgar Allan Poe

Ogden Nash

Margaret Atwood

Maya Angelou

Emily Dickinson

Matthew Dickman

Karen Skolfield

Kwame Alexander

Ellen Hopkins

Shel Silverstein

Musicals/Stage Plays

Les Miserables

Repo: The Genetic Opera

The Lion King

The Phantom of the Opera

Rent

The Prince of Egypt

Pippin

Into the Woods

A Chorus Line

Hairspray

Evita

Dr. Horrible’s Sing-Along Blog

Fiddler on the Roof

Annie

Fun Home

Spring Awakening

Chicago

Cabaret

The Miser

The Importance of Being Earnest

South Pacific

Godspell

Wicked

The Wiz

The Wizard of Oz

Man of La Mancha

The Sound of Music

West Side Story

Matilda

Sweeney Todd

Joseph and the Amazing Technicolor Dreamcoat

Nunsense

You’re a Good Man, Charlie Brown/Snoopy

1776

Something Rotten

A Very Potter Musical

Babes in Toyland

Carrie: The Musical

Amadeus

Annie Get Your Gun

25th Annual Putnam County Spelling Bee

The Final Battle

Rock of Ages

Cinderella

Moulin Rouge

Honk

Labyrinth

The Secret Garden

Reefer Madness

Bang Bang You’re Dead

NSFW

War Horse

Peter Pan

Suessical

Sister Act

The Secret Annex

Charlie and the Chocolate Factory

Disclaimer 1: Like a lot of people who went to high school in the American South, my education in literature is pretty shamefully lacking in a lot of areas. (As in, during our African American History unit in ninth grade we read To Kill a Mockingbird, The Adventures of Huckleberry Finn… and that was it. As in, our twelfth-grade US History class, I shit you not, covered Gone With the Wind.) There were a lot of good teachers in with the *ahem* Less Woke ones (how I read Their Eyes Were Watching God and The Bluest Eye) and college definitely set me on the path to trying to find books written/published outside the WASP-ier parts of the U.S., but the overall list is still embarrassingly hegemonic.

Disclaimer 2: There are a crapton of errors — typos, misspelled names, misattributions, questionable genre classifications, etc. — in here. If you genuinely have no idea what a title is supposed to be, ask me. Otherwise, please don’t bother letting me know about my mistakes.

Disclaimer 3: I am not looking for recommendations. My Goodreads “To Read” list is already a good 700 items long, and people telling me “if you like X, then you’ll love Y!” genuinely stresses me the fuck out.

Disclaimer 4: There are no unproblematic faves on this list. I love Supernatural, and I know that Supernatural is hella misogynistic. On the flip side: I don’t love The Lord of the Rings at all, partially because LOTR is hella misogynistic, but I also don’t think that should stop anyone else from loving LOTR if they’re willing to love it and also acknowledge its flaws.

#literature #fandom #booklist #about the blogger #long post #long ass post #books #nothing to do with animorphs #Anonymous #asks

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helloruby · 5 years

Photo

Creating Body Coverings

,1973

Jean Ray Laury & Joyce Aiken

The piece in the bottom right corner, air, water has been so inspiring to me. That and the me too piece, before the me too movement. It makes me think about this article. The idea of the labour of love, mother nature, women as nurturing beings.

This quote specifically:

Feminist activist and scholar Maria Mies gives an account of the oppression of women within the capitalist system, subscribing to a gender-essentialism that aligns women (and oppressed colonies) with nature. Peppered with the phrase ‘mother nature’, this text essentialises capitalism as male and that which it feeds off—nature—as female, arguing that ‘women’s labour is considered a natural resource, freely available like air and water’.

Ref: Maria Mies, “Colonization and Housewifization,” in Materialist Feminism: A Reader in Class, Difference, and Women’s Lives, ed. Rosemary Hennessey and Chris Ingraham (Routledge, 1997), 110

i repeat in my head, “air, water, women! air, water, women! air, water, women!”

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butterflyinthewell · 7 years

Text

We remember.

16 years ago, my church held an impromptu service in the wake of 9/11. There was only a preliminary list of the people killed. Everybody drew little sheets of paper with a name on it from a basket, and during the prayer we each read the name we held aloud at the same time. The name I got was Stephen Dimino. I make a point to say his name out loud several times a day every 9/11.

I put a list of their names under the cut. You will be scrolling for a long time. I encourage everyone to pick out a name, write it down and say it in whatever form you communicate best be it AAC, sign language, or even keeping a photo of that person with their name if you can find a photo of them.

Some say a person’s memory stays alive as long as their name is still read or spoken. I can’t bring back the people who died that awful day, but I can use this platform to put their names out there so their memory stays alive.

List of World Trade Center Victims (not including plane crews or passengers)

