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cinesludge · 10 months

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Movie #61 of 2023: Beast

#beast #action #adventure #drama #Baltasar Kormákur #jaime primak sullivan #ryan engle #steven price #Philippe Rousselot #jay rabinowitz #english #arri alexa 65 #arri alexa mini lf #2022 #61

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blckfrm · 2 years

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Requiem for a Dream

This Film Is An Editing Revolution

#Requiem for a Dream #Darren Aronofsky #Ellen Burstyn #Jared Leto #Jennifer Connelly #Marlon Wayans #Jay Rabinowitz

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byneddiedingo · 3 months

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Marcus Carl Franklin, Cate Blanchett, Christian Bale, Ben Whishaw, Heath Ledger, and Richard Gere in I'm Not There (Todd Haynes, 2007)

Cast: Christian Bale, Cate Blanchett, Marcus Carl Franklin, Ben Whishaw, Heath Ledger, Richard Gere, Kris Kristofferson (voice), Charlotte Gainsbourg, Bruce Greenwood, Julianne Moore, Michelle Williams. Screenplay: Todd Haynes, Oren Moverman. Cinematography: Edward Lachman. Production design: Judy Becker. Film editing: Jay Rabinowitz. Music: Bob Dylan.

#I'm Not There #Todd Haynes #Marcus Carl Franklin #Cate Blanchett #Christian Bale #Ben Whishaw #Heath Ledger #Richard Gere

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curadoriadefilmeslgbtqia · 11 months

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Boy Erased: Uma Verdade Anulada

Jared (Lucas Hedges), filho de um pastor batista em uma pequena cidade americana, tem sua homossexualidade revelada a seus pais (Nicole Kidman e Russell Crowe) aos 19 anos. Jared é então rapidamente obrigado a participar de um programa de terapia de conversão de sexualidade, ou então será segregado de sua família, amigos e igreja. Durante o programa Jared sofre conflitos com seu psicoterapeuta (Joel Edgerton).

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Baseado em obra do próprio Garrard Conley, Boy Erased derrapa um pouco na montagem de Jay Rabinowitz (Réquiem para um Sonho), com muitas idas e vindas, que pode soar confusa em alguns momentos.

Até pela opção de fazer uma abordagem mais sóbria, Boy Erased não deve fazer ninguém se acabar de chorar na sala, mas conta sim com momentos emocionantes, muitos provenientes das relações familiares e humanas vistas em cena.

Num mundo repleto de conservadorismo, é importante uma obra que trata do tema de forma clara e bem desenvolvida. Muitos vão tratar o longa como "o filme sobre cura gay", mas na verdade, o que temos é uma obra sobre família. O que é muito mais interessante.

O filme tá disponível somente para aluguel ou compra virtual

#boyErased #GarrardConley

#Youtube

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writemarcus · 2 years

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Joshua Harmon Announced as Honorary Festival Playwright of Samuel French's Off Off Broadway Short Play Festival

The top 30 playwrights will be narrowed down to 10-12 finalists, from which six will be selected.

by Chloe Rabinowitz Jul. 28, 2022

Samuel French's Off Off Broadway Short Play Festival has announced that Joshua Harmon (Prayer for the French Republic) is this year's honorary festival playwright.

The distinguished lineup of judges will include playwrights Dennis A. Allen II, Eboni Booth, Karen Hartman and Bryna Turner, along with Executive Director of National New Play Network Nan Barnett, dramaturg Ken Cerniglia, Artistic Director of New Dramatists Emily Morse, Artistic Director of City Theatre Miami Margaret M. Ledford, Artistic Director of Classic Stage Company Jill Rafson, Associate Artistic Director at Playwrights' Realm Alexis Williams, and Associate Artistic Director at Playwrights Horizons Natasha Sinha.

This year's top 30 playwrights were chosen from over 650 submissions around the world. They will present their plays during a week-long festival August 16-20 at the Peter Jay Sharp Theater in New York City (416 W 42nd St, 4th Floor). These will be narrowed down to 10-12 finalists, from which six will be selected to be licensed for future productions and published in an anthology of short plays that will become the 47th edition of the Off Off Broadway Festival Plays series.

