Shabnam Jahanshahi — Charlotte Corday's Dream (oil, canvas, 2023)
87 notes
·
View notes
‘Patroclus’ by Jacques-Louis David, c. 1780.
444 notes
·
View notes
Jacques-Louis David (French, 1748-1825)
Psyché abandonné
197 notes
·
View notes
The Funeral Games of Patroclus
By Jacques-Louis David
And the son of Peleus led their passionate lament, placing his man-slaughtering hands upon the breast of his companion: “May it be well with thee, O Patroclus, even in the house of Hades; I am fulfilling now all I pledged to you before, dragging Hector here to give to the dogs to devour raw, and before your funeral pyre I will cut the throats of twelve of Troy’s noble sons, in rage for your slaying.
The Iliad, Book 23, Lines 17-23
National Gallery of Ireland
107 notes
·
View notes
Jacques-Louis David (French, 1748-1825)
Male Nude Known As Patroclus, 1780
Le Musée Thomas Henry, Cherbourg-Octeville
246 notes
·
View notes
source: bishopsbox
The Death of Marat (1793, oil on canvas), Jacques-Louis David.
La muerte de Marat (1793, óleo sobre lienzo), Jacques-Louis David.
117 notes
·
View notes
Le maréchal Soult vu en buste presque de face la tête relevée | Marshal Soult seen in bust almost from the front with his head raised (Jacques-Louis David)
28 notes
·
View notes
Oil Painting, 1784, French.
By Jacques-Louis David.
Portraying Madame Charles-Pierre Pécoul.
Musée du Louvre.
61 notes
·
View notes
Jacques-Louis David (1748-1825): The Intervention of the Sabine Women.
24 notes
·
View notes
Jacques-Louis David - Portrait of Suzanne Le Peletier de Saint-Fargeau
22 notes
·
View notes
Jacques-Louis David (French, 1748-1825)
La Mort de Marat
147 notes
·
View notes
Madame Francois Buron, Jacques-Louis David, 1769
133 notes
·
View notes
david: let's both agree to drink the hemlock on the count of three. one... two... three.
robespierre:
david:
robespierre:
david: well now i'm just disappointed in both of us
23 notes
·
View notes
A Muse (detail), by Constance Mayer
c. 1800s, Napoleonic era
According to the lot essay, Napoleon gave Mayer an apartment in Paris and bought some of her paintings. She studied under Joseph-Benoît Suvée and Jean-Baptiste Greuze. During the early 1800s, she joined the studio of Jacques-Louis David and collaborated with Pierre-Paul Prud'hon.
(Christie’s)
69 notes
·
View notes