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#it's May now! why does time!
ereborne · 25 days
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Song of the Day: May 1
"Wicked Old Witch" by John Fogerty
#song of the day#it's May now! why does time!#did not finish the work trainings today. did finish setting up the tank for Duncan's frog#hopefully we'll be getting the frog next Saturday so we wanted time for the tank to cycle a while first#today's song comes up in Inheritance by Nora Roberts which I mentioned in those book asks last week (that was last week right)#it's got a ghost in (got lots of ghosts actually. pretty cool ghost setup) who communicates by playing different songs on the MC's tablet#I really love characters like that. very very fun#Bumblebee from Transformers my precious baby <3#also there was a 'dancehall demon' in this witchy cozy mystery I read the other day#not a great book would not recommend but the demon guy was pretty fun. reminded me of Lorne from Angel kinda#if he spoke in his own voice everybody around would swoon so he had magic background music he used to communicate#it's always a neat mechanic#though if it's not a specific line being played as a specific response Bumblebee-style#but (as in Inheritance and the dancehall demon book both) rather the title of the song that's meant to be the message#then it does require the other character(s) in the scene to have a really quick and accurate ability to recognize and name songs#I kinda like the idea of a song playing and the speaking character going 'oh uh actually I don't know this one. what is it?'#and then either they have to pull out their phone and shazam it or some bullshit#or it plays through and they have to wait however long and then if/when the title line plays the ghost boosts the volume for a split second#like fingerspelling the one sign you don't know but much much slower and with more fast-forwarding through guitar solos
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muffinlance · 9 months
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prompt: Ozai has Azula watch Zuko (his progress or rather lack thereof) from way earlier on, possibly even before Aang gets away from the iceberg in the first place
There it is, written at the bottom of his banishment notice, wobbling in and out of his vision and he’s not sure if it's his eyes—
(Father wouldn’t have meant to blind him. Being blind won't help him catch the Avatar, so he’ll just not go blind.)
It’s either his eyes, or. Or the rage. It has to be the rage.
So Zuko reads the line again, and lets the fire brim up and overflow, until sparks chase the shout from his lips.
“Banishment to be overseen by Crown Princess Azula?”
- - -
“Prince Zuko,” Azula says, standing as tall as an eleven year old can. She’s using his title, so that he’ll use hers. And if he doesn’t then he’s ill-mannered and not fit for his own. 
“Crown Princess Azula,” Zuko grits out.
“I’ll just be inspecting your ship, then. Father’s orders.”
Two men are in shackles by the time she’s done. 
“—Fostering mutiny against your prince,” she is yelling, and somehow her voice is just as high-pitched as his without sounding childish at all. “When our father hears about this—”
- - -
“So you had them executed,” Fire Lord Ozai inquires. Lightly. And from behind his flames.
“Of course, father,” says the kneeling child. “It was an attack on our family.”
Her father doesn’t say anything.
Azula is eleven. Eleven, she had presumed, was old enough to count. 
One, two, three. Four, with Uncle. The royal family.
Her father is silent still.
One. Two.
“Forgive my impertinence, Fire Lord,” she says. “I will bring them to you for judgment next time.”
“Do so,” Fire Lord Ozai says. He does not contest the ‘next time.’
- - -
“Crown Princess Azula,” Zuko says.
“Your bandage is off, brother,” Azula says. “Are you blind?”
“No.”
(The blur of her red robes, the eye-searing glint of sunlight off her headpiece—he’s not blind in that eye. He’s just… still recovering.)
“Lovely,” she says. “Then what’s your excuse for the condition of this ship?”
…He has an increased budget for repairs, by the time she’s done. 
- - -
“Brother,” Azula says, “traditionally knives are to be delivered to the back.”
“I… what?” her brother says, still holding out the inexplicable thing. “No, I bought it at port. For you. See, it matches the one Uncle got me.”
“How original,” she says.
Her brother turns a shade of red that puts his bending to shame. Not that it’s a particularly high bar. “Fine, I’ll just—throw it out.”
“Oh, don’t be so dramatic. At the least, Mai will want it.”
- - -
“Nice knife,” says Mai, looking at the hilt peeking out of Azula’s boot.
“Be silent,” Azula says, thus ending that conversation.
- - -
“Did great-grandfather… did we…” starts her brother, fresh from scurrying about the Eastern Air Temple like some particularly dim-witted pheasant-monkey, the dust not even brushed from his clothes even though he knew her ship was waiting down here. “Azula, there were children—”
“Be silent,” she says.
- - -
“You’re leaving frequently,” comments father, as his knife cuts through the pheasant-monkey, clicking against the plate below. The persimmon-cherry sauce is thick and red and smearing.  
“I find it advantageous to cultivate a working knowledge of our nation’s tactics,” Azula answers. She does not push around her meat like a child, but she does eat only lightly; the dish is more sour than she remembers.
“And your brother?”
“Oh, him,” she says, to which her father smiles.
- - -
“...What?” Zuko asks, blinking down at the scrolls. 
“It’s your birthday,” Azula says. “Apparently, I should have gotten you a calendar.”
“Thank you?”