Gordon M. Aamoth, Jr. Edelmiro Abad Maria Rose Abad Andrew Anthony Abate Vincent Abate Laurence Christopher Abel William F. Abrahamson Richard Anthony Aceto Jesus Acevedo Rescand Heinrich Bernhard Ackermann Paul Acquaviva Donald LaRoy Adams Patrick Adams Shannon Lewis Adams Stephen George Adams Ignatius Udo Adanga Christy A. Addamo Terence E. Adderley, Jr. Sophia Buruwad Addo Lee Allan Adler Daniel Thomas Afflitto Emmanuel Akwasi Afuakwah Alok Agarwal Mukul Kumar Agarwala Joseph Agnello David Scott Agnes Brian G. Ahearn Jeremiah Joseph Ahern Joanne Marie Ahladiotis Shabbir Ahmed Terrance Andre Aiken Godwin Ajala Gertrude M. Alagero Andrew Alameno Margaret Ann Alario Gary M. Albero Jon Leslie Albert Peter Alderman Jacquelyn Delaine Aldridge David D. Alger Sarah Ali-Escarcega Ernest Alikakos Edward L. Allegretto Eric Allen Joseph Ryan Allen Richard Dennis Allen Richard Lanard Allen Christopher E. Allingham Janet M. Alonso Arturo Alva-Moreno Anthony Alvarado Antonio Javier Alvarez Victoria Alvarez-Brito Telmo E. Alvear Cesar Amoranto Alviar Tariq Amanullah Angelo Amaranto James M. Amato Joseph Amatuccio Christopher Charles Amoroso Kazuhiro Anai Calixto Anaya, Jr. Joseph Anchundia Kermit Charles Anderson Yvette Constance Anderson John Andreacchio Michael Rourke Andrews Jean Ann Andrucki Siew-Nya Ang Joseph Angelini, Jr. Joseph Angelini, Sr. Laura Angilletta Doreen J. Angrisani Lorraine Antigua Peter Paul Apollo Faustino Apostol, Jr. Frank Thomas Aquilino Patrick Michael Aranyos David Arce Michael George Arczynski Louis Arena Adam P. Arias Michael Armstrong Jack Charles Aron Joshua Aron Richard Avery Aronow Japhet Jesse Aryee Patrick Asante Carl Asaro Michael Asciak Michael Edward Asher Janice Marie Ashley Thomas J. Ashton Manuel O. Asitimbay Gregg Arthur Atlas Gerald T. Atwood James Audiffred Louis Frank Aversano, Jr. Ezra Aviles Sandy Ayala Arlene T. Babakitis Eustace P. Bacchus John J. Badagliacca Jane Ellen Baeszler Robert J. Baierwalter Andrew J. Bailey Brett T. Bailey Tatyana Bakalinskaya Michael S. Baksh Sharon M. Balkcom Michael Andrew Bane Katherine Bantis Gerard Baptiste Walter Baran Gerard A. Barbara Paul Vincent Barbaro James William Barbella Ivan Kyrillos F. Barbosa Victor Daniel Barbosa Colleen Ann Barkow David Michael Barkway Matthew Barnes Sheila Patricia Barnes Evan J. Baron Renee Barrett-Arjune Nathaly Barrios La Cruz Arthur Thaddeus Barry Diane G. Barry Maurice Vincent Barry Scott D. Bart Carlton W. Bartels Guy Barzvi Inna B. Basina Alysia Basmajian Kenneth William Basnicki Steven Bates Paul James Battaglia Walter David Bauer, Jr. Marlyn Capito Bautista Jasper Baxter Michele Beale Paul Frederick Beatini Jane S. Beatty Lawrence Ira Beck Manette Marie Beckles Carl John Bedigian Michael Earnest Beekman Maria A. Behr Yelena Belilovsky Nina Patrice Bell Debbie Bellows Stephen Elliot Belson Paul M. Benedetti Denise Lenore Benedetto Maria Bengochea Bryan Craig Bennett Eric L. Bennett Oliver Duncan Bennett Margaret L. Benson Dominick J. Berardi James Patrick Berger Steven Howard Berger John P. Bergin Alvin Bergsohn Daniel Bergstein Michael J. Berkeley Donna M. Bernaerts David W. Bernard William Bernstein David M. Berray David S. Berry Joseph J. Berry William Reed Bethke Timothy Betterly Edward Frank Beyea Paul Beyer Anil Tahilram Bharvaney Bella J. Bhukhan Shimmy D. Biegeleisen Peter Alexander Bielfeld William G. Biggart Brian Bilcher Carl Vincent Bini Gary Eugene Bird Joshua David Birnbaum George John Bishop Jeffrey Donald Bittner Albert Balewa Blackman, Jr. Christopher Joseph Blackwell Susan Leigh Blair Harry Blanding, Jr. Janice Lee Blaney Craig Michael Blass Rita Blau Richard Middleton Blood, Jr. Michael Andrew Boccardi John P. Bocchi Michael Leopoldo Bocchino Susan M. Bochino Bruce D. Boehm Mary Catherine Boffa Nicholas Andrew Bogdan Darren Christopher Bohan Lawrence Francis Boisseau Vincent M. Boland, Jr. Alan Bondarenko Andre Bonheur, Jr. Colin Arthur Bonnett Frank Bonomo Yvonne Lucia Bonomo Genieve Bonsignore, 3 Seaon Booker Sherry Ann Bordeaux Krystine Bordenabe Martin Boryczewski Richard Edward Bosco John H. Boulton Francisco Eligio Bourdier Thomas Harold Bowden, Jr. Kimberly S. Bowers Veronique Nicole Bowers Larry Bowman Shawn Edward Bowman, Jr. Kevin L. Bowser Gary R. Box Gennady Boyarsky Pamela Boyce Michael Boyle Alfred Braca Kevin Bracken David Brian Brady Alexander Braginsky Nicholas W. Brandemarti Michelle Renee Bratton Patrice Braut Lydia E. Bravo Ronald Michael Breitweiser Edward A. Brennan III Francis Henry Brennan Michael E. Brennan Peter Brennan Thomas M. Brennan Daniel J. Brethel Gary Lee Bright Jonathan Briley Mark A. Brisman Paul Gary Bristow Mark Francis Broderick Herman Charles Broghammer Keith A. Broomfield Ethel Brown Janice Juloise Brown Lloyd Stanford Brown Patrick J. Brown Bettina Browne Mark Bruce Richard George Bruehert Andrew Brunn Vincent Brunton Ronald Paul Bucca Brandon J. Buchanan Gregory Joseph Buck Dennis Buckley Nancy Clare Bueche Patrick Joseph Buhse John Edwards Bulaga, Jr. Stephen Bunin Matthew J. Burke Thomas Daniel Burke William Francis Burke, Jr. Donald J. Burns Kathleen Anne Burns Keith James Burns John Patrick Burnside Irina Buslo Milton G. Bustillo Thomas M. Butler Patrick Byrne Timothy G. Byrne Jesus Neptali Cabezas Lillian Caceres Brian Joseph Cachia Steven Dennis Cafiero, Jr. Richard M. Caggiano Cecile Marella Caguicla Michael John Cahill Scott Walter Cahill Thomas Joseph Cahill George Cain Salvatore B. Calabro Joseph Calandrillo Philip V. Calcagno Edward Calderon Kenneth Marcus Caldwell Dominick Enrico Calia Felix Calixte Frank Callahan Liam Callahan Luigi Calvi Roko Camaj Michael F. Cammarata David Otey Campbell Geoffrey Thomas Campbell Jill Marie Campbell Robert Arthur Campbell Sandra Patricia Campbell Sean Thomas Canavan John A. Candela Vincent Cangelosi Stephen J. Cangialosi Lisa Bella Cannava Brian Cannizzaro Michael Canty Louis Anthony Caporicci Jonathan Neff Cappello James Christopher Cappers Richard Michael Caproni Jose Manuel Cardona Dennis M. Carey Steve Carey Edward Carlino Michael Scott Carlo David G. Carlone Rosemarie C. Carlson Mark Stephen Carney Joyce Ann Carpeneto Ivhan Luis Carpio Bautista Jeremy M. Carrington Michael Carroll Peter Carroll James Joseph Carson, Jr. Marcia Cecil Carter James Marcel Cartier Vivian Casalduc John Francis Casazza Paul R. Cascio Margarito Casillas Thomas Anthony Casoria William Otto Caspar Alejandro Castano Arcelia Castillo Germaan Castillo Garcia Leonard M. Castrianno Jose Ramon Castro Richard G. Catarelli Christopher Sean Caton Robert John Caufield Mary Teresa Caulfield Judson Cavalier Michael Joseph Cawley Jason David Cayne Juan Armando Ceballos Jason Michael Cefalu Thomas Joseph Celic Ana Mercedes Centeno Joni Cesta Jeffrey Marc Chairnoff Swarna Chalasani William Chalcoff Eli Chalouh Charles Lawrence Chan Mandy Chang Mark Lawrence Charette Gregorio Manuel Chavez Delrose E. Cheatham Pedro Francisco Checo Douglas MacMillan Cherry Stephen Patrick Cherry Vernon Paul Cherry Nester Julio Chevalier Swede Chevalier Alexander H. Chiang Dorothy J. Chiarchiaro Luis Alfonso Chimbo Robert Chin Wing Wai Ching Nicholas Paul Chiofalo John Chipura Peter A. Chirchirillo Catherine Chirls Kyung Hee Cho Abul K. Chowdhury Mohammad Salahuddin Chowdhury Kirsten L. Christophe Pamela Chu Steven Chucknick Wai Chung Christopher Ciafardini Alex F. Ciccone Frances Ann Cilente Elaine Cillo Edna Cintron Nestor Andre Cintron III Robert Dominick Cirri Juan Pablo Cisneros-Alvarez Benjamin Keefe Clark Eugene Clark Gregory Alan Clark Mannie Leroy Clark Thomas R. Clark Christopher Robert Clarke Donna Marie Clarke Michael J. Clarke Suria Rachel Emma Clarke Kevin Francis Cleary James D. Cleere Geoffrey W. Cloud Susan Marie Clyne Steven Coakley Jeffrey Alan Coale Patricia A. Cody Daniel Michael Coffey Jason M. Coffey Florence G. Cohen Kevin Sanford Cohen Anthony Joseph Coladonato Mark Joseph Colaio Stephen Colaio Christopher M. Colasanti Kevin Nathaniel Colbert Michel P. Colbert Keith E. Coleman Scott Thomas Coleman Tarel Coleman Liam Joseph Colhoun Robert D. Colin Robert J. Coll Jean Collin John Michael Collins Michael L. Collins Thomas J. Collins Joseph Collison Patricia Malia Colodner Linda M. Colon Sol E. Colon Ronald Edward Comer Sandra Jolane Conaty Brace Jaime Concepcion Albert Conde Denease Conley Susan P. Conlon Margaret Mary Conner Cynthia Marie Lise Connolly John E. Connolly, Jr. James Lee Connor Jonathan M. Connors Kevin Patrick Connors Kevin F. Conroy Jose Manuel Contreras-Fernandez Brenda E. Conway Dennis Michael Cook Helen D. Cook John A. Cooper Joseph John Coppo, Jr. Gerard J. Coppola Joseph Albert Corbett Alejandro Cordero Robert Cordice Ruben D. Correa Danny A. Correa-Gutierrez James J. Corrigan Carlos Cortes Kevin Cosgrove Dolores Marie Costa Digna Alexandra Costanza Charles Gregory Costello, Jr. Michael S. Costello Conrod K. Cottoy Martin John Coughlan John Gerard Coughlin Timothy J. Coughlin James E. Cove Andre Cox Frederick John Cox James Raymond Coyle Michele Coyle-Eulau Anne Marie Cramer Christopher S. Cramer Denise Elizabeth Crant James Leslie Crawford, Jr. Robert James Crawford Joanne Mary Cregan Lucy Crifasi John A. Crisci Daniel Hal Crisman Dennis Cross Kevin Raymond Crotty Thomas G. Crotty John Crowe Welles Remy Crowther Robert L. Cruikshank John Robert Cruz Grace Yu Cua Kenneth John Cubas Francisco Cruz Cubero Richard J. Cudina Neil James Cudmore Thomas Patrick Cullen lll Joyce Cummings Brian Thomas Cummins Michael Cunningham Robert Curatolo Laurence Damian Curia Paul Dario Curioli Beverly Curry Michael S. Curtin Gavin Cushny John D’Allara Vincent Gerard D’Amadeo Jack D’Ambrosi Mary D’Antonio Edward A. D’Atri Michael D. D’Auria Michael Jude D’Esposito Manuel John Da Mota Caleb Arron Dack Carlos S. DaCosta Joao Alberto DaFonseca Aguiar, Jr. Thomas A. Damaskinos Jeannine Marie Damiani-Jones Patrick W. Danahy Nana Danso Vincent Danz Dwight Donald Darcy Elizabeth Ann Darling Annette Andrea Dataram Lawrence Davidson Michael Allen Davidson Scott Matthew Davidson Titus Davidson Niurka Davila Clinton Davis Wayne Terrial Davis Anthony Richard Dawson Calvin Dawson Edward James Day Jayceryll de Chavez Jennifer De Jesus Monique E. De Jesus Nereida De Jesus Emerita De La Pena Azucena Maria de la Torre David Paul De Rubbio Jemal Legesse De Santis Christian Louis De Simone Melanie Louise De Vere William Thomas Dean Robert J. DeAngelis, Jr. Thomas Patrick DeAngelis Tara E. Debek Anna Marjia DeBin James V. Deblase Paul DeCola Simon Marash Dedvukaj Jason Defazio David A. DeFeo Manuel Del Valle, Jr. Donald Arthur Delapenha Vito Joseph DeLeo Danielle Anne Delie Joseph A. Della Pietra Andrea DellaBella Palmina DelliGatti Colleen Ann Deloughery Francis Albert DeMartini Anthony Demas Martin N. DeMeo Francis Deming Carol K. Demitz Kevin Dennis Thomas F. Dennis Jean DePalma Jose Depena Robert John Deraney Michael DeRienzo Edward DeSimone III Andrew Desperito Cindy Ann Deuel Jerry DeVito Robert P. Devitt, Jr. Dennis Lawrence Devlin Gerard Dewan Sulemanali Kassamali Dhanani Patricia Florence Di Chiaro Debra Ann Di Martino Michael Louis Diagostino Matthew Diaz Nancy Diaz Rafael Arturo Diaz Michael A. Diaz-Piedra III Judith Berquis Diaz-Sierra Joseph Dermot Dickey, Jr. Lawrence Patrick Dickinson Michael D. Diehl John Difato Vincent Difazio Carl Anthony DiFranco Donald Difranco Stephen Patrick Dimino William John Dimmling Marisa DiNardo Schorpp Christopher M. Dincuff Jeffrey Mark Dingle Anthony Dionisio George DiPasquale Joseph Dipilato Douglas Frank DiStefano Ramzi A. Doany John Joseph Doherty Melissa C. Doi Brendan Dolan Neil Matthew Dollard James Joseph Domanico Benilda Pascua Domingo Carlos Dominguez Jerome Mark Patrick Dominguez Kevin W. Donnelly Jacqueline Donovan Stephen Scott Dorf Thomas Dowd Kevin Dowdell Mary Yolanda Dowling Raymond Mathew Downey Frank Joseph Doyle Joseph Michael Doyle Stephen Patrick Driscoll Mirna A. Duarte Michelle Beale Duberry Luke A. Dudek Christopher Michael Duffy Gerard Duffy Michael Joseph Duffy Thomas W. Duffy Antoinette Duger Sareve Dukat Christopher Joseph Dunne Richard Anthony Dunstan Patrick Thomas Dwyer Joseph Anthony Eacobacci John Bruce Eagleson Robert Douglas Eaton Dean Phillip Eberling Margaret Ruth Echtermann Paul Robert Eckna Constantine Economos Dennis Michael Edwards Michael Hardy Edwards Christine Egan Lisa Egan Martin J. Egan, Jr. Michael Egan Samantha Martin Egan Carole Eggert Lisa Caren Ehrlich John Ernst Eichler Eric Adam Eisenberg Daphne Ferlinda Elder Michael J. Elferis Mark Joseph Ellis Valerie Silver Ellis Albert Alfy William Elmarry Edgar Hendricks Emery, Jr. Doris Suk-Yuen Eng Christopher Epps Ulf Ramm Ericson Erwin L. Erker William John Erwin Jose Espinal Fanny Espinoza Bridget Ann Esposito Francis Esposito Michael Esposito William Esposito Ruben Esquilin, Jr. Sadie Ette Barbara G. Etzold Eric Brian Evans Robert Evans Meredith Emily June Ewart Catherine K. Fagan Patricia Mary Fagan Keith George Fairben Sandra Fajardo-Smith William F. Fallon William Lawrence Fallon, Jr. Anthony J. Fallone, Jr. Dolores Brigitte Fanelli John Joseph Fanning Kathleen Anne Faragher Thomas Farino Nancy Carole Farley Elizabeth Ann Farmer Douglas Jon Farnum John G. Farrell John W. Farrell Terrence Patrick Farrell Joseph D. Farrelly Thomas Patrick Farrelly Syed Abdul Fatha Christopher Edward Faughnan Wendy R. Faulkner Shannon Marie Fava Bernard D. Favuzza Robert Fazio, Jr. Ronald Carl Fazio William Feehan Francis Jude Feely Garth Erin Feeney Sean B. Fegan Lee S. Fehling Peter Adam Feidelberg Alan D. Feinberg Rosa Maria Feliciano Edward Thomas Fergus, Jr. George Ferguson Henry Fernandez Judy Hazel Fernandez Julio Fernandez Elisa Giselle Ferraina Anne Marie Sallerin Ferreira Robert John Ferris David Francis Ferrugio Louis V. Fersini Michael David Ferugio Bradley James Fetchet Jennifer Louise Fialko Kristen Nicole Fiedel Samuel Fields Michael Bradley Finnegan Timothy J. Finnerty Michael Curtis Fiore Stephen S R Fiorelli, Sr. Paul M. 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Shahid Mohammed Shajahan Gary Shamay Earl Richard Shanahan Neil Shastri Kathryn Anne Shatzoff Barbara A. Shaw Jeffrey James Shaw Robert John Shay, Jr. Daniel James Shea Joseph Patrick Shea Linda Sheehan Hagay Shefi John Anthony Sherry Atsushi Shiratori Thomas Joseph Shubert Mark Shulman See Wong Shum Allan Abraham Shwartzstein Johanna Sigmund Dianne T. Signer Gregory Sikorsky Stephen Gerard Siller David Silver Craig A. Silverstein Nasima Hameed Simjee Bruce Edward Simmons Arthur Simon Kenneth Alan Simon Michael J. Simon Paul Joseph Simon Marianne Teresa Simone Barry Simowitz Jeff Lyal Simpson Khamladai Singh Kulwant Singh Roshan Ramesh Singh Thomas E. Sinton III Peter A. Siracuse Muriel Fay Siskopoulos Joseph Michael Sisolak John P. Skala Francis Joseph Skidmore, Jr. Toyena Skinner Paul A. Skrzypek Christopher Paul Slattery Vincent Robert Slavin Robert F. Sliwak Paul K. Sloan Stanley S. Smagala, Jr. Wendy L. Small Catherine Smith Daniel Laurence Smith George Eric Smith James Gregory Smith Jeffrey R. Smith Joyce Patricia Smith Karl T. Smith Keisha Smith Kevin Joseph Smith Leon Smith, Jr. Moira Ann Smith Rosemary A. Smith Bonnie Jeanne Smithwick Rochelle Monique Snell Leonard J. Snyder, Jr. Astrid Elizabeth Sohan Sushil S. Solanki Ruben Solares Naomi Leah Solomon Daniel W. Song Michael Charles Sorresse Fabian Soto Timothy Patrick Soulas Gregory Spagnoletti Donald F. Spampinato, Jr. Thomas Sparacio John Anthony Spataro Robert W. Spear, Jr. Maynard S. Spence, Jr. George Edward Spencer III Robert Andrew Spencer Mary Rubina Sperando Tina Spicer Frank Spinelli William E. Spitz Joseph Spor, Jr. Klaus Johannes Sprockamp Saranya Srinuan Fitzroy St. Rose Michael F. Stabile Lawrence T. Stack Timothy M. Stackpole Richard James Stadelberger Eric Stahlman Gregory Stajk Alexandru Liviu Stan Corina Stan Mary Domenica Stanley Anthony Starita Jeffrey Stark Derek James Statkevicus Craig William Staub William V. Steckman Eric Thomas Steen William R. Steiner Alexander Steinman Andrew Stergiopoulos Andrew Stern Martha Stevens Michael James Stewart Richard H. Stewart, Jr. Sanford M. Stoller Lonny Jay Stone Jimmy Nevill Storey Timothy Stout Thomas Strada James J. Straine, Jr. Edward W. Straub George J. Strauch, Jr. Edward T. Strauss Steven R. Strauss Steven F. Strobert Walwyn W. Stuart, Jr. Benjamin Suarez David Scott Suarez Ramon Suarez Yoichi Sugiyama William Christopher Sugra Daniel Suhr David Marc Sullins Christopher P. Sullivan Patrick Sullivan Thomas Sullivan Hilario Soriano Sumaya, Jr. James Joseph Suozzo Colleen Supinski Robert Sutcliffe Seline Sutter Claudia Suzette Sutton John Francis Swaine Kristine M. Swearson Brian Edward Sweeney Kenneth J. Swenson Thomas Swift Derek Ogilvie Sword Kevin Thomas Szocik Gina Sztejnberg Norbert P. Szurkowski Harry Taback Joann Tabeek Norma C. Taddei Michael Taddonio Keiichiro Takahashi Keiji Takahashi Phyllis Gail Talbot Robert Talhami Sean Patrick Tallon Paul Talty Maurita Tam Rachel Tamares Hector Tamayo Michael Andrew Tamuccio Kenichiro Tanaka Rhondelle Cheri Tankard Michael Anthony Tanner Dennis Gerard Taormina, Jr. Kenneth Joseph Tarantino Allan Tarasiewicz Ronald Tartaro Darryl Anthony Taylor Donnie Brooks Taylor Lorisa Ceylon Taylor Michael Morgan Taylor Paul A. Tegtmeier Yeshauant Tembe Anthony Tempesta Dorothy Pearl Temple Stanley Temple David Tengelin Brian John Terrenzi Lisa M. Terry Shell Tester Goumatie T. Thackurdeen Sumati Thakur Harshad Sham Thatte Thomas F. Theurkauf, Jr. Lesley Anne Thomas Brian Thomas Thompson Clive Thompson Glenn Thompson Nigel Bruce Thompson Perry A. Thompson Vanavah Alexei Thompson William H. Thompson Eric Raymond Thorpe Nichola Angela Thorpe Sal Edward Tieri, Jr. John p Tierney Mary Ellen Tiesi William R. Tieste Kenneth Francis Tietjen Stephen Edward Tighe Scott Charles Timmes Michael E. Tinley Jennifer M. Tino Robert Frank Tipaldi John James Tipping II David Tirado Hector Luis Tirado, Jr. Michelle Lee Titolo John J. Tobin Richard Todisco Vladimir Tomasevic Stephen Kevin Tompsett Thomas Tong Doris Torres Luis Eduardo Torres Amy Elizabeth Toyen Christopher Michael Traina Daniel Patrick Trant Abdoul Karim Traore Glenn J. Travers Walter Philip Travers Felicia Y. Traylor-Bass Lisa L. Trerotola Karamo Trerra Michael Angel Trinidad Francis Joseph Trombino Gregory James Trost William P. Tselepis Zhanetta Valentinovna Tsoy Michael Tucker Lance Richard Tumulty Ching Ping Tung Simon James Turner Donald Joseph Tuzio Robert T. Twomey Jennifer Tzemis John G. Ueltzhoeffer Tyler V. Ugolyn Michael A. Uliano Jonathan J. Uman Anil Shivhari Umarkar Allen V. Upton Diane Marie Urban John Damien Vaccacio Bradley Hodges Vadas Renuta Vaidea William Valcarcel Felix Antonio Vale Ivan Vale Benito Valentin Santos Valentin, Jr. Carlton Francis Valvo II Erica H. Van Acker Kenneth W. Van Auken Richard B. Van Hine Daniel M. Van Laere Edward Raymond Vanacore Jon C. Vandevander Barrett Vanvelzer, 4 Edward Vanvelzer Paul Herman Vanvelzer Frederick Thomas Varacchi Gopalakrishnan Varadhan David Vargas Scott C. Vasel Azael Ismael Vasquez Arcangel Vazquez Santos Vazquez Peter Anthony Vega Sankara S. Velamuri Jorge Velazquez Lawrence G. Veling Anthony Mark Ventura David Vera Loretta Ann Vero Christopher James Vialonga Matthew Gilbert Vianna Robert Anthony Vicario Celeste Torres Victoria Joanna Vidal John T. Vigiano II Joseph Vincent Vigiano Frank J. Vignola, Jr. Joseph Barry Vilardo Sergio Villanueva Chantal Vincelli Melissa Vincent Francine Ann Virgilio Lawrence Virgilio Joseph Gerard Visciano Joshua S. Vitale Maria Percoco Vola Lynette D. Vosges Garo H. Voskerijian Alfred Vukosa Gregory Kamal Bruno Wachtler Gabriela Waisman Courtney Wainsworth Walcott Victor Wald Benjamin James Walker Glen Wall Mitchel Scott Wallace Peter Guyder Wallace Robert Francis Wallace Roy Michael Wallace Jeanmarie Wallendorf Matthew Blake Wallens John Wallice, Jr. Barbara P. Walsh James Henry Walsh Jeffrey P. Walz Ching Wang Weibin Wang Michael Warchola Stephen Gordon Ward James Arthur Waring Brian G. Warner Derrick Washington Charles Waters James Thomas Waters, Jr. Patrick J. Waters Kenneth Thomas Watson Michael Henry Waye Todd Christopher Weaver Walter Edward Weaver Nathaniel Webb Dinah Webster Joanne Flora Weil Michael T. Weinberg Steven Weinberg Scott Jeffrey Weingard Steven George Weinstein Simon Weiser David M. Weiss David Thomas Weiss Vincent Michael Wells Timothy Matthew Welty Christian Hans Rudolf Wemmers Ssu-Hui Wen Oleh D. Wengerchuk Peter M. West Whitfield West, Jr. Meredith Lynn Whalen Eugene Whelan Adam S. White Edward James White III James Patrick White John Sylvester White Kenneth Wilburn White, Jr. Leonard Anthony White Malissa Y. White Wayne White Leanne Marie Whiteside Mark P. Whitford Michael T. Wholey Mary Catherine Wieman Jeffrey David Wiener Wilham J. Wik Alison Marie Wildman Glenn E. Wilkenson John C. Willett Brian Patrick Williams Crossley Richard Williams, Jr. David J. Williams Deborah Lynn Williams Kevin Michael Williams Louie Anthony Williams Louis Calvin Williams III John P. Williamson Donna Ann Wilson William Wilson David Harold Winton Glenn J. Winuk Thomas Francis Wise Alan L. Wisniewski Frank Thomas Wisniewski David Wiswall Sigrid Wiswe Michael Wittenstein Christopher W. Wodenshek Martin P. Wohlforth Katherine Susan Wolf Jennifer Yen Wong Siu Cheung Wong Yin Ping Wong Yuk Ping Wong Brent James Woodall James John Woods Patrick J. Woods Richard Herron Woodwell David Terence Wooley John Bentley Works Martin Michael Wortley Rodney James Wotton William Wren John Wayne Wright Neil Robin Wright Sandra Lee Wright Jupiter Yambem Suresh Yanamadala Matthew David Yarnell Myrna Yaskulka Shakila Yasmin Olabisi Shadie Layeni Yee William Yemele Edward P. York Kevin Patrick York Raymond R. York Suzanne Youmans Barrington Young Jacqueline Young Elkin Yuen Joseph C. Zaccoli Adel Agayby Zakhary Arkady Zaltsman Edwin J. Zambrana, Jr. Robert Alan Zampieri Mark Zangrilli Ira Zaslow Kenneth Albert Zelman Abraham J. Zelmanowitz Martin Morales Zempoaltecatl Zhe Zeng Marc Scott Zeplin Jie Yao Justin Zhao Ivelin Ziminski Michael Joseph Zinzi Charles A. Zion Julie Lynne Zipper Salvatore Zisa Prokopios Paul Zois Joseph J. Zuccala Andrew S. Zucker Igor Zukelman