Presale tickets are available through Sunday, August 14 at $20. Tickets will be available Monday, August 15 through Saturday, August 20 online and at the door for $25. The Festival will also be offering a $90 Festival Pass. This pass gains the holder access to the first four nights of the Festival, allowing them to see all 30 productions at a 55% discount. For tickets and a complete performance calendar, click here.

THE 47TH SAMUEL FRENCH OFF OFF BROADWAY SHORT PLAY FESTIVAL FINALISTS

Thank You, Porcupine by Aurora Behlke The Very Furious Kugel by Clare Fuyuko Bierman Duckass by Dan Caffrey SYZYGY by Rachael Carnes American Made by Christin Eve Cato Big Red Button by Jay Eddy Too Much Lesbian Drama: One Star by Jessie Field How My Grandparents Fell in Love by Cary Gitter Chemistry by Ben Holbrook Georgia Rose by Onyekachi Iwu Domestic Help by Julianne Jigour Blocked by Jay Koepke We Jump Broom by Mildred Inez Lewis f by Ignacio Lopez Validation by Daphne Macy Toxic Norse-culinity by Matthew McLachlan Leaf Hunters by Megan Chan Meinero Bugs by Alex Moon The Pros and Cons of Implosion by R. D. Murphy Shark Week by Erika Phoebus if all that You take from this is courage, then I've no regrets by Nicholas Pilapil Railroad Homes by Jackson Pounds We're All Girls Here by Roni Ragone Big Happy Days by Anya Richkind Wookiees in the Wilderness by Marcus Scott Beautiful People in a Living Room Doing Nothing by Alec Seymour You Will Neva Enter Our High Holy Land of Blackness-HIYA! by Cece Suazo Scary faces happy faces by Danny Tejera The Vagina Read by Amy Tofte The Black & White Minstrel Show by Wind Dell Woods

Originating in 1975, the OOB Festival is one of Samuel French/Concord Theatricals' primary initiatives to introduce the next wave of emerging playwrights. These include Audrey Cefaly, whose full-length version of her 40th OOB Festival-winning play The Gulf won 2018's Lambda Literary Award in the category of LGBTQ Drama, and Martyna Majok, whose play The Cost of Living (originally produced as part of 39th OOB Festival as John, Who's Here from Cambridge) won the 2018 Pulitzer Prize for Drama. Other notable past participants include Bekah Brunstetter, Gloria Calderón Kellett, Sheila Callaghan, khat knotahaiku, Gracie Gardner, Jeremy O. Harris, Shirley Lauro, Theresa Rebeck, Jen Silverman and Steve Yockey.

To stay up to date with all Festival information, follow @OOBFestival on Twitter, facebook.com/oobfestival, and #OOBFestival on all social platforms.

BIOGRAPHIES

SAMUEL FRENCH is proud to have served as a leader in theatrical publishing and licensing for over 180 years. Its catalog features some of the most acclaimed work ever written for the stage and titles by writers at the forefront of contemporary drama. In December 2018, Samuel French became part of Concord Theatricals. With a growing staff of unparalleled experts, Concord Theatricals continues to support and expand Samuel French's ethos of championing playwrights, innovating in the industry, and celebrating all those who create theatre around the world.

Concord Theatricals is the world's most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Ken Ludwig, Lin-Manuel Miranda, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson. We are the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording and first-class production. concordtheatricals.com

Joshua Harmon's plays include Bad Jews, Significant Other, Admissions, Skintight, and Prayer for the French Republic. His plays have been produced on Broadway and the West End; Off-Broadway at Roundabout Theatre Company, Lincoln Center Theater and Manhattan Theater Club; across the country at Geffen Playhouse, Speakeasy, Studio Theatre, Theater Wit, About Face, Actor's Express, and The Magic, among others; and internationally in a dozen countries. He is a two-time MacDowell fellow and an Associate Artist at Roundabout. Graduate of Juilliard.