She sighs.
- - -
“Do we… tell him we can hear him?” asks the assistant cook, as the prince continues monologuing. Dramatically, and loudly. Through the pipe connecting the drain of the kitchen sink to the ones in the shower. 
“Ssh, I think this is one of his new plays.”
- - -
She gets him a calendar for his next birthday. It’s not funny.
- - -
He gets her a doll, for hers. The look on Uncle’s face as she torches it in front of them both is hilarious.
- - -
“Brother,” she says, looking up at the damage to his ship. “This is not the way to requisition additional repair funds.”
“Captain Zhao,” her uncle says in the background, with heights of pleasant antagonism she can only aspire to. As if a general could mistake Zhao’s new insignia. Particularly with all the polishing he does. 
“It’s commander now.”
“How did you manage this?” she asks.
“Uh,” Zuko says. “Can we… speak alone?”
She eyes her brother’s shifting stance. Eyes, too, the way Zhao’s men are already moving to intercept and interrogate his crew. One of the new commander’s more noxious habits is stalking her brother’s every move. 
Well. She’d been meaning to deal with that, anyway.
Azula snaps her fingers at the commander’s guards.
“Detain him,” she says. And for a moment, just a moment, her dear uncle freezes, as if she were talking about someone he actually cared for.
The guards don’t. She’s trained them better than that.
“Princess,” Commander Zhao says, his snarl well hidden behind a smile. “What is the meaning of this?”
“Crown Princess Azula,” she corrects. “Now hush; the adults are talking.”
- - -
They have an Avatar to catch, apparently. Her brother is coming home.
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youngpettyqueen · 15 days
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im like 90% convinced that the Doctor is of the same species that the Toymaker and Maestro are
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ravinoforre · 2 months
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Michael and Leaf Pokemon but they've suddenly been isekai'd to Sylvarant oops
The template @frayed-symphony, @ciryze and I collectively put together.
...also uh 👉👈
there's this
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originalcontent · 6 months
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I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.
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thresholdbb · 7 months
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Can we talk about The Dying Swan moment in Coda? As someone who was once a very serious ballerina, I need to talk about the Dying Swan. Here's your context --
CHAKOTAY: Harry's clarinet solo was okay. I could have done without Tuvok's reading of Vulcan poetry. But the highlight of the evening was definitely Kathryn Janeway portraying the Dying Swan. JANEWAY: I learned that dance when I was six years old. I assure you, it was the hit of the Beginning Ballet class.
Have you seen The Dying Swan? It is dramatic.
Here, take a minute:
youtube
First of all, this dance is much too advanced for a six-year-old, even if they’re doing it in demi pointe. (Six-year-olds emphatically should not be in pointe shoes btw.) The dance is almost entirely bourees and arm movements done to very subtle musical cues, not the foundational ballet moves typically taught in Beginning Ballet.
This is a very vulnerable, dramatic dance that is effective because of its subtleties. The performer would need to embody that vulnerability in some way for a convincing performance. It's short, but it's a solo piece -- all eyes on you. I mean, it was choreographed for a prima ballerina, BUT THAT'S NOT MY POINT
Can you imagine our unflappable Captain Janeway willingly getting in front of her crew to do this ballet? I get that it’s thematically relevant to the plot of Coda, but since Janeway is only vulnerable in front of her crew when it means putting herself in harm’s way, it seems like a wild decision. She tends to hold herself apart from her crew, maintaining the professional distance of the captain. Further, when she does any creative pursuit, it is almost always in private, since her sister was the artist in the family and she was the scientist. As a captain, she commands Voyager in a much different way than she would as a dancer with this piece. I'm not saying she never shows vulnerability because she definitely does, but not necessarily in this way. Then when she talks about it with Chakotay, she just casually brushes it off with a laugh like no big deal.
There’s also the question of costume – would she have gone full tutu? Done it in her Starfleet uniform? An impeccable yet flow-y white suit? She does get into costume and command a performance in Bride of Chaotica!, but Coda is still kind of early days for our captain. Arachnia aligns more with what we know about Janeway's character.
Granted, it is Chakotay laying down these complements about her dancing ability and he is clearly biased. To be fair, Neelix does too before they leave in the shuttle. If she did this dance and performed it poorly or amazingly, I feel like the crew would look at her a bit differently afterwards.
Canonically she did The Dying Swan, but I certainly have trouble picturing it happening.
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lokh · 6 months
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my first attempt at krita and. it turns out i cant draw felines from memory
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paradox-n-bedrock · 1 month
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me in big fandoms: oh cool, it's so active and there's so many people to vibe with, this is amaz-
*finds my niche angle that appeals to approximately six people*
me: okay, folks, it's you and me now
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sygneth · 13 hours
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I have always admired people who could write one fic or draw a comic for years because I am living in a constant fear of not finishing what I have started. Not in a 'maybe something terrible will happen to me' way, but simply knowing myself and that after a couple of months or years, I will catch a new fixation and finishing the old story will become hard. And yeah sure, I have heard people say "You don't have to finish if it doesn't interest you anymore" or "It's your art and you decide what it will be about" and I fully agree, but I still love those old things I came up with you know? I still love these characters and I want their stories to be told, but at the same time there already are new characters with new stories in my head and I want to tell them too.
