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dazzledrole · 11 months

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you don’t understand, i’m obsessed

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iconscollecti0n · 1 year

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like or reblog if you save please ¸𓏲࣪ ˚꒷

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randomcapz · 10 months

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A Beautiful Mind (2001).

#A Beautiful Mind #Jennifer Connelly #Adam Goldberg #2000s #2001 movies #00s movies #Ron Howard #screencaps #movie stills #movie screenshots #movie screencaps #screenshots #random screenshots #2000's #00's movies

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flavarush · 1 year

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Jennifer Connelly as Alicia Nash A Beautiful Mind

~ Attempting to restore original photo.

#jennifer connelly #a beautiful mind #2000s #celebrity #movie #actrees #celebs #film #00s movies #alicia nash #love

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turnstileskyline · 9 months

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im gonna wait until barbie is easier to pirate for me to watch it because i dont go to movie theatres to watch new movies i go to movie theatres to watch showings of jim henson’s 1986 fantasy adventure film labyrinth starting david bowie and jennifer connelly at 3:00 pm on a wednesday

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cantsayidont · 1 month

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Some movies of the early '00s, good, bad, and indifferent:

THE SWEETEST THING (2002): Enthusiastically raunchy but extremely dumb romcom starring Cameron Diaz, Christina Applegate, and Selma Blair as three 20something friends supporting each other through various sexual and romantic misadventures. Not without charm, but too sloppily written to really land except in fits and starts, and the weak plot, which focuses on the Diaz character's disastrous pursuit of a hunky real estate agent (Thomas Jane), sidelines both Applegate and Blair so completely that they might just as well have been condensed into a single character. However, it is occasionally very funny, with the highlight being a hilarious musical number entitled "Your Penis Is…" CONTAINS LESBIANS? Not even as a concept. VERDICT: Your life will be no poorer if you tune out after the musical number, but don't miss that.

HOUSE OF SAND AND FOG (2003): Slow-moving, moody, downbeat drama about the battle of wills between depressed white divorcée Kathy Nicolo (Jennifer Connelly), whose house has been wrongfully seized and auctioned off by the county, and the buyer, exiled Iranian military officer Massoud Behrani (Ben Kingsley), who moves in with his wife (Shohreh Aghdashloo) and teenage son (Jonathan Ahdout) and refuses to sell the house back to the county for less than four times what he paid for it. (With the skyrocketing cost of real estate since the film's release, hearing those amounts may cause physical pain.) Now broke and homeless, Kathy falls into a relationship with a married local sheriff's deputy (Ron Eldard), whose attempts to "help" by bullying and terrorizing Behrani into cooperating lead to tragedy. A strange story that spends a lot of time alternately cultivating and then deliberately puncturing viewer sympathy for the characters, and which seems unusually determined to avoid examining the larger social and structural forces that are actually driving the plot. Connelly and Kingsley are effective; Aghashloo is boxed in by her thankless, rather condescending supporting part as Behrani's timid wife Nadi, who barely speaks English and lives in mortal terror of being sent back to Iran — a far cry from her later role as cunning, sharp-tongued politician Chrisjen Avasarala on THE EXPANSE. CONTAINS LESBIANS? Not at all. VERDICT: Well-made, but very heavy going, and the last half hour (which is a real downer) is troubling on several levels.

BOARDING GATE (2007): Customarily oblique Olivier Assayas crime drama, in some ways reminiscent of a William Gibson story (though it's not based on one), about a sleazy businessman (Michael Madsen) confronting his soon-to-be-former mistress Sandra (Asia Argento), whose sexual favors he has previously exploited to gather intelligence on business partners and rivals, and who now wants to break things off for good. That meeting is just one strand in a more complex web of betrayal and vengeance involving Sandra and her new employers (Carl Ng and Kelly Lin), who each have their own agendas. The terse, gritty, sometimes lurid story can be tricky to follow at points because Assayas deliberately avoids ever pulling back to present a larger picture of what's going on or revealing much about the actual nature of the characters' business, and the jittery, desaturated cinematography seems calculated to keep viewers disoriented. The problem is that the film also holds the characters at arm's length, making it hard to care what happens to them, and the ending succumbs to Gibsonian anticlimax, leaving it unclear what the point was supposed to be. That it works at all is due mostly to Argento, whose smoldering performance is the main thing holding the film together. CONTAINS LESBIANS? By implication only. (Sandra describes a reluctant past encounter with a woman who doesn't actually appear in the story.) VERDICT: The story's self-imposed limitations tend to smother its virtues, although in stretches, the movie feels more like a William Gibson story than most actual William Gibson adaptations.