#Joshua Harmon #Samuel French OOB Festival #Samuel French's Off Off Broadway Short Play Festival #Samuel French Off Off Broadway Short Play Festival #Samuel French OOB Short Play Festival #Concord Theatricals #Marcus Scott #MarcusScott #WriteMarcus #Write Marcus #Wookiees in the Wilderness #Peter Jay Sharp Theater #Playwrights Horizons

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sesiondemadrugada · 3 years

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Affliction (Paul Schrader, 1997).

#affliction (1997)#affliction #paul schrader #nick nolte #wade whitehouse #paul sarossy #jay rabinowitz #anne pritchard #michel beaudet #david larry #françois laplante #russell banks

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genevieveetguy · 3 years

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Despite all of the shit in her life, she's made something of herself and you can't take it because she's strong, beautiful and black.

The United States vs. Billie Holiday, Lee Daniels (2021)

#Lee Daniels #Suzan Lori Parks #Andra Day #Trevante Rhodes #Garrett Hedlund #Miss Lawrence #Rob Morgan #Tyler James Williams #Erik LaRay Harvey #Natasha Lyonne #Andrew Dunn #Kris Bowers #Jay Rabinowitz #2021

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lifejustgotawkward · 5 years

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365 Day Movie Challenge (2019) - #24: Boy Erased (2018) - dir. Joel Edgerton

In another filmmaker’s hands, Boy Erased might have been a far more effective depiction of the trauma and emotional rebirth experienced by Garrard Conley in the wake of his participation in conversion therapy. While Joel Edgerton’s previous directorial effort, The Gift, was an entertaining and involving study in De Palma-esque tension, his take on Conley’s dramatic tale is lessened due to several difficult components. Lucas Hedges’ performance as “Jared” does a creditable job in anchoring the film, but there is something so glaringly Australian about the casting of Nicole Kidman and Russell Crowe as Jared’s parents, as well as Edgerton as the director of the conversion camp, that I couldn’t ever buy their syrupy Southern accents. Since the familial melodrama was laid on so thick, the horror of conversion therapy and the damage that it does to LGBQ+ folks wasn’t addressed in nearly enough detail.

I wish that the film had focused less on Jared’s relationship with his parents and more on his time spent in the so-called therapy sessions. His fellow patients, including characters played by Xavier Dolan (I particularly wanted to know more about him) and Troye Sivan, could have potentially made much more powerful impacts on the story, but Edgerton gives them so little screen time that there is no chance for the roles to expand from penciled-in sketches to colorful portraits. (Boy Erased also deserves a "huh?” for having Xavier Dolan portray a Southern American teen, while another character who is simultaneously gay, Canadian and named Xavier is confusingly played by someone other than Xavier Dolan, aka Théodore Pellerin.) True, Jared’s arc has to take center stage compared to everyone else, but maybe the character (or at least Hedges’ version of him) just isn’t interesting enough to justify a two-hour movie that drags on through scenes that ought to have been trimmed by editor Jay Rabinowitz. Let’s face it: it really says a lot about Boy Erased that the most authentic performance is by Flea, who embodies his role as a hard-ass former drug addict with a scary amount of conviction that never tips into a caricature.

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seriousentertainment · 3 years

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8 Mile movie review

Title:- 8 Mile

Genre:- Drama , Music

Release date:- 6 November 2002

Director:- Curtis Hanson

Cast:- Eminem, Brittany Murphy, Mekhi Phifer, Kim Basinger, Anthony Mackie, Taryn Manning, Evan Jones, Omar Benson Miller, Michael Shannon

Writer:- Scott Silver

Cinematographer:- Rodrigo Prieto

Editor:- Craig Kitson, Jay Rabinowitz

Music:- Eminem, Jeff Bass, Luis Resto, Carol Fenelon, Carlton Kaller, Steven King

Costume designer:- Mark Bridges

Set designer:- Phillip Messina,

Kristen Toscano Messina

This semi-autobiographical movie of Eminem explains the rap scene of america and the struggle of a rapper. The boy named Jimmy lives a very tough life with no money but still works very hard to survive. The movie starts with the breakup of jimmy who is called B-rabbit by his friends. He is discriminated for his color but still he focuses on his work at factory , has a fight with some rappers , fall in love with a girl.