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impossibledial · 2 months
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i’m so intrigued by dannyclara despite not shipping them. i think that relationship is an interesting addition to clara’s character arc and i’m still trying to to figure out it’s purpose.
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essektheylyss · 2 months
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Okay I did get distracted by a grade being posted and I am about to be both a nerd and a millennial but god ngl I do hate classes where you get full points on all your assignments but don't actually get any actual feedback on them. What is the point. If it's a class where everyone gets passing grades for making the effort but you get actual feedback and comments, that's great! But I would genuinely rather get points docked and get extensive comments on what I did well and what needed improvement and why than this.
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started watching the new live action avatar
it’s. It’s pretty ok I guess? But there’s a lot of things I’m not altogether happy about. It feels very. Generic. Which is kind of sad.
I’m only two episodes in though, so I won’t be too harsh. But there are a few things that I really don’t like, and number one was Aang going into the Avatar State in front of Sokka and Katara for the first time when seeing Monk Gyatso instead of when escaping Zuko, and that moment being isolated instead of the moment everyone in the world knew the Avatar had returned
in the original series, Aang goes into the Avatar State when confronted by irrefutable proof in the form of the skeleton of his best friend and mentor - the airbenders really were massacred and he can no longer deny it.
every statue of the Avatar around the globe lights up in a single moment. the legendary figure’s destined return is announced to the world by an overwhelming outpouring of grief and rage from a young child who just discovered that everyone he ever knew and loved is gone. it’s poignant. the Avatar’s return in that moment is not a triumph. that terrifying show of strength and power, enough to light up the world in its glow, is pure emotional anguish from a small twelve year old, who just saw the dead body of his mentor and now believes he is all alone
and Katara and Sokka having seen the Avatar State before means that there is less of the shock and “what is happening” in this pivotal scene (which was the main focus in the live action). of course Sokka is still concerned about them potentially getting flung off the mountain. but both of them know this reaction for what it is - mysterious power, sure, but primarily, they see and recognize his grief.
I just. what happened to “we’re your family now” and “neither of us are gonna let anything happen to you”??? :(
on a side note, I do feel like Katara and Sokka themselves have been heavily (heh) watered down. it’s a shame. Sokka’s my favourite, and I just think that I. Don’t trust writers with Katara now. (Why is her waterbending a secret? The whole reason she didn’t learn was because there was no one to teach her and she couldn’t leave… also where is her instant connection with Aang… where is their silliness… where did it go…)
however! I did like a couple things that were done and I want to be a bit positive so here
love Zuko and Suki’s actors. they did a great job
Sokka and Suki’s training together was cute ☺️ (though I wish he had worn the uniform of the Kyoshi Warriors…)
Aang himself is adorable :) (wish he got to be a little more silly but Netflix adaptations always are more serious for some reason)
I actually kind of enjoyed getting to see some of the scenes from the war’s outbreak. I prefer the way the original show portrays it, with a lot of info being learned reverse chronologically, but it was cool to see Sozin, and some of the airbenders, and a little more of Gyatso (who I also really enjoyed :’) )
Katara bending water at Aang and it reducing to them splashing each other without even trying to bend. Rare sillies!
I thought Kyoshi herself coming to defend her island was pretty sweet!!!
Katara getting flashbacks to her mother’s death on seeing firebending. Well I don’t like this, obviously, but it clearly shows how her mother’s death haunts her, and if they have Katara face off against Zuko again at the North Pole, it’ll be all the more triumphant.
Suki’s mom!!! Damn she was so cool!!!!!!
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tricksterlatte · 4 months
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Anyone else think short form social media based on algorithms designed to promote topics that create more engagement instead of more joy, the idea of fast fashion but conveyed through social media, and the fact you can monetize suffering and outrage better than ever has largely resulted in the death spiral of media literacy and the mass emergence of bad faith readings?