List of Victims on American Airlines Flight 11

Anna Allison David Lawrence Angell Lynn Edwards Angell Seima Aoyama Barbara Jean Arestegui Myra Joy Aronson Christine Barbuto Carolyn Beug Kelly Ann Booms Carol Marie Bouchard Robin Lynne Kaplan Neilie Anne Heffernan Casey Jeffrey Dwayne Collman Jeffrey W. Coombs Tara Kathleen Creamer Thelma Cuccinello Patrick Currivan Brian Paul Dale David Dimeglio Donald Americo Ditullio Alberto Dominguez Paige Marie Farley-Hackel Alexander Milan Filipov Carol Ann Flyzik Paul J. Friedman Karleton D.B. Fyfe Peter Alan Gay Linda M. George Edmund Glazer Lisa Reinhart Gordenstein Andrew Peter Charles Curry Green Peter Paul Hashem Robert Jay Hayes Edward R. Hennessy, Jr. John A. Hofer Cora Hidalgo Holland John Nicholas Humber, Jr. Waleed Joseph Iskandar John Charles Jenkins Charles Edward Jones Barbara A. Keating David P. Kovalcin Judith Camilla Larocque Natalie Janis Lasden Daniel John Lee Daniel M. Lewin Sara Elizabeth Low Susan A. Mackay Karen Ann Martin Thomas F. McGuinness, Jr. Christopher D. Mello Jeffrey Peter Mladenik Carlos Alberto Montoya Antonio Jesus Montoya Valdes Laura Lee Morabito Mildred Naiman Laurie Ann Neira Renee Lucille Newell Kathleen Ann Nicosia Jacqueline June Norton Robert Grant Norton John Ogonowski Betty Ann Ong Jane M. Orth Thomas Nicholas Pecorelli Berinthia B. Perkins Sonia M. Puopolo David E. Retik Jean Destrehan Roger Philip Martin Rosenzweig Richard Barry Ross Jessica Leigh Sachs Rahma Salie Heather Lee Smith Dianne Bullis Snyder Douglas Joel Stone Xavier Suarez Madeline Amy Sweeney Michael Theodoridis James Anthony Trentini Mary Barbara Trentini Pendyala Vamsikrishna Mary Alice Wahlstrom Kenneth Waldie John Joseph Wenckus Candace Lee Williams Christopher Rudolph Zarba, Jr.

List of Victims on United Airlines Flight 175

Alona Abraham Garnet Edward Bailey Mark Lawrence Bavis Graham Andrew Berkeley Touri Bolourchi Klaus Bothe Daniel Raymond Brandhorst David Reed Gamboa Brandhorst John Brett Cahill Christoffer Mikael Carstanjen John J. Corcoran III Dorothy Alma de Araujo Ana Gloria Pocasangre Debarrera Robert John Fangman Lisa Anne Frost Ronald Gamboa Lynn Catherine Goodchild Peter M. Goodrich Douglas Alan Gowell Francis Edward Grogan Carl Max Hammond, Jr. Christine Lee Hanson Peter Burton Hanson Susan Kim Hanson Gerald Francis Hardacre Eric Hartono James Edward Hayden Herbert Wilson Homer Michael Robert Horrocks Robert Adrien Jalbert Amy N. Jarret Ralph Kershaw Heinrich Kimmig Amy R. King Brian Kinney Kathryn L. LaBorie Robert G. Leblanc Maclovio Lopez, Jr. Marianne Macfarlane Alfred Gilles Marchand Louis Mariani Juliana McCourt Ruth Magdaline McCourt Wolfgang Peter Menzel Shawn M. Nassaney Marie Pappalardo Patrick J. Quigley IV Frederick Charles Rimmele III James Roux Jesus Sanchez Victor J. Saracini Mary Kathleen Shearer Robert M. Shearer Jane Louise Simpkin Brian David Sweeney Michael C. Tarrou Alicia N. Titus Timothy Ray Ward William Michael Weems

List of Victims at the Pentagon (Not Including Flight 77) Note: USA – United Stated Army; USN – United States Navy

SPC Craig S. Amundson, USA YN3 Melissa Rose Barnes, USN MSG Max J. Beilke, Retired IT2 Kris Romeo Bishundat, USN Carrie R. Blagburn COL Canfield D. Boone, ARNG Donna M. Bowen Allen P. Boyle ET3 Christopher L. Burford, USN ET3 Daniel M. Caballero, USN SFC Jose O. Calderon-Olmedo, USA Angelene C. Carter Sharon A. Carver SFC John J. Chada, USA, Retired Rosa Maria Chapa Julian T. Cooper LCDR Eric A. Cranford, USN Ada M. Davis CAPT Gerald F. DeConto, USN LTC Jerry D. Dickerson, USA IT1 Johnnie Doctor, Jr., USN CAPT Robert E. Dolan, Jr., USN CDR William H. Donovan, USN CDR Patrick Dunn, USN AG1 Edward T. Earhart, USN LCDR Robert R. Elseth, USNR SK3 Jamie L. Fallon, USN Amelia V. Fields Gerald P. Fisher AG2 Matthew M. Flocco, USN Sandra N. Foster CAPT Lawrence D. Getzfred, USN Cortez Ghee Brenda C. Gibson COL Ronald F. Golinski, USA, Retired Diane Hale-McKinzy Carolyn B. Halmon Sheila M.S. Hein ET1 Ronald J. Hemenway, USN MAJ Wallace Cole Hogan, Jr., USA SSG Jimmie I. Holley, USA, Retired Angela M. Houtz Brady Kay Howell Peggie M. Hurt LTC Stephen N. Hyland, Jr., USA Lt Col Robert J. Hymel, USAF, Retired SGM Lacey B. Ivory, USA LTC Dennis M. Johnson, USA Judith L. Jones Brenda Kegler LT Michael S. Lamana, USN David W. Laychak Samantha L. Lightbourn-Allen MAJ Stephen V. Long, USA James T. Lynch, Jr. Terence M. Lynch OS2 Nehamon Lyons IV, USN Shelley A. Marshall Teresa M. Martin Ada L. Mason-Acker LTC Dean E. Mattson, USA LTG Timothy J. Maude, USA Robert J. Maxwell Molly L. McKenzie Patricia E. Mickley MAJ Ronald D. Milam, USA Gerard P. Moran, Jr. Odessa V. Morris ET1 Brian A. Moss, USN Teddington H. Moy LCDR Patrick J. Murphy, USNR Khang Ngoc Nguyen DM2 Michael A. Noeth, USN Ruben S. Ornedo Diana B. Padro LT Jonas M. Panik, USNR MAJ Clifford L. Patterson, Jr., USA LT Darin H. Pontell, USNR Scott Powell CAPT Jack D. Punches, USN, Retired AW1 Joseph J. Pycior, Jr., USN Deborah A. Ramsaur Rhonda Sue Rasmussen IT1 Marsha D. Ratchford, USN Martha M. Reszke Cecelia E. (Lawson) Richard Edward V. Rowenhorst Judy Rowlett SGM Robert E. Russell, USA, Retired CW4 William R. Ruth, ARNG Charles E. Sabin, Sr. Marjorie C. Salamone COL David M. Scales, USA CDR Robert A. Schlegel, USN Janice M. Scott LTC Michael L. Selves, USA, Retired Marian H. Serva CDR Dan F. Shanower, USN Antionette M. Sherman Diane M. Simmons Cheryle D. Sincock ITC Gregg H. Smallwood, USN LTC Gary F. Smith, USA, Retired Patricia J. Statz Edna L. Stephens SGM Larry L. Strickland, USA LTC Kip P. Taylor, USA Sandra C. Taylor LTC Karl W. Teepe, USA, Retired SGT Tamara C. Thurman, USA LCDR Otis V. Tolbert, USN SSG Willie Q. Troy, USA, Retired LCDR Ronald J. Vauk, USNR LTC Karen J. Wagner, USA Meta L. (Fuller) Waller SPC Chin Sun Pak Wells, USA SSG Maudlyn A. White, USA Sandra L. White Ernest M. Willcher LCDR David L. Williams, USN MAJ Dwayne Williams, USA RMC Marvin Roger Woods, USN, Retired IT2 Kevin W. Yokum, USN ITC Donald M. Young, USN Edmond G. Young, Jr. Lisa L. Young

List of Victims on American Airlines Flight 77

Paul W. Ambrose Yeneneh Betru Mary Jane Booth Bernard C. Brown, II CAPT Charles F. Burlingame III, USNR, Retired Suzanne M. Calley William E. Caswell David M. Charlebois Sarah M. Clark Asia S. Cottom James D. Debeuneure Rodney Dickens Eddie A. Dillard LCDR Charles A. Droz III, USN, Retired Barbara G. Edwards Charles S. Falkenberg Dana Falkenberg Zoe Falkenberg J. Joseph Ferguson Darlene E. Flagg RADM Wilson F. Flagg, USNR, Retired 1stLt Richard P. Gabriel, USMC, Retired Ian J. Gray Stanley R. Hall Michele M. Heidenberger Bryan C. Jack Steven D. Jacoby Ann C. Judge Chandler R. Keller Yvonne E. Kennedy Norma Cruz Khan Karen Ann Kincaid Dong Chul Lee Jennifer Lewis Kenneth E. Lewis Renee A. May Dora Marie Menchaca Christopher C. Newton Barbara K. Olson Ruben S. Ornedo Robert Penninger Robert R. Ploger III Zandra F. Ploger Lisa J. Raines Todd H. Reuben John P. Sammartino George W. Simmons Donald D. Simmons Mari-Rae Sopper Robert Speisman Norma Lang Steuerle Hilda E. Taylor Leonard E. Taylor Sandra D. Teague Leslie A. Whittington CAPT John D. Yamnicky, Sr., USN, Retired Vicki Yancey Shuyin Yang Yuguag Zheng

List of Victims on United Airlines Flight 93

Christian Adams Lorraine G. Bay Todd Beamer Alan Beaven Mark K. Bingham Deora Frances Bodley Sandra W. Bradshaw Marion Britton Thomas E. Burnett Jr. William Cashman Georgine Rose Corrigan Patricia Cushing Jason Dahl Joseph Deluca Patrick Driscoll Edward Porter Felt Jane C. Folger Colleen Fraser Andrew Garcia Jeremy Glick Lauren Grandcolas Wanda A. Green Donald F. Greene Linda Gronlund Richard Guadagno Leroy Homer, Jr. Toshiya Kuge CeeCee Lyles Hilda Marcin Waleska Martinez Nicole Miller Louis J. Nacke, II Donald Arthur Peterson Jean Hoadley Peterson Mark Rothenberg Christine Snyder John Talignani Honor Elizabeth Wainio Deborah Ann Jacobs Welsh Kristin Gould White

#September 11 #9/11 #remember 9/11 #memorial #RIP #tw 9/11

24 notes · View notes

dearorpheus · 6 years

Note

any lit to recommend for autumn reading?🍁

Are you preparing early? I don’t blame you.

