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#its final boss music but its not Final Boss Music. yknow. which in a sense makes sense
arundolyn · 3 months
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oh my fucking god why is rebirth, immortal advent so good im going to go crazyinsane
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exhaslo · 29 days
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Not so much of a request as much as a short imagine I wanted to send over for you to read.
Personally I love imagining Miguel with a Y/N who's the absolute polar opposite of him. Like this girl can't stand working but loves to goof around and party. (Her dimension runs on its night life)
She's always trying to get Miguel to loosen up and tries to flirt with him whenever she gets the chance. (Which he hates. 100%. It's not like he'd miss it if she stopped. Right?)
Like 90% of her time is just spent trying to get him to laugh. Which she does with everyone but with Miguel it's different yknow. She wants him to be happy. Maybe secretly a little more than everyone else.
(Maybe she's not as happy as she lets on but hell if she'd ever let anybody find that out)
Like I could talk so long for this dynamic I have in my head of them. Big grouchy boss and silly little party girl. (Very inspired by 80's/90's and early 00's club culture. I just want her to have cute little leg warmers and glow stick bracelets that she keeps trying to sneak on Miguel's stupid big wrist AASGHH 😭💕)
It's such a cute dynamic that I can totally see happening. No lie, when I was reading this I thought of the song, "Shut up and Dance"
But I LOVE the idea of a world that's all party life. I can do a little one shot for this even if it isn't a request! I love cute shit haha
Warning: None, just fluff
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Earth-331 Silence was foreign to this loud and lively world. Not a single person knew the term, 'relax'. Every day and night was like a nightclub. The Spider of this world, oof, you were a trip. You didn't know the definition of sit down and relax. You had to make sure everyone was having a good time. You had to make sure that everyone was happy. Miguel included. He was a tough nut to crack. You first met Miguel when he crashed into your world, blinded by the bright neon disco lights. You were in the middle of dance fighting your Goblin and a Goblin from a completely different universe. "Oof, hey buddy, you okay?" You asked with a chirp, swinging over to him with a skip in your heel.
Miguel get out a soft growl as he tried to regain his footing. He couldn't believe what was happening. The lights, the music, everything was driving him crazy. His Spider DNA enhanced his senses, causing him to fumble and have a horrid reaction to his world he landed in.
"Shock me," Miguel hissed, squinting as he saw you stand before him, "Just...help me get that Goblin and I'll explain everything." He hissed.
You cheered as Miguel recruited you into his Spider Society. You were having so much fun. There was a smile upon everyone's face as you approached them. You were a party animal. Every time you were in the mood to cheer someone up, music started to play from what others called magic. No, in your world, everyone had these portable music players that could turn any room into a nightclub. You were happy knowing that you made others happy. There was just one person whom you had trouble with...but not for long. "Hi, Miguel! I heard you were stressed. Need some help?" You asked with a chirp. "No." "Oh, come on. I can help loosen you up~" You cooed, rubbing your hands against his shoulders.
Miguel was getting irritated by your presence. Why did you always have to bug him? You always had your hands on him, flirting and trying to cheer him up. Miguel wasn't sure how much more he can handle of you.
The loud music that played whenever you cheered someone up. Your silly little remarks to Miguel. The different party lights that would appear almost every time you spoke. Everything. Everything you did started to wander across his mind.
It was so oddly quiet whenever you were out on a mission. Miguel didn't want to admit it, but he had started to miss you. Lyla would appear every now and then and would tease Miguel about you.
The grump and the party girl.
You nearly squealed as Miguel finally agreed to your request. You had been begging him to let you take him on a night out. There were rules of course. It had to be in his dimension due to his sensitivity. And you had to behave. "Oh! There's a song like this in my world! C'mon Miguel, let's dance!!" You chirped. You eagerly grabbed Miguel's hands, pulling him onto the dance floor. Miguel was hesitant, but went along with you, after all, he agreed to this. The smile on your face couldn't have gotten any brighter as Miguel finally smiled. His arms were wrapped around your waist as the two of you danced along to the music. Finally. You finally got to see his smile. "Lovely," You whispered. Miguel cocked a brow, "Only for you." He hummed. You could feel your cheeks warm up towards his words. Was Miguel always this quick with his words? Either way, this gave you motivation to see him smile more.
Miguel didn't want to admit anything. He didn't want to admit that he had feelings for you. That he wanted you to be by his side. It felt almost strange to have someone so lively next to him. Almost illegal to have you.
"M-Miguel," You whimpered, entering his office.
Shocked by your sadden tone. Miguel hurried to your side. Tears were rolling down your cheeks as you cried. Miguel hushed you gently, pulling you into his embrace while Lyla appeared and informed him quietly of one of your canon events.
"H-He died! I-I couldn't protect him!" You sobbed.
Miguel frowned as he sat you on his lap, gently playing with your hair. There was no colorful background with your words, no loud music playing. It was quiet. Miguel didn't like this.
As Miguel comforted you, he began to think. This wasn't like you. Humming very quietly, Miguel began to sing for you. He would never do this for anyone else...
But you were special to him.
"M-Miguel?" You whispered, eyes sparkling as your spirit came back slowly.
"Only for you, mi amor (my love). So please, let me wipe those tears." Miguel whispered.
The Spider Society's biggest secret. You and Miguel were a couple. There were special rules that the two of you had to follow, but you didn't mind as long as you got to be with Miguel. He made you smile and visa versa. Like anyone would believe that big ol' grump could fall in love with someone as peppy and wild as you. "This stupid little-" "Ah, ah, ah~ Stress free~" You cooed, wrapping your arms around Miguel's back, "I have an idea! Let's go out tonight!!" "Very well, but I'll pick the spot." "Awe, okay!"
It was your little secret, but one you were happy to hide. After all, not every day you could snag a man like Miguel. He was one in a million.
Your one in a million.
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I know it wasn't a request, but I hope you enjoyed anyway~
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waywardsalt · 10 months
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ok i need to get this off my chest abt totk's dungeon soundtracks this isnt necessarily a criticism but just a... idk man its confusing hang on
ok. totk's dungeon themes. theyre good im not going to lie they arent my favorite of the series but totk did deliver some good dungeon themes. what i'm confused about is the choice to use the champion's and divine beast's leitmotifs in the dungeons, like using daruks theme and bits of rudania's theme for the fire temple. that's the first that comes to mind cuz thats the one i like best but i think it was especially noticeable to me for the wind temple, the water temple's theme has some similar instrumentation and some very similar sounding phrases and when i see comments or people talking abt the dungeon themes it is very common to see people talk about the champion and divine beast leitmotifs being used.
and like. fine it sounds nice there is an emotional connection there if you have played botw but like. why are their fucking leitmotifs in totk's dungeon themes???
if you give a character or something a leitmotif, then that little string of notes represents that character or location or concept. usage of that leitmotif is therefore intrinsically tied to that character or whatever. this worked out with zelda's theme throughout the series, esp in totk when it's given the instrumentation of the dragon's themes, so that musical phrase at that moment basically says 'zelda, but a dragon' and like. yknow. leitmotif that literally represents something.
i believe the wind temple's theme incorporates some of rito villages theme, and in turn rito village having the same melody as dragon roost island makes sense, that's effectively a motif meant to represent the rito, like the reoccurring zora's domain and goron city motifs throughout the series, or hyrule castle. when characters have themes in past zelda games that play at different times, it means something about the character being referenced. midna's lament using midna's theme to show that this scene is about midna, she is in danger. fi's different themes playing when she is the center of attention or her leitmotif referenced in botw/totk when she literally makes subtle cameos. linebeck's theme only every plays in scenes where he has some sort of big moment or in the final boss theme because it's only fair that the final boss theme include the motif that represents him because he is the final boss. groose's theme shows up various times in his little scenes (and i believe there might be hints of it in later imprisoned themes?? i'd have to check but it would make sense since he's helping)
so... if you reuse a leitmotif that is tied to something, then reasonably that means that the context in which it's being reused is somehow related to or concerning what that leitmotif represents.
but... daruk's theme and some bits reminiscent of rudania's theme play in the fire temple's theme. reasonably, i would hear this and be like, ah, so this has something to do with daruk, or the divine beast? the usage of his character leitmotif suggests that he is related to this somehow. thats... usually the point of using a character leitmotif like was done in the fire temple's theme!
and yet the champions and divine beasts are not so much as referenced in totk's stories, and you can't even try to the point of their themes being used due to the new sages being relatives, because tulin is not related to revali- he doesn't even get the great eagle bow until after the dungeon, and still no reference to revali is made when he gets it.
so then... why are we referencing botw's champions if they do not matter? why not use the sage's leitmotifs in the dungeon themes instead? the dungeons are much more related to the new sages, and it would allow players to become more familiar to that leitmotif, and would further tie the experience to that dungeon with its related sage, instead of tying it to dead characters that mean jack shit to the story of totk.
it's just really weird that they use motifs from the champions and divine beasts, since that won't click for people who didn't play botw, and it just calls back to stuff not important to totk anyways. the divine beasts have literally no relation to the dungeons, the champions are barely even relevant to the world in totk. i get that the leitmotifs were used as like... maybe some sort of extra pre-existing racial connection motifs, but... use the sage's themes? don't use leitmotifs that have absolutely nothing to do with this game or it's story? sure it sounds nice but the meaning behind those leitmotifs make no actual sense in this new context, unless you're trying to suggest that they actually have a different meaning than being the motifs of the characters and locations that were originally what they were used for.
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xensergal · 1 year
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Xen "Octavia" Sergal Goes On A Very Stupid And Long Rant About Her Favourite Show Helluva Boss Because She Needs To Get This Shit Off Her Chest ASAP™: The Movie.
This is a long, long ass fucking rant about this show. i will type shit as it comes up in my head. i dont care if my takes are "trash" or "shit" or whatever. its my tumblr and i get to choose whats posted here. ok.
its actually fucking insane how my 2 favourite shows are on near complete opposites to each other on the surface. you have an impossibly perfectly written show with 0 bad episodes and the greatest characters to ever be on TV (Breaking Bad), and then you have a 15-20m per episode comedy/musical/drama on youtube (Helluva Boss). but this isnt about me comparing BrBa to HB, its just about HB.
i have a lot to say about this show. a lot i really, REALLY couldnt get out due to twitter character limits/not really having many friends who watch helluva boss, so tumblr gets my full thoughts, straight from the top of my head. right as theyre being produced. enjoy.
Stuff
the premise of this show is pretty damn cool. a comedy/musical/drama about a bunch of imps in hell who start up an assassination business to make ends meet, while also yknow shenanigans n other shit happens like complicated love trigonometry, bc hey its a show you cant 1 thing forever bc thatd be stale *cough* SITCOMS *cough* and repetitive and would be a shit show, this isnt a shit show. its one of the best ive ever seen. but back to what i was saying. the show has a fantastic premise with good plot and cool characters i will get to in just a moment. i rewatched all of whats been uploaded for this post. to refresh my thoughts and finally, get all this shit off my chest which ive been needing to for all this time.
