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amandajeanwrites · 4 years

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A Love Letter to Knives Out

As my husband says, Rian Johnson’s Knives Out has been out for a long time now (aka two months, which I guess is a long time in Hollywood), but we just went to see it (took him long enough to take me!!!) and I can’t not talk about it.

For those of you who don’t know, Knives Out is the ultimate manor-house, family-values, murder mystery. One week after thriller novelist, Harlan Thrombey, commits suicide, the world renowned private investigator, Benoit Blanc, receives a wad of cash in the mail and a request to investigate the mysteries surrounding Thrombey’s demise. Thrombey’s family of white socialites are asked to return to the manor for further questioning in which you learn about the happenings on Harlan’s 85th birthday the night before he died.

The film is a mash-up of perfectly timed flash backs, done in the hilarious point-of-view of the most recent character in question, but most of the film is seen through the stunning green gold eyes of Thrombey’s nurse, Marta Cabrera, who was the last person to see him alive. It’s an exciting who-done-it jampacked with family drama, white privelege, and sour (not to mention famous) faces, and I enjoyed every last morsel.

I’ll try not to get into spoiler land too much here, as I mainly just need to talk about how much this film inspired me. As a writer, specifically one who’s been struggling through writing mystery and thrillers myself, I was enthralled with every tiny decision Rian Johnson made, both with the screenwriting and direction. He knew the formula perfectly, implanting props and clues at the beginning that would definitely come to life later.

I feel like before I even get into the writing though, I need to discuss production and set design, as the Thrombey family home completely blew me away. The outside of the house, besides being perfect for the kind of Clue-esque murder mystery novel, was merely unremarkable compared to the props and set dressing that was done inside. Before bed, I read every article I could interviewing the set decorator, David Schlesinger. I just had to know what informed all of the tiny details in this over-the-top, ornate home.

He said he based every single prop off of a novel that Harlan Thrombey would have written over the past sixty years. From there, he sourced the majority of antiques locally in the Boston area as the character would have done. I caught only a handful of odds and ends in the background, as the plot and characters keep sucking your focus back, but I can’t wait to see it again to see what else I can catch.

Okay, back to the writing. Rian Johnson’s attention to detail wasn’t the only thing I pulled inspiration from. The man clearly loves murder mysteries, as this story was reminiscent of all of those classics we all know and love, but he took so many major spins on those tropes, so nothing felt predictable. You really had no idea who to blame until the very last few minutes of the film. Every single character has a motive and not a one has an air-tight alibi.

One of the ways he brilliantly diverts expectations is in the use of a main character. Marta Cabrera, played by Ana de Armas, the nurse, is the daughter of an immigrant woman, working hard to keep her family afloat and safe. She’s great at her job, forming a close bond with Harlan and his family. She seems to have a heart of gold. (She has a literal disorder where lying makes her vomit.)

She’s refreshing. I guess that’s what I’m getting at. Typically in these scenarios, we’re seeing everything through the eyes of the madcap detective (we’ll get to him in a moment), a strong-jawed, handsome gentleman who is seeing everything for the first time and is just learning the personalities of the characters through their faults and guilt. Through Marta, we’ve seen it before. We know them. We know how disgustingly obtuse the family is. We know they don’t care about her or where she’s from. We see the guilt before it’s ascertained. It’s just a beautiful twist.

Also, someone pointed out on Tumblr that Marta’s character is refreshing, as woman, because she isn’t sexualized AT ALL. In the entire movie, never once do we see her in a revealing outfit. She’s often dressed as an innocent, middle class working woman, in normal, comfortable clothing. Not once do we see her snuggled up against the incredible sexy bad boy of the family, Ransom, an obvious pick for a love interest. She’s just a girl observing the family do horrible things, and not once is she sexually harassed for it. It’s incredible. This is what we want more of, Hollywood! (Louder for the people in the back!!!)

Going back to the point, however, that every character has a motive, Marta isn’t as innocent as she seems, and it makes for some incredibly poignant and emotional scenes which shockingly moved me to well up. That’s another part of the genius of this film, the emotions. One minute, you could be cackling out loud about a ridiculous comment made by the Alt-Right grandson, and the next minute you could be sympathizing for the characters who lost the patriarch of the family.

