lifejustgotawkward
Life Just Got Awkward
28. Under five feet tall. INTJ. Born and raised in Brooklyn. Aspiring film critic. Writing a graduate thesis on Doris "Bad Girls Go to Hell" Wishman. Admires paintings by Hopper, Ensor and Lempicka; might love Law & Order and It's Always Sunny in Philadelphia a little too much; considers Nick Cave & the Bad Seeds the best music in the current world; proudly displays a Rowland S. Howard poster in her home. Do with this information what you will.
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Last Seen Blogs
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Hal Hartley
- Surviving Desire
1992
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got an email from a local aquatics store with a coupon for one free worm
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Michael Shannon, photographed by Robbie Fimmano for Matches Fashion Man, S/S 2014.
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”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”
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BTS of Spiderman: no way home
#filed under: things i think about often#spider-man: far from home#2021#andrew garfield#tobey maguire#tom holland#behind the scenes
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Jean-Michel Folon: The Return of the Two Snails
[1979]
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I know I’ve talked about it before but it never ceases to amaze me that the city of Toronto created this labyrinthine series of underground walkways that stretch for kilometres under the heart of downtown and they called it the fucking PATH. like how much more ominous could that even be. It doesn’t even stand for anything it’s just the PATH, all caps. What fucking fae named this artisanal bakery maze.
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Barbra Streisand and Elliott Gould during their honeymoon at the Beverly Hills Hotel, September 1963.
Photos by Bob Willoughby
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Undine (2020)
directed by Christian Petzold
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In Bloom Gown // FireflyPath
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medium cool (dir. haskell wexler, 1969)
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He scream at own ass
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Erika Casupanan, lamb to lion 🐑🦁 — Winner of Survivor 41 💙
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”The woman’s got to show up, [like], “We all done, sweetie? Okay. Out you go, I gotta make a story out of this mess.”
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Vintage Little Shop of Horrors Stickers Ranked by Rick Moranis’ Sex Appeal
Hi, I’m Roswell, and I’m horny for Rick Moranis.
Recently, my friend Pat sent me a fuckload of Little Shop of Horrors stickers from 1986.
Each pack contains a piece of thirty year old bubble gum.
It tastes really bad.
But we’re not here to talk about my mistakes; we’re here to talk about God’s mistake–the mistake of making me so incredibly attracted to Rick Moranis.
Let’s begin.
This Rick Moranis is not very sexy at all. He clearly doesn’t want that thing in his mouth. The lack of consent immediately turns me off, but I will give him one point for kissable lips. 1/10.
A reasonably fuckable Moranis. He’s doing that Vaudeville rubberface thing that I’m big into, but this outfit could’ve used some shoulder pads and his hair looks kinda greasy. 3/10.
The doe eyes. The pouty lips. The loose curls stuck to his forehead with nervous sweat. Truly this would be a tremendously boneable Ricky M. were it not for the fact that I am very anti-gun. 4/10.
His nonthreatening posture and gentle smooch make me feel like he would tenderly nurture our many children. Thinking about having kids kills my boner. 5/10.
A classic Rick! This kind of goofball acting is what makes him so loveable. He looks like a math teacher who just realized he forgot Pi Day and that’s what does it for me, I guess. 7/10.
The rumpled collar and patented Moranis Confused Face really get me going, but the caption makes me think of someone with a Brooklyn accent screaming, “The X-Files!” while falling down a well. 8/10.
Oh, what I wouldn’t give to push Rick Moranis into a dentist’s chair and fill his cavities. I think this scene made me gay. 10/10.
I have experienced an erection lasting longer than four hours and need to seek immediate medical attention. 11/10.
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Can we go back to when horror movies were called "satellite of blood" or "theatre of blood" or "palace of the damned" and "the screaming never ends" cause like now we keep getting these one word title horror movies like Hereditary and Relic and Censor and it's like this doesn't tell me anything about the level of blood, screaming, or whether everyone in it is damned
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i found my new favorite painting in my modern art history lecture today
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