Not socialist in a “I won’t have to work” type of way but socialist in a “I’ll still be working but I won’t be worried I won’t make the rent” type of way. In a “billions won’t be hoarded by one person” type of way. In a “janitors, fast-food workers, child care workers, preschool teachers, hotel clerks, personal care and home health aides, and grocery store cashiers, will live comfortably” type of way. In a “the sick and elderly will be cared for” type of way. In a “no child should work” type of way.

what if thistle had confronted senshi before the story started?

Red riding hood comic collab with the wonderful @yeehawpim (go check out their blog for loads of great comics!) 🌷 See the layouts he did here!

some more of these two

Incredibly alarming that talks of “peace” in Gaza seem to extend no further than a ceasefire. How do you think they’re gonna start off where they left off themselves? Their houses are destroyed, so many have lost mothers and fathers and brothers and children, they still have no clean water and no food. Any area Israel withdraws out of is an area it already knows has been rendered inhospitable. There was even a direct quote by some IOF soldier gleefully stating how he “wasn’t sure Palestinians could go back to their homes.” So what happens when the US “succeeds at negotiating a ceasefire”? Who will be responsible for helping the Palestinians rebuild all that they’ve lost?

I just revived my old iPod touch that I haven’t used since ~2013 after believing it to be dead dead for years and oh my god it’s like opening up an old time capsule. There are photos of me and my friends that I haven’t seen in years, taken in an old high school building that doesn’t exist anymore. I have games that are no longer downloadable on the app store. It’s running iOS 5 with the original skeuomorphism app icons. I still have the youtube app. My contacts app is full of maiden names and deadnames. The music app has songs I haven’t heard in almost a decade but still remember all the lyrics to. A daily alarm set for 5:30 AM (god I can’t believe I had to wake up that early in high school) and another set to 11:11 PM to remind me to make a wish. Reminders to finish homework assignments, or to write my application essay for the university I ended up attending, and one marking the release date for the final episode of Cabin Pressure. The last thing I googled was “how to draw people hugging”.

Possibly the strangest thing is that the tumblr app still opens, but it’s stuck in a permanent snapshot of 2013 where it won’t show me any new posts no matter how many times I refresh. My dash is full of old BBC Sherlock posts from long-lost mutuals who have either since deactivated or got unfollowed or changed urls so many times that I don’t even recognize them. Lady Gaga and Game of Thrones are the top trends. My profile shows my previous url and icon, with only 43 followers. I feel like a time traveler

IM GOING TO PUNCH A HOLE IN SOMEONES CAR

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

No single line has ever wrecked me as hard as this one from the Good Place and I think about it constantly

its baffling seeing people on here being all shocked about how other ppl didnt have sex or do drugs or drink or go to parties etc etc in high schools like. sorry i was too busy getting bullied to do all of that stuff i guess. why are you surprised that there’s losers on the cringe loser website

we'll do fine.

they turned mickbell into a girl in the latin spanish dub so... congrats mickbell???

heads up: this games charity bundle was finally approved on itch.io! it opens this friday, april 12th, and will run for a week. all proceeds will go to the Palestinian Children's Relief Fund.

you can check out the bundle on itch.io and follow @vgforpalestine on twitter for more updates!

—

EDIT: as of april 20th, 2024 this bundle is now live!!

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

You can only reblog this today.*

*PLEASE READ THE TAGS

DID YOU ALL KNOW THAT YOU CAN DO WHATEVER UOU WANT WHEN YOURW MAKING ART ISNT THAT WILD