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beholdme · 3 years

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All the Many Shades of Gerry - Chapter 8

Chapters: 8/19

Fandom: The Magnus Archives (Podcast)

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Relationships: Martin Blackwood/Gerard Keay/Jonathan “Jon” Sims | The Archivist, Martin Blackwood/Gerard Keay, Martin Blackwood/Jonathan “Jon” Sims | The Archivist, Gerard Keay/Jonathan “Jon” Sims | The Archivist

Characters: Martin Blackwood, Jonathan “Jon” Sims | The Archivist, Gerard Keay, Tim Stoker (The Magnus Archives), Sasha James, Gertrude Robinson, Elias Bouchard

Additional Tags: Alternate Universe, Library AU, Librarian Jon, Artist Gerry, Trans Male Character, Trans Martin Blackwood, Canon Asexual Character, Asexual Jonathan “Jon” Sims | The Archivist, Ace Subtype - Sex Positive, Polyamory, Fluff, Fluff and Angst, Romantic Fluff, Falling In Love, Boys in Skirts, Kissing, Demisexual Gerard Keay, Minor Character Death, Past Character Death, Canon-Typical Child Neglect, Implied/Referenced Child Abuse, Flirting, Minor Jonathan “Jon” Sims | The Archivist/Tim Stoker, Adventures in Hair Dying, Happy Ending, Banter, Gerry has a lot of sass, Gerard Keay is Morticia Adams, Jon is a very grumpy Librarian, Martin adores them anyway.

Summary: In which Gerry is a kaleidoscope and Jon and Martin can’t help falling in love with him.

He happens to love them back.

Find it on Ao3

[1] [2] [3] [4] [5] [6] [7]

“We shouldn’t go in,” Jon tells his giggling partners very firmly, but they pay him no mind, and he gets dragged by the hand into the storefront.

The girl working the front desk looks up with a vaguely alarmed look on her face, probably because Gerry and Martin look drunk, despite it being 11 A.M. on a Sunday. They are not, although Jon can understand why someone would think that, as they march right up to the desk, faces flushed, still laughing boisterously.

“Is Melanie in? She’s a good mate of mine.” Gerry tells the receptionist.

“Yes, I’ll check with her if she has a second for you.” And she scuttles off to the back.

“It’s Gerry!” He calls off behind her, before turning to grin at Jon. “Don’t hover in the doorway, babe, Melanie doesn’t bite.”

“Melanie is in fact, perfectly capable of biting,” Jon mutters petulantly, as he moves further into the room to eye the art on the walls. “Especially when you used to date her girlfriend.”

“Oh look, my favorite emo goth boy!” Melanie yells, exploding out the back of the store, all 5 feet of her filled with frenzied energy. Her face immediately sours when she catches sight of Jon, hiding behind Martin. “And my least favourite douche bag.”

“Now, now firecracker, be nice to my boyfriend.” Gerry pulls her into a hug, which leads to a headlock and a swift jab to his ribs.

“I’m very happy to be nice to Martin,” She responds sweetly, blowing him a kiss. “What brings you lot over to darken my doorstep?”

“Piercings,” Gerry tells her with an unnatural amount of glee.

“Jon agreed to let me pierce him?” Melanie asks, perking right up at the idea of causing Jon pain.

“No!” Jon exclaims.

At the same time, Gerry says, “Nah, he’s not interested, but Martin and I were wanting something each.”

“Martin?” Melanie asks dubiously, eyeing up sweet-looking, pink-haired, cardigan-clad Martin.

“Yes,” Martin confirms with false solemnity. “Boyfriends who bleed together stay together.”

“You know,” Melanie remarks, grinning at them, “I have heard about that Pagan ritual.”

Jon has slunk over to a wall of healed artwork and concept designs, managing to avoid Melanie's barbs. As far as he is concerned, the art isn’t as interesting as Gerry’s work. Although, he supposes that what you can make beautiful on a canvas is very different from what you can make beautiful on someone's skin.

“I’ve got a bit of an opening now, what do you want to get?” She asks Gerry.

“Well, you know I’ve been wanting to have my nipples done.” He offers, teal eyes looking slightly wild.

“Yeah?” She grins in triumph, “I’ve been waiting for this day.”

“Yup and Martin has been considering something for his ears.”

“Hmmm,” She wanders over to Martin to examine him. “Open for suggestions?”

“Maybe.”

“They’re a good shape. Double helix?” She looks to Gerry for affirmation.

“Definitely.” He smirks, eyes lighting up with satisfaction.

"Two?" Martin looks slightly dubious.

"If you do them together, the pain is only a tiny bit more, and the healing time is two-for-one," Melanie reassures him, and Jon thinks it's the nicest she's ever sounded. "It's up to you though, of course."

Jon steals himself to brave the fray, going over to take Martin's hand. It's slightly clammy with the nerves that Gerry's enthusiasm has prevented up until this point.

"It won't be so bad, love." He presses a kiss to Martin's cheek, offering his support. "Just a small jab, then it's done."

"Let's do it."

***

There's a brief fuss with consent forms, aftercare instructions, and payment.

"I don't know what you lot," Melanie instructs Gerry firmly, gesturing between them, "get up to in the bedroom, but no twisting, no pulling, no biting, no sucking your nipples for 12 weeks."

Jon blushes, but Gerry and Martin aren't bothered. "Yeah, firecracker, I know the drill. This isn't my first circus."

"Kinky little shit," Jon mutters under his breath, but the goth only winks at him.

