Bonus:
Don't mind me, I was just thinking about how Crowley must feel every time Aziraphale seems to put him in a box with the rest of hell. I know he tells him he's nice and kind and good and his friend just as many times or more, but still - after 6000 years of friendship and Doing The Right Thing together, it must have hurt when Aziraphale told him he's evil, and then even more when he told him you're the bad guys.
I just find it sooo interesting to look into every instance of Aziraphale talking about Crowley in either way. I want to take his thought process apart and study it under a microscope. We know that he knows that Crowley isn't evil, and we know that Crowley knows that he knows, and we (and Crowley) know that Aziraphale (up until a certain point) is just incredibly Heaven-brainwashed and it's hard for him to break out of that unless there's a situation at hand that requires Direct Action (see giving away the flaming sword to protect Adam and Eve, or protecting Job's children, or helping Elspeth to help Dalrymple, or stopping the Apocalypse).
How does he travel the world and the ages with Crowley and still somehow manage to call him evil with any level of seriousness? He is so convinced that all demons are evil, and at the same time he knows that Crowley's fall was unjust and a mistake and Crowley is NOT evil, but Crowley is a demon, but he's good and kind and nice and just, and Aziraphale sometimes struggles with that. Not consciously, I think, consciously he loves Crowley and trusts him and knows him well enough to see beyond angel/demon good/evil black and white thinking, but sometimes thoughts slip out of his mouth that are just. So far removed from what we know he knows.
He believes so strongly, in two things that could not be more mutually exclusive, and it's so fascinating. There's a lot of growth in that regard over the course of the series, we know that by the end of season 2 when he's talking to the Metatron, he is very clear in stating that his priority and his loyalty lie with Crowley, not with heaven. And I hold firm to my belief that he is going to Heaven because That's The Right Thing To Do, because he believes he can Make Things Better, for everybody, yes, but most importantly for Crowley. For the two of them!!
And YET. AND YET "you're the bad guys" somehow comes out of his mouth, when Crowley has Never really been a part of hell, and has always wanted to do the right thing for as long as Aziraphale has known him, and has been free of hell for Years now.
Still, Crowley is a Demon, and Demons Are Evil, angels and demons are hereditary enemies, right?
Except.... it's a little different when it's someone you know, isn't it?
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Not to be That Guy but like.
Am I the only one that can't stop thinking about how Tianlang-Jun says about Luo Binghe that he pretends to be cold-hearted like his mother. The hint of fondness there, the heartache in that utterance.
Like it drives me absolutely insane. Imagining her putting on a front of strength, cold and driven and unrelenting. Why does TLJ say that about her. Did she secretly look for solutions that meant reconciling with demons instead of hurting them when her sect wasn't looking? (I wonder this because I feel like his weird fondness for SQQ would lowkey track if it's connected to the woman he once loved.) Did he mean that she was tasked with basically assassinating him and she fell in love with him instead (re: failed step one)? Did he mean that she was fond and doting in her own way (e.g. conceding he was attractive, paying for his exploits and humoring him)? Did he mean that, like LBH, she thought that power would be the thing to protect her--and that it was disguising a person who was deeply and privately wounded? All four????? I don't need sleep I need a n s w e r s
Did she know about the Huanhua Palace Master's skeevy ass intentions before she met TLJ? Or did those only come to significant light after she fell in love with TLJ? Is that why she never anticipated that level of betrayal, because initially she had no intention of being with anyone romantically? And HHPM just assumed she would be under his thumb forever?? Was she furious at her own indiscretion or did she try to use the pregnancy as a bargaining chip, a way to try to stop the immortals of Cang Qiong Mountain from attacking TLJ (plus the bonus of marriage entrapment no takesies backsies this is where LBH gets it from)? Did she try to use that claim on her to dissuade HHPM from his covetous advances, framing herself as tainted so that she could finally escape? Did she dream of a life by TLJ's side, far away from Cang Qiong Mountain?