THE HEART IS DECEITFUL ABOVE ALL THINGS (2004/2006): Sordid, thoroughly unappetizing drama based on the 2001 short-story collection by "JT LeRoy," adapted by Asia Argento and Alessandro Magania and directed by and starring Argento herself, her second feature directing effort. (The movie debuted at Cannes about two years before "LeRoy" was revealed to be a fiction created by Laura Albert, although that revelation limited the film's eventual theatrical release in 2006.) The film is an episodic chronicle of several nightmarish years in the life of a boy named Jeremiah (played at different points by Jimmy Bennett, Dylan Sprouse, and Cole Sprouse), who after spending his early life in foster care ends up back in the custody of his erratic, self-absorbed, wildly irresponsible mother Sarah (Argento). After Jeremiah is sexually assaulted by one of his mother's awful boyfriends (Jeremy Renner), he's ineffectually counseled by a useless social worker (Wynonna Ryder, appearing unbilled) and placed in the custody of his Jesus-freak grandparents (Peter Fonda and Ornella Muti), who are no less cruel or abusive in their own ways. Sarah later "rescues" Jeremiah, encourages him to cross-dress to pose as her younger sister — leading to his being assaulted by another of Sarah's terrible boyfriends (Marilyn Manson) — and then moves them in a run-down house with a meth lab in the basement. The public interest in this very unpleasant material, which is a veritable anthology of child abuse and frequently difficult to watch, was ostensibly driven by the notion that it was based on real events of "LeRoy's" life. With that pretense revealed as a fraud, what's left is a distasteful appetite for the self-consciously lurid, to which Argento's main contribution is the gusto with which she embraces an especially unsympathetic maternal role. Even that was rendered all the more unpalatable by the subsequent allegations of Jimmy Bennett, who reported in 2018 that when he was 17 (about 10 years after this film was made), Argento sexually assaulted him in a California hotel room. Argento's DARVO response squandered all of her remaining goodwill and permanently consigned this already hard-to-stomach movie to the "Morbid Curiosities" file. CONTAINS LESBIANS? No, and aside from the point. VERDICT: Unpleasant content, fraudulent premise, too many creeps. Very strong CW for CSA and other forms of child abuse.

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usafphantom2 · 2 years

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Patrouille de France pays tribute to Tom Cruise at the premiere of "Top Gun: Maverick" in Cannes

Fernando Valduga By Fernando Valduga 05/19/22 - 06:00 AM in Demonstration Squadrons, Military

Tom Cruise is in France for the premiere of the film "Top Gun: Maverick" at the Cannes Film Festival. He took the opportunity to visit the headquarters of the Patrouille de France and received a beautiful tribute from the demonstration squadron of the French Air and Space Force. Check out the images.

Patrouille de France paid tribute to Tom Cruise and his character Pete "Maverick" Mitchell. (Photo: Geyres Christophe/ ABACAPRESS.COM)

The actor who plays Captain Pete "Maverick" Mitchell in the feature film also took the opportunity to meet Patrouille de France on Tuesday to talk about "cinema and especially aviation," witnessed Captain Grégory, pilot of the French squadron.

The Patrouille de France above the Palais des Festivals, during the climb of the steps of Tom Cruise and the team of "Top Gun: Maverick". (Photo: Daniel Cole/AP/SIPA)

"He inspired a generation of pilots," the patrol wrote on his Twitter account, accompanied by photos of the star, all smiling, aboard an Alpha jet and next to the pilots.

Tom Cruise's visit to Cannes, after a 30-year absence, was definitely Wednesday's main event. Tom Cruise climbed the steps of the Cannes Film Festival on the opening night of the film "Top Gun Maverick", shown out of competition.

The team of the movie "Top Gun: Maverick" did not miss any details of the Patrouille de France tickets. (Photo: Petros Giannakouris/AP/SIPA)

The Patrouille de France above the Palais des Festivals, during the climb of the steps of Tom Cruise and the team of "Top Gun: Maverick". (Photo: VALERY HACHE/AFP)

To welcome Pete "Maverick" Mitchell's return to business, the Patrouille de France passed twice in the Cannes sky, above the red carpet, leaving the team enthusiastic about the passages of the Alpha Jets jets.