Martin's care instructions are less suggestive, and Gerry and Jon both promise to help him with it.

“Martin should go first,” Melanie pronounces, patting the piercing chair as she disinfects her hands and gloves up.

“Me?” Martin asks.

“Yup, yours will be a lot simpler, and I don’t want to traumatise you by making you watch nipple piercings before your turn.”

Martin climbs on the chair, looking a little pale, but resolute. Jon stands on the side not occupied by Melanie, gripping his hand reassuringly. Gerry stands slightly behind the chair, hand on Martin's shoulder.

The ear piercings are almost comically quick and easy. Two quick pinches, less painful than bee stings, and then Martin's ear is pierced and adorned with small hoops.

He sighs with relief and oh's with delight when Gerry hands him a mirror to check them out.

"I love it!" He exclaims, beaming at Jon and Gerry. They smile back at him, each taking a turn to kiss him on the cheek or forehead, their own relief palpable.

"It's just you and me now," Melanie grins at Gerry and gestures for him to strip.

He shucks off his trench coat and black t-shirt, and stands in front of her, completely at ease.

Jon takes a moment to wonder if he has managed to get himself into a relationship with a masochist. Not because of the piercings, but because Gerry seems to genuinely enjoy being friends with Melanie.

The nipple piercings seem to be a much more complicated process, with markings and adjustments, but several rounds of cleaning and disinfecting later, Melanie runs a metal piercing bar through first one nipple and then the other. Gerry hisses with discomfort but stands carefully steady.

She steps back to make sure they look straight and even, before declaring it a success.

"Nice," Gerry says succinctly, looking in the large upright mirror, nodding his head enthusiastically. He and Melanie high five, and she condescends to grip him in a firm hug from the side.

"You sure I can't tempt you, Jon?" Melanie asks him sweetly as she starts to clean up her station, Gerry putting his clothes back on close by.

Knowing she just wants to cause him pain, Jon tells her firmly, "No, thank you."

He is over by the wall again, looking at different art this time, including a picture of a tattoo that catches his focus. It's a playing card amid a complex arm sleeve, an Ace of diamonds, and despite a lifelong disinterest in tattoos, it speaks to him.

"I think you'd look better with a spade, love.” Gerry manages to startle Jon slightly, appearing beside him and wrapping an arm around his waist. Jon marvels at his apparent ability to read his mind.

“You think so?” Jon queries, softly. Gerry hums his affirmation. “It's a bit much though, don't you think?”

"You don't need the whole card, for what you want. Just the A and the spade. Small and bold." He picks up Jon's hand, indicating the spot below his thumb on his wrist.

Gently releasing it, Gerry grabs a pen and scrap of paper and rapidly draws out a solid, simple design.

Jon glances over at Melanie, extremely dubious. "Maybe we can go somewhere else to get it?" He whispers.

Gerry laughs warmly, tapping the small piece of paper. "I could do it for you myself."

Jon blinks at him, rather owlishly. "What do you mean?"

"I mean, I can give you the tattoo. I'm probably a bit rusty, but I did survive a full tattoo apprenticeship. I’ve done about a million over the years, although I had to give up my machine when I moved to London."

"You did a tattoo apprenticeship?" Martin asks from nearby, tone skeptical.

"Yup, when I was living in Edinburgh. All three years." Gerry tells them casually. "That's where I met Melanie, actually."

Jon and Martin exchange a baffled look, but choose to simply file it under 'Things Gerry tells us out of order.'

“Well, if you can do it...” Jon sounds a bit floaty but he is staring at the design yearningly, which Gerry knows is a good sign.

"Firecracker," Gerry yells over to Melanie, "Can I borrow your machine?"

***

Melanie makes the stencil while Gerry reacquaints himself with the tattoo gun, setting everything up and getting used to the weight of it in his hand again. The rhythm is always the same with tattooing and he feels himself fall into the past a bit.

When everything is ready, he gestures Jon over to sit in the chair, smiling beatifically.

Jon is shaking a little as he slides up onto it, and Gerry presses a reassuring kiss to his hand before he starts the prep.

"You ready?"

Jon gulps. "Yes."

Martin comes over to take Jon's other hand and Melanie hovers nearby, wanting to watch Gerry like a hawk the entire time he's handling her machine. ("It's the true love of her life," Gerry had confessed to Martin earlier. "Don't tell Georgie.")

Gerry follows the same procedure with any tattoo: cleanse, shave, cleanse again. Numbing cream, in this case, to prevent nerve twitches, then alcohol rub down. Eventually, he applies the stencil carefully, making sure to get it straight and in the correct place.

He checks with Jon, making sure that it is where he wants it. Jon confirms, smiling to see the design on his skin for the very first time.

As the buzz of the machine fills the space, Jon and Gerry make eye contact for a moment. Jon's earthy green eyes are wide, and Gerry can almost see where his pulse pounds through his jaguar vein. He stills a moment, really checking Jon's energy.

He's nervous, it's obvious to see, but Gerry can also see the real desire in him, and with a wink, turns to look down at his new canvas. He sets to work, the buzzing of the needle filling the air.

***

"I love it," Jon whispers to Gerry later, lying in the circle of his arms, Martin's warm weight at his back.

"I love it too." Gerry kisses his forehead sweetly, almost asleep. "Martin, what do you think of your ear?"

"I think boyfriends who commit to pain together stay together," Martin mutters drowsily, repeating his sentiment from earlier.

"Ah, yes," Jon mutters, "The great cosmic bond of suffering."