Novels:The Legend of Sleepy Hollow, Washington IrvingCarmilla, J. Sheridan La FanuThe Seance, John HarwoodWhite is for Witching, Helen OyeyemiThe Haunting of Hill House, Shirley JacksonThe Last September, Elizabeth BowenRevenge, Yōko OgawaOrlando, Virginia WoolfThe Peregrine, J.A. BakerThe Accursed, Joyce Carol Oatesany Dostoyevsky at all

Poetry:Les Fleurs du Mal, Charles Baudelaire Canto 3, Inferno, DanteBallad, Multitudes Turn In Darkness, Conrad AikenWhen I am dead, my dearest, Christina RossettiIt was not Death, for I stood up, Emily DickinsonThe Flowers, Stéphane MallarméAll Hallows, Elms, Mock Orange, The Drowned Children, Louise Glück (always, always)The animals in that country, Margaret AtwoodBook of Isaiah, Part I, Anne CarsonMacbeth, Shakespeare

Might I also suggest:- caramelised onions, sautéed mushrooms, roasted butternut squash- pears stewed in cinnamon - hot apple-ginger toddy - almond butter on everything- cashmere, knit, linen- candlelight

#asks

103 notes · View notes

list-of-literature · 7 years

Text

25/03/2016

The Woman in the Dunes, Kobo Abe Things Fall Apart, Chinua Achebe The Jolly Postman or Other Peoples Letters, Janet & Allan Ahlberg The Wolves Of Willoughby Chase, Joan Aiken The Wanderer, Alain-Fournier Commedia, Dante Alighieri Skellig, David Almond The President, Miguel Angel Asturias Alcools, Guillaume Apollinaire It's Not About The Bike - My Journey Back to Life, Lance Armstrong Behind The Scenes At The Museum, Kate Atkinson The Handmaid's Tale, Margaret Atwood Jonathan Livingstone Seagull, Richard Bach Go Tell It on the Mountain, James Baldwin The Ghost Road, Pat Barker Carrie's War, Nina Bawden Molloy; Malone Dies; The Unnamable, Samuel Beckett Waiting for Godot, Samuel Beckett The Adventures of Augie March, Saul Bellow G, John Berger Noughts And Crosses, Malorie Blackman Mister Magnolia, Quentin Blake Forever, Judy Blume The Magic Faraway Tree, Enid Blyton Five On A Treasure Island, Enid Blyton The Enchanted Wood, Enid Blyton A Bear Called Paddington, Michael Bond Ficciones, Jorge Luis Borges The Boy In The Striped Pyjamas, John Boyne The Snowman, Raymond Briggs Flat Stanley, Jeff Brown Gorilla, Anthony Browne The Good Earth, Pearl S. Buck The Pilgrim's Progress, John Bunyan A Clockwork Orange, Anthony Burgess Junk, Melvin Burgess Would You Rather?, John Burningham The Soft Machine, William S. Burroughs The Way of All Flesh, Samuel Butler Possession, A.S. Byatt The Princess Diaries, Meg Cabot If on a Winter's Night a Traveler, Italo Calvino Invisible Cities, Italo Calvino The Stranger, Albert Camus Oscar and Lucinda, Peter Carey Nights at the Circus, Angela Carter Looking For JJ, Anne Cassidy Journey to the End of the Night, Louis-Ferdinand Céline Wild Swans: Three Daughters of China, Jung Chang Papillon, Henri Charriere The Canterbury Tales, Geoffrey Chaucer "Clarice Bean, That's Me", Lauren Child I Will Not Ever Never Eat a Tomato, Lauren Child Les Liaisons Dangereuses, Pierre Choderlos de Laclos Disgrace, J.M. Coetzee Waiting for the Barbarians, J.M Coetzee Princess Smartypants, Babette Cole Nostromo, Joseph Conrad The Public Burning, Robert Coover Millions, Frank Cottrell Boyce The Power Of One, Bryce Courtenay That Rabbit Belongs To Emily Brown, Cressida Cowell House Of Leaves, Mark Z. Danielewski The Black Sheep, Honoré de Balzac Old Man Goriot, Honoré de Balzac The Second Sex, Simone de Beavoir The Story of Babar, Jean De Brunhoff The Little Prince, Antoine De Saint-Exupery White Noise, Don DeLillo Slouching Towards Bethlehem, Joan Didion Sybil, Benjamin Disraeli Hairy Maclary from Donaldson's Dairy, Lynley Dodd The 42nd Parallel, John Dos Passos The Brothers Karamzov, Fyodor Dostoevsky An American Tragedy, Theodore Drieser The Name Of The Rose, Umberto Eco My Naughty Little Sister, Dorothy Edwards Invisible Man, Ralph Ellison The Horse Whisperer, Nicholas Evans The Siege of Krishnapur, J.G Farrell The Sound and the Fury, William Faulkner "Absalom, Absalom!", William Faulkner Light in August, William Faulkner Take it or Leave It, Raymond Federman Magician, Raymond E. Feist Flour Babies, Anne Fine Madam Bovary, Gustav Flaubert A Passage to India, E. M. Forster The Diary of a Young Girl, Anne Frank Cross Stitch, Diana Gabaldon That Awful Mess on the Via Merulala, Carlo Emilio Gadda JR, William Gaddis The Graveyard Book, Neil Gaiman One Hundred Years Of Solitude, Gabriel García Márquez Love In The Time Of Cholera, Gabriel García Márquez Maggot Moon, Sally Gardner The Owl Service, Alan Garner In the Heart of the Heart of the Country & Other Stories, William H. Gass Coram Boy, Jamila Gavin Once, Morris Gleitzman The Conservationist, Nadine Gordimer Asterix The Gaul, Rene Goscinny The Tin Drum, Günter Grass Sunset Song, Lewis Grassic Gibbon Little Mouse's Big Book of Fears, Emily Gravett Lanark, Alasdair Gray The Quiet American, Graham Greene Life and Fate, Vasily Grossman The Curious Incident Of The Dog In The Night-Time, Mark Haddon Jude The Obscure, Thomas Hardy The Scarlet Letter, Nathaniel Hawthorne Stranger in a Strange Land, Robert A. Heinlein The Sun Also Rises, Ernest Hemingway For Whom the Bell Tolls, Ernest Hemingway The Old Man And The Sea, Ernest Hemingway The Blue Lotus, Hergé The Adventures Of Tintin, Hergé The Glass Bead Game, Herman Hesse Where's Spot?, Eric Hill The Secret Garden, Frances Hodgson Burnett The Odyssey, Homer High Fidelity, Nick Hornby Point Blanc, Anthony Horowitz Skeleton Key, Anthony Horowitz Dogger, Shirley Hughes Journey To The River Sea, Eva Ibbotson Little House In The Big Woods, Laura Ingalls Wilder A Prayer For Owen Meany, John Irving Goodbye to Berlin, Christopher Isherwood The Portrait of a Lady, Henry James The Ambassadors, Henry James Finn Family Moomintroll, Tove Jansson Lost and Found, Oliver Jeffers The Far Pavilions, M. M. Kaye A Confederacy of Dunces, John Kennedy Toole The Tiger Who Came To Tea, Judith Kerr One Flew Over The Cuckoo's Nest, Ken Kesey In Praise of Hatred, Khaled Khalifa Gate of the Sun, Elias Khoury It, Stephen King The Queen's Nose, Dick King-Smith The Sheep-Pig, Dick King-Smith Diary Of A Wimpy Kid, Jeff Kinney Kim, Rudyard Kipling I Want My Hat Back, Jon Klassen Darkness at Noon, Arthur Koestler The Unbearable Lightness of Being, Milan Kundera The Milly-Molly-Mandy Storybook, Joyce Lankerster Brisley Women in Love, D.H. Lawrence Seven Pillars of Wisdom, T.E Lawrence A Wrinkle in Time, Madeleine L'Engle The Golden Notebook, Doris Lessing Tristes Tropiques, Claude Lévi-Strauss Pippi Longstocking, Astrid Lindgren The Call of the Wild, Jack London Nightmare Abbey, Thomas Love Peacock Under the Volcano, Malcolm Lowry The Good Soldier, Ford Madox Ford The Cairo Trilogy, Naguib Mahfouz The Naked and the Dead, Norman Mailer Man's Fate, Andre Malraux The Magic Mountain, Thomas Mann Wolf Hall, Hilary Mantel The Road, Cormac McCarthy The Kite Rider, Geraldine McCaughrean The Heart Is A Lonely Hunter, Carson McCullers "Not Now, Bernard", David McKee Tent Boxing: An Australian Journey, Wayne McLennan No One Sleeps in Alexandria, Ibrahim Abdel Meguid A Fine Balance, Rohinton Mistry The Cruel Sea, Nicholas Monsarrat Private Peaceful, Michael Morpurgo Beloved, Toni Morrison Song of Solomon, Toni Morrison The Wind-Up Bird Chronicle, Haruki Murakami Under the Net, Iris Murdoch The Worst Witch, Jill Murphy Pale Fire, Vladimir Nabokov A Bend in the River, V.S Naipaul Their Eyes Were Watching God, Zora Neale Hurston A Monster Calls, Patrick Ness The Knife Of Never Letting Go, Patrick Ness The Borrowers, Mary Norton Master And Commander, Patrick O'Brian The Silent Cry, Kenzaburo Oe My Name is Red, Orhan Pamuk Gormenghast, Mervyn Peake Night Watch, Terry Pratchett The Colour Of Magic, Terry Pratchett The Truth, Terry Pratchett Witches Abroad, Terry Pratchett Truckers, Terry Pratchett Life: An Exploded Diagram, Mal Prett Paroles, Jacques Prévert The Shipping News, Annie Proulx In Search of Lost Time, Marcel Proust The Ruby In The Smoke, Philip Pullman Eugene Onegin, Alexander Pushkin Gravity's Rainbow, Thomas Pynchon Live and Remember, Valentin Rasputin Witch Child, Celia Rees Mortal Engines, Philip Reeve Clarissa: Or the History of a Young Lady, Samuel Richardson How I Live Now, Meg Rosoff I Want My Potty!, Tony Ross Portnoy's Complaint, Philip Roth The God Of Small Things, Arundhati Roy Midnight's Children, Salman Rushdie Holes, Louis Sachar Blindness, Jose Saramango Being and Nothingness, Jean-Paul Sartre Nausea, Jean-Paul Sartre Austerlitz, W.G. Sebald Revolver, Marcus Sedgwick Where The Wild Things Are, Maurice Sendak The Silver Sword, Ian Serraillier Katherine, Anya Seton Come over to My House, Dr Seuss Daisy-Head Mayzie, Dr Seuss Great Day for Up!, Dr Seuss Hooray for Diffendoofer Day!, Dr Seuss Horton and the Kwuggerbug and More Lost Stories, Dr Seuss Hunches in Bunches, Dr Seuss I Am NOT Going to Get Up Today!, Dr Seuss I Can Lick 30 Tigers Today! and Other Stories, Dr Seuss I Had Trouble in Getting to Solla Sollew, Dr Seuss My Book about ME, Dr Seuss My Many Colored Days, Dr Seuss "Oh, the Thinks You Can Think!", Dr Seuss On Beyond Zebra!, Dr Seuss The Bippolo Seed and Other Lost Stories, Dr Seuss The Butter Battle Book, Dr Seuss The Cat's Quizzer, Dr Seuss The Pocket Book of Boners, Dr Seuss The Seven Lady Godivas, Dr Seuss The Shape of Me and Other Stuff, Dr Seuss What Pet Should I Get?, Dr Seuss You're Only Old Once!, Dr Seuss Dr Seuss's Book of Bedtime Stories, Dr Seuss Special shapes: A flip-the-flap book, Dr Seuss Dizzy days: A flip-the-flap book, Dr Seuss The Tale of Genji, Murasaki Shikibu A Town Like Alice, Nevil Shute I Capture The Castle, Dodie Smith "The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation", Aleksandr Solzhenitsyn Memento Mori, Muriel Spark The Prime of Miss Jean Brodie, Muriel Spark Heidi, Johanna Spyri The Making of Americans, Gertrude Stein The Charterhouse of Parma, Stendhal "The Life and Opinions of Tristram Shandy, Gentleman", Laurence Sterne Driving Over Lemons: An Optimist in Andalucia, Chris Stewart Goosebumps, R.L. Stine Ballet Shoes, Noel Streatfeild The Home and the World, Rabindranath Tagore The Arrival, Shaun Tan The Secret History, Donna Tartt The Ragged Trousered Philanthropists, Robert Tressell Fathers and Sons, Ivan Turgenev Adventures of Huckleberry Finn, Mark Twain Froth on the Daydream, Boris Vian Creation, Gore Vidal Slaughterhouse-Five, Kurt Vonnegut Breakfast of Champions, Kurt Vonnegut The Color Purple, Alice Walker Scoop, Evelyn Waugh The War Of The Worlds, H.G. Wells The Time Machine, H.G Wells The Once And Future King, T.H. White Double Act, Jacqueline Wilson Vicky Angel, Jacqueline Wilson Girls In Love, Jacqueline Wilson The Illustrated Mum, Jacqueline Wilson The Dare Game, Jacqueline Wilson Bad Girls, Jacqueline Wilson Lola Rose, Jacqueline Wilson Girls In Tears, Jacqueline Wilson Sleepovers, Jacqueline Wilson Secrets, Jacqueline Wilson Girls Out Late, Jacqueline Wilson Dustbin Baby, Jacqueline Wilson The Code of the Woosters, P.G. Wodehouse Native Son, Richard Wright Going Native, Stephen Wright The Day Of The Triffids, John Wyndham The Dream of the Red Chamber, Cao Xueqin Red Sorghum: A Novel of China, Mo Yan Revolutionary Road, Richard Yates We, Yevgeny Zamyatin Germinal, Emile Zola Amazing Grace, Mary Hoffman & Caroline Binch Horrid Henry, Francesca Simon & Tony Ross Meg And Mog, Helen Nicholls & Jan Pienkowski Ten Little Fingers and Ten Little Toes, Mem Fox & Helen Oxenbury The Elephant And The Bad Baby, Elfrida Vipont & Raymond Briggs The True Story Of The Three Little Pigs, Jon Scieszka & Lane Smith

4 notes · View notes

listlesslists · 7 years

Text

11-8-17 my books

2/2/2018

100 People Who Changed the World, LIFE

1984 by George Orwell

20,000 Leagues Under the Sea by Jules Verne

30 Days of Night: 1, 2, 3, 7

500 Tricks: Storage by Page One

A Burnt-Out Case by Graham Greene

A Certain … Je Ne Sais Quoi by Charles Timoney

A Connecticut Yankee in King Arthur’s Court by Mark Twain (Signet Classics

A Christmas Carol by Charles Dickens (with The Chimes)

A Clockwork Orange by Anthony Burgess

After the Funeral by Agatha Christie (in Poirot: the Post-War Years)

A Home at the End of the World by Michael Cunningham

Alias Grace by Margaret Atwood

A Life in Poems: Selected Works of Khoo Seok Wan

All My Sons by Arthur Miller (x3)

