Yesterday: omg Jikook broke up, the JM is not for Jimin, they are done, JK is always alone, he's drinking beer at 6 am so he must be going trough a heartbreak... taekook's were right, look at them doing a live together, it must mean something else, Jikook were never real.
Today, after Jimin appeared in JK wlive giving us diabetes with cuteness overload: ... omg i was not ready for that, JM called him his baby, JM wanted to tie his hair, omg; JM is watching this while at work, JM lives with JK? he's going back to their place????
Me: ... LOL it never fails. Every single time anxious fans talk about their break up, JM comes full force to give us quality content. So predictable.
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You know what's interesting to me? For all people keep claiming at every juncture that perhaps Bells Hells will come around on the gods and see the harm they do (which, as discussed extensively, is, half the time, simply not intervening) not only have they never done so, but also they never quite cross the line into saying the party should join the Ruby Vanguard or aid them - and indeed, they defend against it - so what does this achieve? It feels like they're asking for a story in which the party stands idly by, which isn't much of a story nor, if I may connect this briefly to the real world, a political stance anyone should be proud of.
That's honestly the frustration with the gods and the "what if the Vanguard has a point" conversations in-game. What do we do then? Do we allow the organization that will murder anyone for pretty much any reason that loosely ties into their goals run rampant? The group that (perhaps unwittingly, but then again, Otohan's blades had that poison) disrupted magic world-wide, and caused people who had the misfortune to live at nexus points to be teleported (most, as commoners, without means of return). While also fomenting worldwide unrest?
Those were the arguments before the trip to Ruidus; with the reveal of the Vanguard's goals to invade Exandria, the situation becomes even more dire. Do you let the Imperium take over the planet?
And do the arguments against the gods even hold up? If Ludinus is so angry at them for the Calamity, what does it say that he destroyed Western Wildemount's first post-Calamity society for entirely selfish means? (What does it say about the validity of vengeance as a motivator?) What does it say that Laudna told Imogen she could always just live in a cottage quietly without issue before the solstice even happened? (Would this still be true if the Imperium controls the world?) What does it say that when faced with a furious, grieving party and the daughter she keeps telling herself was her reason for all of this, Liliana can't provide an answer to the question of what the gods have done other than that their followers will retaliate...for, you know, the Vanguard's endless list of murders. (That is how the Vanguard and Imperium tend to think, huh? "How dare your face get in the way of my boot; how dare you hit me back when I strike you.") She can't even provide a positive answer - why is Predathos better - other than "I feel it", even though Imogen and Fearne know firsthand that Predathos can provide artificial feelings of elation. Given all the harm Ludinus has done in pursuit, why isn't the conclusion "the gods should have crashed Aeor in such a way that the tech was unrecoverable?"
Even as early as the first real discussion on what the party should do, the fandom always stopped short of saying "no, Imogen's right, they should join up with the people who killed half the party," it was always "no, she didn't really mean it, she just was trying to connect with her mother." Well, she's connected with her mother, and at this point the party doesn't even care about the gods particularly (their only divinely-connected party member having died to prevent the Vanguard from killing all of them). So they will stop the Vanguard; as Ashton says, the means are unforgiveable. As Laudna says, it's not safe to bet on Predathos's apathy. As Imogen says, she's done running; the voice that she used to think of as a lifeline belongs to someone she doesn't trust. So I guess my question is: if they're stopping the people who are trying to kill the gods (and defense of the gods isn't remotely their personal motivation)...do you think the next phase of the campaign is Bells Hells personally killing the gods? Reconstructing the Aeor tech and hoping none of their allies notice? How does this end? Does your ideology ever get enacted? Or is this entirely moot and pointless and the story ends with Bells Hells saying "well, I'm really glad we stopped the people who [insert list of Vanguard atrocities from above]; none of us follow the gods or plan to, but honestly, the status quo we return to is preferable to whatever nightmare Ludinus had concocted in his violent quest for power and revenge"?
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Positioning Louis as the "Edwardian wife who becomes trapped by her husband" in a literal sense does no justice to analyzing his actual place and role as a Black man in his society and in his relationship with Lestat. Any interpretation or analysis you do of him when it comes to their relationship cannot be stripped of the racial aspect because it's constantly there. Texts analyzing Edwardian wives (and particularly ones this fandom loves to bring up) typically were white and the dissection of their place in societal rules are always viewed from the aspect of gender that is within these texts only allowed to white women, but never to Black men or even Black women. And gender and race become inseparable when you discuss the latter, no matter how people may view it.