Tom Cruise was also surprised by the honorary Palme d'Or of the festival.

After a very remarkable arrival by helicopter in the afternoon, the festivities did not stop there. The Patrouille de France paid tribute to the actor by climbing the steps, leaving a blue-white-red trail in the sky. A passage much appreciated by the entire cast, producer and director of the film "Top Gun: Maverick".

The Alpha Jets, based not far away, at 701 Air Base in Salon-de-Provence, enchanted the cast of the film, including Jennifer Connelly, Miles Teller and Glen Powell, who savored the show with the same admiration.

Top Gun: Maverick, the long-awaited sequel to the 80s cult film, is scheduled to premiere on May 26.

Patrouille de France made two passages through the most envied red carpet of the moment. (Photo: Geyres Christophe / ABACAPRESS.COM)

Tags: Military AviationDemonstration SquadronsPatrouille de FranceTop Gun: Maverick

Fernando Valduga

Aviation photographer and pilot since 1992, he has participated in several events and air operations, such as Cruzex, AirVenture, Dayton Airshow and FIDAE. He has works published in a specialized aviation magazine in Brazil and abroad. He uses Canon equipment during his photographic work in the world of aviation

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abcnewspr · 1 year

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ABC NEWS PRESENTS SPECIAL COVERAGE ACROSS PROGRAMS AND PLATFORMS FOR 95th OSCARS®, KICKING OFF HOLLYWOOD’S BIGGEST NIGHT WITH ‘ON THE RED CARPET LIVE: COUNTDOWN TO OSCARS 95’ ON OSCAR® SUNDAY

Linsey Davis and Whit Johnson To Host Oscars Pre-Show, Live on ABC and Streaming on ABC News Live

‘Good Morning America’ Will Have Coverage Throughout the Weekend and Reactions on Monday, With Davis and Johnson Co-Anchoring the Morning Newscast on Saturday and Sunday From the Red Carpet; ‘GMA’’s Signature ‘Oscars After-Party’ To Air Monday Morning, Live from New York and Hollywood

‘GMA3: What You Need to Know’ To Broadcast Live From Los Angeles on Friday, March 10, and Monday, March 12

ABC News Live Presents Dedicated Coverage Leading Up to Oscar Sunday, Including Exclusive Interviews and a Special Edition of ABC News Live Prime From the Red Carpet

ABC News* ABC News will have special coverage on Hollywood’s biggest night with a live Oscars® pre-show “On The Red Carpet Live: Countdown to Oscars 95,” Sunday, March 12, at 1:00-4:00 p.m. EDT/10:00 a.m.-1:00 p.m. PDT. The pre-show coverage will also stream on ABC News Live starting at 1:30 p.m. EDT/10:30 a.m. PDT throughout the day until the start of the 95th Academy Awards®, with live interviews from this year’s nominees as they hit the carpet.

ABC News Live Prime anchor and “World News Tonight” weekend anchor Linsey Davis and “Good Morning America” weekend co-anchor and “World News Tonight” weekend anchor Whit Johnson will host the red-carpet special at Hollywood’s Dolby Theatre, featuring interviews with Oscar nominees and previewing the big night. Davis and Johnson will be joined by ABC News correspondent Chris Connelly, ESPN’s Andscape senior entertainment reporter and ABC News contributor Kelley Carter and Hollywood insiders, including Variety’s Elizabeth Wagmeister and Clayton Davis, and celebrity stylist Joe Zee.

Emmy®-nominated “GMA3: What You Need to Know” will originate from the red carpet on Friday, March 10, with Johnson and chief medical correspondent Dr. Jennifer Ashton. The show will feature an interview with Academy of Motion Pictures Arts and Sciences (AMPAS) CEO Bill Kramer, and Carter and ABC News contributor Mike Muse will share their predictions for Oscars night. “GMA3” will introduce the Academy Gold trophy presenters and will also have an interview with one of this year’s nominees.

Davis and Johnson will also anchor a special edition of “GMA3” following Oscars night on Monday, March 13, from the Academy Museum of Motion Pictures. The show will have reactions from the night’s big winners and a special surprise for a Marvel fan in celebration of the release of Marvel Studios’ “Guardians of the Galaxy Vol. 3.”

