[sliding you a 20] do you have any thoughts on super dimentio
hoooo hooo ho ho ho ho ho ho
Yes. Many, many thoughts. Uhhhh, this got a little long. It's been a hot minute since I've been able to wax ineloquent about this topic (one of my favorite topics). It's also 3AM and I have unbelievable insomnia right now, so caveat lector and all that jazz. I'm not exactly sure what I'm writing here, but it's a lot of writing ahhahahaha.
I think it's very interesting that Count Bleck was not a vessel for the Chaos Heart, nor was Dimentio (at least initially). Bleck commanded the Heart's power and was protected by said power due to his knowledge of the Prognosticus, but the only person who could actually be a vessel for the heart was Luigi.
And why our man in green? I have a theory about the Prognosticus and its prophecies, that they were less specific than the book's wielders would have thought. After all, prophecy requires belief and thus simple statements are woven into paths of self-inflicted destiny. I don't think Luigi was the only being who could have hosted the heart, but he was, as it were, the right man for the job in the right place at the right time.
Now, let's remember that Luigi was turned into his monster form before Dimentio merged with him and Chaos Heart. Dimentio didn't have to do that. He absolutely could have pulled a Bleck and just puppeteered monster!Luigi around while enjoying the benefits of the Chaos Heart's protective shield. But he chose to merge with the Heart and with Luigi. To gain more power? Or just for the lulz? I'm tempted to say that Dimentio only thought this through partway, that his "spicy concoction" was a bit of improv that would reap eventual benefits that he might not have realized at the time.
And what would those benefits be? Well, let's think about this. The Chaos Heart is essentially an immortal force that can't be destroyed, only delayed. Now that Luigi and Dimentio merged with heart, this means all those atoms went into the metaphysical blender and now there's a bit of the Chaos Heart in Luigi and Dimentio (and a bit of Dimentio in Luigi and vice-verse), all of which has fascinating implications.
Because, if you have even a part of an immortal force that's now part of you - what does that do to your own mortality? I'm pretty convinced the only reason Luigi isn't dead at the end of SPM is the Chaos Heart. (And Dimentio might be in the Underwhere, but if Luigi survived, then Dimentio isn't 100% done, either). And this begs the question, then - can Luigi die? Will he age naturally after this whole event? I have...some definite opinions on this that I don't want to reveal quite yet (I will get back to writing once this stupidly busy semester is finally over), but I do think it's fitting that the man who deals with the undead on the regular might just have a little bit of paranormal going on himself.
And that doesn't even touch the idea that Luigi may have inherited a bit of Dimentio's magic (and madness, possibly). (Okay, so I do love the idea of Luigi just snapping his fingers one day and a box appearing out of nowhere. Just...the angst possibilities are so, so delicious. Yes, this might happen in one of my stories. :D
But getting back to Super Dimentio...I wonder how conscious Luigi was for that whole episode. My thought is that he was not so much in the driver's seat, not due to the Chaos Heart, but due to the Floro Sprout stripping away all of his free will. (Which means Luigi never actually made a decision, as written in the Prognosticus and is another reason I firmly believe the whole drama with the Chaos Heart and Dimentio is so not resolved at the end of SPM). You have to ask - if Dimentio had managed to get Luigi to join his side of his own free will (and I think he could have made that happen, if he had had more time to manipulate Luigi) - would Luigi have been able to control his monster form? Survey says (survey of one, that is) "yes."
And poor Mario throughout all of this. You have to figure that the moment he caught sight of his brother in that form, Luigi dead in his mind. And this is why, unlike Mr. L, I think Mario would have no guilt about destroying Super Dimentio. Luigi, at that point, was gone.
Except he wasn't, as we know. And now Mario has to come to terms with the fact that he twice tried to kill his little brother, because the only way to save the world was to destroy the one person who meant everything to him. And he would never do that. And didn't. Because Luigi was dead the moment that monster appeared. But Luigi wasn't dead. And this is what Mario shoves far, far down into the deepest recesses of his consciousness. He never wants to think about that battle again, he can't stop himself from seeing that terrible image every time he lays eyes on his brother once they're back in the Mushroom Kingdom.
And Luigi? He knows something is off. Mario is acting weird. Luigi himself feels weird and he can't quite place what the issue is, what that itch in the back of his brain is trying to tell him. Why he tends to tilt his head at any question, why his laugh has gained a sharpened edge, why that little voice that always told him to be careful, you could get hurt is quieter than it has been in years.
The day he greets Mario with a lilting "Ciao," a word foreign on his tongue no matter what his last name might suggest otherwise - that's the day it clicks.
That's the night he finds his brother passed out on the couch, two empty bottles of Mushroom wine toppled on their sides.
That's the night Luigi packs his bag and walks out the front door in search of answers.