It filled me with nostalgia, not only for other murder mysteries of this caliber, but because at one point, I leaned over to my husband and said “Oh my God, these are like my family get-togethers.” The family argued politics. They laughed and danced and partied. They told eat other to “eat shit” and got in fist fights. They cried, holding each other in apologies.

Aside from the family, comedic relief also came in the form of the aforementioned madcap detective, Benoit Blanc, played by Daniel Craig. Blanc, a detective straight from Civil War era Georgia, comes into the family with new eyes but old wisdom through experience. He figures everything out within the first fifteen minutes but struggles through the details for the rest of the film in waxing monologues about baked goods that will have you rolling. He teams up with Marta, “Watson” as he calls her, to unsheathe the dagger completely, so to speak. Their chemistry together truly makes the film.

I could go on and on about the rest of the characters and their perfect imperfections, but I have to go on to why I wanted to write this post in the first place. If you want to talk characters and actors (Toni Collette though!?!?), hit me up on Instagram @amandajeanwrites and I will discuss it with you for DAYS. (Shameless plug.)

So the point, of all of this, was how I left the theatre feeling insurmountably inspired. Not only was the writing impeccable, full of details and heart and soul and emotion, rounded characters, a set beginning middle and end, but at the heart of it all was a man successful for writing dozens of mystery and thriller novels. I know that sounds wild, that I was most inspired by the character who dies at the beginning, but truly I was.

Harlan Thrombey is everything a writer aspires to. He has amazing success. He lives in the dream home. He has a mostly healthy (although ridiculous) family who loves him very much. He took them all under his wings to support them financially because his success gives him the means to help. He takes Marta in, although as his nurse at first, and befriends her and takes care of her and her family as well. And he’s able to do all of this because of his imagination.

Throughout the film, one of the police officers on the case is geeking out about the various set pieces because he’s a huge fan of Harlan’s work. I think every author wants that sort of fandom. Someday, I’d love a mansion full of brats and a stranger to come in and tell me how proud he is of my work and how honored he is to be in my home.

I don’t know, I guess that aspect of it just really filled me with joy, and it pushed me to keep moving forward. I will have that house someday. I could, you know, go without the murder part of it. Let’s leave those for the novels.

TL;DR, Knives Out was an incredible representation of the murder mystery genre, and it’s going up on my list of favorite films of all time. Rian Johnson deserves all of the awards this season, as do his cast and crew. Bravo to all.

Oh, also, thanks as always, for reading xo

Let me know in the comments if there’s a particular film that inspires you to keep pursuing your passions.

#knives out #chris evans #toni collette #rian johnson #jamie lee curtiss #don johnson #jaeden martell #katherine langford #michael shannon #daniel craig #ana de armas #lakeith stanfield #christopher plummer #writer #mystery #clue #author #authortube

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popentertainment-moviereviews · 2 years

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WEST SIDE STORY (2021)

Starring Ansel Elgort, Rachel Zegler, Ariana DeBose, David Alvarez, Mike Faist, Rita Moreno, Brian d'Arcy James, Corey Stoll, Josh Andrés Rivera, Iris Means, Mike Iveson, Jamila Velazquez, Annelise Cepero, Yassmin Alers, Jamie Harris, Curtiss Cook, David Avilés Morales, Sebastian Serra, Ricardo A. Zayas, Sean Harrison Jones, Jess LeProtto, Patrick Higgins, Kyle Allen, Ana Isabelle, Tanairi Sade Vazquez, Yesenia Ayala, Eloise Kropp, Paloma Garcia-Lee, Leigh-Ann Esty, Harvey Evans, Bert Michaels and David Bean.

Screenplay by Tony Kushner.

Directed by Steven Spielberg.

Distributed by 20th Century Studios. 156 minutes. Rated PG-13.

Steven Spielberg has been toying with the idea of making a film musical for most of his career, but shockingly over all these decades he has never actually done it. Well, Spielberg has never been a timid filmmaker, but even for him he is setting the bar pretty high now that he has taken the leap – remaking arguably the most iconic musical of the last century.

