my space LARP is very vocally conscious of demanding good behaviour with respect to mispronouning, which is all well and good, but I do find it means I have to actively tell people they're allowed to 'it' me when I'm playing my weird xenomorph 😉
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i think we don't talk about what the driving force behind each batcher is enough. like if u think abt it hunter often acts out of fear ( not cowardice , fear that his ppl will get hurt duh ) , while crosshair often acts out pain , tech acts with logic , wrecker with love , and echo ? echo acts out of being true hater
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I love Chiyo- and I kind of headcanon her as a Witch of the Woods (Sands???) archetype- a bitter old woman who has sacrificed too much, experienced and committed more atrocities than anyone can imagine, and who knows the truth about what lies in the hearts of men to live among the villages anymore.
In my AU she's got a pretty dark backstory. Back in time when Villages were just getting established, women weren't allowed to be shinobi in the same capacity as men. There was too much warring and death among the clans to risk women, so they were only ever allowed to serve as spies or medics. (Chiyo started off as a medic).
And like any military/fascist dictatorship, serving the state was more important than anything else- so women who were kunoichi were given missions to steal and return with powerful bloodlines. Even before villages, this was a common fear among clans (which is why so many of them have protective measures and inbreed/arrange matches very carefully).
Chiyo was one such woman, who took a X-rated mission in her youth because she was told it would 'serve her nation'. There was a powerful bloodline whose Kekkei Genkai could harden sand to something akin to Steel- something Suna very desperately wanted.
Chiyo succeeded in her mission, but despite the veneer of 'serving your nation', when she returned, she was considered, in her words, "Just another whore."
Then when her son didn't manifest the bloodline- it was worse, but Chiyo was happy because that meant her son was HERS. (This is when she met Enji, and he saved her son's life at great cost- so Chiyo owes him a blood/life debt.)
Then the war came, and they needed women to fight so now serving the nation meant something different, and Chiyo became a full fledged 'shinobi' and turned her healing towards poison and death- especially when she had to fight the Salamander.
Then she sealed Gaara and that was the atrocity straw that broke the camel's back and she dipped out Suna and retired to an oasis. She's still a healer, but adamantly refuses to serve shinobi.
Once again, thank you so much for these asks and all the support for this AU?
@youngpeacearbiter
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codtwt is going off on brainwashed!soap bc of his new warzone skin and it’s making me think of ghost deliberately getting himself captured by makarov bc he knows he’ll be given to his dog to try and break him; knows he won’t be able to resist the irony, the cruelty of being tortured by the teammate he lost
he doesn’t fight; welcomes the chains around his wrists and ankles, welcomes the hands stripping him of his weapons and gear until he's defenceless
he wouldn't use them anyway
when he stalks into the room, the muzzle, the scars, not even the blank hatred or lack of recognition could make him mistake his eyes
that's his johnny
he doesn't flinch as he digs knives into his skin; would never shy away from his kiss even if it's tinged with rusted steel. doesn't swallow his screams; not when he always loved hearing him, when he spent so long coaxing his voice from the grave
frustration joins the anger in johnny's eyes the longer he goes without giving up information
just jokes; dark and puns alike
just advice when he can't get the jumper cables to spark right
ghost's not trying to escape; not trying to barter his return to the 141
he's right where he wants to be
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.. why was the first ever live action omegaverse show lowkey one of the best shows released but thailand in the last year
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A gimmick which I think would be interesting in a visual novel: small variation in the visual designs of the sprites and backgrounds based on who's narrating a given scene. Not large variations, mostly—buildings are going to have generally the same architecture, people are going to have generally the same outfits, et cetera—but lots of details shifting around on the margins, showing the texture of the characters' thought-processes through the visual design of the world as they see it, rather than only through the text of their narration.
So, for example, one could have one viewpoint character be unusually faceblind, and portray this by having all the sprites have Same-Face Syndrome when viewed from their perspective, even as they hold onto more variation face-wise in everyone else's perspectives. One could have one viewpoint character who's unusually conscious of the fine details of their physical environment, and portray this by drawing the environment-art with much more fiddly detail when in their perspective, showing wood-grain and electrical wiring and other such things which are abstracted away in others' perspectives of the same areas. Et cetera.
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was thinking about leverage dnd classes and i think the obvious choice for sophie is bard, but i don't think that's quite right, because her whole thing is that she's NOT a very good actor. she's not an Artist, she's a grifter. i think one of the reasons why sophie struggles with acting is because then the goal is art/self-expression/a desire to communicate with and be seen by the world (something she has a whole crisis about) while the goal of grifting more readily aligns with her own (facilitating a con). like bards are ultimately a class that's about supporting/"inspiring" others through creative endeavors (getting stronger by improving your craft), while other charisma casters like warlocks are about power and ambition (getting stronger by selling your soul); but i think sophie's talents are closest to those of sorcerers, whose powers are more innate and something to be learned to be controlled. sophie's struggle isn't that she's not good enough at her job, but that maybe she's TOO good at it to the point she doesn't know who she is, and that her powers may in fact hurt others. if anything, she's a sorcerer carrying around a lute and charming her audience into clapping for her when her performance flops
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