He has 2 friends with very opposing ideas for becoming successful. One thinks that Rabbit should prepare for mainstream music recording in studio while, other thinks that he should participate in rap battles had gain respect from community.

He is very nervous in performing on stage and thus he goes for other but when he finds out the other was cheating with him he realizes true friendship. He realizes that other friend cared for him while this was just using him.

The whole movie makes you feel the other side of america so greatly. It shows how poor live in those wooden houses looking for clothes in garbage bags and privileged people use them for their benefit. The cinematography and direction of the movie is in such a way that it gives you the feel of a simple yet hard life.

Every music in the movie is a rap by famous rappers which you might not notice in car scenes and bars ones. The rap battle at the end concludes his life till then and leaving nothing to speak for his enemies.

The editing of the film is mostly with blue for dark scenes and has a very good impact.

The movie concludes very simply the way it started and thus the life goes on. This movie might not be a very great movie but it inspire a lot and the fans of Eminem or Rap must watch it.

My Rating:- 7.5/10

By - Anurag singh Bhadauria

Watch here- Netflix

Watch trailer

Watch song- 1. Lose yourself

2. Final rap battle

3. 8 mile

4. Love me

5. Adrenaline rush

6. Places to go

7. Rap game

8. 8 miles and runnin

9. Spit shine

10. Time of my life

11. You wanna be me

12. Wanksta

13. Wasting my times

14. R.A.K.I.M.

15. That's my nigga fo' real

16. Battle

17. Rabbit fun

18. Rap Name

19. Stimulate

20. Till I collapse

21. Gangsta

22. The weekend

23. California

Complete 8mile soundtrack

#8 mile #film critic #entertainment #film #film review #movies #movie review #music #filmmaking

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sarahhsaritaa · 3 years

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stills from bath shots, unedited.

the angles and frames i used alongside lighting choices were influenced by a combination of two films; ‘Requiem for a Dream’ (dir. Darren Aronofsky, 2000) and ‘Babyteeth’ (dir. Shannon Murphy, 2019).

in ‘Requiem for a Dream’, the them of self-destruction is obvious through the plot, but emphasised through the style of editing and composition of shots. (dop. Marrhew Libatique, who was dop for ‘Black Swan’ 2010, editor Jay Rabinowitz, who was editor for ‘8 Mile’ 2002). Libatique’s close-ups and distorted images, paired with faced paced ‘hip-hop montage’ style cutting by Rabinowitz result in chaotic presentations of complex actions, in this case; drug use. Aronofsky himself gave this style of editing its name after ‘Requiem for a Dream’. i wanted to mimic shots where the characters were taking drugs as the editing is what drew me into those scenes. intense close ups of eyes and irises dilating, swiftly cut with various powders and pills creates a sense of destruction, ultimately leading up to the deterioration of all four main characters. i initially thought of my shots myself before thinking of references but knew in the back of my mind they were mirroring scenes i had scene before. i searched ‘bathtub scenes’ and realised i had taken direct inspiration from the film and the overhead birds eye shot of Marion Silver (played by Jennifer Connelly) in the bathtub in particular. i also discovered that the scene is identical to a scene from an anime called ‘Perfect Blue’ (dir. Satoshi Kon, 1997); the composition and action, even the length of action, is mirrored. Aronofsky actually had the film remake rights of ‘Perfect Blue’ the animation for that one bathtub scene in ‘Requiem for a Dream’, but when you watch his film ‘Black Swan’, the themes, scenes and many shots are completely replicated. i guess since he owned the remake rights for the bathtub scene he could’ve carried it through to ‘Black Swan’, however in many interviews he denies being influenced by the anime at all. i found this interesting because of how i replicate certain shots and ideas, but call it ‘paying homage’. through referencing and research i do believe i am actually paying homage to my favourite films, but to what extent is someone like Aronofsky viewed as a plagiariser? what is the difference between me and him? perhaps that while he denies his influences, i explain and defend mine.

