Boy oh boy this was surprisingly longer than I expected. They talk a lot to really get to the truth about things. Like, who is Ivor the Engine (a cool train from my childhood)
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if you've been paying attention to my image descriptions, you've probably noticed that I use sequences of numbers. 4-4-0, 4-6-2, 4-8-8-4, 0-4-0T.
This is a system called Whyte notation, which is used to categorise steam locomotives. it describes the number of leading/pilot wheels, driving wheels, and trailing wheels that a locomotive has. for tank engines, the T is added to the end of the wheel arrangement. Since this is a fictional train blog, I'll use fictional examples.
This is Gordon, a 4-6-2. He has four leading wheels, six driving wheels, and two trailing wheels. He also has a tender, but the wheels on that don't count. it's technically just a specialized kind of car, used for storing coal and water.
(id in alt text)
This is Ivor, a 0-4-0T. He has no leading wheels, no trailing wheels, and four driving wheels. Because he is a tank engine, he has no tender. Instead, he carries his water in square tanks either side of his boiler, and his coal in a bunker on the back of his cab.
(id in alt text)
Driving wheels, like all of Ivor's, are directly powered by an engine's pistons. Leading and trailing wheels are unpowered- they help a big, long locomotive navigate curves or imperfect track, kind of like the stabilisers on a child's bicycle. They also help support the ends of the boiler- imagine if Gordon only had his 6 middle wheels. He'd be like one of those drinking birds.
Currently reading Seeing Things by Oliver Postgate. The most gripping autobiography I have ever read. It’s my second time reading it and I’d forgotten how gripping it is.
(more…) “”
So, I was inspired to draw her favourite sentient engine, who is not an Awdry character, actually aired on UK television in 1959 - a full 25 years before Thomas the Tank Engine and Friends debut in 1984.
Meet Ivor the engine - a 0-4-0 tank engine - who works for The Merioneth and Llantisilly Railway Traction Company Limited, in the "top left-hand corner of Wales" with his driver, Jones the Steam.
While he never enjoyed the mass media success of his younger Sudrian counterpart, Ivor still has his small but devoted fanbase in the UK and deserves a little more love outside of it.
Unlike the Sudrian engines, Ivor:
Can swim, and has actually done so at the beach
Sings in a human choir
Enjoys making tea from his boiler
Has a dragon friend, Idris
So, I drew a humanised Ivor in the style of the humans in his show, along with Idris the Dragon.
Ivor the Engine and Idris are the creative property of Smallfilms and Oliver Postgate
An engine and its driver have adventures with their friends by keeping a small Welsh town running.
As a children’s television show this one is calming and has little pressure on the narrative despite the troubles the characters have each episode. The narrator has a soft voice but also there are several amusing voices which makes them more compelling and notably the title character can’t talk but his driver, who really is the protagonist is likeable and a good example to the viewers.
Money is made an issue in several of the stories which is bizarre since there’s a very profitable gold mine in the town that doesn’t seem to be using it for anything. As with many old series there are some unfortunate racial stereotypes but with the slight redeeming quality that they are at least sympathetic characters who are treated as valued members of the community without having to be more extraordinary than the others.
The stories link lightly and have several kinds of arcs but the information isn’t often so vital that each installment wouldn’t work just as well on its own or together with one or two others. The messages are largely those of kindness and helping the community in which favours are done happily for free and leisure is regarded as just as important as work.
Only certain characters in the series are aware that Ivor is sentient and others learn it and are surprised so it’s odd that the town gets so little tourism. The series was originally made in black and white then remade in colour later but the two versions are identical, although it does work better in colour, especially when the dragons are introduced.
ivor the engine is such a weird programme because ostensibly it's a kids show about a lovely little welsh man and his best friend, the train engine, as they go about their day, except that the fourth episode introduces the fact that one of the secondary characters wholeheartedly believes in aliens and in the fifth episode the cast meets a dragon. the little welsh man and the train engine are also very good friends with a donkey named bluebell. everyone in this village is weirdly chill about the sentient train and the dragon, and no one seems to mind that a train participates in the choir competition (because ivor sings bass in the local choral choir, don't you know) (ivor cannot actually speak) but yet it is still made clear that sentient vehicles are Strange because in the episode with the dragon, ivor gaslights the woman from the antiquarian society into thinking that the little welsh man has fully lost his mind by simply refusing to blow his whistle in response to anything he says.
after those two strange episodes, everything returns to sweet little railway antics, and you could be forgiven for forgetting about idris the dragon completely - not that anyone ever does. a few episodes later, the main conflict revolves around the fact that the railway may or may not be nationalised. the episodes are 5-10 minutes long
While they were waiting for their dinner to arrive, Blue and Pink squeezed in yet another in their on-going head-to-head series of Abandon All Artichokes matches. The idea of the game is that players start with a deck of ten artichoke cards from which they draw a hand of five cards. Then, on their turn, they take one card from the face up market, play as many cards as they can, before…
Just realised that there was a heck of a lot of Yorkshire propaganda in the children’s tv shows I was exposed to early in life and this may have shaped who I am as a person