okay so i watched all eight episodes of 1899 in one go on monday and i cannot stop Having Thoughts. quite honestly it is the most superbly executed narrative i've ever encountered outside of literature. the sheer thematic scope and complexity is breathtaking. THEY WROTE A GREEK TRAGEDY about all my favourite things and it begins with an emily dickinson poem. !!! the universe was aiming its arrow right at my brain with this one.
(so of course it wasn't renewed. given that la révolution also wasn't renewed, i'm forced to conclude that tptb at netflix have something against thoughtful and nuanced excellence in storytelling.)
this is one of those times i especially miss metafandom because i'm sure there've been discussions about everything my brain is yelling at me but how the hell does one find the good shit anymore? or even the bad shit, for that matter. so here you go, tumblr frēonds, have yet another brain dump that nobody asked for or cares about.
a list of topics covered by 1899 that i recall after watching the entire thing once, in no particular order:
the nature of identity
the nature of reality
how grief warps both the self and the perception of reality
the often inexplicable nature of trust
the human brain's capabilities
the inherent untrustworthiness of memory and the irony that it's all we have
explorations of female identity
the many meanings of freedom
communication!! — trying to understand and be understood through barriers of language, of levels of reality, of technology
the destructive nature of religious zealotry (and christianity in general *internal sigh*)
classism
patriarchy
homophobia (both social and internalised)
the beautiful and horrific acts humans will commit in the name of love
the looming shadow of the male authority figure
space as a concept, both literal and psychological: liminal spaces, confinement
'the odyssey', obviously
the trope of the mad woman in the attic (this one gets its own post because I Have A Lot To Say)
now let's talk ancient greek references!
[1] the names of both ships come from ancient greek mythology: prometheus stole fire from the gods to give to humans and was sentenced to eternal punishment; kérberos (or cerberus) was the multi-headed dog who guarded the gates of the underworld to prevent the dead from leaving.
[2] in ancient greek philosophy, there were four classical elements; this concept was taken up in western alchemy, which made a hobby out of giving everything a glyph or symbol. the symbols of the four elements are triangles:
🜂 = fire
🜄 = water
🜁 = air
🜃 = earth
[3] it's been four months since the prometheus went missing. what, i wondered, is the significance of the number 4? in greek numerals 4 is represented as Δ´. oh, look, a triangle. and what's a triangle in three-dimensional space? a pyramid. and what's a pyramid geometrically speaking? a tetrahedron! which has 4 faces and 4 vertices. it's also the smallest possible platonic solid and plato associated it with the element fire. i don't know enough about geometry or philosophy to take these associations any further, but, as shakespeare would say, come the futtock on. this level of detail is RIDICULOUS and EVERYTHING TO ME.
70 notes
·
View notes
Excerpt from Observations on the Order Draconia in Europe, with Notes on the Oriental Breeds by Edward Howe
As a lifelong birder, I couldn't stop thinking about a comment from an earlier post about the possibility of dragon-spotters in England. So I (naturally) mocked up a page based on my bird field guides to show differences in size, weight and wing shape between the common british dragons. These are all the undersides of wings as they would be seen from the ground. The book title/author is stolen directly from His Majesty's Dragon.
I'm still basing the shape/silhouette/function off of birds, listed below if you were curious:
Jade: Common Swift
Greyling: Albatross
Winchester: Sparrow
Grey Copper: Pheasant
Anglewing: Plover
Reapers: Duck
Parnassian: Crow
Regal Copper: Goose
Celestial: Fish Hawk
Chequered Nettle: Hawk
Longwing: Crane
Thanks for reading!
101 notes
·
View notes
Since time immemorial, the Rito have been deeply connected to the winds and all they have to offer — in a way that surpasses bare, profound appreciation. For them, it goes beyond physical attachment ( of which is still greatly significant! ) and is indelibly tied to their spiritual and cultural identities.
Seen more as a relationship — where the winds are the source of all nourishments and fulfilments, and they are simply partakers of those boons — this concept is rooted and condensed in a word that doesn't have a concrete, established meaning so much as a contextual one that defines many things all at once: Windlines.
When speaking of the Windlines, one could be referring to the material winds and their boundless touch; or the nebulous "voice" of the winds as perceived by those especially responsive to their movements and paths; or the closely related but separate consciousness of the winds that carries, blesses, curses, or otherwise meaningfully interacts with all beings; and so on. Not quite an entity, almost bordering on a kind of philosophy with how hugely it shapes their way of thought — but believed in all the same!
Knowledge of the Windlines, and hence, this layered relationship with the winds, has been reliably passed down through generations with little to no external nor internal distortion. How an individual develops that knowledge — as well as with it — may differ ( e.g. very few may take it to unprecedented heights, bending the Windlines to their will and becoming masters among patrons, whilst others may be content with simple, competent flight ), but the core foundation is pretty much universal.
Being estranged from the Windlines in any capacity can be unbearable for any Rito. Peaks Among the Ripples saw the worst of this impact during the upheaval detailed in their Songs of the Stormwind Ark: with the Windlines so absent, population health and wellbeing waned, even if nothing was bodily amiss. Essentially, Windlines and what they embody are incredibly important! An integral part of a Rito individual and whole collective!
7 notes
·
View notes