They laugh easily, the hot excitement of the day echoing within them, yet another thread in the colourful tapestry of their relationship.

#the magnus archives #jonathan sims #martin blackwood #gerry keay #jongerrymartin #fic #also on ao3

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imperiuswrecked · 4 years

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Fanfic Authors Tag Game

Tagged by: @marblesarelost Tagging: @veliseraptor @traincat

AO3 Name: ImperiusRex

Fandoms: Marvel & DC (comics mostly but I enjoy other stuff too like cartoons and movies), Mercy Thompson book series, Dresden Files book series, Black Sails, Star Trek, early seasons of Vikings.

Number of fics: 66 trying to get to 100 before the end of the year hopefully!

1. Fic you spent the most time on: I really can’t say, because a lot of my fics are ones that I start and then put on pause for a time until I find the muse to start/finish them again, which takes anywhere from one day to years. However the longest ongoing wip I have is: To Find my Soul a Home; very long fic about Namor’s life and has slow burn Jim/Namor as the endgame. I have been working on it on and off for about 3 years. Still working on it.

2. Fic you spent the least time on: Strange Customs; short Jim/Namor fluff fic set during the Oracle Inc holiday party.

3. Longest fic: Catching Quicksilver; 61,858 word fic (26 chapters) featuring Remy/Pietro. It’s my first published fic too.

4. Shortest fic: Mister Dibbles; 556 word fic about Pietro learning more about his new pet.

5. Most hits: Catching Quicksilver ; currently at 4,422 hits

6. Most kudos: The Thief's Heart (Remy/Pietro fic) ; currently at 214 kudos

7. Most comment thread: Strength & Weakness (Namor/Pietro fic) ; currently at 46 comments

8. Fave fic you wrote: My favorite fic is always changing and it’s usually the fic I have not finished yet. I like all of my fics but I think the ones I will love most when it’s done is either To find my Soul a Home, or Lighthouse which are both Jim/Namor wips.

9. Fic you want to rewrite/expand on: Currently none, I really don’t like to go back to fics after I post them because I take so long to even finish one and if I don’t know when to say stop, then it never gets finished. So I try to just be ok with whatever I wrote.

10. Share a bit of your WIP or share a story idea that you’re planning:

From: To Find my Soul a Home: Jim/Namor fic: This scene takes place in middle of the story, long after Jim and Namor had parted ways. Jim has been buried in the desert by his enemies, which was the explanation of why the OG Human Torch was not around for decades. warnings for angst, mentions of war, and burial:

He is crushing darkness around him. There is something wrong with his body, he is unable to move, unable to cry out, Jim is trapped inside his mind as the sounds of dirt hitting dirt slowly fades away until they stop. They have buried him in some place he does not know, deep under the ground. What did they do to him? He strains to try and move but nothing happens, he can’t even wiggle his fingers. Lips closed so that any words he would have spoken were sealed forever. This can’t be happening, not again, not again! He remembers the last time he was trapped in such a way, when his father- when Horton sealed him in the concrete under the ground because they were all afraid of him.

“I’m sorry my boy… I have to do this for your own good. I f I leave you out here they will destroy you. I will come back soon and set you free, and teach you more about this world. When it’s ready for you. Be good my boy.”

Anger burns in his chest and he can’t feel his body heating but it’s a weak fire smothered by dirt and lack of air. Horton never came back for him, he never returned and Jim had to free himself. Horton would not free him now either. The world had never been ready for the Human Torch, but Jim had demanded they try, he did everything he could to be human and now he can’t even die like one. Trapped in this suspended animation as he hears the men’s boots stamp over the dirt of his grave before muffled sounds of their voices fades away. Was it night now? Did it matter? He was never leaving here, Toro hadn’t even known what happened to him, what would happen to the boy? Would he search for Jim? He couldn’t let himself hope for that. He hopes Toro will move on with his life, he was old enough now that he could make it on his own. Still Jim feels a tear slip down the side of his face, he would never see his son again, never hug him and ruffle his hair and tell him how proud he was, how much he loved him. Toro could be an old man before Jim ever escaped from here.

Time has passed, how much? Jim doesn’t know, he could have been here a few days but it feels longer than that, weeks, months maybe. His body’s functions had been shutting down slowly, he feels his artificial heart slow to just a few beats per minute. His mind is clouded by the memories of the past, like a bad tape it skips around and some scenes run on repeat. If he was human it would be called hallucinating.

“Look at me Pappy!” Toro flames on by himself for the first time without burning any of the surrounding furniture in their tiny home, his fire spark smile is wide as he lifts his arms up in success. Jim folds the newspaper down enough to watch him. “Good job son. I’m proud of you.” Toro grins as he slowly flames down.

Jim wants to smile at the memory but his face is frozen.

“Come on now Jim, you can’t tell me you still hate him? Even after everything you two have been through?”

“Why are you pushing this Betty? I thought you would be happy that whatever Namor and I had was over.”

“I never saw you as my rival Jim, we both love him, but you know what he’s like.”

“I know. I know, but dammit Betty he gets me so mad…”

His partner in the police force, Betty’s face fades away, the tape skipping again as he tries again to move. He panics again, the cycle of screaming in his head, hoping someone will come, despairing when he comes down from this latest panic attack because nothing changes except his heart is a beat slower than before. Knowing that with every moment that passes his body is shutting down and soon he will be for all intents and proposes, dead. Jim had never died before, he knew what it was like to be shut off, a dark sudden black before the light came on again. Is this how humans feel knowing they have an expiration date? Knowing that one day they too will cease to exist?