#I may be venting a lil but god it blows my mind#fyp is a blessing and a curse because i don't think ppl were ever meant to be subjected to this many ppl at once#god i took a bird site hiatus for weeks and now BARELY check it and it already feels like a hit#oughhhhh#even fandom spaces have hugely incorporated marketing and networking into them bc of cmms and sponsorship and building portfolio#which would be fine tbh if it weren't for the way socmed is designed#now it's like you can't support too many ppl or else you're shadow banned or you have to make yourself palatable and marketable#and websites with threads in which people will only read the first post before qrting because ratios are seen as five minutes of fame#features that permit beating an algorithm are locked behind a paywall that promises you money if you go viral#and what goes viral is usually incendiary content meant for those ratios or trends. whether for or against OP#even in hobbyist spaces the climate has changed so much due to the monetization and marketing and just. ugh#not to mention side accounts dedicated to gossip in this new priv account culture like...idk#if you have to make another account so you can make fun of a friend on main with selected priv friends it just doesn't sit well with me#and not every priv account does this but enough do and it makes me tired#unsolicited hate comments are still as bad as they used to be on ff dot net except now people openly are proud of it more#why do most socmed feel like passive aggressive sticky notes on high school lockers#there is so much more I could say about everything that has left me weary about the internet but I don't know the time or place#and I don't want anyone to think this is about them because it's a general statement. though if you are doing the more inflammatory things.#maybe rethink that. it's not good for anyone else and it's not good for you either#I keep coming back online to check on ppl and see art and I *know* it's draining for my health every time#but I feel a lot better now that i use socmed less overall. and that I try to focus on what makes me happy#it just sucks seeing so many people i care about endure absolutely wild struggles bc people online do not care.#I like rambling in my tags because this is the only place I ramble except my personal journal and to my wife
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lbhslefttiddie · 1 year
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then and now
#svsss#arts#backlog#shen yuan#shen jiu#luo binghe#you may be thinking: hey is that yqy over there? yes#why does he look like a salaryman?? because yqy is a sims 2 character trapped in the vessel of a student council president. next question#hey levanna what the fuck is going on here?? you know what. not even im 100% on that one chief#i had some vague notions about a murder mystery featuring a lbh who could see ghosts#and the ghost of a boy who has been stuck in his old friends' haunt (lol) for oh i dont know. thirty years#but see the thing is that sy doesnt know why he's here either!#he doesnt even remember dying but. well. he was always a sickly kid. he cant say hes surprised he suddenly kicked it#honestly it was such a mundane occurrence for him it must have been too boring to recall#but lbh spends time with yuan gege and pretty quickly comes to the realization that this is NOT the case#he finds like an old new article and in reality sy was found murdered in this place 30 years ago#and its much for likely that the trauma of the event is why he cant remember his death at all#oh and there was gonna be some drama where lbh suspects sy's now much older twin#who is now a teacher at their old school and a very different person from what sy remembers#but it wasnt sj he's just fucking traumatized by his brother being murdered in what theyd considered their safe place#he hates this school and he hates qi ge who never Really talks to him but is still fucking HERE (also teacher)#but he cant leave either bc he cant let go#and part fo him is still hoping to find answers for what happened back then#anyways i think this premise is all very good and sexy#but levanna's brain frankly was not built for writing murder mysteries#free to a good home if any of you fuckers want it#death#murder
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unopenablebox · 20 days
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look. most people on tumblr, like most people everywhere, are just kind of innumerate, at least in slightly unexpected cases theyre asked to discuss on polls. they can't demonstrate an understanding of probability and they also don't understand compound interest. this is bad, but we can't fix it by explaining on the polls at length why they are wrong, because people on tumblr, in a specific manner but also still pretty much like people everywhere, think you are a fun-ruining evil stemlord who automatically loses the argument and should be put to death as the oppressor if you try to explain math to them
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coldshrugs · 5 months
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landmark
pairing: io laithe / estinien varlineau word count: 4.6k summary: [modern au] estinien meets io in a support group for grieving youths. set five years before this.
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Estinien is early—the first one in the room, as usual, even before Counselor Miounne arrives. It’s part of the ritual.
Hit the lights and dim them to three-quarters. Turn on the fancy instant coffeemaker, make sure there are enough of those little fucking pods for everyone. Sugar and powdered creamer too. Music on, some unobtrusive classical harp thing he doesn’t care for. Then he arranges nine chairs in a loose circle and, selfishly, puts the least squeaky one in his spot across from the window.
It helps, to do these tasks before their sessions. The work allows him to mentally prepare for this, because when is it easy to circle death’s drain for two hours?
With the space set up, he slings his backpack over his claimed chair and waits.
They stroll into the meeting in ones and twos. They make their coffee, ask about their weeks (in the casual way, where you’re supposed to answer “fine” even if it wasn’t; the real answers will come later). Eventually, Miounne enters and everyone finds a seat.
He isn’t great with names, but he knows a few by now. Lyse, the one with the sister and dad, and one of the youngest members. Leofard, the one with the mom. He knows all the faces though, and the one hovering by the door is new.
She’s tall, but slouching a little, crossing her arms like she’s scared to take up space or trying not to be seen. Inky blue hair is piled into a loose bun on top of her head, with long wavy strands hanging around her freckled face. Her eyes are bloodshot, almost too focused. She must be new.
As he watches her, her gaze cuts over to him—
“Estinien,” Miounne calls. His attention snaps from the girl at the door to his counselor. “Another chair, please?”
“Yeah, sure.” He quickly grabs one from the nearest stack, looking for a decent place to put it. Two kids slide their chairs apart so he can fit this one between them. Right in front of the window.
He sits again and Miounne claps softly, still standing in the center of the circle.
“Hi friends,” she says, more gently than usual. “It’s been a while since we’ve welcomed a new face, hasn’t it? I know we’re all capable of extending warmth and patience to those who need it, so let’s be mindful of that as we welcome Io to our group, okay?”
She gestures to the door, beckoning the new girl in. Io. He’ll try to remember that. He wonders who she lost and when, and tries not to wonder how. The how never matters anyway. Gone is gone.
“Welcome to Haven: Youth Grief Counseling, Io. Take a seat, just there, sweetie.”