Like. Literally every single permutation of what this could mean guts me to hell. Do you ever just cry about tianxi because I--[loud bawling noises]
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It's all about Nagi living alone in a tiny one bedroom, one bathroom apartment with zero personality and Reo having a whole floor for himself but still living surrounded by tacky-expensive home decor with no apparent traces of his actual personality, either. It's all about how Nagi's parents haven't visited him in 2 years nor taken an interest in his life since, while Reo's are content to live floors apart from their teenage son, only taking an interest in what value he can bring to Mikage Corp but being otherwise uninvolved in / dismissive of his actual life. It's all about them being surrounded by people and still not knowing how to form a meaningful connection with another person before meeting each other. It's all about them being so starved for genuine human warmth to combat their bone-deep loneliness that they both treasure memories of tiny, inconsequential moments where they were spending time with their parents. Something something it's this line,
and how it describes them both despite being said about Reo. It's them being awkward 17-year-olds who had never before had an equal who would just respect them as they are and unconditionally look their way. In this essay I will-
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Young Teacher Tuvok
Patreon | Ko-fi
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Fanart for @inkwellphasmophobia!!!
I got really inspired by the Phasmophibia AU. Specifically, oddly enough, by the whole mental asylum part in particular. It would be Mugs, wouldn't it? (Seems like no matter what AU, the one consistent thing about him is that he's gonna snap eventually in some way.)
So I did a few sketches, which somehow ended up turning into an entire comic. (I am not going to confess how late I stayed awake working on this.) I didn't feel like taking the time to make a polished version, but I wanted to share it nonetheless, so you're going to have to deal with my messy scribbles and placeholder characters. I don't know how much of this will turn out to be canon, but hopefully it's cool and tragic anyway. (...Does this need trigger warnings?)
(The sketches on the right of this first image aren't panels of the comic, by the way, they're separate drawings. You can tell 'cause they're not in boxes.)
And somehow these two get in an argument:
All this fanart and not a single mention of ghosts.
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Guy who doesn't check websites voice was anyone gonna tell me
ABOUT THIS FUCKING ANNIVERSARY ART!??????????????? OH MY GOD
This is. Actually an INFINITELY CHARMING PIECE............ UNBELIEVABLY FUCKING CHARMING........ Henriette is SO SMITTEN by Gustav. She loves him SO MUCH SO DEARLY. Gustav?????? Fucking loves his wife????????? AND HE JUST KILLED ALL THOSE GUYS
AND
AND
Wwwwwuuulghghhhhhhhhh........... micro organisms............................
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an unforeseen side effect of my boy discovering the power of friendship, and the fact that emotions and human connections are good actually, is that it comes with simultaneously discovering that he's at least lowkey attracted to two types of people exactly: those who project confidence on the outside, but are sweet, soft, and in need of comforting on the inside (not entirely unlike a frightened animal), and pretty men with long, brown hair looking at him through lowered lashes with big, dark eyes.
a downside to that is that his newly found friend group is half one, half the other, and Gale kind of sits in the exact middle of the Venn diagram like an appealingly plump toad on a rock.
Look at him. The thought behind this face is very much an ".... oh, I'm not indulging this thought. I'm burying this so quick, and so deep, that it suffocates immediately."
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man why is every single hawk we see in tellius a dude. it's like intsys didn't even realize lady!hawks are BIGGER and thus would CLEARLY be the warriors in any kind of arrangement where they're forming armies and such—
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Babygirl this is why Chromedome trying to ise mnemosurgery for good is so interesting
Because
On one hand, on paper i can come up with many ways mnemosurgery can be used to benefit a patient and it's only a touch wholesome that Chromedome thinks this is a good idea
On the other hand, in practice mnemosurgery was invented not only susceptible to be abused but to keep a strict status quo. It's not only so easy to be highly destructive to the patient, but addictive to the mnemosurgeons. I find it invasive, terrifying, and it has so many implications for privacy and sense of self. Plus, as we're demonstrating now, the "good ways" mnemosurgery can be used hinge so much on the moral compass of the one(s) performing it.
