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neruran · 5 years

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Kippou

Series: Boku no/My Hero Academia Rating: T (for language mostly) Genre: Fluff Relationships: Bakugou/Kirishima/Uraraka [Kirikacchako] Characters: Uraraka Ochako, Bakugou Katsuki, Kirishima Eijirou, Bakugou Masaru, Bakugou Mitsuki, Uraraka Ochako’s Parents, Kirishima Eijirou’s Parents, OCs, minor characters created for the story Other Tags: Established Relationship, Polyamory, Future Fic, Pregnancy, Bakugou Katsuki Swears A Lot, probably a little OOC Summary: Informed that all is well and healthy so far, Ochako, Eijirou, and Katsuki decide to tell their parents the happy news; that they'll all be grandparents in a few months.

Check notes for AO3 link, because this hellsite has a vendetta against links within posts and I hate the link post format, so I gotta make a workaround.

(Title means "good news" in Japanese)

Remember when I said “famous last words” regarding not writing a continuation to Tsuwari? Yeah I was right. I also told myself when I started writing this “oh this’ll be short, just a couple snippets from different points along the timeline of Ochako's pregnancy and their forays into parenting” - you know, like a fool - then 2k later and I still hadn’t gotten to the main point of this so-called snippet, and I finally accepted that this was going to be its own oneshot. Sometimes I hate being so rambly. I admittedly struggled with this more than Tsuwari for various reasons, and I've also done further research and found a couple minor things in Tsuwari aren't quite correct, largely with how Japan deals with pregnancy and childbirth, but it's ultimately relatively minor stuff so I'm not arsed to correct it. It's actually been a little fascinating reading up on the official (as in government-related stuff such as paperwork and healthcare) and social/cultural differences between Japan and North America, so I tried to incorporate hints to some of what I learned, and if I can wrangle my focus and inspiration to write more about Kirikacchako's adventures into parenthood, I'll try to show the differences in those fics/snippets as well.

Once again I have footnotes, which are not really necessary to read to enjoy the story but add flavour, you could say.

As always, comments and reblogs are greatly appreciated, but likes, kudos, and bookmarks are nice too! Hope you enjoy!

The day after her little discovery, Ochako books an appointment for that week with her ob/gyn. When she goes in a couple days later and relays the story to Dr. Houkou, they laugh heartily for a good five minutes, much to Ochako's embarrassment. [1]

"I'm terribly sorry for laughing, it really is a little amazing you didn't put the pieces together until now,” they say once they've calmed down, dabbing their eyes with a tissue.

"You can't entirely blame me," Ochako mumbles, hiding her red face. She knows Dr. Houkou doesn't mean any insult, and honestly it is a little funny, but still, she can't help but feel embarrassed for herself.

"That's true, and to tell you the truth, this is not the biggest case of lack of observation; I've heard stories of people who didn't realize they were pregnant until they went to the hospital complaining of stomach pains, when it turned out they were in labour!" [2]

"Oh gosh, I hope I would've noticed long before then!" Uneasily, she rubs her belly. "If not me, one or both of my partners.”

"I'm sure you would; from what I know of those instances, there were certain factors that led the parent-to-be to not recognize the signs, or made the signs less than obvious, which while that's evidently somewhat applicable to you, those situations were more...extreme, I suppose you could say?"

"I'm just glad the worst that's happened to me is this broken wrist," Ochako says, lifting her cast. "I forgot to ask at the hospital, but will this affect the baby at all?"

"No, it should be fine. At worst, it'll be a little slow to heal as most of your body's resources are focused on what's in your womb rather than healing your injuries, but I'm sure the extra downtime will be good for you. Oh don't pull that face, you workaholic," Dr. Houkou scolds, rolling their eyes at the poorly concealed pout Ochako has. "I know you're a busy hero, but it's important you take time to recover, especially now it's not just yourself that you need to look out for.”

"I know, it's just going to be tough," sighs Ochako. "I love helping people! After being in this field for so many years, I feel restless at the idea of not doing anything more than paperwork or small tasks, but I'll have to get used to it for the next while."