And now, in a very good year for musicals with the terrific likes of In the Heights, Cyrano and Tick Tick… Boom, Spielberg has made the best musical of the year. In fact, it may very well be the best movie of the year.

Yes, it’s that good. Not only is Spielberg’s remake of West Side Story as terrific as the classic 1961 original film, in some ways it is even better. This film was obviously a labor of love for Spielberg (in the closing credits the film was dedicated “For Dad”) and has brought out his best as a filmmaker. In Spielberg’s case, that is some pretty high praise, indeed.

The new West Side Story – with a screenplay by Tony Kushner of Angels in America fame – is mostly very faithful to the original storyline. However, even though the film still takes place in the early 1960s, sixty years of hindsight allow Spielberg to make certain things explicit which had to be somewhat downplayed in 1961 – the racial hatred, the violence, the extreme poverty, the squalor, the destitution, the sexual mores of the time.

All of those things were also present in the original, but the filmmakers had to skirt the issues more. The new West Side Story puts them right in your face. These are a bunch of deluded, angry losers, fighting against a world they did not create, stuck in the slums of New York’s West Side (specifically, their neighborhood is slowly being torn down to build the Lincoln Center, so it is the area around the 65th and Broadway), where only friendship and love make life worth living.

Well, those, and music and dance. The score to West Side Story – written by Leonard Bernstein and the recently passed Stephen Sondheim – is one of the great musical scores of all time. Most musicals are lucky to have one or two songs steep into the public consciousness. Every single song in West Side Story – “Maria,” “Something’s Coming,” “America,” “Somewhere,” “I Feel Pretty,” “Tonight,” “Jet Song” and more – are rightfully considered musical standards.

Wisely, Spielberg recognized that these songs and the dancing were classics, and mostly he changed up the way the songs were presented. For example, rather than a rooftop dance-off, the new version of “America” spills out into the city streets and becomes a huge almost flash mob. Also, having brought in the original film star Rita Moreno to play a new character – the widow of the store owner Doc from the first film – it is only natural that they would want to give her a song. What is a bit of a surprise is that they allowed her to sing female lead Maria’s showcase tune – “Somewhere” – and Moreno unsurprisingly nails it.

Don’t feel too bad for Rachel Zegler, the extraordinary talent who plays Maria, though. (Zegler was discovered on YouTube after a casting search of over 30,000 people.) Zegler gets more than enough opportunities to shine in her role and she is completely up to the task. If this film does not make her a star, there is something wrong in the world.

Her true love Tony is played by the only quote-unquote star in the film, Ansel Elgort of Divergent, The Fault in Our Stars and Baby Driver. He also acquits himself admirably. His vocal range is a bit limited compared to Zegler, but his vocals were still very good.

Other lesser-known talents who shine are Ariana DeBose as Anita, David Alvarez as Bernardo, Mike Faist as Riff.

And, needless to say, as West Side Story was based on Romeo and Juliet, the ending is still devastating.

Get ready to see West Side Story included on many best-of lists for the film’s movies and don’t be at all surprised if it approaches the original’s Oscar haul (the 1961 film was nominated for 10 Oscars and won all of them). More importantly, get ready to see West Side Story on the big screen, where it belongs.

Jay S. Jacobs

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#West Side Story #2021 #Movie Reviews #Ansel Elgort #Jay S. Jacobs

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1eos · 2 years

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wait. i JUST realized who jamie lee curtiss was in that movie.......

#naur she ate?????????

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tuseriesdetv · 3 years

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Noticias de series de la semana: Mr. Glover & Mrs. Waller-Bridge

Renovaciones

BBC One ha renovado The Split por una tercera y última temporada

HBO Max ha renovado Search Party por una quinta temporada

HBO Max ha renovado Close Enough por una tercera temporada

Cancelaciones

La octava temporada de Brooklyn Nine-Nine (NBC) será la última

The CW ha descartado la serie Wonder Girl

Noticias cortas

Lucasfilm ha despedido a Gina Carano (Cara Dune) de The Mandalorian por sus declaraciones en las redes.

Curtiss Cook (Douda) será regular en la cuarta temporada de The Chi.

Fichajes

Claire Danes (Homeland, My So-Called Life) sustituye a Keira Knightley como protagonista de The Essex Serpent.