The road to hell is often paved with good intentions, after all. What one mech thinks is an ethical and morally good deed is bone chilling and the highest order of horror to another.
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i, personally, i am not a member of the Jesus Fan Club but when he gathered 12 hunky men and put them in a room with him where he offered them bread and wine and called it his body and blood and implored them to drink and eat it? that's was kinda crazy.
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I've been havin' dreams
Jumpin' on a trampoline
Flippin' in the air
I never land, just float there
As I'm lookin' up
Suddenly the sky erupts
Flames alight the trees, spread to fallin' leaves
Now they're right upon me
You ever get haunted by a visual? Because I’m always thinking about Iruka during the Kurama incident.
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time to rotate celeste in my brain
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Then again I have seen a dude with two dicks on this website.
And sorry if I had two dicks it would be double penetration every time.
Faggots can't do that though because they only have one whole
Women, literally twice as good as men because they have two fuck holes downstairs.
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nix's art of others: beautiful, tons of details sometimes silly inclusions (flowers that reflect their aesthetic+how they are as people)
nix's art that has him involved: typically an redacting nature to it, swiping black charcoal across strategically,etc *bonus if it's an yearning piece he especially takes care to be vague/formless* 'nobody can tell it's not just two random people hugging if you just don't add give away details'
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between white sheets.
pairing: tom blyth x actress!reader.
summary: a lazy morning with your boyfriend after a long night.
word count: 721!
notes: just a quick little thing, i thought of this scenario and here it is.
"Oh, i know you're awake…"
A typical and familiar British accent, with a deep and smug tone, vibrated against your bare neck; causing a kind of tickling and a wave of goosebumps in the region. — It was impossible not to squirm against the soft, fragrant sheets.
Even with your failed mission to pretend that you was still sleeping, your eyes remained closed but it was impossible to contain a warm and bright smile on your lips. — Your lips were traitors, you believed that. — And, in a matter of seconds and due to the lack of interaction, that smile turned into a loud and vibrant laugh.
Your neck received, once again, attention but now due to the small beard, not so annoying, that grew in the region of Tom's face; this time, an intense tickling sensation. — You tried to remove his face from between your neck with your hands but, unsurprisingly, you failed when he held both of you with just one hand.
Tom's laugh, which was muffled between your neck and pillow, joined against yours and echoed throughout the large and tidy room where you were staying. — Well, apart from just some of the clothes you guys had to wear to more TBOSAS opening night and accessories; the room was organizing. — And you swear, with the old, childish pinky promise, that you could listen to your laugh for hours.
Last night was so tiring, but so good; in fact, it was magnificent. — Once again meeting with the cast, giving interviews and taking countless photos with fans and in print; it was a special night.
Lifting his head and directing it towards the pillow, as it was in previous minutes, Tom finds himself observing the image before his eyes. — Your chest rose and fell gently, trying to recover and manage your breathing, your hair, with some stubborn and messy strands, spread across the pillow. — A radiant and fascinating scene for the eldest.
Not to mention, a sleepy smile on your lips. — If Tom had the opportunity and absolute power, he would stop time and stay like this with you forever.
"Good morning, my love." — His voice is hoarser than normal, and Tom wraps an arm around your covered waist, bringing your body even closer to his. — "How did you sleep, huh?" — He asks, giving small, loving kisses on your shoulder. — "The most beautiful woman in this world."
"Good…" — You replied, sleepy with red and embarrassed cheeks, and ran a hand through his hair; leaving a prolonged and attentive caress and then, moving your head, to leave a kiss on his forehead. — "What time is it?"
"I don't know…?" — Blyth raised his head and now you had the opportunity to admire his blue orbs so crystal clear, deep and enchanting; you found yourself falling even more in love with the boy every time his eyes met yours. — "Maybe it's eight, nine or even twelve hours?"
It was ironic to think that the clock was just a few steps away from the bed where you were and neither of you really cared. — Maybe it would be laziness, sleepiness or an excuse to spend more time together. — And the correct option was the third, no surprises.