“You’re too quiet firebug.”

No. No. No. NO. Jim panics again, tries to get his mind to turn over this tape, switch it to a different record, anything. He doesn’t want to see him.

His face is turned away from Jim in the memory, they were somewhere in France on the shore of a beach. It was the war.

“I don’t have anything to say.”

“I find that hard to believe, you’re always quick to voice your mind when it comes to me, how many times have you insulted me in the past?”

“So you came to find me because you missed my insults?”

“Missed you.”

Jim doesn’t reply to that.

“Say something Firebug, it’s too quiet here.”

Jim follows Namor’s gaze and looks out at the sea of dead soldiers that littered the beach. Their eyes blank as the gulls pick at the corpses. He looks down at his feet as the blood soaked wave washes over his boots.

Jim wants to claw out his brain, he wants it to STOP. He hated the war, he wasn’t like Namor, something happened to the Prince during the war. Jim could compartmentalize the trauma, he locked it away and did his best to be a support system for Toro, but Namor felt everything more deeply. He doesn’t want to see anymore, and for the first time Jim begs Horton’s god to let it end. More time passes.

The edges of his vision are blurry now, and each memory that comes is slower than before. He sees Toro again, in the circus doing his act. He sees Steve sitting in a chair in the clock tower, his face in his hands, the tired slump of his shoulders tells Jim that Steve has not slept again. Papers scribbled with art is strewn everywhere. He sees Namor in the rain.

He knows this.

Jim’s mind is finally on its last legs as it begins to shut down the last of his conscious mind. He is in a house and every room has a light on but the lights are being turned off one by one. He doesn’t want to be alone in the dark again.

The rain soaks Namor, plastering his dark hair and making his pointed ears stick out even more, it’s cute. Jim never told him that.

He knows this night.

Jim follows him out into the rain, away from everyone else.

Another light is turned off and Jim doesn’t try to waste the little energy he has left trying to move his body again. He wants to relive this one more time, he wants to hold on for just one moment more-

He and Namor are pressed against each other in their little alcove, the dirt of the trench wall behind him turns to mud. Piercing green eyes, and warm breath fills his senses as Jim clutches the Prince’s wet dark hair and pulls him closer. The war is worlds away as he feels Namor’s lips connect with his in a kiss. Soft and sensual, it is a sharp contrast to the harshness of the world they live in.

He knows this… the last light turns off and Jim is in the dark, the grainy picture in his mind fades and the record skips for the last time.

“Say something Firebug. It’s too quiet here.”

“I love you.”

Jim sleeps. A man forgotten by time and those who loved him.

#sorry marbles! i finally posted this #tag game #long post #jimor #im just very bad at going back to stuff once my brain shuts off and says: get the fck out of here and go write something else #which is why i don't think i will ever revise anything once its posted #mim writes a thing

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eddycurrents · 6 years

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For the week of 14 May 2018

Quick Bits:

A Walk Through Hell #1 is largely atmosphere and introduction, as we’re dropped into the lives of a couple of FBI agents, a strange mass shooting at a mall, and the subsequent disappearance of two of their colleagues in a warehouse. Garth Ennis giving us some straight up horror again is very welcome and the tease of what occurs with an entire SWAT unit is enticing for what’s to come. Also, the art from Goran Sudžuka and Ive Svorcina is perfect.

| Published by AfterShock

All-New Wolverine #35 brings the series to an end. Over the thirty-five issues, plus an annual and a Generations special, Tom Taylor has delivered one of the most consistently excellent series from Marvel in recent years. The stories have been entertaining, the characters interesting, and contained a nice mix of action, humour, and a real sense of family between Laura, Gabby, and the real wolverine, Jonathan. It’s sad to see it end. But at least it goes out on a high note. This final chapter of “Old Woman Laura”, with wonderful art from Ramon Rosanas and Nolan Woodard, has encapsulated a large part of the fun of this series.

| Published by Marvel

Avengers #2 continues the over the top bombast and destruction of the first issue, actually raising it a bit higher as Ed McGuinness, Mark Morales, Jay Leisten, and David Curiel break out even more action. There is a bit of confusion in regards to Jennifer Walters’ current state, apparently she’s a dumb Hulk again, is built like her angry grey version, but green. It’s like she’s regressed, but there’s no explanation here. Other than that, Jason Aaron progresses the arrival of the Final Host nicely, with an interesting narration from one of the reasons why the Avengers originally came together in the first place.

| Published by Marvel

Avengers: Back to Basics #6 concludes this digital original series. It’s been fun. Peter David’s story has been highly entertaining, with two-issue sub-stories fitting into one over-arcing story involving Ms. Marvel. These past two issues dealing with that mostly head on as Kamala’s dealt with Kang. Also, the art has been great. The first two issues and these last two issues have had the art chores handles by Brian Level and Jordan Boyd, with some very nice page layouts and interesting decisions for panel composition.

| Published by Marvel

Ben Reilly: The Scarlet Spider #18 has some really nice art from André Lima Araújo. I love his style, basically a mix between someone like Martín Morazzo and Katsuhiro Otomo.

| Published by Marvel

Bloodshot Salvation #9 has Ray Fawkes join in on the writing duties for an excellent standalone story detailing the origin of Bloodhound deep in the trench warfare of World War I. Along with Renato Guedes wonderful art, this is a good story even if you’re not regularly a reader.