All-Star Superman: 1

All the Birds, Singing by Evie Wyld

All The Sad Young Literary Men by Keith Gessen

Alms for Oblivion by Simon Raven

A Man Asleep by Georges Perec (and Things: A Story of the Sixties)

American Gods by Neil Gaiman

Anarchism and Other Essays by Emma Goldman

And the Mountains Echoed, Khaled Hosseini

Animal Farm by George Orwell

An Inspector Calls, J. B. Priestley

Anne of Green Gables by L. M. Montgomery

Antigone (in The Three Theban Plays) by Sophocles (Robert Fagles translation)

A Pack of Liars by Anne Fine

A Passage to India, E. M. Forster

A Portrait of the Artist as a Young Man by James Joyce

Arcadia by Tom Stoppard

A Room with a View by E. M. Forster

Artemis Fowl by Eoin Colfer

A Series of Unfortunate Events 3: The Wide Window, by Lemony Snicket

A Series of Unfortunate Events 4: The Miserable Mill, by Lemony Snicket (x2)

A Series of Unfortunate Events 5: The Austere Academy, by Lemony Snicket

A Series of Unfortunate Events 7: The Vile Village, by Lemony Snicket

A Series of Unfortunate Events 8: The Hostile Hospital, by Lemony Snicket

A Series of Unfortunate Events 9: The Carnivorous Carnival, by Lemony Snicket

A Series of Unfortunate Events 10: The Slippery Slope, by Lemony Snicket

A Series of Unfortunate Events 11: The Grim Grotto, by Lemony Snicket

A Series of Unfortunate Events 12: The Penultimate Peril, by Lemony Snicket

A Series of Unfortunate Events 13: The End, by Lemony Snicket

A Short History of England by Simon Jenkins

A Still Forest Pool: The Insight Meditation of Ajahn Chah, Jack Kornfield, Paul Bretier

A Taste of Freedom by Ven. Ajahn Chah

Atlanta Review: Asia (Spring/ Summer 2002)

Atlas Shrugged by Ayn Rand

Atonement by Ian McEwan

A Wrinkle in Time by Madeleine L’Engle

Balzac and the Little Chinese Seamstress by Dai Sijie

Batman Hush: 1, 2

Batman: The Dark Knight Returns

Baudelaire, Rimbaud, Verlaine: Selected Verse and Prose Poems

Black Hearts in Battersea by Joan Aiken

Black Maria by Diana Wynne Jones

Boy by Roald Dahl

Brave New World by Aldous Huxley

Brideshead Revisited by Evelyn Waugh

Bridge to Terabithia by Katherine Paterson

Brighton Rock by Graham Greene

Buddhism for Beginners, Kong Meng San Phor Kark See Monastery

Bullfighting by Roddy Doyle

Burning Your Boats: Collected Stories by Angela Carter

Carbonel by Barbara Sleigh

Cat Among the Pigeons by Agatha Christie (in Poirot: the Post-War Years)

Cat and Mouse in a Haunted House by Geronimo Stilton

Cat’s Cradle by Kurt Vonnegut

Ceriph: issue 2

Ceriph: issue 6

Cha-no-yu: The Japanese Tea Ceremony by A. L. Sadler

Chaos by James Gleick

Charlotte’s Web by E. B. White

Chicken Rice (24 Flavours series by BooksActually)

Chinese Ethnic Minority Motifs by Page One

Cligés by Chretien de Troyes (in Arthurian Romances by DigiReads.com Publishing)

Collected Poems of Edgar Allan Poe

Collected Stories of Vladimir Nabokov

Confessions of a Mask by Yukio Mishima

Crime and Punishment by Fyodor Dostoyevsky (x2, one translated by Pevear and Volokhonsky)

Crow Boy by Taro Yashima

Cry, the Beloved Country by Alan Paton

Cymbeline by Shakespeare (The Pelican Shakespeare)

Cyrano de Bergerac by Edmond Rostand

Daredevil Noir

Dead Man’s Folly by Agatha Christie

Dead Souls by Nikolai Gogol

Dog Friday by Hilary McKay

Death Note: Another Note: The Lost Angeles BB Murder Cases

Demian by Herman Hesse

Dhammapada, Venerable Buddharakkhita

Dinosaur in a Haystack by Stephen Jay Gould

Don Quixote by Cervantes

Drawing and Painting the Portrait by John Devane

Dune by Frank Herbert

Each Peach Pear Plum by Janet and Allan Ahlberg

East Lynne by Mrs Henry Wood

Eating Chinese Food Naked by Mei Ng

Economics: Making Sense of the Modern Economy, The Economist

Elidor by Alan Garner

Emma by Jane Austen (x2)

English Literature Made Simple by H. Coombes

Erec et Enide by Chretien de Troyes (in Arthurian Romances by DigiReads.com Publishing)

ESV Holy Bible

Ethan Frome by Edith Wharton

Ethics in Buddhist Perspective by K. N. Jayatilleke

Evolve or Die (Horrible Science) by Phil Gates

Facing the Torturer by Francois Bizot

Fallen Angels: Paintings by Jack Vettriano, edited by W. Gordon Smith

Fantastic Beasts & Where to Find Them by Newt Scamander

Far From the Madding Crowd by Thomas Hardy

Fascist Rock by Claire Tham

Favourite Singlish Tales: Three Little Pigs Lah by Casey Chen

Federal Anthology of Poetry I

Festivals Graphics by Page One

Fight Club, Chuck Palahniuk

Five Children and It by E. Nesbit

Five Run Away Together by Enid Blyton

Folk Customs and Family Life (Korean Cultural Series Volume III)

Foreskin’s Lament by Shalom Auslander

For the Record: Conversations with People People who Have Shaped the Way we Listen to Music

For They Know Not What They Do by Slavoj Zizek

Four Continents by Nadine Gordimer, Chinua Achebe, et al.

Fragile Things: Short Fictions and Wonders by Neil Gaiman

Frankenstein by Mary Sehlley

Frog and Toad Together by Arnold Lobel

From Third World to First: The Singapore Story 1965-2000, Memoirs of Lee Kuan Yew

George’s Marvellous Medicine by Roald Dahl

Ghost Stories of Henry James

Gitanjali by Tagore (双语版)

Gone Case by Dave Chua

Gone Case: A Graphic Novel (Book One), art by Koh Hong Teng

Gratitude to Parents, Venerable Ajahn Sumedho

Great British Editorial by Page One

Great Expectations by Charles Dickens

Great Hatred, Little Room: Making Peace in Northern Ireland by Jonathan Powell

Great Illustrated Classics: The Little Mermaid and Other Stories

Green First! : Earth Friendly Design (Over 100 green projects around the world)

Guerillas by VS Naipaul

Gulliver’s Travels by Jonathan Swift

Hamlet by Shakespeare (x2)

Harry Potter and the Philosopher’s Stone by J. K. Rowling

Harry Potter and the Chamber of Secrets by J. K. Rowling

Harry Potter and the Prisoner of Azkaban by J. K. Rowling

Harry Potter and the Goblet of Fire by J. K. Rowling

Harry Potter and the Order of the Phoenix by J. K. Rowling

Harry Potter and the Half-Blood Prince by J. K. Rowling

Harry Potter and the Deathly Hallows by J. K. Rowling

Have Phone, Will Paint by Zhu Hong

Heart of Darkness by Joseph Conrad

Heidi by Johanna Spyri

Hickory Dickory Dock by Agatha Christie (in Poirot: the Post-War Years)

History of Beauty, Umberto Eco

History of Western Philosophy by Bertrand Russell

Home and Exile by Chinua Achebe

House of M, Marvel

How the Bible Came to be by John Barton

How Late it Was, How Late by James Kelman

I Didn’t Know Mani was a Conceptualist by Desmond Kon Zhicheng-Mingdé

If I Could Tell You by Lee Jing-Jing

Incarceron by Catherine Fisher

Infographics: Designing and Visualising Data by Page One

Jane Austen Cover to Cover by Margaret C. Sullivan

Jane Eyre by Charlotte Bronte

Japanese Tales, Royall Tyler

Japanese Tatoos by Brian Ashcraft and Hori Benny

Jeeves and Wooster: Perfect Nonsense, by The Goodale Brothers/P.G. Wodehouse

Jerusalem the Biography by Simon Sebag Montefiore

Journey to the Centre of the Earth by Jules Verne

Jude the Obscure by Thomas Hardy

Julius Caesar by Shakespeare

Jurassic Park by Michael Crichton

Kim by Rudyard Kipling

King Solomon’s Mines by Haggard

Kitchen by Yoshimoto Banana

KJV Holy Bible

Kokology 2: More of the Game of Self-discovery by Tadahiko Nagao and Isamu Saito

Lady Chatterley’s Lover by D. H. Lawrence (in The Great Novels of “)

Lady Precious Stream by S. I. Hsiung

Lancelot, or, The Knight of the Cart by Chretien de Troyes (in Arthurian Romances by DigiReads.com Publishing)

Left-Right

Les Misérables: Volume One by Victor Hugo

Let’s Chat About the Bible by Whiting/Reeves

Let’s Give it up for Gimme Lao! by Sebastian Sim

Letter from an Unknown Woman by Stefan Zweig

Leviathan by Thomas Hobbes

Life of Pi by Yann Martel

Lists of Note by Shaun Usher

Little Lord Fauntleroy by Frances Hodgson Burnett

Lizard by Yoshimoto Banana

Lolita by Vladmir Nabokov

Long Walk to Freedom by Nelson Mandela

Looking for Juliette by Janet Taylor Lisle

Love for Love by William Congreve (in Three Restoration Comedies, Gamini Salgado intro)

Love Gathers All: the Philippines-Singapore Anthology of Love Poetry

Lucifer: Devil in the Gateway

Luxury for Cats (by teNeues)

Macbeth by Shakespeare

Madame Bovary by Gustave Flaubert

Malay Weddings Don’t Cost $50 by Hidayah Amin

Malgudi Days by R. K. Narayan

Man and his Symbols by Carl Jung

Marx on China

Me Grandad ‘ad an Elephant! by Vaikom Muhammad Basheer

Merchant of Venice by Shakespeare

Metal Gear Solid: 1, 2

Metamorphosis and Other Stories by Franz Kafka

Middle Land, Middle Way by S. Dhammika

Middlemarch by George Eliot

Mio, My Son by Astrid Lindgren

Miss Lonelyhearts by Nathanael West (and The Day of the Locust)

Moby-Dick or The Whale by Herman Melville

Mr Dooley by Finley Peter Dunne

Mrs Dalloway by Virginia Woolf (x2, one with an intro by Carol Ann Duffy)

Mrs Warren’s Profession by George Bernard Shaw

Measure for Measure by Shakespeare

Meditations by Marcus Aurelius

Multitudes: Litmus 2016

Music & Monarchy by David Starkey & Kate Greening

My Pictorial Book of Dialect Idioms & Slangs by Kuan Eng

Mythologies by Roland Barthes

Naked Lunch by William S. Burroughs

Nanyang Girls’ High School 2014 Montage

Narrative of the Life of Frederick Douglass by Frederick Douglass

Native Son by Richard Wright

Natural Heritage of Korea, Dokdo

Neverwhere by Neil Gaiman

No Ajahn Chah: Reflections by Ven. Ajahn Chah

Nostromo by Joseph Conrad

Not the Israel My Parents Promised Me by Harvey Pekar and JT Waldman

Nightmare Abbey/Crotchet Castle by Peacock (x2)

Occupational Hazards by Mayo Martin

Oedipus the King (in The Three Theban Plays) by Sophocles (Robert Fagles translation)

Oedipus at Colonus (in The Three Theban Plays) by Sophocles (Robert Fagles translation)

Of Mice and Men by John Steinbeck

Of Human Bondage by Somerset Maugham

Of Walking in Ice by Werner Herzog

Oh, Play That Thing by Roddy Doyle

Oliver Twist by Charles Dickens

On Beauty by Zadie Smith

One Hundred Years of Solitude by Gabriel Garcia Marquez (Gregory Rabassa translation, Penguin)

On Liberty by John Stuart Mill

On the Road by Jack Kerouac

On Ugliness, Umberto Eco

Oranges are not the Only Fruit by Jeanette Winterson

Othello by Shakespeare

Our Animal Eye: Litmus 2014

Paddy Clarke Ha Ha Ha by Roddy Doyle

Pale Fire by Vladimir Nabokov

Papillon by Henri Charrière

Paradise Lost by Milton

Pastels for Beginners by Francisco Asensio Cerver

Peepo! by Janet and Allan Ahlberg

Persuasion by Jane Austen (x2: penguin classics and )

Peter Pan by J. M. Barrie (x2)

Phedra by Eugenia Tan

Physics by Aristotle

Playing Pretty by Euginia Tan

Poems Deep and Dangerous

Poets on Growth: An Anthology of Poetry and Craft

Possession by A. S. Byatt

Pride and Prejudice by Jane Austen (x2)

Princess of the Midnight Ball by Jessica Day George

Prozac Nation, Elizabeth Wurtzel

Puck of Pook’s Hill by Rudyard Kipling

Pygmalion by George Bernard Shaw

Quidditch Through the Ages by Kennilworthy Whisp

Rashomon and Seventeen Other Stories by Ryunosuke Akutagawa (Jay Rubin translation)

Reaching for Stones: Collected Poems (1963-2009) by Chandran Nair

Rebel Rites by Deborah Emmanuel

Robinson Crusoe by Daniel Defoe

Roll of Thunder, Hear my Voice by Mildred D. Taylor

Romeo and Juliet by Shakespeare

Room on the Broom by Julia Donaldson and Ael Scheffler

Rosencrantz & Guildenstern are Dead by Tom Stoppard

Runaway Horses by Yukio Mishima

Sabbath’s Theatre by Phillip Roth

Salted Vegetables and Duck Soup (24 Flavours series by BooksActually)

Samanera sikkapadani 沙马内拉学处

Sarong Party Girls by Cheryl Lu-Lien Tan

Satipatthana Sutta: The Foundation of Mindfulness

Selected Dhamma Talks in 2011 by Venerable K. Rathanasara

Sense and Sensibility by Jane Austen (published by Vintage)

Sense and Sensibility: The Screenplay & Diaries by Emma Thompson

Shakespeare: All 37 Plays, All 160 Sonnets and Poems (The Illustrated Stratford)

Shakespearean Tragedy by A. C. Bradley

Shakespeare the Complete Works: Volumes 2 and 3

Shakespeare’s Words: A Glossary & Language Companion by David Crystal & Ben Crystal