O YEA OBV SPOILERS FOR ALLLL OF HELLUVA BOSS DUHHHHHHHHHH
Pilot
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this is 3 years old and damn does it show. the animation is very stiff (but still, well made) compared to later episodes, and especially 1 which ill get into later. but the pilot does a great job and introducing the viewer to the main characters of the show, those being Blitzo (Brandon Rogers), Moxxie (Richard Horvitz), Millie, and Loona (both Erica Lindbeck). all with weird, and fucked up relationships with eachother. M&M are a married couple (gross), Loona is a complete whore with syphilis, and Blitzo is her adoptive Father whos also a complete perv who stalks M&M at their house. its fun! its a good plot with good characters and its pretty damn funny. theres also a major supporting character introduced in this episode, Stolas (Brock Baker). i love him, youll see why very soon.
the pilot isnt without its issues tho, the pacing is complete ass with flashbacks inside of flash backs and its just, man idk its fucked up dude i dont like it. weird shit.
7.5/10, good shit, good opening to HB
Murder Family // S1: Episode 1
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good episode! damn after a year of waiting after the pilot for something new people surely had high expectations and id say E1 followed, its pretty good.
plot wise it follows I.M.P on a job to kill some bitch n yknow shenanigans n whatnot moxxie fucks it up because hes a bitch and people almost die but moxxie saves em in the end its good and i like it!
some stuff changed from the pilot, mainly voice actors. Erica Lindbeck no longer plays both Millie and Loona, just Loona. meanwhile Millies new VA is Vivian Nixon and shes pretty good! Millie has more of a southern accent now which will make sense in a future episode. however Stolas also had a VA change, Bryce Pinkham. its flawless and makes me love Stolas even more, you will see why.
8/10 episode, great shit. much better than the pilot.
Loo Loo Land // S1: Episode 2
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words cannot describe how much i love this episode. its flawless.
saying something is flawless is big, really big, but i do feel like this one is. and its all thanks to the opening sequence. the opening sequence makes the audience do a complete 180 about what they thought of a character, no longer is stolas just "a rich, important figure in hell who is extemely gay for blitzo" hes that, plus a loving and devoted father. and the music, its perfection. its the highlight of the whole moment alongside the beautiful visuals and deep character development. and on the subject of characters. Stolas #1 comfort character.
this episode introduces quite a few, the first 2 youll see are Octavia (Barrett Wilbert Weed), Stolas' daughter and Literally Me™, and also Stella (Georgina Leahy), Stolas' arranged wife who wants him dead as hell with NO shoes on in the casket for fucking blitzo. shes hot. very hot. girlboss. shes mean to Stolas tho :(
this episodes plot is cool too. I.M.P make an exception for Stolas and are hired to be bodyguards for the day at a theme park oh joy a theme park how whimsical and fun loving! oh goody! everything is on fire by the end of the episode! splendid!
but like yeaa dude this episode slaps, great plot great characters great shit, O YEA CHARACTERS i forgot about Fizzarolli (Alex Brightman) hes in this episode too, at least a robot version of him. Blitzo and Octavia hate him, thats cool.
10/10, i think this is the best episode of HB released so far. it also has Wally Wackford (Don Darryl Rivera)
Wally Wackford Counter: 1
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Spring Broken // S1: Episode 3
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oh damn! another banger! lets keep this good episode streak going!
this episodes also great. not as great as E2, but still great.
I.M.P get their parking spot stole by Verosika Mayday (Cristina "Vee" Valenzuela) whos a famous popstar in hell (thats why theyre in hell because they listen to pop and pop sucks listen to metal instead youll also go to hell but for a much cooler reason) and just happens to be Blitzo's ex girlfriend. so Blitzo challenges her to a duel where he bets I.M.P can kill more people than Verosika can fuck by the end of the day an who wins gets the parking spot (spoiler alert blitzo wins bc ofc, plot demands it) and then shenanigans lol.
i really dont have much to say about this one other than i like it, verosika is hot, drunk moxxie is funny, and that hehehoo sex joke. O YEA the musics good too its very good
9/10. banger
C.H.E.R.U.B // S1: Episode 4
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i hate this episode. i really really hate it.
nearly everything which couldve went poorly, did. and i dont like that. let me explain.
the plot is okay, I.M.P go to kill a trillionaire. good! thats cool! fuck billionaires and especially fuck trillionaires. meanwhile a competitor, C.H.E.R.U.B, is trying to stop this guy from ending his life. and I.M.P cant have that so they convince him to fuckin die already lol. its fine but how the episode executes this is atrocious. you could easily skip through this one and go onto E5 anyway, this plot adds nothing to the current overarching storyline. yet.
for comedy, pacing and the actual joke is everything. especially if your main writer for this episode (at least by order of appearance in credits) has been doing comedy skits on youtube for many, many years now. no offense to Brandon Rogers, hes phenomenal, but this episodes pacing and jokes are trash. the pacing goes as follows:
Beginning plot development/jokes - meeting the competitors/jokes - joke - joke - joke - fight - joke - end joke. its trash and doesnt work at all imo. the jokes fall flat and its not well paced at all.
however there is 1 more point i want to bring up about not just the episode, but the show in general. regarding moxxie and the things which happen to him. moxxie in this show is essentially a less depressed Squidward Tentacles. this sounds fucking insane but Let Me Explain. the writing has him treated like a fucking punching bag for jokes and/or plot development. in E3, this was for plot development. he got stuffed in a beer keg and nearly got ate by a monster fish. this episode it was for no reason whatsoever. he just, got hurt and thats the joke. the joke is moxxie got hurt. thats it. next episode does it worse, ill get to it.
but anyway, this episode was shit but i liked the fight scene in it, that was cool.
4/10, trash but the fight was good. it also has wally wackford.
Wally Wackford Counter: 2
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The Harvest Moon Festival // S1: Episode 5
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wow.
when this episode first released, i didnt think much of it. i believe i said it was about an 8/10ish or something like that. rewatching it, i couldnt have been more wrong.
this episode has some fan-fucking-tastic plot. and it just might be the best plot driven episode to date. maybe E7 gives it a run for its money, maybe.
the plot is as follows, Stolas invites I.M.P to the wrath ring for a day off for the harvest moon festival. here we get to meet Millies parents Lin (Su Jan Chase) and Joe (Edward Bosco), but also Striker, whos played by Norman Fucking Reedus from video game kojima. and my GOD he fucking slays the role. besides Bryce Pinkham as Stolas, Norman Reedus as Striker has to be my personal favourite Voice in the show. its fucking fantastic.
however there is 1 character i do have to mention in particular, Sallie May (Morgana Ignis).
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Why her in particular? she only has a few lines! yea true, however it gives me an opportunity to talk about the shows flawless LGBTQ+ representation. In Sallie's case, shes Transgender. you can tell the gender of an Imp by the pattern on the horns, millie for example has mostly black horns with thin white stripes, a sign of being AFAB. Moxxie and Sallie however have even sized black and white horn stripes, a sign of being AMAB. but what about other characters?
(these are all from memory so forgive me if any are wrong)
Blitzo is Pansexual
Moxxie and Millie are both Bisexual
Stolas is Gay
Stella and Octavia are currently unconfirmed (i think) tho i headcanon them both as Lesbian because i can.
Striker is also probably Gay i mean have you seen him talking to blitzo like cmon
(also funny side note i should add the VA's for Stella and Sallie, Georgina and Morgana respectively, both ship their characters together i think thats pretty fuckin cool i feel like i just have to mention that somewhere)
theres def a lot more ive missed, however these are the ones which come to mind. their sexuality/gender identity is never forced in your face, its never too painfully obvious that theyre gay for the sake of it, its pretty much flawless representation and i feel more shows should take a thing or 2 from HB in this aspect
Gushing over Norman Reedus amd LGBTQ+ rep aside, the plot revolves around a yearly game of strength in the harvest festival where blitzo and striker (among many others) compete in together. also tangent time
LETS COUNT HOW MANY TIMES MOXXIE GETS FUCKED BY A SHARK
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3. thats 3 times. again, punching bad. what did moxxie do to you, anyway tangent over.
anyway striker competes in the games to gain the trust of I.M.P to stab them in the back by killing their gateway into the living world, Stolas. and you wouldnt believe who hired him (at least i didnt when first watching), Stella. anyway moxxie finds out, shit goes down, they fight, striker gets away. moxxie finally gains the trust of millies parents, big reveal, episode end. banger fucking plot and its just so damn good.
remember how i said the animation in this show gets really gooood,,this is the episode i was thinkin about when writing that. this episode has hands down the best animation (aside maybe the finale of E6) overall of any episode. with cool panorama shots which go around the whole charaters, n shit like that its great.
banger song too, striker did a sing and its good.
10/10, a great episode, but still a weaker 10/10 than E2. it also has Wally Wackford
Wally Wackford Counter: 3
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Truth Seekers // S1: Episode 6
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I barely remember anything from this episode, and at the time of writing, i only watched it five minutes ago.
so the plot is like, blitzo and moxxie get captured by crazy conspiracy guys called D.H.O.R.K.S (haha dorks) and its up to Da Girlz™ to save em meanwhile Da Boyz™ get truth gassed and spill a bunch of plot shit and its good i dont remember what exactly they said but its a fuckin good scene the animation is great with a unique visual style bc theyre hallucinating and OOOOOOOH the hallucination song its a fucking bop i love it (This is a good time to mention for anyone who yet doesnt know Sam Haft has put a bunch of the songs hes wrote for HB on Spotify, they may be just covers, but theyre still fucking great.) but anyway the fuckin, fight scene when millie and loona catch up to moxxie and blitzo is gahhdamn fuckin beautiful its so well animated n shit and then ya just got
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Demon Stolas.
because fuck yes.
anyway yea good episode i guess plots good everythings good its just, i forget about this episode so often im convinced its not real
6/10, banger, just wish it wasnt so forgettable
OZZIE'S // S1: Episode 7 - FINALE PART I
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rewatching this episode hurts. i cant put it into words how, its just a lot of fucked up shit to take in at once and i really do not want to write about this because its late and im tired so ill keep it fucking simple
Blitzo fucks everything up by using a fake date with Stolas as a cover to stalk M&M on their 1 year anniversary of their wedding, but then moxxie breaks into song and Asmodeus (James Monroe Iglehart) does not like that one bit so he and fizzarolli fuckin rip him a new asshole meanwhile blitzo interferes and gets both him and stolas into shit and my GOD this is where it gets depressing.
this song, despite it being a banger, is depressing as shit. i cant stand it, i cant stand how it treats blitzo and stolas
the shitty choices theyve made...