Io sits down and Estinien regrets this seating arrangement; he’s lost the window view. She glances around the circle, her polite smile is a tight line. Her eyes flick to him once more, then back to the floor.
Miounne sits too. She claps one more time and they begin.
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Next week starts the same. His chin is in his hand, elbow propped on his bouncing knee as they arrive. Lyse. Leofard. New girl.
Leo takes his seat next to Estinien and leans over. Oh god.
“Estinien,” he whispers loud enough for almost everyone to hear. His eyes flash to the new girl making coffee by herself. “I found out what her deal is.”
“Happy for you,” Estinien says. That’s not his business. But he stupidly glances at Leo anyway.
“She’s like you. Total wipeout—we’re talking mom, dad, two younger siblings—about a year ago. Just now going back to school, apparently.” He looks at her again, taking a bold head-to-toe survey, and Estinien follows. She’s tall, willowy, and there’s something disciplined about her posture; the set of her shoulders feels intentional even in her depression slump. Her ears tilt, and he turns back around. Leofard is still staring. “Wonder what else she’s ready to get back into…” He winks at Estinien.
“Probably best to leave her alone. She’s not here to find a date,” he says.
Leo huffs in fake offense. “Well, neither am I but if it happens, it happens.”
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A month passes, one week bleeding into the next, and Estinien is always early to Haven. But someone is earlier today, of all days. The door is open, the light is on, and the chairs are in their circle.
Io is waiting.
He remembers her name now. It’s easy to remember the girl who hasn’t said anything in five sessions. It’s unusual, but understandable; they’re all strangers to her, and if what Leofard said is true, he’s impressed she’s showing up at all.
Estinien recalls what his loss was like a fresh wound—the anger throbbing in his chest, sobbing his voice raw for days, not eating or sleeping. He wouldn’t speak to Alberic at first, either. It feels so childish to him now. But looking at her… those feelings echo in his chest, and he is sharply reminded that grief doesn’t shrink.
He shoots her a courtesy smile as he starts the coffeemaker and CD player.
“Sorry about the shitty music,” he says as the sound of softly plucked strings fills the space. When he looks over, she’s staring at the floor again, eyes wide—that awkward “what the fuck” face—and his stomach flips. He said something wrong.
Cool.
He takes his seat across from her, trying to bury the urge to wait on the bench just outside the room when his chair squeaks. Great. He takes a deep breath and rolls his eyes. To deal or not to deal? He is, unfortunately, too big for the noise to keep from happening and he can’t be annoyed for the next two hours. What does he care if she thinks he looks crazy?
He stands up and jostles the next chair, which is better but not great. He tries the next. Even worse.
“What are you doing?”
The rasp of her voice is so quiet that he doesn’t fully catch the words.
He looks up from the red plastic in his hand. “What?”
She looks like she wishes she’d not asked at all, rubbing a hand anxiously over her arm. She sighs. “With the chairs. What are you doing with the chairs?”
“Trying to find one that doesn’t squeak. I usually—”
“I took that one.” She glances up at him, grimacing, but there’s a light in her eyes. It’s the least miserable he’s seen her so far. She thinks this is funny. “Sorry. You can have it back.”
He puts a hand up when she stands. He’s not taking the chair from the sad girl. “Uh… no. No, you can take it. There’s probably another one that isn’t annoying as fuck, I’ll find it.”
“Then let me help you. It’s only fair, since I disturbed your whole—” she gestures slowly around the meeting room— “process.” God, her voice is in shreds.
He can’t say no when this is the first sign of life she’s shown in over a month, at least here. He nods. “Sure, if you want.”
They go through the chairs in the circle, then the others neatly stacked in the corner. They don’t really talk, besides simple directions: “I tried that one already,” and “will you pass me another,” and “holy shit, that’s the worst one yet.” Estinien is keenly aware of her shifting around him, slowly at first, and then with less hesitation. Finally, they find a chair that doesn’t creak when he sits or moves. It goes in his spot and they clean up the rest.
“Hey,” Io says, and the word is conspiratorial. She catches his gaze, and something about hers makes him feel like glass, like they almost know each other. Like he’s seen her before, a blurry smile littering the backgrounds of photos in the album he managed to salvage, only viewed in profile or half out of frame, obscured by the barely remembered vacation or birthday party in the foreground. He swallows as she reaches into her bag and pulls out a black marker. “Should we make sure we never lose these again?”
“Vandalism? In our therapy group?” He squints, shoving down the fondness she’s conjured in just a few minutes. “Do you even need to ask?”
She laughs, or tries to. It comes out weak and cracked as she crosses to his side of the circle and kneels beside him. She pops the cap off the marker. “It’s Estinien, right?”
He nods, “Yeah.”
“I’m Io. The other total wipeout”—she air quotes Leo’s label—“but you already knew that.” She scribbles a small “E” on the side of the chair then heads back over to her own, where she writes an “I.”
It’s almost time for group to start.
“Are you gonna talk about it today?” Estinien asks. It’s just them sitting directly across from one another, surrounded by empty chairs.