Shooting an Elephant and Other Essays by George Orwell

Short Cuts by Raymond Carver

Siddhartha by Hermann Hesse

Sigalovada Sutta: The Code of Discipline for Layman

Silas Marner by George Eliot

Singapore Children’s Favourite Stories by DI Taylor and L K Tay-Audouard

Sing to the Dawn by Minfong Ho

Six Records of a Floating Life by Shen Fu

Slaughterhouse 5 by Kurt Vonnegut

Slightly Invisible by Lauren Child

Solaris by Stanislaw Lem

Sons and Lovers by D. H. Lawrence (in The Great Novels of “)

Sophie’s Choice by William Styron

Sophie’s World, Jostein Gaarder

Spiaking Singlish by Gwee Li Sui

Spider-Man Noir

Stoner by John Williams

SQ21, Ng Yi-Sheng

Steppenwolf by Hermann Hesse

Strait is the Gate by Andre Gidé

Summer by Edith Wharton

Superman: The Greatest Stories Ever Told

Tales from Around the World

Tales from King Arthur by Andrew Lang

Tartuffe by Molíère

Tenacity: Stories Built to Last

Tennyson: Selected Poetry (The Penguin Poetry Library)

That Night by the Beach and other stories for a film score by Phan Ming Yen

The 9/11 Commission Report

The Abyssinian, Jean Christophe Rufin

The Adventures of Huckleberry Finn by Mark Twain

The Adventures of Robin Hood by Roger Lancelyn Green

The Adventures of Sherlock Holmes by Arthur Conan Doyle

The Adventures of Tom Sawyer by Mark Twain

The Age of Innocence by Edith Wharton

The Andromeda Strain by Michael Chrichton

The Art of Animal Character Design (first edition) by David Colman

The Bell Jar by Sylvia Plath

The BFG by Roald Dahl

The Beggar’s Opera by John Gay

The Blank Slate by Steven Pinker

The Blondes by Emily Schultz

The Bikkhus’ Rules for Laypeople by Bikkhu Ariyesako

The Billion Shop by Stephanie Ye

The Book of Imaginary Beings by Jorge Luis Borges

The Bookseller of Kabul by Asne Sierstad

The Brothers Lionheart by Astrid Lindgren

The Buddha and his Teachings

The Butcher Boy by Patrick McCabe

The Case for Literature by Gao Xingjian

The Catcher in the Rye by J. D. Salinger

The Cherry Tree Buck and Other Stories by Moore

The Children of Cherry Tree Farm by Enid Blyton

The Children of Húrin by J. R. R. Tolkien

The Chimes by Charles Dickens (with A Christmas Carol)

The Chomsky-Foucault Debate on Human Nature

The Christmas Stories by Charles Dickens

The Clash of Civilizations and the Remaking of World Order by Samuel P. Huntington

The Clocks by Agatha Christie (in Poirot: the Post-War Years)

The Collected Stories of Katherine Mansfield

The Complete Dead Sea Scrolls in English (Translated by Geza Vermes)

The Complete Fairy Tales of Hans Christian Anderson

The Complete Fairy Tales of The Brothers Grimm

The Complete Plays of Christopher Marlowe

The Complete Poems of Emily Dickinson

The Complete Poems of Sappho

The Complete Sherlock Holmes by Arthur Conan Doyle

The Complete Stories and Poems of Lewis Carroll

The Conservationist by Nadine Gordimer

The Coral Island by R. M. Ballantyne

The Count of Monte Cristo by Alexandre Dumas

The Country Wife by William Wycherley (in Three Restoration Comedies, Gamini Salgado intro)

The Crescent Moon by Tagore (双语版)

The Crossing by Cormac McCarthy

The Crucible by Arthur Miller

The Curious Incident of the Dog in the Night-time by Mark Haddon

The Dark is Rising: The Complete Sequence by Susan Cooper

The Dark Tower Book I: The Gunslinger by Stephen King

The Dark Tower Book II: The Drawing of the Three by Stephen King

The Dark Tower Book III: The Waste Lands by Stephen King

The Dark Tower Book IV: Wizard and Glass by Stephen King

The Day of the Locust by Nathanael West (and Miss Lonelyhearts)

The Dead Republic by Roddy Doyle

The Dhammapada, K. Sri Dhammananda

The Dragon Book of Verse

The Drunkard’s Walk: How Randomness Rules our Lives by Leonard Mlodinow

The Earth by Émile Zola (Translated by Douglas Parmée)

The Earthsea Quartet (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, Tehanu) by Ursula Le Guin

The Eclogues by Virgil (Translated by Arthur Guy Lee)

The Elements of Legal Style: Second Edition by Bryan A. Garner

The Effect of Gamma Rays on Man-in-the-moon Marigolds by Paul Zindel

The Enchanted Castle by E. Nesbit

The Encyclopedia of American Comics

The Encyclopedia of Illustration Techniques by Catharine Slade

The Female Quixote by Charlotte Lennox

The Four Buddhist Books on Mahayana Pure Land Teachings

The Fright of Real Tears by Slavoj Zizek

The Gap of Time by Jeanette Winterson

The Gardener by Tagore (双语版)

The Gardener’s Son by Cormac McCarthy

The Girl who Could Fly by Victoria Forester

The Godfather by Mario Puzo

The God of Small Things by Arundhati Roy

The Golden Ass by Apuleius

The Goldfinch, Donna Tartt

The Good Earth by Pearl S. Buck

The Governing Principles of Ancient China, excerpted from qunshu zhiyao

The Great Gatsby by F. Scott Fitzgerald

The Happy Prince and Other Stories by Oscar Wilde

The History of Rasselas by Johnson

The Hitchhiker’s Guide to the Galaxy by Douglas Adams

The Horse and His Boy by C. S. Lewis (in collected volume)

The Invisible Man, H. G. Wells

The Joy Luck Club by Amy Tan

The Last Breath by Ajahn Pasanno

The Liberation of Lily and Other Poems by Lim Thean Soo

The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne

The Lioness & Her Knight by Gerald Morris

The Lion, The Witch and the Wardrobe by C. S. Lewis (x2 in collected volume)

The Literature of the United States of America by Marshall Walker

The Little Prince by Antoine de Saint-Exupéry

The Little World of Liz Climo

The Lord of the Rings Part 1: The Fellowship of the Ring, by J. R. R. Tolkien

The Lord of the Rings Part 2: The Two Towers, by J. R. R. Tolkien

The Lord of the Rings Part 3: The Return of the King, by J. R. R. Tolkien

The Lost Estate (Le Grand Meaulnes) by Alain-Fournier

The Maid by Yasutaka Tsutsui

The Magician’s Nephew by C. S. Lewis (in collected volume)

The Man of Mode by Sir George Etherege (in Three Restoration Comedies, Gamini Salgado intro)

The Merchant of Venice by Shakespeare (The Pelican Shakespeare)

The Merry Wives of Windsor by Shakespeare (World’s Classics)

The Mill on the Floss by George Eliot

The Mind Map Book by Tony Buzan

The Miner by Natsume Sōseki

The Mismeasure of Man by Stephen Jay Gould

The Moonstone by Wilkie Collins

The Moves Make the Man by Bruce Brooks

The Museum of Innocence by Orhan Pamuk

The Namesake by Jhumpa Lahiri

The Natural History of Selborne by Reverend Gilbert White

The Nature of the Gods by Cicero

The Outsiders, S. E. Hinton (x2?)

The Once and Future King by T. H. White

The Phantom of the Opera by Leroux

The Pickwick Papers by Charles Dickens

The Picture of Dorian Gray by Oscar Wilde

The People Reloaded: The Green Movement and the Struggle for Iran’s Future

The Poetry of Singapore

The Portrait of a Lady by Henry James (x2)

The Power of Myth by Joseph Campbell

The Prince and the Pauper by Mark Twain

The Prussian Officer and Other Stories by D. H. Lawrence

The Queen and I by Sue Townsend

The Ragamuffin Mystery by Enid Blyton

The Rainbow by D. H. Lawrence (in The Great Novels of “)

The Rape of the Lock by Alexander Pope

The Rattle Bag, edited by Seamus Heaney and Ted Hughes

The Reason Why: A Gospel Exposition, Robert Laidlaw

The Reluctant Fundamentalist by Mohsin Hamid

The Road by Cormac McCarthy

The Romanovs by Simon Sebag Montefiore

The Scarlet Letter by Nathaniel Hawthorne

The Secret Garden by Frances Hodgson Burnett

The Secret of Killimooin by Enid Blyton

The Secret of Spiggy Holes by Enid Blyton

The Selected Poems of Carol Ann Duffy

The Signal and the Noise by Nate Silver

The Silence of the Lambs by Thomas Harris

The Space of City Trees (selected poems) by Arthur Yap

The Spy Who Came in From The Cold, John Le Carré

The Symptom of Beauty by Francette Pacteau

The Tempest by Shakespeare

The Tibetan Book of Living and Dying, Sogyal Rinpoche

The Tipping Point by Malcolm Gladwell

The Time is Now: Public Art of the Sustainable City Land Art Generator Initiative UAE

The True History of the BlackAdder by J. F. Roberts

The Unbearable Lightness of Being by Milan Kundera

The Vatican Cellars by André Gide

The Voice Book by Michael McCallion

The Warden by Anthony Trollope

The War of the Worlds, H. G. Wells

The Waves by Virginia Woolf

The Wealth of Nations by Adam Smith

The Whispering Statue (a Nancy Drew Mystery) by Carolyn Keene

The Wind in the Willows by Kenneth Grahame

The Wings of the Dove by Henry James

The Witches by Roald Dahl

The Woman in White by Wilkie Collins

The Woman Warrior, Maxine Hong Kingston

The Works of Sir Walter Scott (poetry)

The World and other Places by Jeanette Winterson

The World as Will and Representation by Arthur Schopenhauer (Payne translation)

The World’s Great Civilizations, LIFE

The World’s Wife by Carol Ann Duffy

The Young Adventurers and the Boy Next Door by Enid Blyton

The Zahir, Paulo Coelho

Things: A Story of the Sixties by Georges Perec (and A Man Asleep)

Things Fall Apart by Chinua Achebe

Thirty Days on the Camino by Alvin Mark Tan

Thursday Afternoons by Monica Dickens

To Kill a Mockingbird by Harper Lee

Top Girls by Caryl Churchill

To the Lighthouse by Virginia Woolf

Totto-Chan by Tetsuko Kuroyanagi

Towerhill reclaimed (a 2011 high school commemorative, HCI)

Travesties by Tom Stoppard

Tristan by Gottfried Von Strassburg

Troilus and Criseyde by Geoffrey Chaucer (Norton Critical Edition)

Twelfth Night by Shakespeare

Utilitarianism by John Stuart Mill

Ulysses by James Joyce

Uncle Tom’s Cabin by Harriet Beecher Stowe

Unfree Verse

Understand and Criticize by John Doraisamy

Unhomed

Vile Bodies by Evelyn Waugh

Villette by Charlotte Brontë

Waiting for Godot by Samuel Beckett

War and Peace by Leo Tolstoy (x3, Rosemary Edmonds for Penguin, Louise & Aylmer Maude, Pevear & Volokhonsky)

We Rose Up Slowly by Jon Gresham

What are Masterpieces? by Gertrude Stein

Whit by Iain Banks

Why Worry? How to Live Without Fear & Worry by K. Sri Dammananda

What Does the Bible Really Teach?

W. I. T. C. H.: The Four Dragons

Wide Sargasso Sea by Jean Rhys

William Wordsworth

Wilde: The Complete Plays

Worlds of Amano by Yoshitaka Amano

Written on the Body by Jeanette Winterson

Wuthering Heights by Emily Bronte

Yeng Pway Ngon: 英培安: Poems 3 [Self-exile]

Yeng Pway Ngon: 英培安: Poems 4 [Resurgence]

Yeng Pway Ngon: 英培安: Poems 5 [Other Thoughts]

Ywain, or, The Knight with the Lion by Chretien de Troyes (in Arthurian Romances by DigiReads.com Publishing)

20世纪中国短篇小说精选：现代卷1、2

飙车 (La Ronde et Autres Faits Divers), J. M. G. Le Clézio

冰河，余秋雨

陈嘉庚新传，陈共存

重访边城，张爱玲

春尽江南，格非

Composition 摄影构图

弟子规（少儿版，注音，配图）

儿女英雄传

蕉风椰雨话甘榜五十，李龙

光耀一生，联合早报

古诗词一百篇

Hi, 我们的森林，赵小敏

红楼梦（节本），曹雪芹

华韵35：火花

华韵39：以梦为马

皇朝末路：清朝篇

家，巴金

假如给我三天光明 (The Story of My Life) by Helen Keller (双语版)

狼图腾，姜戎

廖静文与徐悲鸿：名人情节众书，廖静文

灵山，高行健

鲁迅大全集

绿山墙的安妮

名侦探柯南：44

念力的秘密分享，净空法师

女神，郭沫若

三国演义

山河入梦，格非

失恋33天，鲍鲸鲸

世界近代史

十年阅城记（Tenacity）

守车的秘密 (The Boxcar Children: Caboose Mystery), Gertrude Chandler Warner

霜冷长河，余秋雨

特拾：学生文集2010，新加坡特选中学

微微一笑很倾城，顾漫

未完的梦，李乔

向左走，向右走，几米

小和尚的白粥馆2

西游记，吴承恩

叶芸的色铅笔画画课，叶芸

一学就会最实用最经典的博弈课堂

印光法师：上海护国消灾法语

于丹《论语》心得

宇宙探索：中小学生科普读物

佐贺的超级阿嫲，岛田洋七

《庄子》心得，于丹

Castres un Autre Regard

Cendrillon

Chronique des sept misères by Patrick Chamoiseau

Cours de francais, Linguaphone Institute

Les Penseurs Grecs Avant Socrate de Thalès de Milet A Prodicos

Texaco by Patrick Chamoiseau

다람쥐와첫눈

두근두근 내인생 장편소설

하회탈, 다시살아나다 by 무돌

질문 상자 (Det spørs)

캐비닛 김언수 장편소설

Le Petit Prince (in Korean)

설계자들 김언수 장편소설

Hua Lo Puu by Murti Bunanta (in English and Indonesian)

Legenda Pohon Beringan (The Legend of the Banyan Tree) by Murti Bunanta, illustrated by Hardiyono (in English and Indonesian)

Weekly Shonen Jump 1月8日9日号

#books #pinned

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pangeanews · 4 years

Text

Eliot il legislatore. Eliot l’elitario. Eliot il Difensore della Fede. Eliot il sostenitore dell’establishment. Eliot l’editore. Eliot il presuntuoso intellettuale. Ecco perché Eliot resta un enigma ed è il poeta più grande

Nel 1917, T. S. Eliot pubblicò, in una tiratura di cinquecento copie che rimasero invendute per i seguenti cinque anni, il suo primo libro di poesie, Prufrock and Other Observations. Come molte prime pubblicazioni di giovani poeti, Prufrock aveva un che di vita vissuta in strada e di volutamente esagerato.