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the people theyve thrown away...
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its all coming back to them in song form. and it fucking sucks for them.
but m&m are doin okay ig they fuckin, hit fizz over the head and continued their song after that shit its all good for them tho ig or smthn idk im tired.
10/10, a phenomenal ending to the 1st season of one of the greatest adult animated shows ever written. it also has Wally Wackford.
Wally Wackford Counter: 4
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THE CIRCUS // S2: Episode 1
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damn i like this episode
i like the blitzo backstory with how he and fizz used to be before they now hate eachother, with how he met stolas and became his first friend. with everything really. its a great episode and like
damn its good idk what to say im tired its just a good episode.
Johnathan Freeman does a good job as Paimon, stolas' dad too even tho hes a shitty dad.
ok yea plot tho, it takes place like ~25 years before the pilot which is neat i like backstories. but like, paimon literally bought blitzo just so stolas could have a friend so he didnt need to be a father to him thats just. man i dont like that. blitzo and stolas are so cute tho i like them. uuuh fuckin, more stella content too shes back still a girlboss still hot, still mean to stolas :( you can tell im tired cant you lemme just say a thing
WAIT I FORGOT THE SONG AT THE END the song at the end is so goood i love it. idk if i like it more than You Will Be Okay but i like it its good i like it thats all i can really say rn. i could say more if i wasnt tired but im tired.
9/10, good shit, good backstory, good good good good episode.
SEEING STARS // S2: Episode 2
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i have. so much to say about this. too many words to fit into tumblrs infinite character limit. but ill keep it brief because i want to
you have no idea, how long, i have waited for this to happen. just one scene between Octavia and Loona. just one, and now i have it. i am complete.
i saw this post which talked about star and moon symbolism between octavia and loona and it made me realise, holy shit, there is gonna be so much more octavia and loona content in future episodes if all this isnt a coincidence. and i am ready for it all.
i could talk about the rest of the episode if i wanted too, but i dont. i only want to talk about these perfect 2 minutes between these characters. i do think this is the best moment in the entire show so far. seeing a headcanon that youve had for so long (in this case loona and via being friends) become true, it connects with you in a way that not much else can.
and i dont care about the rest of the episode. not one bit. not right now anyway. i just want this moment, forever.
10/10. a good episode all around, and a truly, perfect moment. it also has Wally Wackford.
Wally Wackford Counter: 5
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and damn thats like, all of helluva boss so far. ive been writing this for like 7h now becasue tumblr keeps breaking for me and i keep having to write anything all over again. god im tired. but im so glad to finally get all this off my chest after years of not really having anywhere to gush about this show. it means a lot to me, more than what people think. and i dont know where i would be without it, literally.
"but whats with the wally wackford counter" its there because its funny and hes a funny character.
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agentdammers · 6 years
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Grand Torchwood Rewatch 1x12 & 13
IF YOU FALL I WILL CATCH U I’LL BE WAITING........ T I M E A F T E R T I M E
One season down...... It’s a Finale Double Whammy, just as it aired back in 2007! Crumbs of Jack Lore drop into our laps, some absolute plot bullshit takes place, an old man is there!!! fuck it let’s get this over with
content warn: pisstaking, fun having, oh! plot bullshit!, i absolutely lose my fucking mind, Owen Harper!!! I Won’t Hesitate Bitch
1x12 “captain jack harkness”
- a thought before we dive in, but man owen gets A LOT of story stuff over the course of the 2 seasons he’s in right??? like more story stuff than ianto and tosh combined. interesting
- AH FUCK!!! A VOTE SAXON POSTER. REMEMBER WHEN?
- so..... here’s a thing. “Ohhh people have heard music from a derelict building! better send torchwood in!” how... does that come about? Could it be squatters or something??? fuck it, let’s send in a Secret Government Agency! they’ll sort it out. i mean we don’t know what they do exactly but i imagine at least one of them is a ghostbuster or something lmao, whatever
- OH NO THIS CREEPY OLD BITCH!!! i forgot how scary he looked!! god, this dude must be a million, or a vampire, or likely both
- tosh’s eyes get SO BIG WHEN THAT GUY ASKS HER TO DANCE I LOVE HER SO MUCH!!!!!!!!!!! she’s the best one!!!!!!
- wish i could wipe this episode entirely from my memory because that fucking reveal when the Real jack harkness introduces himself? F    U    C   K
- speaking of tosh, finding it extremely unconvincing that she, a tech nerd, would go out with a laptop with an almost completely flat battery... like, c’mon. she would be prepared
- Gwen cooper, a fully adult woman: haha me and my friends;;;; came here 4 a dare;;; cos its spooky lol....
- the camera on this show has me fucking SCREEEAMING “He wears a cravat.” THERE’S A DRAMATIC SLOW MOTION ZOOM IN ON THIS GUYS FUCKING CRAVAT AND THEN ON IANTO’S FACE LOOKING AT IT AND ITS ALL IN FUCKING EARNEST LET ME DIE!!!!!!!!!
- the dance they’re at is called “KISS THE BOYS GOODBYE DANCE”, which is what my finishing move would be called if i was a character in a fighting game
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- ianto and owen slapfighting over their shit girlfriend experiences fucking owns genuinely lmao
- tosh pops the top off a tin and then cuts her hand open on the obviously blunt fucking lid?????? jesus christ
- “I’m tired of living in awe of the rift!!!” .....................first i’ve heard of it. I love that owen is talking as though the rift has been a major fucking factor throughout the entire series up until this point, rather than a thing that’s just been vaguely fucking referenced as the reason why a bunch of weird shit just seems to happen in cardiff. no, im not standing for this. You can’t pull out the rift at the eleventh hour and then talk about it as though it’s a Hugely Important plot device when the biggest role it’s had over the stretch of the entire 11 Whole Ass episodes prefacing this was to allow the plane to come through in “out of time”. y’all have barely mentioned the rift this entire time and now you want to act like its the hellmouth??? eat my ass!!!!!!
- and continuing on that note: apparently they’ve had a machine that can manipulate the rift in the hub......... the entire goddamn time. but no one thought to MENTION it i guess!!!!!!!! pfft, why would THAT be important??? right???? right?????
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this plot bullshit almost makes me feel bad for how harsh i was about “cyberwoman” but, i will admit.... despite this Absolute Fucking Nonsense, i do find the jack and tosh storyline in this episode really fun and interesting. its just unfortunate that all the stuff arrrrround that is some kind of fic scrawled in the back of a kid’s math book.
- also the size of owen’s fucking NADS in this episode!!!!!!!! “Don’t compare yourself to me.” SAYS MAN CRYING OVER THE GIRL HE KNEW FOR ONE (1!) (SINGULAR) WEEK!!!! as opposed to ianto’s longterm girlfriend being turned into a monster and eventually murdered by his own team!!!! Like, i understand that’s owen’s problem actually goes beyond that, and its not so much about diane herself but about the fact that he let himself feel close to someone again after his fiancee died but for us, The Audience, watching this as it airs... we haven’t unlocked owen’s tragic backstory yet. and without knowing all that it just makes owen look really bad and like a huge fucking tool lmfao.
- NEVERMIND THE END IS GAY AND SAD AND Y’KNOW!!!!!! i am a man of simple pleasures, at heart, and so... i’ll let it slide. jack meeting his namesake knowing that he’s going to die and them having a moment is more of the kind of emotional content we would get in episodes of doctor who, and its Just Right
- in honesty, theres a bunch of stuff about this ep that i DO like. that tosh gets a prominant role for a change, while gwen gets to do fuck all. the whole Real Jack story. owen gets shot and pops a tit out at the end. its just unfortunate thats its all wrapped up in this rift thing thats been wheeled out last minute for a Big Season Finale with no real foreshadowing or build up to it at all lmao. but, moving on...............................................................................................
1x13 “end of days”
- RHYS BUNS DETECTED, A SOUND WAY TO KICK OFF ANY EPISODE
- lovely reading voice ianto’s got..... i also like owen acting up to make sure we know that they remember him being shot in the shoulder last episode lol.
- “owen, if you open the rift you’ll break it” (owen opens the rift anyway) “owen, you opening the rift broke it” (owen GASPS IN DISMAY, ME??? REALLY?) yes bitch open your ears
- “So are we going to sit around crying into our lattes or are we gonna do something about it?” OWEN..... IS THIS. SUPPOSED TO SOUND BADASS I.... GENUINELY CANT TELL? IT SOUNDS BAD, OWEN
- jack was so likeable last ep now he’s a DICK. gwen calls him out on how he talked to owen and he’s really fucking catty at HER for no reason at all????
- i haaaaaaaaate this scene in the hospital where a Mystery Illness has all the fucking symptoms of the bubonic plague but apparently every doctor in the entire hospital never did high school level history and are all incapable of recognising it. if fucking *i* know what symptoms of the bubonic plague are im sure they didn’t need Absolute Brain Genius Owen Harper who is seemingly the only person with any sense in cardiff to come in and diagnose it. i also hate how owen just like casually mentions to the doctor yep, this is caused by people falling through time dude yknow!!! like they do!! expect more of this to keep happening probably idk!!
- “I CAN’T BELIEVE YOU OPENED THE RIFT WITH THIS MACHINE WE HAVE THAT’S FOR UHHHHHHHH UHHHHHHH OPENING THE RIFT *big fuck off galaxy brain*” thats basically this episode.
- i love that owen has followed jack all this time but NOW in a crisis is the time to actually lose it and start questioning his authority bc they dont Actually know who jack is like???? you’ve been fine not knowing this entire time before??? thats not to say that jack isn’t an entire dumbass himself. he expects them all to follow him blindly and its so creepy. he’s like a cult leader, and as they all have Torchwood Stockholm Syndrome that ive mentioned in previous episode run downs they’ve all just gone along with it.
- owen having a little cry on the way out is such a Good scene bc he puts on such a brave and defiant front tho 💕💖💘💕
- i dont know why the really quick flashback to diane flying off in the plane made me lose my fucking mind, its just like “LMAO IN CASE U FORGOT: SHE WAS THE PLANE LADY. I KNOW SHE WAS ONLY IN FOR LIKE TWO MINUTES, BUT DONT WORRY ABOUT IT.”
- gwen for fucks sake!!!!!!!! not again!!!!! after all the cryptic shit and lies she’s told rhys up until this point, she now knocks him out and locks him in a cell and STILL offers no explanation. this poor fucking dude!!!!!!!!! and it’s about to get even worse for him...
- the way gwen screams “RHHHHHHEEEEEEEEEEEEUUUUUUUURRRRRSSSSS”
- YES EVERYONE REBEL AGAINST JACK!!!!!!! FUCK THIS DUDE!!!! you’re doing what a creepy old dude who is Absolutely Definitely evil wants, but still
- why does gwen start doing shit on the computer when toshiko, the computer expert, is standing right there, like.............