Io shrugs, and her body seems to fold in on itself. Making herself small again. “I don’t know. It’s hard to talk about it at all. I’ll try?”
“You don���t have to. But it does help, in a weird way.”
The others drift in at the usual leisurely pace, Miounne claps, and they begin.
First question: “How are you feeling today?”
They go in a circle starting at Miounne’s left. Some answers are simple, like Leo’s.
“Pretty good. I started planning a trip for fall break, somewhere I think Mom would’ve liked to see. I’m looking forward to telling you guys about the trouble I got into when I’m back.”
Sometimes there’s a follow-up, sometimes Miounne will let it hang. Estinien has no idea how she gauges that, but it feels right.
He’s third to answer.
How does he feel today? He picks at the frayed edge of a hole in his jeans.
“I’m kind of anxious today. I declared my major this year so everything feels… more real, I guess. I’m trying to study for a couple of tests next week but I read the page and it may as well be blank. Nothing sticks. I keep worrying I might…” He pauses. This is normally when he’d look out the window; when something heavy rises to the surface, it’s easier to look outside, but for five weeks, Io has been sitting in front of him. The broken habit means he shares less. But how can he encourage her if he can’t bend a little himself?
He looks up, and there she is—dark, curious, and strangely calming, her eyes burn a hole right through him. Behind her, the trees in the courtyard are starting to take on shades of autumn, gold and bronze intensified by the sunlight filtering through the leaves. It’s a view he can deal with. Io gives him an almost imperceptible nod.
“I worry I might let them down. It feels stupid to say out loud,” he laughs with a short snorted breath. “It’s always in the back of my mind though: what would they think of me now? What does this action mean to them? I guess it doesn’t mean anything and I should just study for the damn test so I can actually be someone they’d be proud of. Anyway… yeah, I’m anxious today.”
Miounne reclines a little in her seat. “Have you tried anything to help you study, to shift that focus on what your family would think towards something more current?”
He nods, looking from Io to Miounne. “Yeah, uh, I’ve asked a friend to join me. We’re going to try that today. He’s been pretty supportive since learning about all of this, and his grades are better than mine anyway. And I try to think about Alberic, my former guardian, I guess. I think he’d be proud of me no matter how I end up, so that helps.”
“Excellent,” she says, looking around at the others before spelling out the lesson. “Leaning on others is a great way to remind ourselves how loved and valued we are, especially when lower moods may make you want to isolate. Re-establishing bonds of friendship, or building new ones, helps bring your focus to just how strong your current support system is, or where it’s lacking. I think you’re doing that beautifully, Estinien. Thank you.”
He exhales, shying away from the praise and returning his focus to his frayed hem. Maybe that’s enough sharing for this week.
They keep going. Io is second to last, and though everyone expects silence by now, Miounne asks anyway.
“How are you feeling today, Io? Anything you want to share?”
He looks up again—will she actually say something today?—and she’s focused on him now. The room is empty again, except for the two of them in the empty circle. Fresh sharpie smell rising from their initials on the chairs.
“Hey,” she says, raising her hand in a little wave. “Sorry for being weird. I’m trying.”
“No such thing as weird in this room,” Miounne offers.
Io doesn’t look away from Estinien. She brushes a stray lock of hair from her eyes, and the tiniest hint of a smile pulls at the corners of her lips.
“I’m feeling okay today. As okay as I think I can feel right now, anyway. I cleaned my apartment this morning. And I’ve been working really hard on a piece for my school’s symphony showcase before fall break. I even invited some friends I haven’t talked to in… too long.”
“That’s wonderful, Io!” Miounne leans forward, elbows on her knees. “I read you major in music at RSU? What do you play?”
Her eyes fall to her lap. “Pedal harp. Mostly classical, but sometimes I make arrangements of new music, for fun.”
Shit.
“Thank you for sharing today, Io. We appreciate the opportunity to get to know you.” Miounne moves on, and so does everyone else.
But Estinien is stuck on this one thing. His stomach ties itself in a knot. Without knowing, he insulted her, and then she helped him with the stupid chairs… And it doesn’t even matter, because she doesn’t know him. They don’t go to the same university, and the only things they have in common are their dead families and the two hours a week they spend in this room. He has no notions of being friends with her, and definitely nothing like what Leofard has in mind. Still, he can’t stop it gnawing at him.
The session wraps and he approaches Io before she leaves.
“Io?”
She turns to him, for once standing at her full height, and they’re almost eye to eye. The almost-smile is back, and that gnaws at him too. “Hey, thanks for the nudge earlier. You were right.”
“Yeah, well,” He fidgets with his keys. “I’m sorry for calling the music shitty. I didn’t know harp was, like, a thing for you.”
Her laugh is stronger than before. “Wait, are you serious? You had no way to know that, and I’m not the music police. You don’t have to like it.”
He shrugs. “Still not a cool thing to say. I mean, I only really know it from this place anyway.”
“Would you… want to come to my concert?” She asks slowly, then shakes her head. “That might be dumb. That’s all the way across town and we basically just met. I—”
A strand of hair falls into her eyes and his fingers twitch as she tucks it in with the rest. She’s still rambling when the words rush out of him before he considers them.