Il libro in realtà non era un libro, ma un opuscolo, e la casa editrice in realtà non era una casa editrice, ma un periodico londinese, The Egoist. Ad oggi The Egoist è apprezzato come effimera e straordinaria incubatrice di modernismo letterario. Allora era uno tra gli organi tribali di una piccola, giovanile cricca “innovativa” di intellettuali e artisti, sicuri di dare vita a qualcosa di nuovo, ma (a eccezione di James Joyce) probabilmente incerti su cosa fosse esattamente e inconsapevoli di quanto sarebbe diventato significativo.

Animava la rivista anche il co-cospiratore e amico di Eliot, Ezra Pound… Persuase il periodico a dare alle stampe Prufrock e inoltre ne sovvenzionò la pubblicazione con il denaro che ebbe dalla moglie. L’amore di Pound per la letteratura che gli piaceva era talmente intenso che forse gli pareva di esserne egli stesso l’autore. Annunciò, vagamente criptico, che Eliot si era modernizzato da sé (Pound era un grande modernizzatore) e si era autonominato suo manager, il quale, con la sua consueta passività – che era anche accortezza; Pound lo soprannominò Possum –sembrò lasciar pensare a Ezra di essere una sua invenzione.

Uno dei primi critici di Prufrock, come spesso accade per i primi libri, era un amico del poeta, Conrad Aiken (che divenne anch’egli un grande poeta). Il biografo di Eliot, Peter Ackroys afferma che Aiken conosceva le intenzioni di Eliot meglio di Pound. Aiken aveva incontrato Eliot al college, ma la lunga amicizia non sembra aver compromesso l’oggettività nella valutazione. Nella recensione, dichiara che l’autore di Prufrock è un “uomo peculiare e intricato”. Tale personalità peculiare e intricata esordì nella carriera letteraria in un contesto che lo avrebbe reso radicalmente più peculiare – sebbene non ancor più intricato (termine che implica un problema ancora in cerca di una soluzione e una perplessità che alla fine potrebbe essere risolta), ma piuttosto ancora più enigmatico (termine che implica qualcosa di attivo e vivo, un mistero di cui non si può strappare il cuore).

L’Eliot che si potrebbe definire intricato era quello degli anni intorno al 1914, l’autore delle poesie di Prufrock, scritte prima della guerra e popolate da bostoniani. Era come il personaggio di una storia di Henry James, con un piede in America, un piede in Europa e un cervello ipertrofico introvabile nelle mappe. Era, quasi ironicamente, una versione rivista del ventesimo secolo del povero, sensibile gentiluomo della Gilded Age di James; lavoratore solerte, ma latitante negli studi, che salta le lezioni alla scuola di specializzazione, non vuole avere il fiato dei genitori sul collo, ma dipende dai loro sussidi; lezioso e immaturo. Nel 1917, però, passò dai paradigmi romanzeschi jamesiani ad altri, più strazianti (sebbene James possa essere alquanto straziante). Diceva di sé stesso “vivo in un libro di Dostoevskij”.

Cosa era accaduto? Uno dei cambiamenti risiede nell’abbandono da parte di Eliot della maschera delle vanità che aveva insinuato nel personaggio di Prufrock; l’armatura satirica che nasconde un’insicurezza giovanile, la presunzione autocompiaciuta che il mondo sia comatoso, quando non assurdo, la falsa fiacchezza del simbolismo francese. E si immerse nel karma (un termine che egli avrebbe accettato, un’idea che non prevede ricompense o rivalse, ma definisce la forza circolare e le interazioni di un ecosistema morale e spirituale). Non era più disincarnato, disperso, bloccato, paralizzato, obsoleto – “un paio di ruvidi artigli che corrono sul fondo di mari silenziosi” – alle spalle il periodo ambiguo, indugiante della ricerca di sé stesso (che, a onor del vero, produsse grande poesia).

Aveva fatto un salto nel vuoto e andava incontro alle conseguenze karmiche. Scopriva anzi la consequenzialità stessa e si avvicinava a quelle prime significanti cognizioni dell’età adulta sulla natura del tempo e del cambiamento che, vent’anni dopo, sarebbero sfociate nelle bellissime, avvolgenti, eraclitee meditazioni dei Quattro quartetti. L’iniziale interesse di Eliot per i testi indiani, sebbene innocuo e molto più filologico che speculativo, è paragonabile a ciò che oggi possiamo definire orientalismo arretrato, per i nostri standard. (In seguito, sviluppando una predilezione per gli inni all’imperialismo come Recessional di Kipling – in cui le “stirpi minori non conoscono la Legge” – l’orientalismo assumerà sfumature perniciose). Tuttavia i suoi studi del Vedānta ebbero perlomeno il vantaggio di arricchirlo di una profonda comprensione dell’illusione e di un apprezzamento per i complessi e sottili principi di azione e reazione, di cambiamento e di permanenza. (In questo periodo pensò in realtà di convertirsi al buddismo).

Si era sposato da poco, in modo impetuoso e con esiti disastrosi, con Vivienne Haigh-Wood, una ragazza inglese di quelle che allora si usava definire “nervose” (anch’egli poteva essere ritenuto tale) e che aveva conosciuto grazie a un amico americano. Eliot aveva delle responsabilità. Doveva portare il pane a casa; era un poeta pubblico, un critico e un saggista e arrotondava queste magre entrate con un impiego in banca. Frequentava Bertrand Russell e Virginia Woolf e altre straordinarie personalità, la cui raffinatezza aveva un che di efferato alla quale egli aveva l’obbligo di adattarsi. (Russell, sotto la parvenza dell’amicizia e della premura nei confronti della giovane coppia in crisi, finì col sedurre Vivienne). Aveva i piedi e la testa finalmente nello stesso luogo, a Londra, che era in Inghilterra, che era in Europa; e sperimentava le tensioni e le pressioni del mercato letterario, l’anomia del lavoro d’ufficio in una grande impresa capitalista (la Lloyd’s di Londra) e l’angoscia di un matrimonio che era presto diventato fonte di estenuanti, dolorosi e confusi dramma e complicazioni. (Riflettendo, dopo la morte di Vivienne del 1947, disse: “A lei il matrimonio non arrecò alcuna felicità… a me arrecò lo stato d’animo da cui emerse The Waste Land.”).

Tuttavia una risposta più significativa per quello stato d’animo di Eliot, più significativa delle sue agonie domestiche, più significativa dello sconforto della vita d’ufficio e della difficoltà di costruirsi una carriera fu, senza dubbio, la guerra, la Prima Guerra Mondiale, la guerra per porre termine a tutte le guerre. Per quanto sia possibile spiegare la grande arte, è la guerra a definire il dramma intrigante, destabilizzante, l’ironia pungente e accurata, il giudizio profetico, l’atmosfera nefasta, la crepuscolarità pervadente e nervosamente viva, allo stesso tempo malinconica, disperata, malevola, inquietante e vulnerabile di The Waste Land.

Nella tradizione critica, in gran parte è ovvio che Eliot non può essere compreso o apprezzato senza la consapevolezza dell’effetto che la guerra ebbe su di lui. È in gran parte ovvio perché la guerra è usata per spiegare chiunque alla stessa età, o intorno l’età di Eliot l’abbia vissuta in qualche modo. Ma la specificità e l’intensità emotiva raggiunta da Eliot in The Waste Land, verosimilmente la poesia più influente della lingua inglese, non è del tutto colta, se è vista come un altro artefatto della Lost Generation. L’effetto che la guerra ebbe su Eliot è un argomento inestinguibile. Nessun’altra opera artistica occidentale dal peso di The Waste Land è così immediatamente e intimamente congiunta a un cardinale cataclisma storico, peraltro essendo allo stesso tempo radicale (nel significato originale del termine) abbastanza, vicina abbastanza ma anche distante abbastanza, immaginativa abbastanza, brillante abbastanza, non reminiscente e non solita abbastanza da riuscire a misurare una catastrofe umana di tale ordine. Forse Pound pensava a The Waste Land quando disse che la poesia è la novità che resta nuova.

La guerra industrializzata era un fenomeno iniziato già da cento anni o più, ma il mondo occidentale e il mondo della generazione londinese di Eliot si trovava ora di fronte a una rivalsa nella sua forma più evoluta, meccanizzata e inumana. Eliot fu un non-combattente. (Tentò, e fallì, per una serie di impedimenti burocratici, di arruolarsi dopo l’entrata in guerra dell’America, nel 1917). Ma nonostante non avesse assistito all’azione, vi era dentro quanto un poeta soldato come Wilfred Owen o Robert Graves (lo stesso non si può dire di Pound). La guerra non modificò solo, come potrebbe aver detto in un momento laconico, la sua sensibilità. La guerra lo invase e si impresse nei suoi più profondi strati psichici. The Waste Land è soverchiante nel suo senso di isolamento dello spirito, intrappolato in una materialità violenta. Tale senso non deriva da una predilezione del Vedānta per la visione della vita come un’illusione dolorosa, o da una avversione gnostica per il corpo (sebbene siano questi elementi funzionali nella poesia), ma è una reazione locale e particolare – per quanto tortuoso sia stato lo sviluppo, lunga la gestazione e indiretta la consapevolezza – alla testimonianza di qualcosa di molto vicino a una carneficina sistematizzata.

Le testimonianze che Eliot riceveva nel 1917 erano raccapriccianti. Di seguito un esempio; la descrizione di un campo di battaglia tratta da una missiva di un soldato di trincea, allegata a una lettera di copertura scritta il 17 giugno 1917 e inviata alla rivista inglese The Nation, che la pubblicò il 23 giugno. “…una terra lebbrosa, cosparsa dei cadaveri gonfi e anneriti di centinaia di giovani uomini. L’orribile fetore delle carcasse marcescenti misto al nauseante odore di acido picrico e ammonio. Fango simile a porridge, trincee come crepe spioventi e poco profonde nel porridge – porridge che puzza al sole. Sciami di mosche e mosconi azzurri che si ammassano nelle cavità delle interiora. Uomini feriti che giacciono nei crateri dei bombardamenti tra i cadaveri in decomposizione: indifesi sotto il sole rovente e le notti aspre, sotto ripetuti bombardamenti. Uomini con le viscere uscite di fuori, i polmoni sparati via, con volti ciechi, fracassati, o arti esplosi nello spazio. Uomini che gridano e barbugliano. Uomini feriti appesi in agonia sul filo spinato, finché uno zampillo amico di fuoco liquido li avvizzisce come mosche su una candela. Ma queste sono solo parole e forse consegnano una frazione del significato a chi le ascolta. Che sussulta, e poi le dimentica”.

L’autore della lettera di copertura a The Nation era lo stesso Eliot. Quella che aveva allegato era stata scritta da suo cognato, Maurice Haigh-Wood, che era sul fronte da quando non aveva ancora compiuto diciannove anni. (Maurice Haigh-Wood sopravvisse alla guerra). Insieme al terrore e al tormento, alla compassione e alla rabbia che una descrizione del genere evoca, Eliot deve aver sperimentato reazioni proprie alla sua peculiare personalità. Una caratteristica dei suoi saggi è uno spiccato, sebbene perlopiù non esaminato, biologismo metaforico nel linguaggio che impiega riflettendo sull’arte e sulla cultura, oltre ad accenni di una percezione di fondo che gli effetti della letteratura possano essere meglio analizzati utilizzando un metodo di analogie tratte dalla scienza. Nel suo saggio più conosciuto, Tradizione e talento individuale, compara l’immaginazione poetica a un filamento di platino che catalizza una reazione chimica. Questo pensiero potrebbe benissimo essere frutto di una suscettibilità psicosomatica.

Così profondamente sensibile alle atmosfere e alle impressioni com’era, così sensibile agli atti verbali, e così schiuso e vulnerabile alle immagini nate dalle parole, così irritabile, probabilmente Eliot reagiva al linguaggio che lo colpiva in un modo quasi fisico, era pervaso da sentimenti che lo avrebbero avvelenato, proprio nel modo in cui, disse nel suo saggio sulla tragedia, la vita di Amleto e la sua capacità di agire furono avvelenati da sentimenti che non riusciva ad articolare e oggettivare. Su Eliot una testimonianza come quella del passaggio citato sopra deve avere avuto gli effetti di una malattia. Per quanto possa essere strano, dato il tormento della sua poesia e l’amarezza della sua ironia, la cura a questa malattia, l’alleviamento dalla sua articolazione e concretizzazione, è stata la proteiforme, fitta di gravitazione, traslucida, ipnotica, bizzarramente irradiante sfera musicale che è The Waste Land.

In vita, T. S Eliot godeva della stessa autorità in campo culturale di ogni altro autore di ogni altra epoca nella storia della lingua inglese. Tale autorità tende a occultare il poeta in crisi, dentro cui stava crescendo The Waste Land. Non è facile discernere quell’Eliot da tutti gli altri Eliot vissuti nel pensiero letterario e in quello pubblico dell’ultimo secolo. Eliot il normatore. Eliot il legislatore. Eliot l’elitario, amante della divisione in ceti e della gerarchia. Eliot il Difensore della Fede. Eliot il sostenitore dell’establishment (“classicista in letteratura, monarchico in politica, anglocattolico in religione”) Sporadicamente il deprimente, scoraggiante antisemita Eliot.

L’Eliot cristiano. L’Eliot dell’Identità Cristiana. Eliot l’incomparabile analista letterario, che generò un vero clima d’opinione. Eliot lo sdegnoso analista letterario che espresse irragionevoli (ma in perfetto tempismo), oltraggiosi giudizi en passant. (“Su Donne pende l’ombra del fine impuro”; “Hazlitt, la cui mente era forse la meno interessante tra tutti i nostri distinti critici”). Eliot l’editore. Eliot il guardiano. Eliot il drammaturgo. Eliot il premiato. Eliot lo snob. Eliot il presuntuoso intellettuale. Eliot, che all’età di cinquant’anni fu trasformato in una statua, messo su un piedistallo e seppellito fino al collo, come un personaggio di Beckett, sotterrato nella sabbia, sferzato da una tempesta di attenzione critica. Eliot la celebrità, l’amico di Groucho Marx.

Tuttavia, se anche potessimo vedere quel giovane poeta (giovane per quanto riguarda la poetica), probabilmente vedremmo solo l’enigma in modo più chiaro e non porteremmo alla luce niente di utile riguardo a lui (utile, ovvero atto a soddisfare una curiosità sul sentiero attraverso cui delle violente esperienze sono diventare arte, nel modo, ad esempio, in cui ci sono utili le lettere di Keats.) Il motivo: Eliot non condivide. Le sue lettere, o perlomeno quelle rese pubbliche ad oggi, sono, con rare eccezioni, simili a quella di cui l’estratto sopra (in cui citava qualcun altro), non danno informazioni, rispettano colui che ha orchestrato la propria assenza. Non per niente il critico Hugh Kenner intitolò il suo libro su Eliot The Invisible Poet. Con nessun altro grande autore della sua epoca abbiamo, come lettori, una relazione personale, un’identificazione emotiva così inconsistente. Con Eliot non ci si “immedesima”. Non ispira amicizia. È il più circospetto tra gli scrittori modernisti, il più vigile nel pattugliare la terra di nessuno tra sé e ciò che crea.