Guy Pearce (Mildred Pierce, Memento) protagonizará Mare of Easttown junto a Kate Winslet. Sustituye a Ben Miles en el papel de Richard Bryan, profesor visitante de escritura creativa que escribió una novela deslumbrante hace veinticinco años.

Pedro Pascal (The Mandalorian, Narcos) y Bella Ramsey (Game of Thrones, His Dark Materials) protagonizarán The Last of Us. Serán Joel y Ellie.

Carrie Preston (The Good Wife, Claws) será Robbie McClung, abogada defensora de Duntsch (Joshua Jackson), en Dr. Death.

Harry Hamlin (Mad Men, Shameless) y Dylan Baker (The Americans, The Good Wife) serán el presentador Tom Brokaw y el agente del FBI Ed Copak en The Hot Zone. Anthrax.

Jamie Chung (The Gifted, Once Upon a Time) y Oscar Wahlberg (NOS4A2, Manchester by the Sea) serán recurrentes en el revival de Dexter como Molly, una famosa podcaster de Los Ángeles; y Zach, capitán del equipo de lucha del instituto de Iron Lake.

Jasika Nicole (Fringe, The Good Doctor) será recurrente en Punky Brewster como Lauren, la novia de Cherie (Cherie Johnson).

Christina Milian (Soundtrack, The Oath) sustituye a la fallecida Naya Rivera en el papel de Collette en Step Up: High Water.

Hannah Ware (The First, Boss) protagonizará The One. Será Rebecca, CEO fundadora de MatchDNA, una compañía tecnológica que permite a la gente identificar a su pareja ideal con un test de ADN.

Mary McDonnell (Major Crimes, Battlestar Galactica), Adam Arkin (Sons of Anarchy, Chicago Hope), Matthew Glave (Better Things, Angie Tribeca) y Jalen Thomas Brooks (Animal Kingdom) se unen como recurrentes a Rebel.

Melissa De Sousa (On Becoming a God in Central Florida, Valley of the Dolls) se une a la cuarta temporada de Black Lightning. Será Ana López, jefa de policía.

Adeline Rudolph (Chilling Adventures of Sabrina) será Minerva Marble en la quinta temporada de Riverdale.

Yanic Truesdale (Gilmore Girls), Steve Mallory (The Boss, The Happytime Murders), Usman Ally (Nobodies, On Becoming a God in Central Florida), Ana Scotney (Shortland Street, Educators) y Chris Sandiford (What We Do in the Shadows) completan el reparto de God's Favorite Idiot. Serán Chamuel, arcángel nuevo en el pueblo; Frisbee, gerente de nivel medio; Mohsin Raza, que ha elegido una vida íntegra antes que el éxito financiero o una posición de liderazgo; Wendy, generosa y llena de empatía; y Tom, leal e irritante.

Rob Delaney (Catastrophe), Alice Eve (Iron Fist, Black Mirror) y Edwina Findley (Treme, If Loving You Is Wrong) se unen como recurrentes a The Power.

Angus Macfadyen (Turn, Strange Angel) será Jor-El en Superman & Lois.

Matt Lauria (Friday Night Lights, Kingdom), Paula Newsome (Chicago Med, Barry) y Mel Rodriguez (The Last Man on Earth) se unen al revival de CSI. Serán Josh, Maxine y Hugo.

Rhys Ifans (Berlin Station, Notting Hill), Steve Toussaint (Doctors, Berlin Station), Eve Best (Nurse Jackie, Fate: The Winx Saga) y Sonoya Mizuno (Devs, Maniac) serán Otto Hightower, la mano del rey Viserys (Paddy Considine) y padre de Alicent (Olivia Cook); Lord Corlys Velaryon, conocido como The Sea Snake; la princesa Rhaenys Velaryon, la esposa de Lord Corlys y prima de Viserys; y Mysaria, aliada del príncipe Daemon; en House of the Dragon.

Matthew Willig (Agents of S.H.I.E.L.D.) será recurrente como el luchador Andr the Giant en Young Rock.

Howard Charles (The Musketeers, The Widow) se une como regular a la segunda temporada de Top Boy. Será Curtis, involucrado en una trama de mafias en Liverpool.