“Yeah, I’ll come.”
“—Oh.” Wide, surprised eyes blink up at him. “Okay, great! You can bring a friend, or a date, or whatever. I’ll bring tickets for you next week?”
Estinien pockets his keys. “Sure. I’ll see you then.” Despite his clumsy apology to someone who may as well be a stranger, as Io leaves, he feels the same wave of nostalgia from earlier. Some things are true no matter how you fight them.
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Estinien enters his dorm with two tickets in hand. Keys in the bowl by the door, backpack under his desk, shoes in the closet. He falls onto his bed with a little bounce, holding the shiny slips of paper up to the light.
“What took you so long?” Aymeric asks from his bed on the other side of the room. He’s reclined on a few pillows, and it looks like he’s alternating between two books. “I’m starving.”
Estinien shrugs. “Got caught up talking to someone after the session. She invited me to her concert in a couple of weeks. Wanna go?” He holds the tickets out for Aymeric’s inspection.
He looks them over, brows raising in slight surprise. “You actually want to go to this?”
“I don’t know, but I said I would.” Estinien sits up. “It can’t be that bad, can it?”
“Is she cute, whoever she is?” Aymeric lazily passes the tickets across the canyon between their beds. “Can’t see why you’d want to go otherwise. I mean, I definitely want to go, it sounds kind of fancy, but you… Hmm.”
“Shut up,” he laughs. There are other reasons, but the most important is making amends for being a dick, even by accident. “Her name is Io. She’s nice, seems cool now that she talks. She’s new to the group.”
“We can go, but you didn’t answer the question.”
“Look, it’s nothing like that. She even said I could bring a date.” Estinien places the tickets in his nightstand drawer, regretting the decision to ask for company.
Aymeric shakes his head and returns to his reading. “You poor, sad muppet. Order a pizza already.”
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They stand outside the theater in their untucked button-downs over jeans. Estinien hasn’t been on this campus before, but Aymeric has; thanks to an on-again-off-again thing with some miqo’te guy who goes here, they were able to find the place quickly.
“Are we meeting her before the show?” Ayms asks, scanning the crowd. He’s been eager to learn more about Io in the days leading up to this.
“Nah, she’s backstage, but said I could text her after. It’ll be quick. She has other friends coming, so I’ll just say hi.” It sounds simple enough, but anxiety prickles across his chest.
Inside, they find their seats in the front row of the balcony—a surprisingly nice view.
“Not bad,” Aymeric admires the architecture, comparing things to this venue to the one on their campus, but Estinien hasn’t been in that one either. He only catches half of what’s said, eyes focused on the stage. Aymeric nudges him with an elbow. “She’s the harpist, right?”
He nods. “Yeah, she has a solo at some point.” He rubs his hands on his jeans, sitting forward in the seat a little as the lights go down and the musicians file onto the stage.
“Relax,” Aymeric whispers. “You might enjoy it if you chill out. Look, there she is.”
He points through the dark as she approaches the harp in the back center, almost directly in front of him, and he’s reminded of how they sit during Haven. She’s wearing long black boots and a short dress of the same color, with loose sleeves he can see through. Her hair is down tonight, but pulled back from her face. She’s pretty, even from here.
“Whoa.” Aymeric sits forward too. “You couldn’t just say she’s cute, could you?”
“I told you, it’s not like that. She just lost her fami—”
“SHH!”
Aymeric’s smile is infuriating, cradling his chin in his hand. Estinien shoots him a dark look, then passes a hand over his face as anxiety twists into hot embarrassment, thankful for the darkness as the music starts.
And it’s the music he can’t look away from. There’s more movement in it than he expected, a rawness the CDs or digital streams just don’t portray. Everyone is working to build part of a whole, and each of them can be heard in the larger sound.
Then there is Io.
Admittedly, his experience is limited, but he’s never seen her like this. Every motion is fluid, yet deliberate, even while supporting such a heavy-looking instrument. She is focused, on her hands, on the sheet music in front of her, on the others playing around her. And she looks… serene. Happy.
The tempo slows during the fourth song and a godlight falls on her, a little spot of brightness that eclipses all else. Her solo. Estinien holds his breath.
She builds suspense with sound, then her hands move faster than he can make sense of. Sometimes she places a hand flat against the strings to still them, and that is what hollows out his chest. The elegant control in what he thought was so simple. This is nothing like the CD in their support group. He could listen to this forever.
The rest of the orchestra gradually rises around her until the lights on them lift once more. He might be disappointed if the whole thing didn’t work so well. They bring the song to a close, then stand to take their bows while the audience applauds.
Estinien pulls out his phone. He’s supposed to text her, but how does he follow that? Aymeric hovers over his shoulder, watching him type and delete the same sentence three times.
“What do I say?”
Aymeric rests his chin on Estinien’s shoulder, loudly um-ing and ah-ing, and he almost regrets asking. “How about this: ‘Loved the show. I’m still around if you want to meet up.’ Simple, right? And contextually open-ended, in the unlikely case you get a grip.”