- JACK TRYING TO SMACKTALK TO ENTIRE GANG LIKE HIS OWN CLOSET ISN’T CHOCKFUL OF FUCKING SKELETONS
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- i forget, does anyone know jack’s immortal apart from gwen? or was it just the shock of owen actually Shooting Their Boss? the only onscreen death i can recall of his after suzie shot him was in “cyberwoman”
- god, minutes ago they were all like FUCK JACK!!!! JACK DOESN’T KNOW HOW TO SAVE US AFTER ALL!!! and now theyre all crawling back asking jack to save them all from cgi pig Ganon and its just..... a lot to happen, over the space of about half an hour.
- the ending is so anticlimatic and also why does sucking all the Yummy Life Energy out of jack make abaddon die?????????? Though in its defence... after like 3 bowls of cereal, i too am like OUCH OOF MY BONES
- aaaaaaaaaand rhys is back! will he get treated any better from here on out? i dont remember!!! guess we’ll see.
- bit much of gwen who’s actually known jack the shortest time of them all to be like NO, let ME be with him uwuwuwuuw
- ahhh!!! ianto smelling jack’s coat ;_;
- aaaand jack’s back too. AND HE GETS TO HOLD A CRYING OWEN? FOR ME? oh you shouldn’t have! this Almost makes up for all that rift plot bullshit (almost. i still know what u did.)
- ANDDDDD OH SHIT. FUCK!!!!!!!!!!!!! THE GOOD ENDING. HERE COMES THE TARDIS. FUCKING YEAH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
...............................and there it goes. one season down. sorry this one was so long!!! i love and appreciate anyone to takes the time to read these posts. thank u!!!!
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radramblog · 3 years
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Album Discussion- Absolution
Many hypothetical people who I made up have asked: Rad, since you’re such a massive Radiohead nerd, and are apparently into Coldplay as well somehow, how do you feel about other big UK alt-rock things? To which I will say, yeah, they’re pretty good, love me some Franz Ferdinand, Arctic Monkeys are good, I think Hard-Fi are super underrated.
“What about Muse?” the voice in my head says, attempting to pierce me with a single question.
Unfazed, I answer, banishing this dialogue from the script. I like them well enough? I have most of their albums on CD, but I’ve also not gone out of my way to listen to them in quite some time. So I guess we’re answering that question, and this time, we’re doing it with Absolution.
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From what I can recall, this album was the one where the band tried to break away from being Radiohead-lite and developed their own style properly, which does show in a fair few tracks. But also, I only remember like 3 songs from this album, so this is going to be a learning experience for all of us. Shall we?
The album starts with a 22 second introduction. It’s marching and drums that leads into the start of track 2. Snore.
Track 2 is Apocalypse Please, a dramatic, piano-driven track that is mixed like shit (more on this later). Maybe it’s just the version I’m listening to, but everything is so utterly muddied aside from that piano and the synths that eventually come in. It’s a little frustrating, because the song would probably pretty alright, if I could actually hear any of it. The other elements of the track are playing off that piano nicely, I think, and the vocals do work with the style they’re going for. I know Matt Bellamy’s vocals aren’t really for everyone, and they can definitely get grating at times, but I do think this song suits them.
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Next up is Time is Running Out, which I’m pretty sure is just one of Muse’s most iconic tracks. It’s no Supermassive Black Hole or big pop hit like Starlight (both coming from the next album, Black Holes and Revelations), but it’s overall just a very solid rock song. An extremely mid-00s chorus sandwiched between groovy verses and big handclaps and drums. I don’t know if the drums get enough credit on this song, their bit in the second and third prechorus is exquisite.
Muse is kind of interesting to talk about from a thematic perspective, because much of their work, especially on this and the next few albums, are going for this real larger-than-life, super big and important sort of vibe. And while there are some songs that do earn that, it can get to be a bit wanky at times. I don’t think Time is Running Out falls into this trap too much, but I’d argue the next one does.
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Sing for Absolution, the title track, doesn’t really do it for me. It’s kinda hymnal, which is a fine thing to do in a rock song, but it also ends up being extremely plodding as a result. Even as the track picks up in the back half, it’s just sort of boring for me. I feel like you have to be fully committed to what the album is going for to really appreciate this, and I’m very much not at this point. Like, you put this as the third real song, and Time is Running Out isn’t as on-theme, so your big moment kind of lands as a whiff. Given time to breathe, maybe this track would sit better for me, but not here and not now.
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By contrast, I fucking love track 5: Stockholm Syndrome. It might be my favourite Muse track, seeing as its just them unequivocally going for a banger- the drums are popping off and the guits are jamming, making it possibly the band’s heaviest song (to my knowledge, at least, though I suppose Psycho exists). That prechorus hits like a ton of bricks, and while the chorus is still incredibly Muse-y with the lyrics and spacey vibe, it works a lot better as a contrast to what surrounds it. I guess maybe it’s just because I’m a sucker for hard rock, but this song goes and I’m not afraid to admit that.
At this point, though, I’m wondering if the mix issues I think I’m having are a result of the Spotify version of the album, or if it’s my headphones. And…yeah, fuck, it does seem to be a Spotfiy issue! I peeped Apocalypse Please and Stockholm Syndrome on random youtube uploads, and they sound way better. It would appear that Spotify’s version of this album is just kind of dogshit, so I’d recommend listening elsewhere! Here’s a good Youtube upload of the Japanese edition, though Muse’s own page also works.
Now that that’s over with, I can start shitting on things that actually matter. Like the next song, Falling Away With You. It’d been a while since I’d heard this track, so when it was going through the incredibly boring first section, I was ready to dismiss it entirely. It does pick up, though, so I suppose I won’t just consider it completely shite. I do like the chorus, but frankly, that’s kind of all the track has going for it. There’s a synth element that reminds me of We’re Finally Landing (aka that song that Summoning Salt uses for all those videos), but that’s not really enough to keep me going, yknow?
We then have an Interlude. It would be remiss of me to complain about these, considering how much I love A Thousand Suns, but I’m not going to spend long talking about it. The riff is good?
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Hysteria is another of Muse’s best-known songs, and the one I always kinda forget about. Don’t ask me how, this song absolutely goes. It’s got the fuzzed-out vocals, its got riffs for days, it’s got a tempo that doesn’t let up, it’s just a very good rock song. Unlike several other tracks on this album, it doesn’t have any interest in wasting time- there are no stops on this train. The bridge is great, and the incredibly intricate bassline is absolutely killer. I’m going to try to not forget this track exists again, because it’s genuinely quite good.
 The next song is one called Blackout. There really are a lot of songs with that name, as it turns out, though I’m going to take this moment to reiterate that the Linkin Park song with that name is criminally underrated. Muse’s take on the title is kind of a surprise- it’s an orchestral, slow dance-esque track, that steadily gets more eerie as the vocals rise. And then there’s just a static-y thing that inserts itself in, and like, I get what it’s going for, and I do feel like they needed something extra for that part of the song, but I’m not sure this was the best thing to go with. I thing the song is on the whole solid, though its one of those ones were I cannot imagine listening to it out of context. Not my style, I suppose.
Track 10 is the last single from the album, Butterflies and Hurricanes. I actually really like the build this song starts with, what with the lyric “your time is now” referencing Time is Running Out. And then that piano kicks in, and the song get’s fucking good. I feel like much of the album is going for that apocalypse vibe, but this one really captures it. Something about this piano line makes me think of looking out on a city as the buildings start to crumble.  This isn’t your final boss theme, but this is the one for when you’re starting to head for the final battle, you feel? The whole track drops out for a piano interlude, much more grand and orchestral than previous songs (save Blackout), which is fine but it goes on for just a little too long- I’d rather be listening to the other sections, you know? It does elevate the song’s final act, but at some point they needed to stop fucking around there- reminds me of Tame Impala’s Let It Happen. I bet the radio/single edit does the same thing that one does. Overall good despite that section, but it does frustrate me.
We’re onto The Small Print, a track that is apparently determined to prove me wrong when I said that Muse didn’t really do hard rock tracks that much. This song is very much a mid-00s alt-rocky banger with all the trappings and pop-punk/nu-metal influence that comes with that title. And while I am a major sucker for that era of music, there isn’t much distinguishing this track from all its compatriots in that group. It’s fun, though! Slap it on your emo/punk playlist, you won’t be disappointed, but it’s not game-changing.
The next song is Endlessly, unless you followed the link I posted earlier, because apparently the Japanese edition just sticks the bonus track here instead. I actually do remember this song, but I don’t really have much to say about it. It’s basically fine, but it was also uninteresting enough that I started working on my resume rather than take notes. It’s an Album Track, with all that implies in this context.
Our pseudopenultimate (I’m counting the bonus track, so) track comes in the form of Thoughts of a Dying Atheist, which has a vocal line I do really like, but at this point listening to the album, I’m tired. I’m at the point where I’ve had enough. I’m afraid of this colouring my opinion of the song! But beyond that little vocal trail, the track doesn’t have that much to say for itself that the album doesn’t already. I feel like I harp on about “album tracks” a lot, so let me be clear- I do think when you’re going for a specific theme or vibe, you do need songs like this to solidify it. And no album is going to be 10/10s all the way through, solely through the variance of opinion. There’s nothing wrong with them, is what I’m saying, and in fact I know several in this mould that I dearly belove. But since many won’t stand out to me, I won’t have much to say about them, and so they aren’t going to particularly pique my interest.
Technically the last song on the album is this one, Ruled by Secrecy. It’s got this mysterious vibe that genuinely reminds me of the quieter moments of the Portal 2 soundtrack, which for the unfamiliar is in fact a compliment. It does feel like an appropriate closer, a sense of finality carried by that ever-present dramatic piano action- this would probably make a good credits/denouement theme for a movie, actually. Again, though, I don’t really have much to compliment it for beyond that- the orchestral instrumentation works well for what the song is going for, but the package isn’t anything truly special. Kind of a frustrating place to be.
The bonus track attached to I believe just most versions of the album at this point is called Fury, formerly a B-Side on Sing for Absolution. It has a pretty sicknasty menacing bassline that dominates the verses, and a fairly interesting staccato for the chorus- honestly the instrumentation on this track is quite solid in general. I can see why it got the upgrade to album status, though listening to it after Ruled by Secrecy’s quiet end is going to be awkward. My own CD of this song actually doesn’t have this track, so I’ve never heard it before, and I gotta say I do quite like it. The bridge goes pretty hard, too. It’s a shame the vocals are pretty whatever, but also, they’re low in the mix below the bits I care about, so I’m less worried about that. Overall I like this a lot better than, like, half the “actual” album tracks.