Your eyes roamed between the dark locks and a few shy curls of Tom's hair, and all the comments about the idea of him actually opting to dye him blond — just like Coriolanus — played in your mind. — and every time they talked to you about this subject, you replied: "that wouldn't be a bad idea."
But, you always made it clear that you were the number one fan of his natural color. — And there were fans who agreed with you; you saw it on your social media and thought it was so funny and always showed it to Tom and the rest of the cast.
"What are our plans today?" — You whispered. — "… i'm seriously thinking about the idea of staying here all day." — In the middle of the sentence, you couldn't contain your laughter again; which this time was brief. — "Really." — Fatigue ran freely through your body and he wanted a long rest.
"Really?" — Blyth murmured, placing his face between your neck for the second time in a row that morning; you just nodded in confirmation, now felt prolonged kisses on your sensitive area. — "Then make your words mine."
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we do not talk enough about the moment right before crowley puts his sunglasses back on. the "nothing lasts forever" is devastating and if you're like me your eyes were so full of tears you couldn't see the screen the first time you watched it (just like crowley, look at us all twinning in sadness!).
there is a shift that happens in his eyes and i think it is absolutely fascinating and heartbreaking at the same time.
we begin with crowley averting his gaze from aziraphale's face and staring off into the distance instead, and you can see his spirit break. that crowley just lost the one thing in the world he cannot live without and we can see it written across his face like a neon sign.
then, as you'd expect, he gives into the need to cover up his pain, to try and make himself less vulnerable, and even before he lifts his glasses he looks down so aziraphale can no longer see his eyes.
now, the next part is what would not let me out of its grasp all day. we know it happens because of his demeanour afterwards and up until the kiss, but you can actually watch as crowley makes himself numb to the world.
i am intimately familiar with dissociation as a trauma and stress response, and while you can never fully control it, you do eventually find the switch in your mind that makes you snap back into the haze. crowley has had six thousand years to get really, really good at leaving reality behind when he needs and/or wants to.
that's exactly what he does.
he still looks sad, and yet there's just something distinctly distant in his eyes, the shift from openly heartbroken to "i don't want to feel any of this let me leave".
glasses? on
emotions? off
hotel? trivago
i have stared at those four frames more than any person probably should and i don't know if it's the light, if i am going insane, or if there is a single tear sliding out of his right (our left) eye. i'm probably insane and the light is a bitch so if anyone has some high resolution shots or anything that could answer that question without a doubt PLEASE do add it.
by now you are probably ready to threaten me with a knife in a dark alley but before you do that or drive your car off a cliff, let me tell you the best part:
aziraphale notices.
they might be communicating on two different frequencies but aziraphale knows crowley. he knows and loves him, and, most importantly, over the last few years he has gotten used to seeing crowley without his glasses. aziraphale could probably write a book on the expressions in his eyes alone and watches that shift happen and is devastated.
look.
he tries to make himself hope the same second, tries to convince himself crowley is putting on his glasses so they can leave together, but he knows.
aziraphale sees the light leave crowley's eyes, sees crowley leave, knowing that he is quite literally running away from him. you and me against the world, angel, but in that moment crowley firmly pushes him back to "the world" (or tries to, anyway).
the entire season we see crowley take off his glasses whenever he enters the bookshop to the point where he's running around without them on in broad daylight with jimbriel right there.
can you imagine how hurt and confused aziraphale must be?
because what crowley is telling him, if we really, really break it down, is that aziraphale is no longer a safe person for him. and repairing that trust is going to take time and work, no matter how much crowley loves him, how badly they love and need each other.
anyway to seal this off and really rub in the pain - how it started vs. how it ended. <3
oh one last thing: now crowley no longer has a single person he can be himself around, no one that knows him, no one he trusts. no one in whose presence he can take his glasses off.
and outside of the bentley and his own flat, he no longer has a place to do so either. the bookshop was theirs. with aziraphale gone, is it really a safe place anymore? is it somewhere he can just let himself be knowing he will be looked after and protected?
easy answer: no.
alright, off i go. see y'all on the next angst post or in the tags.
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