at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Could you maybe draw Sora covered in mud, and Riku is just exasperated, like he's gonna be th one to get in trouble for letting Sora get so muddy? 😂
Riku laughed at him at first but then thought of the repercussions
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The dynamic in Rise between the rest of the team and Leo is. so fucking funny. Because like you've got these three extremely talented individuals who all seem like perfectly reasonable people at first glance, right, but then if you squint hard enough you realize they're actually all batshit insane (affectionate) and the clown boy standing behind them is secretly their common sense.
Clown boy will occasionally put himself and the others in danger to Prove Himself or Prove Someone Wrong (see Minotaur Maze and the movie) but like otherwise... i think people forget Leo's overwhelmingly the voice of reason in most situations?
Raph, Mikey, and Donnie are all incredibly powerful boys with very specific skill sets. They are also, as a direct result of this, the WORST decision-makers on god's green earth lmao. When presented with a problem, Raph will smash, Donnie will blow shit up, and Mikey will razzmatazz. They will all run straight toward death with the same oblivious enthusiasm of a dog about to run straight into a screen door. None of them realize this and all of them think they are Extremely Good At Problem-Solving.
And the guy cursed with the common sense to realize this is literally the LAST person anyone would expect.
When you look closely, the entirety of Rise is actually a chronicle of Leo trying to find new and creative ways to keep this team of superpowered fools alive while simultaneously white-knuckling his Cool Fun Guy persona so the others don't realize he's secretly the Boring Responsible One. Haha, you know what would be Cool and Fun, guys? Not going after the Spine Breaking Bandit lol. Getting home before the sun goes up lol. Evacuating that civilian lol. Not telling the guy dangling me off a roof "you won't, no balls" lol.
The sacred struggle of every iteration of Leonardo is thanklessly wrangling the most trigger-happy siblings in the world, and Rise Leo has not escaped it. He just does an occasional shenanigan to avoid detection and his brothers fall for it every time.
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house in 2024 bc i see ppl post this
- chase makes "lol americans experience gun violence" jokes
- cameron engages in online discourse and starts a lot of arguments with "as a doctor..."
- foreman uses 4chan but just to sit in shock at the things he sees on there
- house is a mod and frequent poster on r/newjersey of all things. only wilson knows, not because house keeps it a secret, but because its so weirdly out of character that nobody would ever bring it up
- wilson sends reels of edgy standup comedians to house on instagram
- cuddy frequents gentle parenting forums, occasionally uses tactics on house
- taub used to run a food review channel on youtube but stopped when people called his videos "mukbangs"
- thirteen introduces herself with her name and pronouns, everyone makes a joke about this at least once
- kutner is a hamilton fan
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actually I do want to talk about Sally Jackson a tad more because one criticism I've been hearing about her book counterpart more recently is "book Sally is one-dimensional: the perfect mother with no flaws" and that just has me biting my cheek because one part of her book counterpart that I always thought was ripe with discussion and didn't make it to the show is that Sally states that it was selfish of her to keep Percy close. It's one of the last things she says to him before she's "killed" by the minotaur.
And there's so much that we don't know about Sally because we view her from Percy's eyes. From his perspective we know that she's exceedingly kind, she never raises her voice to him or even Gabe, and she endured a horrible and abusive relationship to protect her son from monsters (of a different kind).
But there are things we can piece together from the text: Sally has known about CHB for a long time, apparently since before Percy was even born because Poseidon told her he wanted to send Percy there; she was told that it was a mistake for her to keep Percy close - who told her that, we're not sure, she only uses the phrase they; she's been in contact with Grover through out the school year; she knows that she can't cross the camp boundary line, which means either Grover or someone else (Chiron? Poseidon?) told her that, and that she understood that there was place that Percy would be safe from monsters.
And all of these little details are so interesting because it does make you wonder just how much she did or didn't know. Was her self assessment right? Was it selfish of her to keep Percy close?
On one hand, she kept him close because she loved him, alongside the fear that if she sent him to camp, she would be saying goodbye for good -- so is it even fair to call the act of keeping him close selfish? Or perhaps, much like Chiron, she assumed keeping Percy in the dark would be safer?
But on the other hand, Percy had been attracting monsters all his childhood, she understood camp was a safe place from monsters, and she had apparently been told explicitly that it was a mistake for her to keep him close.
And then adding in the factors of: Percy is her only family in the entire world, she's been suffering with Gabe for years, sacrificing so much in order to keep Percy safe when he's at home... but even that has a touch of sad irony because when we meet Percy in tlt, its at point when he's not really home at all -- he's been regularly sent off to boarding schools, so much so that he's internalized it as his own short-coming.
And all of this isn't to say "Omg Sally is actually horrible" or to assert definitely that she is selfish... but more to speak to the fact that in the books, she's not an all-perfect 2-dimensional mother. And her self-assessment of selfishness is something that is really interesting to explore and debate given the implications of what she apparently did (or did not) know about the godly world. I feel there's even an argument to be made that Sally being "selfish" could be a reflection of Percy's fatal flaw.
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