| Published by Valiant

Cable #157 continues to play with Cable’s history, past and future, as Nate Grey and a group of alterNates from various timelines are brought together at the end of time to face Metus. It’s interesting how Lonnie Nadler and Zac Thompson are mining Cable’s continuity, while still building new encounters and characters to fill in some of the holes.

| Published by Marvel

Cold War #4 peels back the curtain just a little bit, to give more hints as to what’s going on truly with the war and its pieces. We get some more insight into LQ, as well as mainly following Sath and Tikk this issue, bringing about some interesting control issues for Vinh. Christopher Sebela and Hayden Sherman have some interesting characters here and the overall future plot just more interesting.

| Published by AfterShock

Crude #1 jumps headfirst into the seedy, unsavoury, and harsh life of working in Blackstone. Interesting to see the rival “gangs” vying for control over the land and the people, as well as giving an insight into what it might have been like for Kiril here before his death. Gerry Brown’s artwork is perfect for this, dark, gritty, and feeling like the characters have walked for ages through mud and worse.

| Published by Image / Skybound

Daredevil #602 gives a good argument for why Mike Henderson is one of the best artists at Marvel right now. He’s great with action and talking pieces, making the various moments of horror, heroism, and humour in Charles Soule’s script shine.

| Published by Marvel

The Dead Hand #2...hoo boy, damn this is a good comic. Kyle Higgins, Stephen Mooney, and Jordie Bellaire are producing a taut thriller and mystery, tapping into Cold War era paranoia and espionage epics and creating something amazing here. The characters are great, fitting perfectly into the spy mould, but the revelations each issue as to what’s going on raise the stakes and storytelling to a higher bar. Also, the art is incredible. This is some great stuff.

| Published by Image

Death of Love #4 gives us a pretty epic confrontation between Philo & Friends and the army of Cupidae. There’s some humour as they work out who the players were in the first issue and set up for the final conclusion next issue. The art from Donal DeLay and Omar Estévez really shines this issue.

| Published by Image

Dry County #3 comes up with some interesting avenues for investigation as Lou continues to try to find out what happened to Janet. Rich Tommaso is mining the trappings of Miami Noir so perfectly, but what I absolutely love is how he’s incorporated even the comic strip into the narrative. It’s not just work, it’s also another tool in Lou’s arsenal as an amateur detective. Brilliant storytelling.

| Published by Image

Ether: The Copper Golems #1 is a very welcome return to the world of Ether from Matt Kindt and David Rubín. I’ve said before that Rubín’s art deserves many accolades and the original Ether series was one of the many reasons why, but one of the first in the North American market. It’s just wonderful. A mix of whimsy and detail, with amazing character designs and interesting page layouts, I just love the art. It also helps that Kindt more than pulls his own weight, adding more interesting wrinkles to Boone Dias’ personal life on Earth that makes his departures into the fantasy realm deeper. Also, there’s something sad and somewhat sinister when someone introduces themselves as “Lost”.

| Published by Dark Horse

Flavor #1 is a fascinating creature. It reminds me a bit of the beginning of Joe Keatinge’s other fantasy series, Shutter, somewhat in tone, with beautiful bright art from Wook Jin Clark and Tamra Bonvillain, but also that there seems to be a lot more going on than just what we see at first. That undercurrent has me hooked, but the surface is also rather captivating. Xoo and her dog, Buster, are endearing and the world of fantastical culinary chefs is something different for comics (Moonstruck and Brave Chef Brianna notwithstanding).

| Published by Image

Gideon Falls #3 is another issue full of oblique messages and hints at something insidious as Jeff Lemire, Andrea Sorrentino, and Dave Stewart continue to play the long game when it comes to the horror that’s lurking in Gideon Falls. So far it’s all about atmosphere and building up the characters, with some interesting bits of how Norton’s paranoia and obsessive compulsiveness can bring out some dangerous behaviour, regardless of whether or not he’s actually right.

| Published by Image

Hunt for Wolverine: The Claws of the Killer #1 is the third limited series, this one following Lady Deathstrike, Sabretooth, and Daken. This one also makes me question some of the status quo of the characters, what with Sabretooth acting more villainous (although there has been a darker turn in Weapon X of late) and Daken’s characterization currently being all over the map between this, Iceman, and X-Men Blue, but taken at face value, this story from Mariko Tamaki is one of the ones that makes the most amount of sense, and looks like it’s going to have an interesting plot on top of just the hunt for Wolverine angle. The art from Butch Guice, Cam Smith, and Dan Brown is really nice. It’s a bit scratchier than I’ve come to expect from Guice, but it suits the darker subject matter.

| Published by Marvel

Infidel #3 keeps the hits coming as Leslie’s dead, Kris is hurt but stable, and Aisha is randomly unconscious. Pornsak Pichetshote plays up the racist angle outright here, with Aisha’s friends and neighbours addressing it outright, and it looks like the anger, hate, fear, and division are feeding whatever’s going on. Plus, a notebook full of Goetic sigils and other stuff. Aaron Campbell and José Villarrubia again nail the creepy atmosphere.

| Published by Image

Infinity 8 #3 marks the end of the first part of this series and the first recursion loop. Dominique Bertail’s art is stunning, the designs for the different Kornaliens and all of the dead creatures throughout the necropolis are amazing. It’s also interesting in Lewis Trondheim and Zep’s story how the mystery is going to progress as time resets and the crew tries to learn what’s going on.