when watching ‘Babyteeth’, i was in awe at the delicacy of the locations, set, shot compositions and colouring/lighting. one scene in particular, where Moses (played by Toby Wallace) takes Milla (played by Eliza Scanlen) to a party. Milla is young and lacking in some life experience, so an older boy taking her to a proper party is overwhelming in an exciting, new way. she is engulfed by projections and florescent lights, moving her way through rooms filled with people drinking, dancing. having most of the film set in her neutral, earth-toned house where she is battling cancer, scenes of her and Moses together, living and falling in love surrounded by colour exudes liveliness and passion. i used two hand-held led lights in a deep dark blue and fuchsia coming from opposite sides to mimic Milla walking through the party and dancing with Moses to emphasise a cluster of emotions someone in a relationship might feel.

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glenngaylord · 4 years

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OUTFEST 2020 FILM REVIEW: BOYS SHORTS 3 1/2 Stars (Average Score)

For many years, most LGBTQ+ festivals reserved their best short films for the Boys and Girls Shorts programs. Usually deemed the sexiest, funniest, or most cinematic of the bunch, they typically play to sold out audiences. Fortunately, shorts submissions have diversified and have showcased such incredible talent that festivals like Outfest offer a whole host of solid programs to enjoy.

Still, there’s nothing like packing into the Directors Guild of America’s main theatre on a Saturday morning to collectively enjoy some carefully vetted films. Unfortunately, this year, it’s just me and my admittedly cute-as-hell doggy sitting in my living room. No gaggles of gays to ogle. No over-the-top hugs, air kisses, or overhearing the constant refrain of, “What are you working on?” My sliding A/C unit makes a valiant but futile effort to cool us down as this endless Los Angeles heatwave threatens to kill our buzz. Outfest may feel a little less communal this year, but the quality of the filmmaking remains high. I also applaud the programmers and filmmakers for helping to redefine and expand what has made this particular program so meaningful and enjoyable time and time again. Here are my quick tales on the Boys Shorts program:

QUERY (Dir: Sophie Kargman - USA- 7 mins) 3 Stars

Two straight identifying lifelong best friends, Jay and Alex, played by Justice Smith and Graham Graham Patrick Martin respectively, spend a day challenging heteronormative concepts until Jay makes the suggestion that they kiss. What starts out as a bromantic, mumblecore trifle turns fascinating in its final moments, helped tremendously by some beautifully wordless acting by our two leads. I can’t say I loved the tired idea that one of the guys justifies the kissing by saying he’s wasted, but it’s handled in a fairly dignified way missing from so many gross-out comedies from the past. Shot and framed with a nice sense of classical style, the film, a mere 7 minutes, doesn’t outstay its welcome and leaves you with a provocative final line. Extra points for Armie Hammer’s blink-and-you’ll-miss-it jog-on role.

S.A.M (Dir: Eyre and Ely - United Kingdom - 16 mins) 4 Stars

Two outcast Manchester teens (Sam Retford and George Webster) meet on a swing set and discover they’re both named Sam. One appears to have a learning disability and the other smokes and seems to have an angry, rebellious streak. Over the course of several weeks at the playground , their friendship deepens, slyly revealing their attraction to each other. Both actors do a wonderful job dispelling common misconceptions of their challenges as they drink, swear brazenly at others, and develop a real bond. Its handling of sexuality couldn’t be more lovely and instructive. You wish more people would react to coming out the way we’re shown here. Although shot entirely at the swing set, this film covers a lot of ground as we witness the beginnings of a ride-or-die friendship. I hope the directing team of Eyre and Ely develop this into a feature. I could watch Sam and Sam all day.

KIND OF (Dir: Noel Schamus - USA - 9 mins) 3 Stars

With friends imminently arriving for brunch, a trans masculine couple hash out their differences over their recently established open relationship. Garcia (Tales Of The City) arrives home after a night out with a cis man to find Avi Roque preparing the meal. Noel Schamus and co-writer Arno Mokros mine the tension between the two expertly, allowing us to see the genial but uncomfortable hugs and the passive-aggressive dialogue. Things take an astonishing turn when they get brutally honest with each other, revealing a frank discussion many people have not had the opportunity to hear before. The filmmaking itself may feel functional at best, but its honesty manages to stun.