He rolls his eyes but types and sends it while she’s still on stage. It’s several minutes after the musicians exit the stage that he gets a reply: “I’m so glad you came! Take the exit to the left and the door immediately to the right, and tell the attendant you’re with me, see you soon!”
They follow the instructions to a cramped backstage area. People are carrying flowers. Should he have brought flowers? Too late now.
They wander the crowd aimlessly, and his anxiety creeps in with each passing second. There’s a touch at his elbow, light but guiding.
“Estinien,” Io’s voice. Her quiet rasp is familiar to him now, and she sounds far more healthy than when she first spoke to him. He turns to her, and she beams. “Thank you for coming!”
He isn’t sure what to do, and he has no token of congratulations to give her. “Thanks for inviting me. Inviting us, I guess.”
“Us?” Io looks over his shoulder, where Aymeric is practically buzzing as he waits to be introduced.
Ayms extends a hand, “Io, it’s wonderful to meet you. I’ve heard so much about you—”
“He asked constantly. I didn’t want to tell him anything—”
“—and it’s nice being able to put a beautiful face to a beautiful name.”
Estinien covers his face with his hands. “A merciful god would’ve killed me by now.”
Io accepts the handshake, “And you are?”
“Aymeric. Estinien’s roommate and, because he won’t say it out loud, his best friend.”
“Well, it’s nice to meet you, Aymeric. I’m glad you guys came; I know it’s a big ask and it’s not everyone’s taste but—”
“It was amazing,” Estinien’s mouth moves before his mind catches up, something that seems to be common in her presence. Io and Aymeric stare at him, brows lifting in unison. Her neck has flushed red. “I just… didn’t know what to expect, but it was impressive.”
Io’s half-smile, the one he’s learning she wears when she’s nervous, lifts the corner of her lips. “Thank you. I wasn’t trying to change your life or anything. I just thought it’d be cool to show you what I do, and maybe get to know you better too. You know, the “bonds” Miounne is always talking about.”
“Io!” A group of people call out from several feet behind them, waving her over.
She waves to them, then turns to him with an apologetic smile. “Sorry, those are my friends. I’ll be right back.” He watches as she walks away and they sweep her into a noisy group hug.
“Dude,” Aymeric whispers, “Should I go? Do you want me to go?”
“Go where?”
“Go! Home!”
Estinien glances back at Io, and her friends are definitely looking over at them. “And leave me with them?”
Ayms grimaces, balling his hands into fists. “With her!”
Estinien shakes his head. “No, just give me a second and we can both go.” Aymeric silently fakes a scream.
Io returns, wringing her hands as she says, “We’re going to grab some dinner from a place nearby; you guys are welcome to join us.”
He hesitates. Maybe Aymeric is right and he should stay, or maybe assuming someone working through her grief wants anything more than a friendship with him is not in either of their best interests. “We should probably get back. We’ve both got to pack before break starts.”
Io’s expression dampens. “Oh, okay. Well, thanks again for coming out. I’ll see you at Haven in a couple of weeks?”
“Yeah.” He nods. “See you there.”
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Estinien turns on the light and adjusts the dimmer. It’s been a while since he’s been first, but Io shows up right after him.
“Hey,” she says quietly, heading to the CD player while he starts the coffee maker. The ritual is no longer just his.
“Hi.” He’s rummaging through the cabinet beneath the coffee station, gathering the supplies, when she starts the music. It’s not their usual instrumental album… “This is from your concert?”
She starts on the chairs. “I hope it’s okay. I emailed Miounne when I got the recording to ask if I could bring it in, to show everyone what I’ve been working on and that I’m kind of normal outside of all this. But I can switch it back, if you’d rather keep the routine.”
His eyes fall closed and he is back in the theater, watching her play in a beam of light, arms unfurling around the strings like flightless wings and he doesn’t think “normal” is a good description of her at all.
“Estinien?”
He opens his eyes.
“No, this is fine.” He stands and arranges the little coffee bar. “I meant it. I thought it was great.”
“That’s a relief,” she laughs a little. “I mean, I believed you, but…”
He frees the rest of the chairs from their neat stack. Their initials are on the last two. He passes her the “I.”
“But what?”
Io crosses her arms behind her chair, bites her lip. The early evening sun illuminates the courtyard, and as it streams through the window little specks of its light catch in her hair. “I don’t know, I always feel nervous trying to make friends.”
Ah.
It’s like he thought. He can tell Aymeric once and for all there’s nothing else going on here. Which is fine, of course. It’s fine. He wants to learn more about her, and let her get to know him too. He doesn’t have a ton, but he thinks he’s a decent friend. He could be a good friend to Io.
“Yeah,” he says, ignoring the heavy, unnameable thing settling in his stomach. “Me too. But it kind of feels like we’re already friends, right? So don’t worry about it too much.”
Io’s smile pokes through her bitten lip as she takes her seat across from him, the sun at her back. “Yeah, I guess we are.”
She is still smiling when everyone joins them, when the session begins, when Miounne asks how she’s feeling today, and when she bids him goodbye with the promise to text him this week. He knows because he can’t help but look at her.
Some things are true no matter how you fight them.
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