Tabitha Brown y Jason Weaver (Smart Guy) se unen como recurrentes a la cuarta temporada de The Chi.

Luke Cook (Chilling Adventures of Sabrina, Katy Keene) será recurrente en la cuarta temporada de Dynasty como Oliver, exnovio de Kirby (Maddison Brown).

Hannah Einbinder será Ava, la joven guionista que Deborah Vance (Jean Smart) es obligada a contratar, en la comedia de HBO Max protagonizada por Smart. Carl Clemons-Hopkins (Chicago Med, The Chi) será Marcus, el jefe de operaciones de Deborah. Kaitlin Olson (It's Always Sunny in Philadelphia, The Mick), Christopher McDonald (Thelma & Louise), Paul W. Downs (Broad City, Rough Night), Mark Indelicato (Ugly Betty), Poppy Liu (Better Call Saul), Johnny Sibilly (Pose), Meg Stalter y Rose Abdoo (Gilmore Girls, Parenthood) participarán como invitados recurrentes.

Pósters

Nuevas series

Donald Glover (Atlanta, Community) y Phoebe Waller-Bridge (Fleabag, Broadchurch) protagonizarán Mr. & Mrs. Smith, basada en la película de 2005, para Amazon. Cocreada por Glover, Waller-Bridge y Francesca Sloane (Fargo, Seven Seconds), que será la showrunner.

Netflix prepara The Overstory, adaptación de la novela de Richard Powers (2018). Trata sobre un mundo junto al nuestro que es extenso, interconectado, lleno de recursos, inventivo y casi invisible para nosotros. Un puñado de gente aprende a verlo y se ven arrastrados a la catástrofe que se prepara. Escrita por Richard Robbins (Good Girls Revolt, 12 Monkeys). Producida por David Benioff y D.B. Weiss, los creadores de Game of Thrones; y Hugh Jackman (X-Men Origins: Wolverine).

Amazon ha encargado ocho episodios de The Summer I Turned Pretty, adaptación de la trilogía de novelas de Jenny Han (To All the Boys I've Loved Before). Es un drama multigeneracional centrado en un triángulo amoroso entre una chica y dos hermanos. Escrita y producida por Han y Gabrielle Stanton (Haven, The Flash).

Kate del Castillo (La Reina del Sur, Ingobernable), Roselyn Sanchez (Devious Maids, Without a Trace), Sylvia Sáenz (Betty en NY, 100 días para enamorarnos) y Jeimy Osorio (Betty en NY, Celia) protagonizarán Armas de mujer, en la que detienen a los maridos de las cuatro protagonistas por pertenencia a la misma organización criminal, en Peacock. Creada por José Luis Acosta (Sin tetas no hay paraíso, Ana y los 7), escrita y producida por Marcos Santana (La Reina del Sur, Dime quién soy) y dirigida por Enrique Begné (Compadres, Busco novio para mi mujer) y Claudia Pedraza (La Reina del Sur, Decisiones).

Carla Gugino (The Haunting of Hill House, Jett) protagonizará Leopard Skin, en la que una banda de ladrones, tras fracasar en un robo de joyas, se esconde en una casa en la playa donde viven dos mujeres. Completan el reparto Amelia Eve (The Haunting of Bly Manor), Gentry White (UnREAL, Jett), Philip Winchester (Strike Back, Law & Order: SVU), Margot Bingham (She's Gotta Have It, The Walking Dead), Gaite Jansen (Jett, Peaky Blinders), Nora Arnezeder (Riviera, Zoo) y Ana de la Reguera (Goliath, Narcos). Escrita por Sebastian Gutierrez (Jett, Snakes on a Plane). No hay cadena asociada.

