Again thinking about how the song 'Me and Mr wolf' by The Real Tuesday Weld is low-key hannigram coded (these lyrics esp remind me of the brainsaw/cliff scenes):
If - I - taste - you - will - we - know
If - love - kills
Or - makes - you - whole
Tears - you - open - takes - you - home
You have the thing I love
But the need in me is way too much
If I open wide
One of us will get lost inside,
Me
Or you
One of us is going to
Need
To
Die
I have the thing
The thing
You love
You die
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If you had to pick.
What are you top 5 kinks?
eooo
1.) enf
2
why is that 2 so big
2.) excessive cum
3.) why the fuck do these numbers keep being really big when i type them initially but then go back to normal when i type anything else
3.) pretty light bondage
4.) human x anthro
5.) i dont know if there's a single term for it but whenever characters have like, nigh uncontrollably high libido esp with mixed with any of the above like jus bein on the brink of cumming really hard or that but they're also tied down so they cant. that, whatever that's called
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hey you know how basically the whole GFFA is a number of space wizards of varying moralities battlegrounds? and how like, irl, in ex-battlegrounds we find both like, live munitions, but also ones which are still around bc they were DOA?
and how sometimes (weirdly often) the dead/presumed dead bombs(/mines/etc) become kinda... decorative art or at least weird bits of the landscape?
point I'm getting at here is how many people in the GFFA have like, A Weird Stone or whatever that is actually an untriggered or mildly broken Sith Nightmare Machine (etc) sitting in their fucking yard, or the local park is actually 2/3rds of a ritual circle of 'kill everyone on the planet with spikes'.
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Anyway I think maybe I've wandered off into the weeds here thanks to my own immense frustration/morbid fascination with a certain sort of narrative. And I think maybe it's all too easy to wander into the weeds when what you're talking about is this very solipsistic style of superficially-critical storytelling, which is uneasy about imperialism only insofar as it threatens to harm imperialists or imperialistic societies. Which - if not already intended that way to begin with! - is certainly incredibly easy to co-opt into the service and defense of empire (Doing An Imperialism Made Our Soldiers Sad -> therefore you must uncritically valorize them, because condemnation of imperialism adds to their suffering you monster). It's hard to talk about without feeling like you're falling into a similar trap of being endlessly curious about the inner lives of imperialists - even if that curiosity takes the form of "wanting to put their fucked up psychology under a microscope" - at the expense of focusing on their victims.
But at the same time I do think that a complete critique of imperialism mentions (as Césaire does) the way it tends to rot the people and societies that practice it from within. And I do find it fascinating that amidst all the contorted cognitive dissonance of Conrad et al, they still express something along those lines. And this is only one of the many reasons that Discourse On Colonialism lives in my head rent-free
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when people first meet me and inquire about my studies im generally hit with two different responses, being 1) “wow, that’s an unusual combination”/“you don’t see that often”/etc. and 2) “you must be SO smart!” (or its evil twin, “you must hate yourself ha-ha”), and while the first is obviously a better response than the second, both are kinda…awkward to react to.
like? IS it an unusual combination of interests, or is it actually that most institutions make it exceptionally difficult for people to pursue stem and arts concurrently? and that we don’t often talk about the heavy crossover between stem and the arts because we’re so culturally obsessed with this notion that the world is split into Art People and Science People (also known as English People and Math People)?
and how would my interest in a science make me any smarter than someone in my program who chose to pursue a minor in history instead of physics? also, NO, i don’t hate myself. obviously taking stem classes after spending years believing im “not a math person” has lowered my gpa, but that’s not really something i care about, because at the end of the day i find the subject endlessly fascinating and i enjoy my classes very much, and i get better at math every semester because i have no choice. because it’s just…a method of communication. it’s a language. you practice, you improve - but you have to be consistent and intentional about it. the same way you have to be consistent and intentional about analyzing fictional texts and historical documents.
which is to say that like. you are using the same skills. i tutored a high school student last year who looked at me like i was crazy for saying that close reading a short story is functionally the same as solving an algebra problem. you collect like terms. then you compare and contrast them to make a statement about them - it’s human nature to seek refuge in what is familiar even if it is simultaneously traumatic, or x = 2 and y = -2. you can chart it, you can graph it, you can draw it. listen, isn’t there something so inherently beautiful about the word integral? it’s something intrinsic, baked into a person or a thing - the fundamental values formed within you by tiny, infinitesimal pieces: moments, experiences - they coalesce into something completely different, but still. you can go back. you can find the pieces. define them, pick them apart, put them together again in new ways. expand them, contract them, equate them to something else just to understand them.
half the study of mathematics is called analysis, for god’s sake. what is the study of art if not analysis? is it not the goal of the artist, the writer, to make sense of our place in the world? and is this not what we do in physics, too? look at the world and try to find reason in it? as the poet spends their life trying to make the intangible tangible, the particle physicist attempts to study dark matter. when we form a sentence, we utilize a complex system of equations that are so second-nature to us we don’t even register that’s what we’re doing - but there’s a reason this branch of linguistics is called syntactic calculus.
like…believe me. if you told my teenage self i’d be taking calculus-based courses in university, i wouldn’t have believed it. i teach high school students now who tell me they know they aren’t good at english, but it doesn’t matter to them because they do so well in math. and i get it. i do. but it’s disappointing, too, because i think my knowledge of math has made me a better reader and writer. and it feels like most people are missing out on that connection, because they feel like it’s impossible to make. but any experimentalist can tell you there’s an art to the scientific process. any musician or poet can tell you that great art is dictated by numbers - rhythm, rhyme and metre, all of it. the only group of people as interested in conceptual symmetry as physicists are artists.
anyway, all i’m saying is like - one is not more essential than the other, these things are inextricably linked, these things are as fundamental to human existence as breathing. there’s a reason why astronomers defer to shakespeare to name newly discovered bodies in space, you know? we've all gotta learn to love the math in our art and the artistry behind math.
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I think if the live action series does get more seasons they should go up to the end of alabasta and then stop. It would make sense and wrap up a complete story nicely, and could be done in couple more seasons so the show wouldn’t feel ‘unfinished’ when Netflix inevitably cuts it off 🙄
It would also be enticing to new fans (who’ve only watched the live action) if the show ended with them sailing off from alabasta. Like ‘oh boy the strawhats made it to the grand line and had their first big victory! where will they possibly go next???’ And if people want more they’ll go to the anime/manga
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