Di questi altri scrittori abbiamo una conoscenza, presumibilmente, paragonabile a quella delle persone nella nostra vita. Conosciamo quelli riservati, “classici” come Kavafis e quelli che indossano una maschera o popolano una favola, come Pessoa o Kafka (tutti e tre hanno non poco in comune con Eliot, se si tratta di scelte retoriche), così come sappiamo di coloro che, come Proust o Lawrence, tendevano a essere autobiografici. Persino ammettere di non conoscerlo come conosciamo gli altri non appare un’affermazione vera o falsa, ma piuttosto il prodotto di un errore concettuale, un errore di categoria, un errore prevedibile. Il noto passaggio di Tradizione e talento individuale recita: “La poesia non è un modo di liberare l’emozione, ma una fuga dall’emozione; non è un’espressione della propria personalità, ma una fuga dalla personalità. Ma, naturalmente, solo coloro che hanno personalità ed emozioni sanno cosa significa voler fuggire da queste cose”.

Come il Dio di Flaubert, Eliot è ovunque presente nella sua opera, ma in nessun luogo visibile. Trasformò la rettitudine caratteristica della cultura puritana da cui proveniva in un principio mediante cui governare gli artefatti della sua immaginazione, applicando tale principio con una costanza impressionante. Eliot, la persona, funge da punto di fuga delle lunghe linee prospettiche della sua poesia. Persino quando pone sé stesso, invece di un personaggio enfatizzato, nelle proprie poesie, quel sé stesso è, quando non il mero soggetto grammaticale, o il sé esistenziale dei testi penitenti o la trascendente soggettività delle ultime meditazioni. L’ubicazione casuale di tale soggetto nella geografia e nella storia è la tinta fluorescente che ci permette di rilevare il moto del tempo e rivelare i contorni di una topografia spirituale.

Al posto della personalità, Eliot drappeggia le sue opere di un velo trasparente, con proprietà ottiche che allontanano, allungano o amplificano l’azione drammatica e simbolica racchiusa e vi trasmettono una limpidezza irreale (sebbene non semplicità; Eliot era un poeta “difficile”, la cui difficoltà è fondamentale). Al posto delle emozioni, ci viene donato ciò che egli notoriamente definì il loro correlativo oggettivo: “una serie di oggetti, una situazione, una catena di eventi pronta a trasformarsi nella formula di un’emozione particolare”. La forza di The Waste Land è indissolubile dall’impersonalità di tale correlativo. La sua impersonalità è cruciale per la sua aurea di perpetua freschezza, e le tracce che lascia sono permanenti. Infatti nella sua atmosfera distopica, post-apocalittica, nel suo travestitismo, nell’amara consapevolezza della violenza sessuale perpetrata sulle donne, The Waste Land non è solo una novità che rimane nuova, ma anche eventi attuali.

The Waste Land suggerisce anche nuove idee sulla poesia, più incandescenti che mai. Il passaggio di apertura, con la prima, indelebile frase, è come la cadenza della tromba di Louis Amstrong che apre West End Blues degli Hot Five, mentre annuncia, con la stessa articolazione squillante, la nascita di una forma d’arte. La disincantata visione si oppone, e allo stesso tempo rinforza le transizioni, e ne viene rinforzata, dalla loro energia, imprevedibilità e gioia (una scelta insolita, ma appropriata del termine nel contesto di una così oscura opera). La giustapposizione è esaltante. Alla pubblicazione, il collage di The Waste Land, la sua multivocalità, il sistema di riferimento interculturale furono inedite quanto le sue transizioni.

Eliot smantellò la poesia della sua epoca. Smantellò non solo la poesia normativa edoardiana e vittoriana della sua epoca, bensì anche quella “d’avanguardia”. Testi quali The Comedian as the Letter C di Wallace Stevens e Il cimitero marino di Paul Valéry, pubblicati all’incirca nello stesso periodo, che allora venivano considerati radicali, ci suonano oggi tardo-romantici, come la musica di Elgar o di Richard Strauss, se comparati a The Waste Land. Più di Stevens o di Valéry, le personalità del suo tempo con cui Eliot ebbe, almeno negli anni antecedenti alla sua conversione all’Anglo-cattolicesimo, più elementi in comune furono forse (per quanto improbabile sembri) Duchamp e Brecht.

Un’ironia astratta, decostruzionista governa ogni cosa in The Waste Land, dalle azioni e transazioni fino alle sarcastiche note finali, che tolgono ai lettori la terra da sotto i piedi, che li “alienano” dall’esperienza appena vissuta. Gli elementi astratti, uniti all’impersonalità e allo scetticismo filosofico caratteristici di Eliot, anche nel suo periodo spirituale e apologetico cristiano (aveva una buona cultura di filosofia, come ogni altro poeta della storia occidentale), generano una separazione non solo tra poesia e poeta e tra poesia e lettore, ma anche dentro la poesia stessa.

Le innovazioni di The Waste Land, sebbene concepite da Eliot, scaturirono dalla comune mentalità europea all’indomani della guerra. Il loro avvento non appare un mistero oggi. Di misterioso rimane il modo in cui le nuove idee radicali su movimento e sviluppo, sovrastrutture concettuali e apparato accademico danno adito a una più profonda unità e integrazione e accrescono e intensificano il potere rivelatore della poesia. In molti hanno imitato Eliot, ma nessuno è stato in grado di riassemblare su nuove linee e reintegrare così totalmente ciò che era stato così vigorosamente smantellato. In parte è dovuto alla brillante revisione di Pound (che Eliot mai smise di riconoscere), ma solo in parte. Qualcosa di innato nell’opera la rende completa. Qualcosa che ha origine nella sua atmosfera e nel suo ritmo.

Eliot era un maestro dell’atmosfera, la quale dona alla poesia un’energia di legame e riconcilia i suoi frammenti in un insieme emotivo. Possedeva un profondo senso della struttura musicale, che ovunque costantemente accresce e muta la dentellatura e ruvidità del dramma. The Waste Land è costellato da passaggi ed effetti in cui l’appagamento musicale è ricco e totale quanto quello letterario. Un esempio è il meraviglioso arpeggio a chiusura della prima stanza, che determina un cambio di forma grammaticale, dall’affermativa all’interrogativa dell’inizio della seconda stanza, un’incantevole scossa. Un altro mirifico esempio è il sostenuto – “Quasi secco era il Gange, e le foglie afflosciate/ Attendevano pioggia…” – che dà inizio alla mostruosa favola del tuono con cui termina la poesia. La narrazione rallenta e la tensione si attenua, prima dell’esplosione del crescendo finale in una squisita fusione, come quella della poesia delle dinamiche e del ritmo con significato mito e immagine.

Si diceva che Ezra Pound avesse un orecchio sopraffino. Eliot lo superava. La sua dizione è il perfetto accordo tra demotico e aristocratico e la tensione tra questi due elementi la rende convincente, senza alcuna traccia dell’arcaico o del futuristico, tanto vicina o tanto lontana dalla dizione del ventunesimo secolo quanto da quella del ventesimo o del diciannovesimo.

I ritmi delle poesie, sia delle prime che delle ultime, sono sia locali sia globali. Un esitante metro scorre uniformemente appena al di sotto della superficie dei versi, un’amabilmente quieta, ma irremovibile presenza metrica. Una complessiva progettazione del suono disciplina e anima ogni sillaba della poesia. I simbolisti francesi, la prima influenza poetica di Eliot, volevano una poesia che non fosse solo musicale, ma che arrivasse alla condizione astratta della musica. La poesia di Eliot arriva a tale condizione, e ci arriva senza sacrificare a beneficio dell’astrazione, di un fine puramente musicale e di un significato intrinseco del testo, ciò che giudicava altrettanto essenziale: storie, personaggi, drammi, voci umane, significato concreto, stati psicologici, immagini del mondo.

Eliot è un poeta americano. Come è già stato detto: solo un americano avrebbe potuto farsi venire in mente un’idea del genere sull’Europa quando è venuta in mente a lui. L’altro poeta americano, l’altro grande poeta americano, con un orecchio comparabile al suo non è Pound, ma Walt Whitman. L’educazione del suono di Whitman fu astorica e biblica, mentre quella di Eliot derivò direttamente dallo studio della prosodia inglese e dei suoi antecedenti classici. Whitman scriveva opere e sinfonie orchestrali. Eliot scriveva musica da camera, implicitamente all’inizio, ed esplicitamente alla fine, nei Quattro Quartetti. Ma come Eliot, Whitman possedeva una padronanza di ampi intervalli del suono, una magnifica abilità nel modulare tra effetti aurei di ampia e piccola scala, e una purezza meravigliosa, una delicatezza, e un controllo delicato del suono, una dizione naturale, sempre attuale. E sia in Eliot che in Whitman le note singole e gli accordi risuonano in una vasta camera d’eco in cui il suono stesso ha un significato spirituale.

Questa introduzione alle poesie di Eliot è stata scritta al bicentenario della nascita di Whitman. È allettante in questo contesto triangolare Eliot il poeta per mezzo di Whitman. È anche appropriato e utile. Una volta fatto il confronto, è impossibile liberarsene. Dice tanto dei poeti, della poesia, dell’America. I contrasti sono talmente netti che da soli giustificano il confronto. La retorica di Whitman è schietta e personale. Quella di Eliot è l’opposto. Whitman si ripete. Eliot mai. Dire che Eliot sperimentò anche solo un passeggero entusiasmo per la democrazia, rasenta l’incredulità. Whitman era un autodidatta. Eliot ebbe la migliore educazione istituzionale dell’America del suo tempo. Whitman è decisamente il poeta della felicità, quanto Eliot è il poeta dell’infelicità. Sono ai poli opposti della vita spirituale. Dio frequenta Whitman. Dio è amico di Whitman. Whitman presuppone Dio. Anche negli scritti più profondamente spirituali, Eliot infrequentemente e cautamente cita Dio.

L’unione mistica in Whitman è una funzione corporale, inevitabile come respirare. La poesia di Eliot, d’altra parte, da The Waste Land in poi, è la messa in scena di un viaggio lungo la via negativa, il sentiero della penitenza, dell’abnegazione, della sofferenza, delle buie notti dell’anima, il sentiero che si estende attraverso luoghi petrosi, passa da cisterne vuote e pozzi ormai secchi, da terre morte e terre di cactus, da valli di stelle morenti. The Waste Land pone un quesito a cui solo Dio potrebbe essere la risposta. Tutte le più grandi poesie di Eliot dopo The Waste Land sono eventi unici – definiti da invenzioni retoriche e metriche nate esclusivamente per quegli eventi – che documentano le fasi di una ricerca di quella risposta, una ricerca lancinante, portata avanti con speranze e dubbi. E, così ricca e circolare, così appagante per la mente, la visione beatifica, quando finalmente Eliot vi arriva nei Quattro Quartetti, è pacata, solenne, intellettuale e diffidente, persino nella sua estasi.

Amiamo Whitman, e non amiamo Eliot, o almeno, sembriamo non riuscire a stabilire con quest’ultimo quella relazione personale che sarebbe una condizione necessaria per amarlo. Whitman esige quella relazione personale. Eliot la vieta. Ma non leggiamo poesie per amore. Leggiamo poesie per la poesia. Per separarci dall’incanto e dal disincanto, questi due creatori della poesia americana si impongono su di noi, e osservarli solo nella la loro opera rende possibile riconoscere quanto in realtà abbiano in comune; la pretesa di Whitman dell’amicizia dei suoi lettori è un trucco retorico come lo è quella di Eliot di vietare quella stessa amicizia. Entrambi scompaiono nella propria poesia, come tutti i grandi poeti, qualsiasi sia il racconto con cui parlano al lettore. Eliot è considerato un poeta freddo, ma si potrebbe obiettare a ragione che anche Whitman lo sia. (Disdegniamo il credo politico di Eliot e vediamo in Whitman un rappresentante, eppure Whitman fu molto rallegrato nel vedere l’America appropriarsi di ampie porzioni del Messico e contemplò con imperturbabile neutralità l’estinzione degli Indiani d’America nel massacro del Destino Manifesto).

E, al di là di ciò, un’ampia serie di somiglianze: furono entrambi rivoluzionari, ed entrambi originali – che non è la stessa cosa. Le tecniche e le possibilità della poesia sono state immensamente estese da entrambi. Furono tutti e due visionari, e personaggi pubblici, istruirono sulle proprie visioni. Ambedue vennero trasformati dall’esperienza di una guerra sanguinosa e terribile. La scala delle loro ambizioni era immensa e, esattamente allo stesso modo, entrambi realizzarono eccezionalmente tali ambizioni. Tutti e due devoti a uno scopo trascendentale, originato dalla loro comune anticonformista cultura religiosa americana. Entrambi credevano che la vita fosse un’esperienza spirituale e che la poesia dovesse simbolizzare tale esperienza. Possiamo vederli come buoni compagni. Ancora, leggiamo la poesia per la poesia, e sulla base di ciò, se per Eliot è lusinghiero essere visto come un buon compagno di Whitman, per Whitman lo è altrettanto.

Vanno di pari passo sotto aspetti importanti, sotto aspetti essenziali. Nell’influenza esercitata sugli altri e sulla cultura in generale, nessun poeta americano li eguaglia. Una tra le singolari idee che Eliot annotò in Tradizione e talento individuale riguarda il paradosso fenomenologico secondo cui il presente cambia il passato. Il nostro presente, il nostro presente lucido, democratico, consapevole, sensibile alle diversità, che esige almeno il gesto retorico della franchezza, della trasparenza, resta ancorato più a Whitman che a Eliot. Il nostro presente, tuttavia, conta molti elementi che Eliot comprese e Whitman no. Infatti, con sua angustia urbana, la sua coscienza apocalittica, il suo senso per i veri pericoli dell’esperienza, la sua consapevolezza che l’intuito spirituale non è una gioia, o almeno non solo, ma una terribile necessità, forse è proprio Eliot che si è fermato da qualche parte ad aspettarci.

Vijay Seshadri

*Pubblichiamo parte dell’introduzione di Vijay Seshadri a “The Essential T.S. Eliot”, Ecco 2020; la traduzione italiana è di Valentina Gambino

L'articolo Eliot il legislatore. Eliot l’elitario. Eliot il Difensore della Fede. Eliot il sostenitore dell’establishment. Eliot l’editore. Eliot il presuntuoso intellettuale. Ecco perché Eliot resta un enigma ed è il poeta più grande proviene da Pangea.

from pangea.news https://ift.tt/3e9WP3n

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