BBC One encarga Bloodlands, thriller en el que una nota de suicidio en una coche la recuerda al inspector Tom Brannick (James Nesbitt, The Missing, Lucky Man) un famoso caso antiguo sin cerrar y relacionado con él. Completan el reparto Lisa Dwan (Top Boy), Lorcan Cranitch (Roma, Atlantis), Charlene McKenna (Ripper Street, Death and Nightingales), Ian McElhinney (Game of Thrones, Derry Girls), Lola Petticrew (Dating Amber, Come Home), Chris Walley (The Young Offenders), Michael Smiley (Luther, Death and Nightingales), Kathy Kiera Clarke (Derry Girls), Susan Lynch (Happy Valley, Unforgotten), Peter Ballance (Game of Thrones), Asan N'Jie (Emmerdale Farm, Mount Pleasant), Cara Kelly (Trust Me) y Flora Montgomery (A Very English Scandal). Escrita por Chris Brandon, dirigida por Pete Travis (Project Blue Book, The Jury) y producida por Jed Mercurio (Line of Duty, Bodyguard).

The CW ha encargado un reboot de The 4400. Escrita por Ariana Jackson (Riverdale).

Peacock ha encargado diez episodios de The Best Man, limited series continuación de la película de 1999 y su secuela de 2013. Volverán Morris Chestnut, Melissa De Sousa, Taye Diggs, Regina Hall, Terrence Howard, Sanaa Lathan, Nia Long y Harold Perrineau. Escrita y producida por Malcolm D. Lee, guionista y director de las dos películas.

FOX prepara una serie de animación adaptación del juego Clue (Cluedo).

FOX encarga una comedia de animación ambientada en la Antigua Grecia que seguirá a una familia de humanos, dioses y monstruos que intentan gobernar una de las primeras ciudades del mundo sin matarse entre ellos. De Dan Harmon (Community, Rick & Morty).

HBO Max ha encargado dos temporadas del revival de la serie de animación Clone High. Escrita por Erica Rivinoja (South Park, Borat 2).

HBO Max encarga Velma, serie de animación precuela de Scooby-Doo. Mindy Kaling producirá la serie y pondrá voz a la protagonista.

HBO Max encarga Fired on Mars, comedia ambientada en el campus de una empresa de tecnología en Marte. Basada en el cortometraje animado de Nate Sherman y Nick Vokey. Producida por Pete Davidson (Saturday Night Live).

Spectrum ha encargado doce episodios de Long Slow Exhale, drama en el que la entrenadora de un equipo de baloncesto femenino universitario (Rose Rollins; The L Word, The Catch) se encuentra en medio de un escándalo de abuso sexual. Creada y escrita por Pam Veasey (L.A.'s Finest, CSI: NY).

Amazon desarrolla Oona Out of Order, adaptación de la novela de Margarita Montimore (2020) en la que el día de su decimonoveno cumpleaños una chica se ve dentro de su propio cuerpo pero con cincuenta y cinco años. Escrita y producida por Alice Bell (Offspring, The Beautiful Lie).

Tiffany Haddish (The Carmichael Show, Girls Trip) ha adquirido los derechos del libro Shakespeare's Secret Messiah: The Dark Lady, de Joseph Atwill (2014), para adaptarlo a la televisión. Protagonizará y producirá la limited series, titulada The Bardess, que tratará sobre Amelia Bassano, poetisa veneciana negra y judía que algunos creen que está detrás del trabajo literario de Shakespeare. Escrita y dirigida por Amma Asante (The Handmaid's Tale, Mrs. America) y producida por Akiva Goldsman (Underground, Fringe). Aún no hay cadena asociada.

Fechas

La cuarta temporada de Unforgotten se estrena en ITV el 22 de febrero

Genera+ion se estrena en HBO Max el 11 de marzo

La tercera temporada de Paradise P.D. llega a Netflix el 12 de marzo

Country Comfort llega a Netflix el 19 de marzo

Genius: Aretha se estrena en NatGeo el 21 de marzo

Mare of Easttown se estrena en HBO el 18 de abril

La tercera y última temporada de Shrill llega a Hulu el 7 de mayo

La séptima temporada de Good Witch se estrena en Hallmark el 16 de mayo

Tráilers y promos

The Falcon and the Winter Soldier

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Genera+ion

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Paradise P.D. - Temporada 3

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#series tv #television

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haircutfit · 5 years

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Jamie Lee Curtiss Hair Style

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vyhurz · 1 year

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Jamie Lee Curtiss in Romona Keveza at the SAG Awards (2023)