This is why I can't take this approach to analyzing Louis' story seriously because if you don't consider the racial aspect in his relationship even to himself and his sexuality, what's the point? You're still centering the standards that were more placed upon white male/female couples than you're willing to look into the unique structure of Black families, religion, their view of homosexuality and how that sooner heavily influences Louis than the family's "need" for him to be sold off to an Edwardian husband. Even in Louis' own story, him and Claudia being Black is more centered on than any demeaning "housewife" comment he tries to go against from Claudia's perspective. She makes that comment once, whereas we have at least two episodes from Louis' perspective that have very blatant hints and showings of the racism he still suffers from under the Jim Crow era and how it affects his self-worth as well as his relationship with Lestat who doesn't seem to take into consideration how any of the blatant racial aggressions and objections still affect Louis and what he considers to be important to achieve in his own life.
Then there's also the pointed topic of Louis' position as a Black man who is a pimp to the Black women he has as sex workers, as well as how his position as a Black father affects Claudia, another Black girl. If you insist on Louis being centered as this "Edwardian white wife" who is confined by his implicit gender in his marriage, where does that leave Claudia and the blatant misogyny and disrespect she gets from both him and Lestat? Lestat who is her white father abuses her. Positioning Louis within the strict confines of "being her mother" doesn't do her any favors because he didn't hesitate to choke her when he was deeply emotionally distressed, nor does it make him look any better when he's fine with chopping up her diaries and then delivering them on a silver platter so that Daniel, another white man, can read and dissect. Even if he does this under the sole pretense of "doing right by her", how does it in any way help when he also can't face up to his failures towards her?
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People gotta start understanding that a fictional character's actions do not have to be justified, because they're a fictional character.
A character does not have to be morally good to be compelling. A character does not have to be morally good for people to enjoy them. Sometimes characters are enjoyable and compelling because they aren't morally good. It is often reductive to gloss over a character's flaws and pitfalls, because that isn't the point. They aren't supposed to be perfect, and you pretending that they are shows a lack of comprehension.
"Character A should be allowed to do this because..." No they shouldn't. And that's okay.
"Character A is justified in this because..." No they aren't. And that's fine.
Understand nuance in the stories you enjoy. A character doesn't have to be in the right just because you like them. Sometimes people do fucked up shit, and you're taking away from that by pretending it's not fucked up. Let characters be morally grey; a lot of them are better that way.
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Charlie Cox experience at Philly Fan Expo 2023
So LET”S TALK ABOUT ME MEETING CHARLIE. I’m actually going to make two posts - this one just about my experiences with Charlie, because they were incredibly meaningful and deserve their own post, and then another one about the rest of the con!
I’m going to talk about Charlie first, because of how amazing the experience was, one of the best I’ve had, especially at the autograph table. I’ve done photos, gotten autographs and such before from other celebs - from niche voice actors I loved to people like David Tennant - but this felt Really Really Big. Obviously, I was nervous as all hell because holy shit Charlie Cox, my favorite actor whose work altered the course of my life. I won’t lie - I’d been practicing what to say to him in case I freaked out, but I’m happy to say that everyone who reassured me it would go great, because he was so, so genuine and kind, were right.
The photo op happened first (and thank you to everyone on tumblr guiding me where to go, cause I was LOST about where that was happening), and that went fast. By that point in the con hall, I’d already ditched my Jessica Jones jacket and gloves cause holy shit it’s hot and I am a creature of snow and ice, and my hair was a mess, but honestly I didn’t care, cause there he is. You don’t get long, but he made the most of it and he was SO sweet. Ya’ll, he asked my name, said my name as he shook my hand, and called me ‘my dear’ in that beautiful voice.
I was literally on the moon, but it was time for the big question:
Will he hold the red thread from TRT?
So in a quiet, nervous, soft author voice, I asked, ‘would you be ok with holding this end of the thread?’
HE FUCKING DID.
HE HELD IT.
HE HELD. THE. RED. THREAD.