This concludes Absolution. When I was doing a spot of research on this album, I found out Kerrang listed this as the second-best album of the century (as of ’09), which seems utterly absurd to me. The album is largely Pretty OK, not nearly close to that level of greatness, and yet I’m pretty sure it’s considered some of the band’s best. I unfortunately think that, to me, this album suffers from one of the most damning issues any alt-rocky, artsy album can have- it’s a Singles album. One where the gap in quality between the a few tracks and the remainder is great enough that there isn’t a huge reason to listen to the whole thing. It’s a real shame, because I recall liking this more, but that’s the way it is for me at the moment.
I do feel like I have to stress that: this is like, my opinion, man. I know this album means a lot to a lot of people, and that’s entirely valid. I mean, enough people liked it that it went Platinum in the US, Australia, and three times over in the UK. But it doesn’t resonate with me in the same way.  Maybe it’s just that in our modern ages, dramatic apocalypse rock doesn’t resonate as strongly, because at this point, the apocalypse is banal, it’s what we’re living through at this point. The sounds of the end of the world aren’t dramatic pianos and stretched vocals to me, it’s the sound of highways and newsreels. I guess 2004 just had a different zeitgeist.
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verdigrisprowl · 6 years
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June 16 Bevel’s Movie Night - The Greatest Showman & Steven Universe
Everyone agreed the main character was a jerk. However, circuses look fun.
Prowl left before Steven Universe.
Today ItsyBitsySpyers *Soundwave trudges in and parks himself. He's busy as anything catching up after his vacation, but he's here and ready to watch this thing.* Bevel Hey, Soundwave. *waves* ItsyBitsySpyers [[Good evening.]] Bevel Did you have fun on your vacation? ItsyBitsySpyers [[He enjoyed himself more than was expected.]] Bevel Aw, that is good. Did you talk to the Pahvans any? ItsyBitsySpyers [[No. He decided not to stay there. Staying might have brought them harm.]] VProwl *appears* Bevel Hey, Prowl. *waves* ItsyBitsySpyers *Greeting ping.* VProwl *... well, looks like there's only one option today, so takes his usual seat. a vague nod in bevel's general direction* *on to question #2: does he have to worry about soundwave telling—? no wait, she already knows. never mind, no problems here.* ItsyBitsySpyers *Soundwave nods to Prowl - with a small pause to cringe a little at that bad high note - and and settles in.* Ratchet *pops in* Bevel Where did you go after that, Soundwave? VProwl *oh never mind there's ratchet hi ratchet prowl's gonna go sit with ratchet sorry soundwave prowl's gone* Bevel ((Starting asap so get food and potty and all that if you need it Hi, Ratchet! Ratchet Hey! ItsyBitsySpyers *Oh. Well, that's not unusual for these nights. Still, he'd got his hopes up once Prowl sat down.*
[[To Risa. Ask your creator if you know nothing about it.]] VProwl *... RATCHET doesn't know. ratchet only ever caught the very beginning stages. all right, now prowl gets to be nervous.* ItsyBitsySpyers [[Good evening, Ratchet.]] Bevel I have never been there, but I know about Risa. Ratchet Evening, Soundwave. ItsyBitsySpyers [[Then you can be sure he had a tolerable time.]] *Soundwave perks.*
[[Music already?]] ItsyBitsySpyers *Ohhhh this is going to be a good night. Well, if he doesn't have to share the couch, he might as well stretch across it and fold one arm over his middle.* VProwl *Prowl must be tired. The shouty parts of the singing are hurting his audials.* Bevel *lays down on her stomach on the floor* ItsyBitsySpyers *Tilts his head. Was that not a real circus, then?* VProwl *Oh, so it wasn't just the one song, this is a singy movie.* *...... No dogs so far.* Bevel Rude. ItsyBitsySpyers *Really does not like the old human.* VProwl ... They could solve the problem by inviting /him/ into /their/ home. ItsyBitsySpyers [[The only way beings so obsessed with class and currency would dare is to have him work for them, as before.]] *Irritable puff.* VProwl *Okay, now he knows he's tired, the sheets are giving him a headache.* Bevel I like his little shadow machine. ItsyBitsySpyers [[Clever, clever human.]] VProwl Not talented at advertising, is he? ItsyBitsySpyers [[Doesn't seem to be, no.]] ItsyBitsySpyers [[He looks to have finally hit a kind of stride.]] VProwl He's collecting employees he can't yet pay, not customers. *there IS a dog.* ItsyBitsySpyers [[Yes, but at least there are people interested in being a part of it. Which is more than he had to start with.]] VProwl Hm. He knows what to do with negative press, at least. Bevel And they are doing really well too. That is a lot of people in the audience. ItsyBitsySpyers [[No doubt that old human would perish of shock if he saw.]] VProwl ... I can't help but get the sense that... if he were to write a propaganda movie about his own life to justify exploiting outcasts for profit, this is what it would sound like. ItsyBitsySpyers [[Perhaps he did.]] [[Is he still alive?]] Bevel All negotiations should include singing and dancing. VProwl Ugh. ItsyBitsySpyers [[Some of us would have an unfair advantage.]] VProwl I rather enjoy being able to get things done. Ratchet [[ is that MJ ]] Bevel ((Yes VProwl ... I haven't heard a laugh like that since before the Senate was murdered. Bevel It sounded really fake. ItsyBitsySpyers [[You do not sound pleased to hear one again.]] VProwl I'm neutral on it. VProwl Now /she's/ being hoodwinked. The real answer is "because you happened to be here when I was." ItsyBitsySpyers *Suspicious.* [[Is he infatuated with her. Is that what that is.]] [[....And now he leaves them in the cold.]] VProwl Mm-hmm. Bevel Boo. Ratchet He really called them that. VProwl He certainly did. ItsyBitsySpyers *Shaking his head.* [[Vile. He hopes they will all choose to burn their employment contracts.]] [[And the young one is a coward.]] Bevel At least he wanted to put them in the box instead of the standing room. ItsyBitsySpyers [[At least he wanted that, yes.]] VProwl Or unionize. Bevel Unionize! VProwl I heard that's a thing humans do. They could make more money for being called names by their boss. ItsyBitsySpyers [[...Why is he not following his companion and his offspring.]] Bevel *scowls* ItsyBitsySpyers *Angry buzzing.* VProwl ... I'm leaning back toward quitting. Quit and start their own circus. ItsyBitsySpyers [[Agreed.]] Bevel Yeah. Bevel All these parents are awful. VProwl All of these people, in general, are awful. Bevel *nods* VProwl I'm fairly certain the outcasts only aren't awful because they have yet to be afforded the rank and wealth to permit them to be so. The main character started off approximately as low as them and became awful the instant he was rich enough to be so. I think it's a running theme. Bevel I hope not. VProwl The sole exception appears to be his wife, who married him despite his rank; but she's hardly had any opportunity to do anything this movie except interact with him. Bevel *bad father on top of everything else, least favorite character forever* ItsyBitsySpyers [[Two credits on leaving his wife for the opera singer. He has abandoned everything and everyone else that supported him and gave him the opportunity he values.]] Bevel Noooooo. That would be the worst ending ever 😔 VProwl Hm. The moment after the opera singer pointed out that those born into privilege don't know what it's like to be born without it, he threw that concept into his wife's face. ItsyBitsySpyers [[Hmm.]] VProwl ... Why's SHE quitting? Did she find him THAT appealing after one party in the queen's presence? Is—is he supposed to be an appealing person? ItsyBitsySpyers [[Not in the slightest.]]
[[...Oh, Primus.]] Bevel He said he was leaving. VProwl Well. He deserved it. THEY didn't, though. ItsyBitsySpyers [[...Do not tell him the one semi-respectable human employer in this whole affair is--]] Bevel Aw no. VProwl The opera singer, though—just—decided to—casually endanger his reputation and family life in public, because he invited her across the ocean to sing and she was disappointed that "sing" wasn't code for "fuck"? What sense does that make. ItsyBitsySpyers [[Vindictiveness.]] VProwl It's ludicrous. Ratchet It is ironic that the one decent decision he made brought him to ruin. ItsyBitsySpyers [[Presenting them as equals? Hm. He certainly doesn't /treat/ them as such.]] VProwl He is an actor. VProwl If they want their home back, why rally around him for it? I still say they should go start their own circus. Bevel Yeah. ItsyBitsySpyers [[Still agreed.]] [[Himself?]] Bevel I think he means his family? VProwl If they think they need his name and face attached to it to make it work, then THEY can HIRE him to perform for them. Bevel Ha! He does not have any money, so I bet he will need them more than they need him. ItsyBitsySpyers [[...He led them on and ran away on a train?]] VProwl He's got a questionable reputation attached to a recent scandal. THEY'VE got an act. I think he's tracking down his family. Bevel He is! ItsyBitsySpyers [[Easier to transport, less expensive if burned. Not unwise.]] VProwl THAT much fabric? *yknow. the movie's almost over. the loud notes are still hard to listen to.* Bevel *sorry, Prowl* VProwl *well. he could be sleeping better.* VProwl ((... how do you park an elephant)) ItsyBitsySpyers ((any which way you want)) VProwl ((I GUESS)) ItsyBitsySpyers [[Stop singing at the ballet recital. How rude.]] Bevel ((excuse my police, but this guy just double parked his elephant in front of my carriage, can you tow it? VProwl ((*handcuffs its trunk*)) Bevel ((lol ItsyBitsySpyers [[Well. That was an interesting look into human entertainment history.]] Bevel Do they still have circuses on Earth? VProwl There's a circus on my Cybertron. ItsyBitsySpyers [[Oh, yes. They d-- what?]] *Snap attention.* [[Where? When?]] Bevel There is? *sits up excitedly* Ratchet [[ didn't the barnum circus officially shut down a couple years ago ]] VProwl Outside of Iacon. I think it's continuously going. One of the performers owns a bar in Metroplex. Bevel ((last year I think Ratchet [[ i saw it once as a kid, i don't remember much from it though except for the tent and discovering i don't like the big bread pretzels ]] Bevel ((same... also i remember loving the trapeze artists ItsyBitsySpyers ((it closed last year yeah)) VProwl *oh, nope, Prowl isn't staying for this show.* I should head out. Evening. Ratchet Seeya, Prowl. Bevel Night, Prowl. ItsyBitsySpyers [[Goodnight, Prowl.]] [[He should be on his way as well. He is very behind still, and there are things he must check on.]] *Maybe including that circus.* VProwl *disappears* Bevel Aw, ok, Soundwave. ItsyBitsySpyers *Nods, rises, and heads on his way.* Bevel ((i legit forgot she threw herself out of the van like that omg VProwl ((that's one of the most important moments in the show)) Bevel ((this is probably the episode when everything really changed VProwl ((i'd agree with that)) Bevel ((you got hints of things before this and some weird, funky stuff happening, but that reveal was just so big. I'm still sad I was spoiled on it before I started watching the show Bevel (("ok. bye." lol Bevel ((ok, that is all I have to show tonight, thanks everyone for coming VProwl ((gnight~))
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warning, the following has mainly snarky (and possibly furious) opinions on Spirit of Justice. Reader discretion is advised.