SEE YOU SOON (Dir: Tyler Rabinowitz - USA - 16 mins) 4 1/2 Stars

This gorgeously directed and acted film by Tyler Rabinowitz has a simple premise, aligned most closely with Boys Shorts of years past. Vincent (James Cusati-Moyer) and Anthony (Jonny Beauchamp) live in Los Angeles and Manhattan respectively, yet have met online, FaceTiming in anticipation of Vincent’s upcoming weekend trip east. Both actors have that glow and eagerness between them which gets awkwardly dispelled when they first meet in person. Still, they slowly gravitate towards each other as they traverse the city. Anyone who has ever been in a long distance relationship will recognize the hesitation, the fumbling, and the painful moment when they realize they’re rushing into things. With beautiful cinematography by Oren Soffer and a gentle, believable chemistry between the two leads, I felt immersed in their struggle to figure out their path. We may have seen this before with the seminal feature, Weekend, but it doesn’t take away from how well done it is here. Also, Cusati-Moyer is a star in the making with his expressive face and ability to break your heart.

LAST SUMMER WITH UNCLE IRA (Dir: Gary Jaffe, Katie Ennis - USA - 13 mins) 3 Stars

As Daniel (Igby Rigney, a potentially closeted teen, packs his bags for summer camp, his beloved gay uncle Ira (Wayne Wilcox), faces his pending death from AIDS complications. Daniel’s mother (Tony winner Stephanie J. Block) relieves her son of his duties so that he can go outside and have what will likely be one final chat with Ira. Set in the early 90s, the bulk of the short comprises of their conversation, with Ira trying to gently coax Daniel to come out, but the young man resists. While heartfelt and well-performed by all three, the production suffers from a somewhat maudlin tone and style. It harkens back to such films as An Early Frost, yet adds something fresh with the dynamic between the two leads. Although I can’t say I was wowed by it, the final moments did make me cry with its lovely expression of intimacy. Any film which can awaken my cold dead heart is worth something!

WHO CAN PREDICT WHAT WILL MOVE YOU? (Dir: Livia Huang - USA - 9 mins) 2 1/2 Stars

On the surface, this very aptly titled short appears to be about nothing as we watch two young Asian American gay men share a final night together on a basketball court and then in an apartment. With limited dialogue and scenes consisting of dribbling a ball, hugging, and staring into each others’ eyes as their hands intertwine, the film leans more toward the experimental side of things. Despite a nearly non-existent story, what Huang and her actors excel at is creating and sustaining a mood, a feeling. It’s simple and yet somehow conveys a sense of intimacy. I won’t remember having seen it tomorrow, but it sure did make me want to lie on the floor with someone.

THE CYPHER (Dir: Leia Solomon - USA - 15 mins) 4 1/2 Stars

Khalil (Nigel Cox), a closeted young Philadelphia man, may just win an upcoming rap battle, but when word gets out he has a boyfriend (Juan Gil), his plans may go up in smoke. Think 8 Mile meets Moonlight in this colorful, vibrant, story of a guy who learns what summoning courage and using it to hone his creative talents really means. With nonstop energy and a wonderful supporting turn by Kerrice Brooks as his sister Kiki, who unintentionally outs him, The Cypher hits all the right notes. Although still laden with homophobia, out artists such as Lil Nas X and Frank Ocean have made inroads in hip hop and rap culture. In this spirit, this sexy, thrilling short brings power, strength and fearlessness to queer black voices staking their claim to a previously forbidding genre. Nigel Cox, a relative newcomer, deserves attention for his loud and proud performance.

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byneddiedingo · 9 days

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Affliction (Paul Schrader, 1997)

Cast: Nick Nolte, James Coburn, Sissy Spacek, Willem Dafoe, Brigid Tierney, Jim True-Frost, Holmes Osborne, Mary Beth Hurt, Marian Seldes. Screenplay: Paul Schrader, based on a novel by Russell Banks. Cinematography: Paul Sarossy. Production design: Anne Pritchard. Film editing: Jay Rabinowitz. Music: Michael Brook.