| Published by Lion Forge / Magnetic Collection

Infinity Countdown: Daredevil #1 is a one-shot detailing how the mind stone came into Turk Barrett’s possession. It’s the kind of fluffy thing that would usually be a couple of panels or a throwaway line in the main series of a crossover, but it’s not bad on its own. I kind of get the impression that all of Infinity Countdown will be better read as a whole, even if the event is just a primer for the forthcoming Infinity Wars. At the moments, it’s just a lot of little disparate pieces. Nice art, though.

| Published by Marvel

James Bond: The Body #5 is another great issue, working as both its own discrete story, with great art from Hayden Sherman and Valentina Pinto, and as part of the broader whole story that Aleš Kot has been serving up in this series. The approach of analyzing Bond from within, piece by piece, has been highly entertaining.

| Published by Dynamite

Kick-Ass #4 is a fairly explosive instalment of the series, with Patience essentially running into a brick wall and finally beginning to assess the ramifications of some of her actions. Still not the moral implications, but certainly the toll that her life of crime would have on her family.

| Published by Image

Lucy Dreaming #3 continues to be a fun read, as we find out a bit more about the world than Lucy dreams herself into and the science project that allows her and her friend Welsey access it. All while delivering a humorous take on the Buffy the Vampire Slayer. Max Bemis and Michael Dialynas are delivering something very imaginative with this series.

| Published by BOOM! Studios

The Mighty Thor: At the Gates of Valhalla #1 is a one shot that acts as a bridge between the latest volume with Jane Foster and the upcoming new series starring the original Thor Odinson. It features two somewhat connected stories by Jason Aaron, the first with art by Jen Bartel spotlighting the Goddesses of Thunder, Thor’s granddaughters from the future who were introduced early on in Aaron’s run, and a second illustrated by Ramón Pérez following Malekith’s plans for the War of the Realms, both nimbly coloured by Matthew Wilson.

| Published by Marvel

Ninja-K #7 puts together a kind of Unity 2.0 in order to put down the Coalition in Mexico. I love that Christos Gage is playing with the wider Valiant universe for this arc. Often times the stories from Valiant stand on their own save for crossover periods these day, and, while that’s certainly a strength, it’s nice to see that shared universe utilized in entertaining ways. Especially when it means more Doctor Mirage and Punk Mambo. Also the art from Juan José Ryp and Jordie Bellaire is amazing.

| Published by Valiant

The Punisher #224 brings Frank back stateside for the beginning of one hell of a reckoning in the wake of him donning the War Machine armour and the ramifications from Secret Empire. It does seem a bit hypocritical coming from the hands of Captain Marvel, though. There still really hasn’t been any concrete fallout on her own actions from Civil War II, which is somewhat disappointing. Still, Matthew Rosenberg gives us a good story here as Frank cuts an even more brutal swath through Marvel’s rogues gallery.

| Published by Marvel

Quicksilver: No Surrender #1 continues on from Quicksilver’s sacrifice run in the Avengers’ “No Surrender” arc with Pietro finding himself unstuck in time. Saladin Ahmed pens an intriguing script, but the real highlight here is Eric Nguyen and Rico Renzi’s art. Particularly Renzi’s colours. The stark contrast between Pietro, the colours of the energy demon thing(s), and the world devoid of colour is an impressive choice. It really makes the story come alive and hammers home the strangeness of the situation.

| Published by Marvel

Summit #5 begins the second arc with Federico Dallocchio taking over the art duties, while Amy Chu pens a story that more properly sets up Val’s current status quo and supporting cast at MIT. It’s an interesting approach, an astronaut celebrity professor superhero, and an decent set up.

| Published by Lion Forge / Catalyst Prime

Teenage Mutant Ninja Turtles #82 has more excellent art from Dave Wachter and Ronda Pattison. The story also gets a bit more interesting as the various factions in New York begin to move on plans for something more, even as Baxter Stockman betrays what happened to the Triceratons. Kevin Eastman, Bobby Curnow, and Tom Waltz also expand upon the Rat King, Toad Baron, and their family of immortals in interesting ways.

| Published by IDW

TMNT Universe #22 concludes the two-part story from Paul Allor, Mark Torres, and Ronda Pattison that puts the Utroms and Triceratons on a hard road to peace. It’s a good set-up, despite a foundation on lies, that makes me interested to see what happens next in this tenuous situation. There’s also a nice character piece back-up from Ross May, Chris Johnson, and Mark Englert with Leatherhead and his interpretation of freedom.

| Published by IDW

Usagi Yojimbo: The Hidden #3 has Usagi and Inspector Ishida inch closer to the truth as they continue to hunt the murderers of the two unknown ronin.

| Published by Dark Horse

Weapon H #3 is still much, much better than I ever would have expected a book about a Wolverine/Hulk mash-up character would be. Greg Pak, Cory Smith, Morry Hollowell, and Rachelle Rosenberg are doing an impeccable job here, as the over-the-top action continues with Clay facing an squad of Broodlings under the control of Roxxon, while his wife continues to investigate his “death”. There’s a kind of old school sensibility about this series and it’s being utilized to great effect.

| Published by Marvel

X-Men: The Wedding Special #1 gives us a trio of tales in advance of the wedding of Kitty Pryde and Colossus, including a retrospective of Kitty’s history, and one each for the bachelor and bachelorette parties. The retrospective is about what you’d expect from Chris Claremont, wordy and with a penchant to highlight some bits of his time with the character. Honestly, it’s good to see, with some nice art from Todd Nauck and Rachelle Rosenberg.

