I LOVE your art. What are some of your inspirations? It's unique and illustrative~ excited to see what else you make in the future!
Uh thanks so much!! I work loads on my art and I've always liked creepy stuff lol tho I try to keep things relatively tame. Some of my inspo comes from real life and my views on the world which this is coming from an autistic person afraid of the dark. I've always liked invader zim and how it made me feel very icky so I like to add that to my art. I also love the owl house and how it's so developed and can get really eepy )hollow mind( but also kinda cute!
A lot of my inspo comes from the material I'm using. On digital art, the piece I made really depends on the brushes I'm using, they seem to influence me a lot. The more textured the pen is, the more detailed or 'creepy' I'll make the art and the softer the pen, the more lighthearted it becomes.
I don't really have specific artists that I take inspo off of, I usually look for pose references and then let my imagination take over :>
4 notes
·
View notes
I think I think of coding in the same way that y'all think of freehand crocheting, in that I think it's a kind of magic and I often have ideas that I'm pretty sure are possible to carry out if I only knew how to code. And I could read a lot about it, I could study various programming languages, but I still feel like in my head there's something not clicking that stops me from actually going from idea > program, and for someone who computers does come naturally to or is very skilled with, they're just like "??? you just gotta go from idea > program" and that can be a little frustrating
84 notes
·
View notes
your posts about how /obviously a trap/ Waterfield's plan is made me think hey, what if he did that on purpose, not knowing how truly stuck Two would be without the TARDIS and hoping he might just walk away? and now your tags about Two potentially building warnings into the traps for Jamie and Kemel have me like. what if Evil is just one big nest of 'I'm being forced to do something to you but I'm trying so hard to subvert that as best I can but you don't realise it and think the worst of me'
ooh that's interesting! & definitely not something I thought of before! with Waterfield I was just looking at it from the perspective of him being under-prepared and unenthusiastic about playing the role of a schemer, and turning to tropes from fiction to craft his trap because that's easier than coming up with something totally original, especially under pressure
but this explanation would honestly make a lot of sense (I mean, in the novel, he literally does choose to let Ben & Polly walk away, and I can't imagine the Daleks presented it to him as 'hey, do what you want about these people, it's cool'). Plus, judging by some of the things he says in episodes 2 & 4, Waterfield really hated what he was doing in the '60s, and didn't even feel totally satisfied with it all being justified by the fact that they had his daughter - so, yeah, I definitely think it's possible he was kinda hoping his own plan would fail before dragging anyone else down with it.
On the Doctor's end I'm, like, fighting with myself - because I don't want to just read things into the script solely because I'd like to see them, of course, but also, Episode 4's camera script is particularly messy compared to the others, so I'm a little bit hesitant to base anything off of it alone.
But then on the other hand, what if the only reason that explanation never occurred to me before looking at the script is just because the episode’s missing? Plenty of surviving serials from the era make a point of linking up cuts between a plots & b plots with shots that juxtapose the two directly - you can even find some evidence for that style in this serial in the surviving episode 2, when we get a crossfade from the portrait to Victoria, or before that, when we cut from a live close up of the Doctor's face to the photograph Waterfield's about to use as bait for his trap - and the antique shop sequence is full of brief shots of Waterfield that have no dialogue, including some of him checking the device he has that shows him when doors have been opened, and can lock/unlock them remotely, to let Two, Jamie, and Perry in to find Kennedy’s body. I feel like if that episode had been a recon, those moments would probably have read as more of a general “Waterfield’s carrying out his plan simultaneously” and less of a direct cause-and-effect - so maybe if we still had the visuals, in real moving time to the soundtrack, that linkage in Episode 4 would've also been an obvious conclusion? And the fact that they scripted that line for Jamie & also that it got cut (possibly because it wasn't getting the point across clearly enough?) is a pretty compelling idea...
But also, even if there were no basis for it at all in anything 'canon' I would still argue it's not a bad interpretation of what's going on in the serial - that whole 'yes I'll be the one to do it, not because I want to, but maybe because I can do it more mercifully than anyone else' thing fits with both the Doctor & Waterfield's reluctance to work with the Daleks, even after they both know that Jamie & Victoria, and their respective homes are all at stake. And it's a serial already full of mind control and manipulation and henchmen/subordinates with varying degrees of commitment to their superiors, and competing loyalties among people who perceive themselves to be on the same side - all in all I think that'd fit right in, whether the writers were trying to imply it in that one scene or not
3 notes
·
View notes
Listening to a podcast discussing conspiracy theories and deconstructing the ideas behind them and it's reminded me of the coolest practical lessons in critical thinking I ever got, both in high school, both from the same teacher. One was a month long project on who killed jfk in which we could basically present any theory as long as we cited all our reasons and it got us really excited about research and interpretation, but it was the follow up that I liked best.
Our next project she brought us into class and showed us a documentary claiming the moon landing was faked. Gave us worksheets to do that sided with that stance. And at the end of class a bunch of us were like miss wait this doesn't seem right?? and she said okay, we'll discuss that next week. The next lesson, she showed us a mythbusters episode countering all the claims of the original documentary and gave us worksheets for that, and another bunch of people went wait miss you can't teach us two opposing things, which one is right? What do we put on the exam??
So she split the class in two and told us each to present a case based on each side, and to explain why our source was or wasn't the more reliable of the two. Got us to debate each other directly and use additional sources to back us up and explain why those sources were reliable and should be believed. And because they were randomly assigned there was no guarantee you'd agree with the stance you were presenting, but you had to present it like you did. At the end of the project she asked us all which stance we found more convincing and why, and the majority of us basically said "we think that the moon landing is real because most of the arguments against it seem like someone reacted to a confusing thing without testing it, but when you test it and ask the person running the test to explain the science it makes sense once you have more information. Also, one documentary was made with the help of scientists with qualifications and experience and the other was made by people who don't have that but like to write mystery books, which looks like a less reliable way to get an answer. But we still dont understand why you showed us both if one is wrong."
And she was like excellent. You've done exactly what you should do. At high school level, we as teachers are expected to filter for the reliable sources for you, so you know to repeat that to pass an exam, but if you want to be historians on your own, I won't be your teacher any more once you graduate. Lots of people have opinions and theories and research about times in history, and it's your job to learn how to look at them and decide who you want to trust. This won't be on the exam, but I need you all to know it. You all did a great job following the school's instructions to repeat information you were given, but for some of you, that information wasn't on a reliable foundation. I know you all know how to pass an exam. You're smart and you've been trained to follow these instructions. What you deserve to be taught is how to use all this once you don't have to do exams any more.
And then as a reward for us doing a good job at figuring out the value of checking your sources' sources she let us watch Bush get hit in the face with a shoe before we had to go to maths. Shoutout to you Ms Hannah you were a good'un I hope you're doing well ten years on from that class
31K notes
·
View notes