“I may not be able to completely forgive you now. But it’s not that I’m not happy that you came back to me again.”

The scene with Babe and his father was so good. It absolutely delivered on the complexities of that reunion. The way Pavel delivers lines while choking back tears and gasping for breath in emotional scenes is so real and raw. Poor Babe really went through the wringer and Pavel made me feel it every time.

When Babe meets his father, he is angry. But also heartbroken and cautious and frustrated and confused and hopeful. And this scene captured that so well.

Being abandoned by his father, his only parent, his only family, has deeply affected every aspect of his life to the point that he can’t trust anyone. He doesn’t even believe people can truly love each other. He doesn’t believe he can be loved.

(The way the frame focuses on Babe but you see his father in the background and they both turn away makes me think of those subconscious habits that two people who are related to each other share, but they turn opposite directions because they’re not reconciled with each other.)

The pain in his eyes, his voice, his body language. Babe is hurt, and he’s not afraid to let his father know. All the brokenness he’s experienced points back to the moment his father abandoned him. That’s not a small thing.

I’m glad this wasn’t an “omg I’ve missed you so much glad you’re here back in my life!” reunion.

It was very much a “you f*cked up my life and I don’t understand why you made the choice you did, I might never understand, but I’m willing to try figuring out a path forward” reunion.

Some concepts and ideas for Castor and Ronan’s story called Starchild. Some of these are… hard to get to drawing, specifically Ronan’s younger siblings, might redesign them, but they’re all very young. Ronan left to join a crew so he could make money for them while his parents physically can’t work, and he made sure that his 12-year-old brother is very helpful. Then some random character ideas. A first mate on Castor’s pirate crew, two important characters named Rigel and Esther, castor as a young boy, and random scene ideas I have.

There’s a lot of crap I’m rambling about under the cut so go there if you want to know more about the characters, lore, and spoilers

I also have an idea of a deity or something of the sorts. It’s bascially a “Star God”, something with incredible power that was given to them from the heavens, and it is responsible for the starchildren that have shown up around the world, hence why this series is called Starchild. The whole thing around the Star God is a mystery, but people do know it exists thanks to the star children. This is a little dark but some explanation on Starchildren:

Starchildren are born every few hundred years or so, it’s unknown how often a starchild is born, but people believe that starchildren are the star god’s children, and that when they reach a certain age, they are sacrificed to deal with all the problems the world is having. They believe that if a starchild is not sacrificed, demons from hell will arrive to destroy the world. I hinted at this on my last post, but starchildren turn into strange creatures, the main one being the Leviathan. There’s also the Kraken and the other one who’s name is so complicated I’m not even going to bother with it dhskdbsk.

Long story short, the whole thing is a lie. Starchildren have incredible power when they become adults and are “awakened” as Starchildren. They remember the person that gave them that power (the Star God) and their purpose, which is watching over the people. However, centuries ago, someone in high power believed that Star children were too powerful, and out of fear, he came up with an excuse to kill starchildren before they grew too powerful, because no one should be more powerful than him. So they killed starchildren when they were young and weak, hiding behind the excuse of it being a sacrifice to the world or something, using the blood to cleanse the world and keep the demons at bay. That way, if the starchildren escape, and inevitably take on the role of “deities”, people will believe that the demons have arrived to punish them for failing, and will try to kill the awakened starchildren.

Starchildren cannot escape their fate, however, because they cannot hide unless they are far away from people. They have blue hair that shines in the darkest fog, blue hair that cannot be hidden, and a star birthmark somewhere.

I suppose there’s no reason to hide this now, but Castor is the starchild of this era, originally called Orion, but he changed his name for safety. He ran away when he learned that he was going to die, trying to escape on a boat. The people almost caught him, but the kraken appeared, seemingly saving his life. As Castor tried to hide from people, he tried to hide his blue hair, but it constantly shines through whatever he hid it in. The best he could do was to wrap it up and put a thick hat on, which helped, but even so, you can see in his wrapping the blue hair. He tried to dye it, hide it in mud, even shaving it, but the blue cannot be covered up, so hiding in plain sight was nearly impossible to him. He left to sea to avoid people, but accidentally became captain of the pirate crew. He’s a very jaded man who is intimidating and skilled in sword fighting. People respect him as a captain, so he is in high status on his ship (obviously 💀). Problem is, there is a very, VERY high bounty on the star child’s head, so even the most loyal crew members may turn on him if he is found out.

Castor trusts no one, but he seems to have a soft spot for Ronan for some reason. Even when he eventually finds out that he is the starchild, he can’t bring himself to kill him. He’s just a boy…

Obviously, Esther and Rigel are starchildren as well. Rigel is an ancient starchild, who lived a good life before the starchildren sacrifices. He roams the ocean, punishing anyone who threatens the innocent or disrespects the ocean. There were a lot of starchildren too, but the creatures of starchildren were hunted and killed, leaving Rigel, Esther, and Castor the last three starchildren. Esther was a starchild who escaped the sacrifice, who is far more cruel and jaded than Castor, and when Castor is “awakened”, she goes after him to use him to punish everyone.

Rigel is that turtle Whale island thing, Esther is the kraken, and Castor turns into the Leviathan.

The star god is no benevolent being, and is not a god at all. He’s a regular human who got magic from some meteorite, idk, there doesn’t need to be any specifics lol, and he grew immensely powerful. He resides away from the ocean, but he is not a good person. He’s greedy, selfish, and does nothing to help the innocent starchildren he “created”. He would love to have the starchildren to do his bidding, but if they die, it’s no matter, cuz he doesn’t need them. Idk maybe he’s not greedy lol. Either way the star god is not a good person, but I kinda want the star god’s role to be similar to Davy Jones in pirates of the Caribbean. There must always be a star god.