| Published by Marvel

X-Men Red #4 gives us a revelation of part of Cassandra Nova’s plan, weaponizing hate through a new form of nanite sentinel. Mahmud Asrar and Rain Beredo outdo themselves with depicting an impressive confrontation with Storm.

| Published by Marvel

Other Highlights: The Archies #7, Assassinistas #5, The Ballad of Sang #3, Barrier #3, Captain America #702, Cinema Purgatorio #14, Curse Words #14, Encounter #3, Jimmy’s Bastards #8, Mighty Morphin Power Rangers #27, Moonshine #10, The Originals: Essential Edition, Persephone, Riverdale #12, Ruin of Thieves #1, Star Trek: The Next Generation - Through the Mirror #3, Star Wars: Poe Dameron #27, The Wicked + The Divine #36, You Are Deadpool #3

Recommended Collections: The Ballad of Halo Jones - Colour Edition, Black Magick - Volume 2: Awakenings II, Black Science: Premiere Hardcover - Volume 1: Remastered Edition, Evolution - Volume 1, Hulk: Return to Planet Hulk, Infinite Loop - Volume 2, Mage - Volume 4: The Hero Defined - Book 2, Moon Knight - Volume 1: Crazy Runs in the Family, Paradiso - Volume 1: Essential Singularity, Rick & Morty - Volume 7, Star Wars: Poe Dameron - Volume 4: Legend Found, Summit - Volume 1, Turok - Volume 1, The Unsound

d. emerson eddy is not the one you know.

#This Week in Comics

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siphen0 · 6 years

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This summer, Walmart shoppers will receive a personal invitation to discover the lore behind their favorite DC experiences as DC Entertainment announced today that a series of “giant” monthly comics will be sold exclusively in more than 3,000 participating Walmart stores around the country.

Available for $4.99, each 100-page anthology features all-new stories written exclusively for these books by some of DC’s top creative talents, including Tom King (BATMAN, MISTER MIRACLE, HEROES IN CRISIS), Dan Jurgens (ACTION COMICS, BATMAN BEYOND), Brian Michael Bendis (SUPERMAN, ACTION COMICS, THE MAN OF STEEL), Andy Kubert (NEW CHALLENGERS) and others. Each title will also include additional story arcs drawn from fan-favorite DC eras such as the New 52, Rebirth and the New Age of DC Heroes.

Each of the four titles – SUPERMAN GIANT, JUSTICE LEAGUE OF AMERICA GIANT, BATMAN GIANT and TEEN TITANS GIANT – will arrive in stores by July 1. Beginning in August, the Superman and Justice League of America titles will arrive in week one of each month, with the second pair, Batman and Teen Titans, arriving approximately two weeks later.

“We are extraordinarily excited about working with Walmart to expand the reach of our books,” said DC Publisher Dan DiDio. “These new monthly books combine new and accessible stories with reprints of classic comic series. It’s a great way for new readers to get into comics and follow the characters they’ve grown to love in TV and film.”

The debut title lineup includes:

SUPERMAN GIANT #1

SUPERMAN GIANT #1 features chapter one of the two-part “Endurance,” an original story written by Jimmy Palmiotti (HARLEY QUINN, ACTION COMICS) with art by Tom Derenick (HARLEY QUINN, CYBORG, BATMAN/SUPERMAN). The Daily Planet sends Clark Kent to Tornado Alley to do a story on the area, but when the storm hits, it turns out that this mild-mannered reporter is more helpful as Superman.

The issue also includes:

THE TERRIFICS #1 (2018) – From this year’s New Age of Heroes and born of the events of DC’s hit series DARK NIGHTS: METAL. Mr. Terrific, Metamorpho, Plastic Man and Phantom Girl are a team of heroes bound together by fate and united by the spirit of exploration and discovery. Together these heroes plumb the depths of the fantastic to learn what it means to become family.

GREEN LANTERN #1 (2005) – Written by best-selling writer Geoff Johns with art by Ethan Van Sciver and Carlos Pacheco, this first chapter launches the fan-favorite three-part story “No Fear,” in which Hal Jordan makes his return to the DC Universe as the Green Lantern, casting the light of justice on the darkest corners of Space Sector 2814.

SUPERMAN/BATMAN #1 (2003) – The iconic fan-favorite story arc, “Public Enemies,” returns, courtesy of writer Jeph Loeb, with artists Ed McGuinness and Tim Sale. Batman and Superman unite when President Lex Luthor accuses the Man of Steel of a crime against humanity and assembles a top-secret team of powerhouse heroes to bring Superman in by any means necessary.

September’s SUPERMAN GIANT #3 features Eisner Award-winning writer Tom King’s first return to the Man of Steel since his poignant and heartfelt tribute story, “For Tomorrow,” in the pages of ACTION COMICS #1000. Together with DC Master Class artist Andy Kubert, this powerhouse team will take readers on a new 12-part adventure titled “Up in the Sky!” When a little girl is kidnapped and taken from Earth, Superman embarks on a galaxy-spanning mission to find the perpetrators…but has to decide what lengths he will go to in order to save one life!

TEEN TITANS GIANT #1

In this original six-part Teen Titans story by Dan Jurgens with art by Scot Eaton, Wayne Faucher and Jim Charalampidis, the Teen Titans’ pizza dinner is interrupted by the introduction of a new villain, the Disruptor. Teaming up with the Fearsome Five and working as an agent of H.I.V.E., he had one mission: kill the Teen Titans! The battle spills onto the streets of San Francisco, putting its citizens at risk, while H.I.V.E. uses this distraction to begin their plan for world conquest!