I’m fairly certain he doesn’t know about the fic at this point - he wasn’t sure where to hold it until I told him, but he loved that it lit up! AND THEN HE PUT HIS ARM AROUND ME AND I GOT TO PUT MY ARM AROUND HIM BACK.
I’m fairly certain I’m dead in the photo. My soul had left my body. I had ascended. I saw Jesus and he looked like Charlie. I had achieved fic author heights never imagined. My brain filled with enough serotonin and dopamine to sink a ship. I didn’t care that I was hot and sweaty or that my hair was messy or that my cosplay didn’t work out like I’d planned. I had been blessed.
also look at that forearm holy shit
I floated outta that gd room ya’ll. I’m pretty sure @wonderlandmind4 did the same. WE FROLICKED OUT OF THAT HALL LIKE
But things got even better at the autograph table, and I had one of the most touching experiences ever.
not me tearing up thinking about it.
That line was long, but I kept getting glimpses of him and I could already tell he was enjoying interacting with people, and he was making sure everyone got their bit of time with him instead of letting anyone rush people through. He was so happy looking, laughing and grinning, high fives and fist bumps for kids, chatting with fans. Which made me feel a little more confident.
I know some people wondered if I’d tell him about TRT, and I’d already decided I wasn’t going to. Instead, I really, really wanted just a second to tell him what his work as Daredevil had meant for me, as someone who became disabled around the same time Matt did as a kid, and who related to... a lot of what Matt went through in the show. I’d practiced it over and over again, and there was only a fifty percent chance I wouldn’t start crying while telling him, and I wasn’t even sure I’d have time to tell him depending on how much time we had.
He made time.
I got up to him with my art print holy shit he’s even more beautiful in person and his eyes are STUNNING. He said hi, and asked my name so he could personalize the autograph if I wanted (DUH, YES PLEASE), and he apologized about the line after we shook hands. I jokingly told him it was fine since I’d driven hours to get here. A little time in line wasn’t a bother. He even loved one of the buttons on my lanyard - the button of Matt wearing a heart crown specifically! And as he was writing, I knew this was my chance to tell him. He was still signing, so I just decided to go for it in case I ran out of time.
“I just wanted to tell you,” I said quietly, “as someone who became disabled as a kid around the same age as Matt did—”
And then he did something I didn’t expect, something I’d rarely seen anyone do, famous or not, and something I’d never had an actor or artist do for me.
He immediately set down the pen, leaned in close over the table, and made direct eye contact, while giving me the most genuine, gentle, encouraging smile I’d ever seen.
In that moment, I knew everything in him was listening, that he cared about what I was about to say and recognized that this was important to me, and that he’d closed the distance to make this conversation just... us. It felt personal in a way I’ve never experienced at a con or signing.
Just like that, I wasn’t afraid to tell him what I’d wanted to.
“And as someone who related to... a lot of what Matt went through, his struggles in the show, and especially the dark parts of season 3,” I said, more confidently now, “I wanted you to know that all the work you put in, the way you played it, the way you played Matt and treated it seriously, seeing that helped me process and heal from a lot of my own trauma and pain over what I’ve gone through with my illnesses. What you did was important and it really helped me. So I wanted you to know that, how much that meant to me, and to say thank you.”
The whole time I spoke to him, he kept direct eye contact, and didn’t look away once. He didn’t get antsy, or look like he wanted me to hurry up (which I’d have understood, cause damn, these are long days for him). He listened, fully engaged and leaning in, his eyes warm and soft and kind but incredibly serious. I’m not sure how often he’s been told something like this—a lot, I expect; his portrayal was just that good, and I know it was important to a lot of fans—but what I was trying to tell him clearly meant something to him. I felt heard, seen, and understood.
Charlie really does care about his fans. It isn’t an act. I’m sure of it now.
“Thank you, truly,” he said, just as quietly but with that honest smile, eye crinkles and all, and seeing it in person, that close up, I swear the room felt ten times brighter. “Thank you for coming to tell me that. It means a lot, the idea that something I did meant so much and that it could help you. I’m so grateful that you were able to come visit and tell me.”
We shook hands after that. He wished me a good day and I told him thank you again, and that was that. The interaction only lasted maybe a minute, but it meant the absolute world to me, as did what he’s done as Daredevil. And now he knows that.
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