Catherine McKenzie serves as executive producer of “GMA3.” She and John Green will executive produce the Oscars pre-show.

Throughout the week leading up to Oscars Sunday, “Good Morning America” will preview Hollywood’s biggest night, including interviews with Oscars host Jimmy Kimmel, AMPAS president Bill Kramer and the producers of this year’s show. The show will line up segments on getting red-carpet ready, this year’s fashion trends, watch-party planning, Deals and Steals: Oscars Edition with Tory Johnson, and more. Lara Spencer will be reporting from the red carpet on Thursday, March 9, and Friday, March 10, and will have post-show reactions and updates on Monday, March 13, live from the Academy Museum. Whit Johnson and Linsey Davis will co-anchor “Good Morning America” Saturday and Sunday from the red carpet. On Monday, “Good Morning America” will have its annual “Oscars After-Party” featuring Lara Spencer’s backstage interviews as well as all the reactions and results from the 95th Oscars.

In the week leading up to the Oscars, ABC News Live will air insightful interviews with nearly two dozen nominees across the streaming platform’s programs. Davis will kick off coverage with three half-hour specials, available on Hulu on Thursday, March 9, and streaming on ABC News Live, featuring interviews with several Oscar nominees, including Angela Bassett, Jamie Lee Curtis, Colin Farrell and more. Davis will also anchor a special edition of ABC News Live Prime on Friday, March 10, from the red carpet. ABC News Live’s pre-show coverage will also feature “Before They Were Nominees” segments beginning at 4:30 p.m. EST, spotlighting this year’s nominees, their career paths and prior roles – including Linsey Davis’ interview with Jamie Lee Curtis, Carter’s interview with costume designer Ruth E. Carter; Connolly’s piece on The Oscar Slap, detailing the aftermath of last year’s unexpected and most-talked-about Oscars moment and Will Smith’s road to redemption; Will Ganss on the power of big budget and special effects movies at the box office; and Clayton Davis with a look at former Oscar winners and where they are now.

ABC Audio will have full coverage of Oscars night, from the red carpet to backstage. ABC News Radio entertainment correspondent Jason Nathanson will be chatting with the stars as they head into the venue. Nathanson and ABC News Radio entertainment contributor Matt Wolfe will be live backstage at the Oscars as the newly crowned winners celebrate their victories. Live reports will be heard throughout the night on ABC News Radio affiliates across the country, along with full audio, written and video recaps of all the highlights the next morning. In the two weeks leading up to the big night, ABC Audio will roll out exclusive audio, video and written stories each day with the nominees, including “Elvis” star and Best Actor nominee Austin Butler, “Black Panther: Wakanda Forever” Best Supporting Actress nominee Angela Bassett, and many more.

For more information, follow ABC News PR on Facebook, Twitter and Instagram.

-- ABC --

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violetmovies · 2 years

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Requiem for a Dream, 2000.

Dir. Darren Aronofsky

#movies #film #2000s #00s #darren aronofsky #jared leto #marlon wayans #jennifer connelly #ellen burstyn #requiem for a dream

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dozydawn · 3 years

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Jennifer Connelly attends the Costume Institute Gala (Jacqueline Kennedy: The White House Years), 2001. Photographed by Ron Galella.

#ron galella #jennifer connelly #costume institute #met gala #fashion #jackie kennedy #2001 #2000s #00s #y2k #mine

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dazzledrole · 11 months

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i am not okay

#jennifer connelly #jennifer connelly icon #jennifer connelly 00s #requiem for a dream #actress #girls #movie #movie icons #celebrity #jared leto #women in film #film actress #90s icons #90s

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hanimelie · 3 years

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Jennifer Connelly & Joaquin Phoenix in Reservation Road (2007)

#jennifer connelly #joaquin phoenix #Reservation Road #movie #00s

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delilahwoods · 4 years

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Requiem for a Dream, 2000 by Darren Aronofsky.

“-Harry: I always thought you were the most beautiful girl I have ever seen.

-Marion: Really?

- Harry: Ever since I first saw you.

- Marion: That's nice Harry. That makes me feel really good. You know other people have told me that before and it was meaningless.

- Harry: Why? Because you thought they were pulling your leg?

- Marion: No, no, not like that. I mean. I don't know. I don't know or even care if they were. Just from them it was... just meaningless, you know? When you say it, I hear it. I really hear it.”