#jamie lee curtis #jlcurtisedit #red carpet #***

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edmlifeofficial · 6 years

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The BPM Festival: Portugal 2018 Announces Additional Showcases + Final Lineup

A new post has been published on EDM Life at https://edmlife.com/the-bpm-festival-portugal-2018-announces-additional-showcases-final-lineup/

As EDMLife reported in May, The BPM Festival: Portugal 2018 revealed its phase 2 lineup. The BPM Festival: Portugal announced yesterday its final artist lineup as well as an additional wave of showcases for its sophomore edition. The annual festival will return to Portimão and Lagoa along the Algarve coast to close out the summer festival season during the weekend of the 20th through the 23rd of this month.

Final artist additions include Craig Richards, Joseph Capriati, Kenny Dope, Magda, Octave One [Live] plus many more. Yesterday’s announcement included showcases like Carl Craig’s Detroit Love series, Dutch house collective SlapFunk Records, and Mark Knight’s Toolroom Records continues its worldwide 15th anniversary celebration in Portugal.

Packages for festival passes, accommodation &/or airpot transfers are still available via The BPM Festival’s official partner Festicket.

The BPM Festival: Portugal 2018 Final Artist Lineup (in alphabetical order):

(* indicates new additions)

ACID MONDAYS

ALAN FITZPATRICK

ALBUQUERQUE

ALEX KENNON

ALI

ANDRE BULJAT

ANDREA OLIVA

ANIMAL & ME (LIVE)

ANNA TUR

APOLLONIA

ART DEPARTMENT

BILL PATRICK

BORIS

BORIS WERNER

CAIN

CALEB CALLOWAY

CALI LANAUZE

CALVIN CLARKE

CARL CRAIG

CARLO LIO

*CARLO RUETZ

CARLOS CHAPARRO

CHAD ANDREW

CHRIS LIEBING

CHUS & CEBALLOS

*CRAIG RICHARDS

CUARTERO

CUKY

D’JULZ

DA VID

DANNY SERRANO

DANNY TENAGLIA

DARIUS SYROSSIAN

DAVID BERRIE

DAVID GTRONIC

DAVIDE SQUILLACE

DAVINA MOSS

DENNIS CRUZ

*DETLEF

DJ DEP

DJ V

DJ VIBE

DUSTY CARTER

EGBERT (LIVE)

EMANUEL SATIE

FABIO FLORIDO

FER BR

*FRANK MAUREL

FRANCISCO ALLENDES

*FRANK STORM

FRANKY RIZARDO

GONÇALO

*GORJE HEWEK & IZHEVSKI

*GREEKO

GUSTA-VO

GUTI (LIVE)

HECTOR

HECTOR COUTO

HUGO BIANCO

II FACES

INGI VISIONS

JAMIE JONES

JAMIE LIE A KWIE

JAVIER CARBALLO

JEAN PIERRE

JESSE CALOSSO

JOEY DANIEL

JOHN ACQUAVIVA

*JOSEPH CAPRIATI

JOSH WINK

*JOSHUA PUERTA

JULIAN ALEXANDER

JULIAN JEWEIL

JULIEN LORETO

*KENNY DOPE

KENNY GLASGOW

KINNERMAN

KYLE HALL

*LATMUN

LAUREN LANE

LAUREN LO SUNG

LEE BURRIDGE

LEE CURTISS

LEO POL (LIVE)

LEON

LIL’ LOUIS

LOCO DICE

LUCIANO

LUIGI MADONNA

MAGAZINO

*MAGDA

MAHONY

MANDANA

MAR-T

MARCO CAROLA

*MARCO FARAONE

MARK KNIGHT

MATT TOLFREY

MATTEO GATTI

MATTHIAS TANZMANN

MAX CHAPMAN

MICHELANGELO

MISS SHEILA

#Carl Craig's Detroit Love #craig richards #Festicket #Joseph Capriati #Kenny Dope #Lagoa #Magda #Mark Knight's Toolroom Records #Octave One #Portimão #SlapFunk Records #The BPM Festival: Portugal 2018 #The BPM Festival: Portugal 2018 Announces Additional Showcases #The BPM Festival: Portugal 2018 Announces Final Lineup

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