Okay folks. this is it. part 1 of the final chapter
here we go.
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trial day 2?? oh yeah i forgot they split this game up in the worst, uneven way possible 
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wow that cutscene was
something alright
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wow datz actually managed to hold onto the snow globe. kudos?
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what the fuck
i think i heard it wrong but Dhurke’s objection sounds like an old man 
I'm pretty sure i heard it wrong 
missed the bass
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who was that no– oh Garananana
i guess she's gonna be the final boss instead huh
im so tired i cant even snark properly 
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“is that kosher?”
i like it
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oh god
what.... what is she wearing 
i mean
fuckin
TALK about madonna-whore complex. oh yeah, time to turn super evil?? bear your midriff! show off dem tiddies! 
look, SOJ. theres only one bad bitch in ace attorney who can pull off floaty tendril hair, and its NOT ga’ran.
i cant believe i have to look at this train wreck for the rest of the trial
-
“heh heh heh. its all coming back now. the feel of my blood pumping through my veins”
this is perhaps because youre actually moving now, your eminence.
-
can we just dispense with the trial and have a good old fashioned anime fight? cmon apollo, spike up that hair and grab your BFS. 
-
“meep”
WHATS WITH THE MEEPING
BONNY DID THAT TOO
SOJ ITS 2016 ...ACTUALLY ITS 2028 YOU HOLES
-
everyone in the court: :O what??? whats wrong with rayfa??? why is she sad???
oh i dunno maybe because her fucking Father just got brutally murdered?? maybe??
what the fuck is up with SOJ characters being dumb as a bag of bricks when it comes to other peoples’ feelings regarding death of loved ones???
-
phoenix: shits fucked, thats why?? apollo: OHHHHHHHHHHHHH
-
“seems like she's worse off today than she was yesterday”
hey game you'd better not be implying any shit 
-
“discipline”
soj
-
alright, back after another longass break. i can do this.
( That’s oddly compassionate of him, all things considered )
I was about to defend Nahyuta because what kind of person wouldn’t try to spare a child from witnessing that kind of trauma... but then again, this is the Sadmad who purposefully tried to trigger someone into losing a trial so
(shrug emoji)
-
grana’s gone into full HORHORHOR BITCH MODE 
partially I'm totally numb because i dont have any stakes in her newfound ebilness, and partially I'm tired of this weird new trend of child abuse in the new games 
“Barbed head.”
oh my god 
the first person she goes to after realizing that her caretaker is gone is fucking Phoenix 
im gonna cry 
“ive been reduced to “royal robe remover”” NO NICK YOU’VE BEEN UPGRADED TO DAD BY SOMEONE WHO’S NOT YOU
( ‘It’s like she’s grooming Mr. Wright to be Nayna’s replacement’) 
I know this game is all about confusing bullshit for heartwarming moments and vice versa but guys 
good lord
my heart
i really needed that 
-
(sigh) they really couldn’t get someone who sounded like a fucking 14 year old to do her voice?? really???
-
rayfa: (looks like she's going to die and collapses)
apollo: this is not good...
gee apollo you really think so? 
-
wait a fuking second 
we went through the whole dance cutscene and we’re not even going to see the pool??? does that mean the priestess has to be conscious and present for the images to be visible? ...and how does that work, anyway? 
i just realized, a medium could use a pool to see the dead, but how the hell could they project it for others to see?? does she literally open a portal to hell???
(sigh) i just regret sitting through that cutscene again
-
“cabal of traitorous lawyers”
i love that
-
(Seriously Dhurke? This is no laughing matter.)
this basically sums up Dhurke’s entire personality 
...yknow, i know what they were trying to do with his character– i really do. i know he’s supposed to come off as a dashing, cavalier rebel who laughs in the face of danger. 
but they overshot endearingly irreverent and ploughed straight into fuckwaddome. if you want a character to be charming, they need softer moments too. Dhurke isn’t a bad person, but he’s kind of an asshole when you get right down to it, and nothing so far is proving otherwise. 
-
ok ive heard Dhurke’s Objection again and it doesn't sound like an old man– it just sounds about as overblown and ridiculous as Manfred von Karma’s (not to mention about as deep)
-
LET DHURKE SAY BITCH
... i guess
-
another perfect example of Dhurke being kind of a fuckwad: he keeps needling the queen and baiting her in ways that could get himself killed, which would be all fine and dandy if he were the brave resistance leader being tortured for information in the bowels of a dungeon.
...but here’s the thing.
IF YOU DIE, DHURKE, APOLLO AND PHOENIX DIE TOO. DID YOU FORGET ABOUT THE GODDAMN DC ACT? ITS NOT JUST YOUR DEAD ASS ON THE LINE HERE SO SHUT YOUR SASSY TRAP AND THINK ABOUT SOMETHING OTHER THAN YOUR *AMAZING WIT* FOR ONCE.
you’ve got 2 extra lives on the line here.
...3 if my suspicions are correct.
-
stop calling him son please you abandoned him in an orphanage and didnt contact him for 14 years.
...and if he can’t call you ‘dad’ you have no right to call him ‘son’
-
coming back to this after ghost trick has convinced me that one of ga’ran’s lackeys miiiiiight be related to Cabanela, baby
-
“Wright... I can see we are kindred spirits, you and I! Hah-ha ha ha ha ha!!”
NO
NO 
NO
NO
FUCK YOU DHURKE 
-
“It’s pretty easy to spot the difference between a soulless man and the soulless shell of a man”
ok that did get a laugh out of me, good job dhurke.
-
apollo: pls dont get us killed dhurke: mmmm ok ill try but I'm not promising anything lol
://///
-
“But remember, son, if you truly believe in me, you should be able to prove my innocence.”
do i even have to list how many reasons thats wrong and a shitty thing to say
-
“Such Insolence”
You’ve been beat out, Not So Fast
-
Ga’ran used Gust!
Apollo flinched and couldn’t move!
-
“I could behead you at any time”
she's got a point; she’s a fucking despot, there’s no reason to actually hold a trial. i mean i guess she wants to shut up the rebels but just killing them would be a lot easier and its not like she has any qualms about murder
-
“Aw shoot, ya got me.”
again, not an appropriate reaction for whats going on buddy
-
lol get fucked kjudge
-
DGFUFUS OH COOL
WE GOT GUILTY (excited cheers from the audience)
the applause and the shots of everyone with :O faces is making me feel like i just won a gameshow 
wheres my cheesy jingle 
-
also i love how Dhurke’s like “oh shit!! my assholishness has directly resulted in my son’s death!!! did NOT see that coming!!!!!!!!!”
-
again the sound mixing is drowning out the background music (sigh)
-
“your benevolence? I’d be happy to lend an ear if you’d like to talk!”
>this is it, this is why he leaves the series guys. Apollo is too good for these sinful games.
-
DAMNIT DHURKE, YOUR SHIT MOUTH IS RUBBING OFF ON YOUR SON
-
hmm
we’ve got an april may here
-
“Rayfa, I shall buy you a new servant”
so Kooraheen practices slavery..? I mean, she.... she said ‘buy’, not hire.
-
“she would have left shoeprints”
do
do you know what evaporation is your malevolence 
-
wait wait wait
that doesn't make any sense 
the only prints leading out are from Inga, but the prints inside the building are from Nayna? how did she avoid leaving prints leading inside, then?? did she just long-jump over the dirt path???
-
the guards are not fanboying, apollo, they’re toadying. there’s a difference.
-
apollo: maybe the place he was stabbed and the place he died were different 
(the game only continues after you carefully explain what dying of blood loss is three years later)
-
to be completely fair, there are actually stories of people who were unaware of being stabbed 
furthermore, when you get stabbed, you’re not going to be the most rational human being on earth. 
phoenix, don’t give sadmad that point, especially when he’s currently assaulting your protege 
now, as i was saying, Apollo’s suggestion that Inga was stabbed in the back and then ran into the temple is perfectly plausible; running to shelter from an attacker is probably the first thing you’d want to do when injured, and the tomb was a pretty safe place, i’d wager. 
tbh i really don’t know why they’re arguing about him feeling the pain as that wouldn’t really impair his movement considering he was stabbed in a place that wouldn’t affect his ability to walk???
but yeah apparently he was doped up to shit so 
-
...i highly doubt back pain medication is strong enough to negate a stab wound. on the other hand, if it is and your back pain is THAT intense, Inga, you need to see a fucking doctor pronto.
...yeah shots straight into the spine is one step away from surgery; not to be an asshole but I'm not sure Inga was doing so well anyway before he went 
-
huh. are they really gonna give us an actual choosable choice to abandon Dhurke and save our own skin? Cause that would be interesting; a lot like the old games where you could “”choose”” to defend a client or not.
to be clear here, though, i wouldn't choose “no” even as much as i dislike dhurke. we know (sigh) that he’s innocent, and even if i dont like him it’s our duty to defend his shitty ass
OH HOLY FUCK
THERES THE CHOICE
wow. y’know SOJ, i dont much like you, but you fuckin Did That. well done.
also thank you for the Justice pun it is much appreciated.
-
“And while I can’t say I’m used to it, this isn’t exactly my first rodeo”
FWHAT
>game flashes back to the Ahlbi case
DSKJFLS THIS IS LITERALLY THE “at second rodeo: this isn't my first rodeo” POST
-
YES OK WE’VE SEEN THIS CUTSCENE TWICE NOW ALREADY
WE GET IT, RAYFAS GOT COLD FEET ABOUT BEING QUEEN
MAYAS IN THE GAME 
OK
-
phoenix: allow me to mansplain how rayfa is feeling despite how fucking obvious it is. after all, we know our players have the mental and emotional capacity of goldfish!
oh hey mansplain is a legit word in the dictionary 
cool!
-
why are they building this up?? just fucking tell Rayfa to do her stupid dance again and get on with it; we already did this at the beginning of the trial 
-
“Hmm... Indeed. It would be problematic.”
ohohoooohohohhhihgjhgo
-
oh her nails are actually tiny pen 
thats neat 
thank goodness Kooraheeneese is an up-and-down written language– otherwise they’d have to make a whole new animation for the english game teehee
-
“....................But... Horn Head needs my help”
oh my heart
-
dan she just straight up begone’d her 
-
see the one thing that falls flat here is that, during a regular trial, the prosecution saying “oh, ok, have it your way; you can try to prove your theory” holds up a little more since they... you know. don’t have absolute power.
where as, with Garananana, its more like she's just a huge posturing pushover. especially since every other minute she's saying “ok, I'm gonna kill you for REAL now.”