Additional issue #1 stories include:

SUPER SONS #1 (2017) – From DC’s smash-hit Rebirth event, writer Peter J. Tomasi and artist Jorge Jimenez reintroduce the sons of Superman and Batman, Jonathan Kent and Damian Wayne, in part one of “When I Grow Up.” As Robin, Damian’s more than ready to take his place at the heroes’ table and has zero plans to wait his turn. And he’s dragging Superman’s son along for the trip, whether Jon likes it or not!

SIDEWAYS #1 (2018) – Also from the New Age of Heroes, this story written by Dan DiDio with art by Kenneth Rocafort introduces fans to high schooler Derek James who, during the events of DARK NIGHTS: METAL, has acquired powers from the Dark Multiverse and stepped into the role of superhero! But when cracks begin to appear in the space-time continuum, he soon learns that with that much power comes even greater liability!

TEEN TITANS #1 (2003) – Written by best-selling author Geoff Johns with art by Mike McKone. Cyborg, Raven, Starfire and Beast Boy welcome in a new roster of young heroes to train to defend humanity—Wonder Girl, Impulse and a Superboy who’s been cloned from Superman’s DNA!

BATMAN GIANT #1

Batman is on the case of a missing girl in “One More Chance,” an all-new story by writer Jimmy Palmiotti and artist Patrick “Patch” Zircher. Batman is the world’s greatest detective, but what happens when the trail in his newest case leads him back to a place from his past that he never expected to revisit?

BATMAN GIANT #1 also includes:

BATMAN #608 (2002) – Written by Jeph Loeb with art by comics icon Jim Lee, issue #608 kicks off “Batman: Hush,” one of the most popular storylines in the Dark Knight’s fabled history. When Batman sets out to unmask the mystery character wreaking havoc in his life, he teams up with an unexpected ally (Catwoman) and finds himself facing off against not only his deadliest foes, but some of the toughest characters in the DC Universe, including Poison Ivy, Killer Croc and even Superman!

NIGHTWING #1 (2011) – From DC’s New 52, this story by writer Kyle Higgins and artist Eddy Barrows debuted a new look for Dick Grayson as he dives into a tale of murder, mystery and superhuman evil against the backdrop of Haley’s Circus, the place that started him on his path from acrobat to orphan to sidekick and ultimately superhero!

HARLEY QUINN #1 (2011) – Also from the New 52, writer Jimmy Palmiotti and artist Amanda Conner break Harley Quinn out of The Joker’s shadow with all the force of a giant mallet!

Beginning with BATMAN GIANT #3 in September, superstar writer Brian Michael Bendis makes his DC debut on the Dark Knight with a 12-part story, “Universe.” Batman’s run-in with the Riddler leads the Caped Crusader into a mystery that spans the globe!

JUSTICE LEAGUE OF AMERICA GIANT #1

Justice League member Wonder Woman is spotlighted in “The Conversion,” an all-new story from NIGHTWING writer Tim Seeley and artists Rick Leonardi and Steve Buccellato. In this single-issue story, Wonder Woman comes face to face with Ares, god of war—who sees her as a promising new recruit!

JUSTICE LEAGUE GIANT #1 also includes:

JUSTICE LEAGUE #1 (2011) – From the incomparable team of writer Geoff Johns and artist Jim Lee comes this version of the League from the New 52. In this alternative spin on the union of Superman, Wonder Woman, Green Lantern, the Flash, Aquaman and Cyborg, superheroes are a strange and new phenomenon. The mysterious Batman discovers a dark evil that requires him to unite these reluctant heroes to protect Earth from a cosmic-level threat!

THE FLASH #1 (2011) – In this New 52 version of the Fastest Man Alive, writer Brian Buccellato and artist Francis Manapul introduce Barry Allen to a villain who not only can be everywhere at once, but is also a close friend of the Scarlet Speedster!

AQUAMAN #1 (2011) – Award-winning writer Geoff Johns and dynamic artist Ivan Reis team up on this story from the New 52! Aquaman has given up the throne of Atlantis, but the sea still has plans for Arthur Curry as a broken race of undersea creatures, the Trench, emerges from the ocean depths, bent on destroying the surface world!

In issue #2, Seeley teams up with artists Felipe Watanabe and Chris Sotomayor on “Mother’s Day,” a stand-alone story where Wonder Woman returns to Paradise Island for the first time since her exile, only to find that the Amazons – and Queen Hippolyta – have been abducted by Echidna, the mythological Mother of Monsters, with a brood of unstoppable beasts as children!

Issue #3 begins another original 12-part Wonder Woman story by HARLEY QUINN co-writers Amanda Conner and Jimmy Palmiotti called “Come Back to Me.” When Steve Trevor’s plane crashes on an island outside of time itself, it’s up to Wonder Woman to rescue him from this mysterious land, full of monsters, dinosaurs and some very surprising citizens.

Use Walmart.com’s online store finder to locate the store in your area that has DC’s GIANT 100-Page comic books.

100-Page Giant Comics From DC to Be Sold Exclusively at Walmart Stores This Summer This summer, Walmart shoppers will receive a personal invitation to discover the lore behind their favorite DC experiences as DC Entertainment announced today that a series of “giant” monthly comics will be sold exclusively in more than 3,000 participating Walmart stores around the country.

#100-Page Giant Comics #anthology #comic news #Comics #DC Comics #Walmart

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