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[@distinguished-turtle-enjoyer ]
i actually have not stopped thinkin bout your bb!edit like,,,, its so good and scratches my brain right
how long have you been doin edits for? do have any tips for someone, who hypothetically, wants to start doin edits too? what programs do you use? how did you do the cool animated bits?
im so sorry for all the qustions 😭😭 i just think youre very talented and inspirational and i hope you have a good day ^_^
hi firstly oh my gosh you're literally so sweet i am gently shaking you i love you so much /p. secondly, i apologize for the long answer! (it's all under the cut. this got away from me. i'm so sorry apparently i have a lot to say.) (also you're so good about the questions i would constantly be asking one of my professors questions during class to the point where she said i didn't have to go "i have a question" every time i approached her)
i've been editing since 2016! around march/april, i think? loved it so much i went into film & video production in college as a major so i could do editing for a living. (i have done more motion graphics for my classmates than i have done edits outside of class assignments, BUT!)
the program i use is after effects - i started learning it when covid first hit the united states because i had nothing better to do with my time (other than music theory but i failed that bc my professor focused more on the history aspects than the actual theory soooo) and my ipad kept giving me the "no more storage" whenever i tried to use videostar lmao. (vs has, apparently, gotten a LOT of good updates, so if you're looking to start editing and have an ios system, i'd look into it! only downside is you have to pay for some of the cool stuff).
also the program i use for masking (i think i explain this later dwdw) is superimpose. i've been using it since 2014 and it's SO nice bc i can use my fingers to erase backgrounds & stuff instead of hoping i can get it to work correctly in ae or photoshop (photoshop my DETESTED i'll use it but i'll complain the entire time).
for people who want to start editing: tutorials on how your program works and how to do specific transitions are gonna be your best friend when you're first figuring things out! i forced a friend to literally walk me through how after effects worked when i was first figuring it out, and when i had swapped to videostar back in 2017/2018(?) i had watched a Lot of tutorials. that and played around a lot and figured things out on my own - which is also always a good way to start!! it's also totally valid to look at other people's edits for inspiration - most editors don't really care, as long as you don't flat-out remake their edit (some people don't like that!). i have a style insp folder on instagram where i save edits that i like so if i need transition ideas or i'm doing a different style, i can look there for inspiration. at the end of the day, as long as you're having fun with it that's all that matters!
also, starting simple is always okay!! my edits for a year were just me slapping gifs & video segments together on a timeline in cute cut pro bc imovie didn't load them lol & it'd crash every time i breathed. ++ it never hurts to ask people for feedback/constructive(!!!) criticism/etc! (also not to sound like everyone else but practice? good. it's so good. if i showed my 14/15y/o self some of the edits i can make now they would've passed out on the spot bc i was still trying to figure out transitions back then. programs can also sometimes make a difference in edits, but usually it's not super noticeable until you start getting to the Complicated Shit.)
a lot of popular programs i've seen are ones like video star (ios only), alight motion (android only), after effects (i recommend 🏴☠️ing it tbh, i only use it legally bc i had to use adobe programs for school), capcut, and i think some people still use sony vegas pro & maybe cute cut pro (i've heard it may have actually gotten better since i last used it in 2018)? i have no idea. programs also depend on whatever device you're using to edit on! since i've been using my laptop, i'm able to use after effects (it's computer-only), but when i used my phone/ipad to edit i used ccp & vs.
for the animation - it's a lot of cutting up the image and masking! more complex animations, like the one i had of leo walking down that red 'hallway' have several different layers that have been masked. (i removed the background & filled in the spot where leo originally was in two different apps - superimpose (taking leo out) & photoshop (filling in the bg)) in after effects, the way i've done this was mask out the specific thing i wanted to move (like an eye) and then put that mask on what i've called a "base" (not animated), and then stick a solid behind the base to match the color of the object. (some of my layers are not named appropriately; base 2 is the left arm & the four "SIX_[...]" layers are the mask/bandana tails)
an example of this would be for any of the eye blink animations i did! this (above) is the same shot, with and without the eye - since it's masked out and i have the background solid behind it, it doesn't look too unnatural/have a black outline/mass where his eye should be.
what it looks like without the solid layer behind it ^ (the red lines are from the null layers - ignore that)
this is what my timeline looks like if it's a more simplistic animation - the only five things being animated here are leo & raph's eyes. (there's only this many layers bc it's two characters in one shot & i was also animating their pupils - typically, an eye-blink animation is about 4-6 layers for me (solid, base, mask, & null to animate with, 6 if i'm animating both eyes & 4 if just one))
in after effects, there's this really cool tool called the puppet pin that one of my friends (lovingly) yelled at me for not knowing about - which. yeah fair she wasn't wrong it's SUPER useful in animating, provided you chop up your image first. if you don't it's a mess.
(separated by layer vs i should've really put the mask tails & leo's head on separate layers and didn't bc that was the 2nd to last animation i had to do and i was losing my mind bc i wanted to be done with the edit lmao)
the way people animate depends all on their style (there's two common ways to do blinking animation - having the anchor point at the bottom of the eye, or the middle of it) and the program they use. it's been a while, but i could probably tell you how to do some basic animations on videostar still even though i've been doing them in after effects for about 2-3years now. ALSO the best way to have an animation be noticeable is to over-exaggerate it/make them Big - which, yes, can mean 'breaking bones' and having the limbs be a little wonky at the start. (if you want it to be realistic though go Just to the point where it looks uncomfortable lmao)
uhm. again i am so sorry that this is so long i THINK this is everything? if not: my inbox/dms are always open if you ever want to ask more questions, wanna follow up on something, etc etc!! (also if you ever start editing please send me your edits!!! i'd love to see them <3)
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