-
rayfa: b but if i fail you'll be killed!!! i dont get it...
apollo: i literally just finished explaining that I'm 100% ready to die for my shitty job that was like 5 minutes ago
it is sweet to see that he’s cheering her on though. good big bro 
-
I'm finding small solace in this beautiful moment of “your foreign dad and bro are here for you babe reach for the stars”
Athena’s probably flashing a double thumbs up from the gallery too
-
“But... I finally know now. I know in what I can trust”
Bobby, from the afterlife: YOU’RE DOING AMAZING SWEETIE 
-
Garan: What??? my tiny 14 year old daughter is going to do a thing i don’t want her to??? fuck there’s no way i can shut her up. not even with all of my large adult man guards who could easily just escort her out of the courtroom without any resistance because they’re my fucking royal guards and I'm the Queen
-
oh shit she took off her own cape
im so glad i muted the game so her awful voice actress couldn’t ruin this cool moment
-
and now as this long ass cutscene plays out again, i simply cannot help but wonder about the poor choir and how long they’ve been on standby 
where do they keep the choir during trials 
whats it like singing the dance of devotion song every trial 
-
oh finally here we go. alright, lets see what the magic party pool has in store for us this time 
...o ...ok then
-
OH! OH SHIT 
Inga’s face blind?!
Y’know I did have a few thoughts about that when we discovered his notebook but I didn’t think they’d actually go that route... though, thinking about it now, it is pretty convenient.
...ok everyone’s freaking out. maybe they’ve never heard of face-blindness? ...or maybe its not face blindness after all
im pretty sure it is though
-
i dont know why but everyone being like FUCK ITS GOD and phoenix being like “whoops shits trippy now” made me laugh pretty hard
-
ok i gotta say I'm actually a little invested now, even if its just because i think face-blindness is an interesting thing to incorporate into a murder case. again, a convenient thing, but an interesting thing all the same.
-
ahh fuck i keep forgetting how the stupid seance works 
welp, there goes one of my souls... (sigh)
-
..apollo you dont need to show her the picture of her dead father to say “he had a cell phone”.
-
the voice was coming from INSIDE THE PHONE 
-
RAYFA HAS A PET FROG????
WHAT
SHOW US THE FROG SOJ
SHOW US THE FROG! SHOW US THE FROG! SHOW US THE FROG! 
-
...why would Rayfa interpret the sound of the warbaa’d (something she’s familiar with) with a lion’s roar (something she’s unfamiliar with) ??
-
oh i see thats why Vore Machine is an idiot 
for plot convenience 
-
Datz Are’bal, a man who throws fire crackers at children.
...sounds like an are’bal guy.
bahdum-tshh
-
“The joker who got a kick out of startling Ahlbi with his Dragon Snot Snaps”
...something tells me that if Datz found out about Youtube, he’d be one of those “””prank””” channels.
also WHY ARE THEY CALLED SNOT SNAPS
WHAT DOES THAT MEAN
-
“happy-go-lucky”
i think you mean vaguely sociopathic
-
(sigh) ive finally been worn down to the point where i need a walkthrough. ive... been beaten...
-
boy ahlbi’s just a font of knowledge isn't he 
-
DID SHE JUST BREAK HER NAILS OFF
PLEASE SAY THOSE WERE STICK ONS
HOL SHIT
-
MMMM LAY IT ON ME NICK
face blindness 
... i mean theyre not calling it that but thats what it is 
-
yeah yeah channeling blah blah come on! youre in the LAND of channeling !
-
shduhjahdjk
I'm picturing Inga running into his own dead body and flipping his shit 
-
oh man. thats the end of Trail 2 part 1.
guess i’ll see you guys on the other side... heheh. 
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tumblunni · 5 years
Text
Baron omatsuri and the secret island traumatizes me yet again, hooray!
Ok wow that was a nostalgia blast! Finally goddamn have a physical copy of this thing to own. Its never been dubbed and the only way to get it was this weird manga UK licensed reprint of a bunch of (i think) hong kong english subtitles. The style of the subtitles looks like that, at least. Its all weird and grainy and very very old fashioned early days of subtitling style, which contrasts completely with the modern dvd menus and box and stuff. And its also a weird combination disc of four different movies, it seems they just bought out a licensing package deal or something? And just baked it onto the disc without checking or editing anything. Its not really a funny sort of bad subtitles though, its just awkward phrasings of thibgs that are hard to understand or random typos or whatever, no legendarily hilarious stuff. I kinda dislike it more when subtitles are like this, when theyre like...actually written by a guy who speaks fluent english but he just never watched the actual movie so theres a bunch of rookie mistakes. Also has a strange case of what you usually only see on fansubs- the obsession with leaving everything in japanese to Sound Cool. Nah we cant call them the Tea Party Pirates we have to say the japanese word for that. Nah we cant have this man say mustache when he's doing the mustache pose and talking about his crew of entirely mustache men who all do this mustache pose NO it has to be Chobehige because its somehow deep and edgy to not understand the word for mustache. Like i feel if i was watching this sub first i would have no idea what was happening! At least its not as bad as that older sub i saw where they insisted on translating friends as "crew", even when it was llike..a singular. This one man is my crew and here are all my other crews! Like i feel like that subber probably originally did that dumb old fandom thing of INSISTING that you had to say Nakama in japanese and Capitalized and it was a Very Important japanese word for specifically pirate friends that was Impossible To Translate. And then they just did a ctrl + F replace on the whole thing and made an incomprehensible mess. Also for some reason sanji just yells DOCTOR out of nowhere (chopper wasnt even in the scene) and baron omatsuri's one syllable "oh" is translated as some long string of what seems to be baseball jargon..?
But ANYWAY the movie is still fuckin awesome and i actually noticed EVEN MORE dark shit and subtle storytelling that i missed when i was a kid! The whole 'small child zombie stares blankly at the place where a sword stabbed through his chest and cant understand why he got back up' scene is EVEN MORE emotionally destructuve than i thought! Cos the subtlety of the voiceacting seems to make the poor kid sound so tired and resigned to it? He's desperately asking and his father figure feeds him the same old lies he's done a million times about how he's totally still alive and everything is fine. Like wow i missed that inplication that this has happened before! And then he kinda sounds like he's actually aware that Baron is lying and he's just pretending to believe him to make him feel better. And then he starts turning back into a corpse and he doesnt panic like muchigoro or not realize whats happening like the grandpas do. He just looks straight at his hand falling apart and tries to lie to Baron to make him feel better. *long shot of him from behind before you see whats happened* "I'm just feeling dizzy again. I've got used to it." *him staring blankly at his body falling apart, not even capable of feeling sad about it anymore* "Don't worry...i've got used to it." *thud*
Like FUCKING HELL this film is the best damn existential horror thing ever and why the FUCK did they market it as a fun happy kids film? it probably would have been way more successful if the twist wasnt kept all twisty, honestly.
And also WOW YEAH theres a lot of stuff thats the subtlest goddamn storytelling in the universe and youd never notice unless you watched this film a million times like i did! Like during the intro when everythibg still seems all fun and cute and normal, the advert for the Totally Innocent Not A Trap Super Secret Island Resort is being read over some random shots of waves and stuff. But then right near the end you see those same shots again and it becomes clear that it was literally the view from Baron's eyes as he was falling from the ship and drowning, desperately trying to keep his head above water and strain his eyes to see if anyone else had survived. All the moments that just looked like camera cuts were actually when his head fell beneath the waves. Thats fuckin amaizng you straight up showed the ending in the beginning and we didnt notice????
Oh and also right before THE FUCKIN TERRIFYING MUCHIGORO DEATH SCENE you see him casually mention being 'sleepy' a few scenes earlier. It just passes by without notice and you think that he's just drunk until he suddenly starts going from comedic slurring to fucking asphixiating and the SKIN ON HIS FINGERS PEELING OFF. Oh hey! Another thing i didnt notice before! FUCKING THAT. A fun game for you on your rewatch! Looking out to find the secret finger horror! Ha ha ha...ha...
Also MAN OH WOW all the subtle signs of Baron getting more desparate throughout the movie and how it seems the time limit for the zombies was almost up and he had to kill these specific pirates right now because he couldnt spare even a few more hours. In retrospect it makes sense how he was slipping up and leaving evidence for the heroes to figure him out. And its just so subtly offputting and strange how he goes from making a big fun performance about the festival early on and then starts subtky rushing through the formalities faster. Like you dont eveb conciously notice the tone is changing until suddenly BAM the full change happens and you realise you missed all those signs! And aaaa its so fuckin sad how you see him come running when muchigoro drops dead and he's like fuckin GET OUT OF THE WAY DAMMIT and kneels down next to the body and theb he just..turns emotionless again and goes ITS TIME FOR THE NEXT CHALLENGE. It is time. Its now. Shut the fuck up and do it, i dont have time to deal with this shit, just die so i can bring my friend back. (Tho of course you dont know thats why at the time) And then whats most jarring about the whole scene to me is how he's like "okay fuck it theres no more fun theres no more attractions, if youre not gonna play along then the final game is just i shoot your damn head off" WHILE YKNOW STILL STANDING OVER THE CORPSE OF HIS FRIEND AND STARING DAGGERS INTO THEM LIKE ITS THEIR FAULT FOR DARING TO CLING ONTO LIFE and then a fuckin half finished hapoy fun carnival game sign pops up in the backgroubd and everyone walks past it. Why was that somehow both hilarious and terrifying????? Just fuckin 'whoops we had this thing ready to go but alright its murder time i guess' and everyone IS SUDDENLY PACKING HEAT AND RIDDLING OUR HEROES WITH BULLETS???
And also even more subtly Baron just?? Stays with muchigoro?? Like notice how the entirety of the endgame takes place around where the dude dropped dead. And how when mustache pirate guy saves luffy you see Baron just walking in circles around the same area angrily shooting arrows at nothing in complete desperation even though the dude is gone and itd make more sense to run after him. No he stays standing right there and actually looks really damn relieved when luffy comes back, he's like 'holy shit you really were stupid enough to walk right into my trap jesus christ im so glad but also youre a dumbass'. And he fights entirely using arrows at this point so you might not even notice that he barely walks more than just circling a two meter radius of fuckin DEAD BEST FRIEND CORPSE. Which btw blends intonthe shadows for this entire scene and they only draw attention it again after Baron wibs and muchigoro comes back to life. And UGH MY HEART you see him smile genuinely for the firstvtime and he's like 'im so glad youre okay' and muchigoro is like 'haha im more than okay i can do somersaults!' and generally being a FUCKING TREASURE and this poor fuckin horrible evil man is hugging his buddy and gently leading him away from the battlefield so he doesnt norice he was just fuckin murdering some dudes to ressurect him. God the scariest damn thing about this film is how the zombies dont know theyre zombies and honestky they probably wouldnt even agree with their boss's plan to kill people to keep them alive. They justvthink they live a perfectly normal happy life on hapoy festival island, and he wants them to stay that way and never feel pain again :(
Aaaaand then yeah the infamous scene of revealing this horrifying intestines flower is growing out of the flesh on his back and all the corpses its digesting are pushed against the undulating flesh of its throat like a snake devouring its prey. And its cutesy fake flower face grows infinate eyes as it just keeps laughing and laughing. And then it gets graphically blown apart and the poor goddamn parasite host tries to shove the bloody instestines back into its body, knowing that without this horrifying monster chewing on his goddamn veins all his friends will go back to being dead.