#Affliction #Paul Schrader #James Coburn #Nick Nolte

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irresitiblehd · 4 years

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Irresistible (2020) — Comedia Películas 101 minutos. .

Lanzamiento: Jun 26, 2020

Duración: 101 minutos

Género: Comedia, Drama

Estrellas: Steve Carell, Rose Byrne, Chris Cooper, Mackenzie Davis, Topher Grace, Natasha Lyonne

Crew: Brad Pitt (Executive Producer), Jay Rabinowitz (Editor), Jon Stewart (Screenplay), Jon Stewart (Director), Jon Stewart (Producer), Lila Yacoub (Producer)

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#Pelicula Completa #hd #online #espanol #streaming

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cinemalerta · 5 years

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91st ACADEMY AWARDS NOMINEES

BEST PICTURE – Green Book

BEST DIRECTOR – Alfonso Cuarón – Roma

BEST ACTOR – Rami Malek – Bohemian Rhapsody as Freddie Mercury

BEST ACTRESS – Olivia Colman – The Favourite as Anne, Queen of Great Britain

BEST SUPPORTING ACTOR – Mahershala Ali – Green Book as Don Shirley

BEST SUPPORTING ACTRESS – Regina King – If Beale Street Could Talk as Sharon Rivers

BEST ORIGINAL SCREENPLAY – Green Book – Written by Nick Vallelonga & Brian Currie & Peter Farrelly

BEST ADAPTED SCREENPLAY – BlacKkKlansman – Screenplay by Charlie Wachtel & David Rabinowitz and Kevin Willmott & Spike Lee; based on the book by Ron Stallworth

BEST FOREIGN LANGUAGE FILM – Roma – Alfonso Cuarón – Mexico

BEST ANIMATED FEATURE FILM – Spider-Man: Into the Spider-Verse – Bob Persichetti, Peter Ramsey, Rodney Rothman, Phil Lord and Christopher Miller

BEST DOCUMENTARY FEATURE – Free Solo – Elizabeth Chai Vasarhelyi, Jimmy Chin, Evan Hayes and Shannon Dill

BEST CINEMATOGRAPHY – Roma – Alfonso Cuarón

BEST EDITING – Bohemian Rhapsody – John Ottman

BEST PRODUCTION DESIGN – Black Panther – Production Design: Hannah Beachler; Set Decoration: Jay Hart

BEST COSTUME DESIGN – Black Panther – Ruth E. Carter

BEST MAKEUP AND HAIRSTYLING – Vice – Greg Cannom, Kate Biscoe and Patricia Dehaney

BEST VISUAL EFFECTS – First Man – Paul Lambert, Ian Hunter, Tristan Myles and J. D. Schwalm

BEST ORIGINAL SCORE – Black Panther – Ludwig Göransson

BEST ORIGINAL SONG - "Shallow" from A Star Is Born – Music and Lyrics by Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt

BEST SOUND EDITING – Bohemian Rhapsody – John Warhurst and Nina Hartstone

BEST SOUND MIXING – Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali

BEST DOCUMENTARY – SHORT – Period. End of Sentence. – Rayka Zehtabchi and Melissa Berton

BEST LIVE ACTION SHORT FILM – Skin – Guy Nattiv and Jaime Ray Newman

BEST ANIMATED SHORT FILM – Bao – Domee Shi and Becky Neiman-Cobb

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mellowyknox · 7 years

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vimeo

Cadillac "Carry"

Agency: Publicis New York

Editor: Jay Rabinowitz

Year: 2017

#cadillac #automotive #academy awards #publicist #editing #history #brand campaign #media mash #jay rabinowitz #voice over #2017

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sesiondemadrugada · 5 years

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Boy Erased (Joel Edgerton, 2018).

#boy erased (2018)#joel edgerton #garrard conley #lucas hedges #troye sivan #eduard grau #jay rabinowitz #chad keith #jonathan guggenheim #trish summerville #boy erased #identidad borrada #identidad borrada (2018)

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