Anyways I hope that all makes sense 💀💀 Ronan is just there, being roped up into this nonsense, but he’s a good boy with a good heart and wants to help the starchildren, and he and Castor grow close.

many people have said it but bears repeating again:

Palestinian liberation calls for a 1 state solution under which all people are equal under both under the law and in practice.

In order to have peace the genocide, apartheid, and occupation must end. Settler colonialism must end. Second class citizenry must end. All Palestinians imprisoned must be released. Reparations must be made to Palestinians who have been affected by both current events and historical, from the Nakba in 1948 to today. Everyone who participated in the facilitation of the apartheid, and the violence of the apartheid and occupation required to maintain the oppressive regime, must be held accountable. Palestinians must be granted the right to return to their homes.

The idea that Palestinian liberation = carrying out a genocide on Israelis is nothing more than baseless, racist, orientalist fearmongering (and, to an extent, pure projection) that serves to justify the current genocidal regime and the apartheid having been maintained for decades. One people's freedom does not threaten another people. People are fearmongering over a hypothetical scenario (the same fearmongering used in South Africa; both during the reconstruction era following the abolition of slavery & also against abolitionists while slavery was still legal in the United States; in regards to the North American indigenous population; and so on) while an actual genocide is going on.

the only way to real actual peace, safety, and security is through the complete liberation of the Palestinian people, not the continued maintenance of the current regime or the apartheid that led to this current moment in time. apartheid is inherently violent; oppression is inherently violent. colonialism is inherently violent. if YOUR 'safety' is dependent on the oppression, displacement, and murder of OTHER PEOPLE then your conditions are not and will never be safe.

Sorry, but having Zuko actually fight back against Ozai during their Agni Kai is just wrong. He was a child, only 13 at the time, afraid to fight his own father and was mutilated as punishment, because Ozai saw Zuko's begging and unwillingness to fight as unforgiveable weakness.

The Angi Kai isn't meant to be a showcase of Zuko's fighting potential (that's what the Zhao fight is for), but to show the utter cruelty of Ozai.

Netflix, I don’t know how to tell you this but a woman doesn’t have to be self taught to be a strong female character. It’s ok to let her know her limitation and ask for help. It’s ok to let her get angry, it’s ok to let her be jealous, it’s ok to let your female character have flaws and WORK on them. Your female character doesn’t have to become a master on her own to be memorable, it just makes her accomplishment feel unearned.

NEVER FORGOR 🫡

the four horsemen of Queer Agony

Wait.. I think I seriously figured out what Luffy’s “dream” like the one Oda won’t tell anybody yet.

King of the Pirates yes but it’s what that means behind it. Smh let me get my notes this is that train of thought I won’t lose.

an angle i enjoy in cosmic/eldritch horror is when, instead resorting to the old classic "the horrors being so incomprehensible that they break your brain and drive you mad" cliché, the premise is that in comprehending the horrors you are so changed by the experience that your new state is indistinguishable to an outside observer from madness. you comprehend the unknowable just fine, but actually communicating that to anyone else is impossible because they just don't have the mental framework required to understand it. the eldritch horrors don't drive you mad. what does is the ordinary everyday horror of finding yourself isolated, ridiculed and doubted at every turn, no matter how hard you try to make yourself heard and understood.

As someone who works w animals “animals are not mindless automatons, they actually do have feelings and individuality and are capable of feeling acute physical and emotional pain and of forming deep attachments with other animals and people” and “animals are not human infants and have a limited capacity to communicate with humans so you have to familiarize yourself with their boundaries bc if they feel threatened or overstimulated they will fall back on their basic instincts and if you fuck around you are going to find out” are statements that can and should coexist

"kabru doesn't even like laios"

meanwhile, kabru:

Half-foots are highly discriminated against in the world of dungeon meshi.

They have a difficult time living in places outside of their own territories because places where larger races live aren’t built for their size and crowds can be dangerous.

they’re the least valued race by long lived races because their life spans are the shortest out of all the races. this means that they’re dehumanized and often considered disposable. their superior senses make other races use them as “lures” when hunting succubi/mermaids (usually dying in the process).

They’re often mistaken for/treated like children because of their appearances, and because of this they have a difficult time getting jobs because it’s assumed that they’re immature/can’t handle it.

Because of this, when living outside of Half-foot territories they’re forced to get money by any means necessary (often resorting to crime), so other races stereotype them as “cunning” “greedy” and “manipulative”.

On top of that, members of long lived races who tend to fetishize them.

Even the name “Half-foot” is discriminatory.

Ryoko Kui does a fantastic job at world building.

But even after all of that, im not gonna stop talking about how bad i wanna put Chi Chi in my pocket.

tips on refrigerator ownership for the mentally ill

1.) letting food go bad does NOT make you a Bad Person.

2.) it is okay to throw out only one thing at a time. even especially if there are a lot of expired things in there.

3.) give yourself permission to throw out tupperware once in a while.

you can lead a horse to water, but

have some phone bg sized horses in water. i actually ended up with 12 of these if u can believe it.. i had not realised i drew so many of these

my brother asked why my voice was so deep and I said I’d give him 3 guesses, and he said “You doin the little flip-flop? The little switcheroo?” and it took me like 10 seconds to realize that was his Polite Way of asking if i was transitioning