THE END
THE FUCKING END
God it ends so abruptly seriously
I still cry my eyes out every time at the ending monologue of Baron dying and meeting all the souls of his dead friends and theyre crying telling him he shouldnt be here, they wish he'd been able to find another reason to live without him...
And then THE END
JAUNTY MUSIC OVER THE CREDITS
THE FUCKIN END I GUESS
What a great but very oddly executed movie. Seriously i feel it could have worked better if it was given space to breathe and more deeply explore the dark themes rather than the weirdness of trying to fool the audience into thinking it was cheerful and innocent. Like all of this shit happens in the last 30 minutes of the movie! They spend 60 minutes on the fun carnival games! What a strange sense of priorities!!
I WOULD DEVOUR A MILLION HOURS MORE OF DEEP SAD ZOMBIE CONTENT
I am like the Lily of fanfics
Oh yeah btw the horrifying deadly elder god spine parasite thing is named Lily and it looks pretty much exactly like flowey from undertale. This film kinda spoiled me for that game LOL ive never trusted a single talking flower ever since!
0 notes
theonemusicmaniac · 6 years
Note
Yo,yo,yo, tell us some of your fave musicians/bands? : o
Oh my gosh, of course I’d love to talk about that!!!!!!!
I’m gonna preface first & foremost by saying that I AM a music major & have been exposed to all kinds of music, so you’re probably gonna get a LOT of answers from me!! I’m also gonna put this under a read more cuz I am a crazy child who can’t shut up!!! Anyways, here we go!!
So as a musician, I actually started off playing the Alto Saxophone. That being said, my biggest jazz inspirations are probably Charlie Parker (my MOST fave saxophonist tbh I studied all his music!!), Cannonball Adderly, John Coltrane, Miles Davis, Dizzy Gillespie, & Herbie Hancock!! And my favorite thing about Herbie Hancock (other than the fact that he’s still alive & bumpin’) is that he is one of the biggest successful names who also practices the same sect of Buddhism I’m involved with, & that’s Nichiren Buddhism. Hancock is evidence of our buddhist practice because he chants Nam-Myoho-Renge-Kyo (loosely translates to “devotion to the Mystic Law of cause & effect thru sound”). So why is that important? We believe that if you chant NMRK & also put your thoughts into action, then you will receive immense benefit. The point of our practice is that we believe anyone can become happy thru chanting, & our goal is that if we can make everyone know happiness, then the world will know peace. ANYWAYS, back to music, that’s just my jazz answer!!
I’ve also had to study a lot of classical music growing up, & I must say that I’m most fond of Romantic Era & 20th century classical music. Tchaikovsky, Chopin, Brahms, & Liszt are some of my faves from Romantic Era. Stravinsky, Schoenburg, Copland, & Ives are some pretty incredible 20th century classical composers as well.
GROWING UP, I started off as a lil bop/top hits child because, yknow, parents will only make you listen to what they deem appropriate, but as I became exposed & learned more, I actually became a lil rocker child like my dad!! Dad exposed me to Led Zeppelin, Queen, AC/DC, Kiss, all the classic rock shit. This was also around the time that the one Jack Black movie came out (School of Rock I think it’s called). So I eventually began exploring rock music within my own generation (which there are TOO many bands that I like to even list off).
My biggest inspirations from middle school (and still to-date) are Alkaline Trio & 65daysofstatic. These two band saved my life when I thought I was down at my worst back when I was suicidal.
Going into high school, I was still the rocker child, but I think 65daysofstatic exposed me to start listening to more electronic stuff. Not necessarily dubstep bc dubstep didn’t become really big until just about when I graduated high school, but like. Stuff like Armin Van Buuren. Trance stuff. I thought it was super cool. And honestly, my favorite thing about seeing dubstep thriving into fruition was that I felt like a saw new generation of music being born. I couldn’t help but wonder, “Is this what it was like when rock was born? Was this what it was like when jazz rose within America?” It was SO cool!! Even though I’m still a lil rock child, I have so much love, appreciation, & respect for electronic music, & would definitely incorporate it into my own compositions (but since I don’t have a band rn, as you can see, electronic is all I make for now).
I would say my top 4 biggest inspirations to-date are In This Moment, Motionless In White, New Years Day, & William Control. & I can break this down easily:
1) In This Moment
In This Moment is SOOOOOOO important to me!!!! Gosh I almost don’t know where to start!!!!! I remember the first time I heard them was actually on MTV back when Headbangers Ball was big, & “Beautiful Tragedy” was like, their new biggest hit! I DIED when Maria Brink collaborated with Chris Motionless to make the music video for “Whore!” But most importantly, “The Fighter” was my motherfucking anthem after my ex & I broke up last year, & ESPECIALLY when I was sexually assaulted five days after. “I will not hide my face, I will not fall from grace, I’ll walk into the fire baby. All my life I was afraid to die, but now I come alive inside these flames.” The other thing is that Maria inspires me SO MUCH from a lyrical/compositional aspect cuz like (& I know I said I’m Buddhist from a philosphical standpoint), I also consider myself a witch, & Maria has a very enchanting witch aesthetic, & ALL of her music is written to have these really heavy messages with grand morals & such, so I see bits of both my buddhism & my witchcraft thru their music! I’m gonna be seeing them live for the first time in April and ASDIFHAOIJGPOWJGE I am so excited!!!!
2) Motionless In White
WowowowowowowoWOW where do I begin again!! I know people make fun of old MIW since it was basically only screamo/edgelord stuff, but I used to LOVE that shit once upon a time, and tbh, I think MIW is the only band of its original genre to actually become successful in obtaining that Halloween/goth/nu-goth aesthetic (which is exactly why I LOVE IT), I admire Chris for his “idgaf” attitude & for the depth in which he writes his music. MIW is obviously a very political & socially aware band, but they also take time to write very personal music too. I think the Graveyard Shift album was VERY personal, given that 570 & Hourglass were their favorite songs to make & they had such deep messages about their own journey as musicians. I’ve had the pleasure to meet this band twice, & the second time I think I left a good impression! I gave everyone in the band & their girlfriends (bc I’m such a barista) Starbucks gift cards, & they were all very nice & thankful!! I think Chris also remembers me as the one who asks really heavy music-related questions at VIPs cuz like, the first time I met them I was like, “What advice do you have for musicians like me who want to do what you do??” & the 2nd time I met them, I had a question regarding composing music. Nicest band, 10/10, & if you’re going to the final Vans Warped Tour show, you should definitely go support them because they’re on the lineup!!! (Not important info, but they also featured Maria Brink in their song “Contemptress” off the Reincarnate album, & I think that’s amazing that they team up so well)
3) New Years Day
MY BABYGIRL ASH IS SO GOOD SHE JUST GOT ENGAGED OMG I AM SO HAPPY FOR HER!!! Anyways, NYD is another REALLY nice band, & much like ITM & MIW, they carry both the witchy aesthetic (since Ash is an open witch), & they also have a bit of a Halloweenish vibe to them in their own sense (but not in the same way MIW does). I think, if you’re not big on the heavy music ITM & MIW make, NYD is a PERFECT recommendation because it’s still dark-themed music, but especially vocally speaking, it’s much “easier” on the ears (I love all of this kind of music, but this is also what people in my close circle also tell me cuz not all my friends like my music). I’ve only met this band once, but I’ve also had SO many incredible interactions with them! I met them for the first time at Vans Warped Tour last year, & it was exactly one month after I was assaulted. I didn’t feel all that great that day (partly cuz I was going to VWT by myself & I hate going alone to concerts), but Ash Costello called me beautiful when I felt my ugliest. And that’s when I realized, “Fuck if my idols can see my own worth & beauty when I can’t, the who the fuck am I!?!?” I also got to experience music lessons with both Nikki Misery & Jeremy Valentyne (just before Jeremy left the band) & they’re both very cool people! I’ve also supported Ash’s now-fiance as a musician by donating to his GoFundMe when he was doing presales on his very first EP (I think I was one of his top highest donators??) & I also made a purchase off of Ash’s DEPOP once, & she actually sent me Christmas/New Years thank you letter & some polaroid photos of herself and I???? Cried??? New Years Day is one of the few bands that I actually genuinely actively see interacting with their fanbase & loving their fans as much they do, they’re so GREAT. If you get into them & interact with their social media or go see them live, they’ll love you up to bits & pieces, they’re so sweet. I want to be as humble as them if I ever make it big.
4) William Control
A god amongst kings... My love & appreciation for this man runs so deep & knows no boundaries. I grew up on Aiden in both middle & high school, but when I learned about how the industry fucked with Aiden as a band, not only did I support Will’s transition from the punk/goth Aiden to his now electro-synth Control morally speaking, but I was actually surprised to find that I actually genuinely really LIKED his electro stuff more than his rock stuff! You can almost tell he’s going forcibly high in Aiden, like he’s straining his voice so much to get that right tone (even though he KILLS IT cuz he’s a MONSTER). But Will’s openly said before that the transition to William Control has helped him vocally because now he sings in a much more comfortable range. He also exudes an aesthetic that I wish I could obtain within the music industry?? Like, his music is sexually themed, but he’s not inadvertently SEXUALIZED. That’s how I WANT to be. I want to make music that can have sexual themes, but without actually sexualizing MYSELF. He’s also really open about being in the BDSM community, & most of his merch is based off of BDSM like his “Fuck Christian Grey” t-shirts (I think he even has his own branded butt plugs?? bless him). He has been able to transform his life so much that he went from “broke-but-famous” Aiden, to “I own my own record studio now & I’m the boss now” William Control. He actually technically retired as a musician (he’s stated that he hates touring & knowing that his son could grow up without him, so he wants to take time to focus on his family), but he’s still the manager of his very own Control Records. Because I don’t see myself forming a band anytime soon, it’s actually one of my goals to apply for Control Records as an electronic musician.
As for what I’m listening to right now (I don’t condone smoking, but if you do smoke, smoke weed), I sometimes listen to stoner shit cuz I do get high with my friends recreationally, & I do genuinely need weed to help me cope with my anxiety & depression, & my IRL friend @spectra-indica recommended CloZee to me & I can’t stop listening to it!! It’s both organic & electronic in it’s own fascinating way, & one point I got so high & connected so deeply with CloZee’s music that I almost started crying.
And yeah, those are my top faves by far!!! I wish I could list more, but then it’ll get too long aaaaaah ;A;
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