"Don't worry, before you know it, you'll be having your baby and jumping back into the fray. Now, let's figure out that due date."

~~~

"We're home!"

"Welcome back!" Ochako calls back, peeking her head over the back of the couch to smile at her partners as they make their way into their apartment. "How was work today?"

"Nothing super exciting on my end, just broke up a scuffle between a couple of rowdy yankii while out on patrols," Eijirou reports.

Katsuki huffs, evidently jealous. "Boring as shit."

"Oh calm down, you got to stop a robbery last week."

"Doesn't make this week any less boring."

Rolling his eyes, Eijirou picks up a meowing Hotaru, placing her on his shoulder as he plops down beside Ochako. He peers curiously at the various booklets and pamphlets she has scattered around her. "How about you? How'd your appointment go?"

"Well, besides giving them a good laugh when I told them how I hadn't noticed I was pregnant"—she shoots a pouty glare towards the kitchen when Katsuki snickers, but he ignores her as he starts on dinner, so she continues—"they confirmed everything's going well and that I'm probably on the tail end of twelve weeks, and we worked out my due date."

"Oh, that's awesome! When is it?"

"February 20th!"

"February, huh," Eijirou muses aloud. "We're just at the beginning of August; February seems so far away...The due date's just a guesstimate, right? So it could be born on a different day. Think it'll be a Valentine's baby?"

"I fucking hope not," Katsuki gripes. "People would probably only give them chocolate and Valentine shit for their birthday, I sure as fuck don't want our kid subjected to that."

"Hey Eiji, you think we'll have to implement a swear jar when the baby's born?" Ochako says teasingly. "Or do you think Katsuki'll manage to get his language under control before then?"

"Shut up, my language is fine."

"Sure, sure, I'm sure all of our mothers would appreciate it when one day while babysitting, our kid says ‘fuck' out of nowhere, and I'm sure it would not be much of a mystery as to who they learned that word from," Eijirou replies. [3]

The noise of Katsuki preparing dinner pauses for a moment. Ochako and Eijirou exchange knowing looks.

"...I'll work on it."

"Wary of what Mitsuki would say?"

"Hell no, that old hag can nag all she wants, she's not much better. It's your mom's disapproval I'd rather avoid," Katsuki answers, pointing at Eijirou.

"Mine? Do you mean Mom or Mama?"

"Ikane."

"Really?" Ochako questions, giving a little laugh in disbelief. "But she's such a sweetheart like Eijirou here." She reaches up to ruffle Eijirou's hair, earning a half-hearted complaint about his drooping hair spikes being messed up.

Eijirou chuckles as he gently swats her hand away from his head, petting Hotaru when she meows at him. "You haven't seen her in full mom mode. Once when I was in middle school, I said something crass without realizing while Mama was babysitting some neighbour kids, and the look she gave me could've pierced right through my Unbreakable state. Not to mention the ear twisting I got shortly after." Absently he rubs his ear, recalling the pain.

"I...suppose I can see that. If it's anything like the expression you make at villains that make you angry, it must be something."

Katsuki mutters a "you have no idea" unnoticed. For the best; he doesn't care to explain to Ochako the incident that lead to him earning Ikane's ire, however brief it was.

"Mama does like to say I inherited her passion instead of her quirk," Eijirou says with humour. "Though, speaking of; do we want to start telling people we're expecting? I mean, I know some people wait until the end of the first trimester anyway since the chances of miscarriage are pretty low after that point, so then it's pretty set in stone that a baby's on the way."

Ochako hums thoughtfully, drumming her fingers absently on Eijirou's knee. "I think I'd like to tell my parents first, but I'd prefer to do it in person or on video call. It seems impersonal to give them the news any other way."

"I wanna tell my moms right away; I just know Mama's gonna love hearing that she'll be a grandma. But I'm also excited to tell all our friends.”

"Why don't we just conference call all our parents and tell them all at once?" Katsuki proposes, scraping some vegetables he just cut up into a pot. "I know the hag'll complain if she's one of the last informed, so if we do it that way, it gets it all out of the way at the same time and I don't get my ear nagged off."

"That's...not a bad idea," Ochako says, blinking in mild surprise.

"Of course it's not, I came up with it. You make it sound like I come up with bad ideas on the regular basis."

Eijirou smirks slyly. "You mean ideas like putting too much hot sauce in your food just to prove you can take it, only to get hit by the consequences later in the bathroom, Kacchan?"

"Shut up, at least I can take it!"

"Now, now, your unfortunate dietary decisions aside, I didn't mean to imply you don't have good ideas," Ochako interrupts. Katsuki grumbles, but puts up no further argument. "I was just surprised I hadn't considered it. Since I have the next couple days off to give my wrist a little more rest, why don't I contact everyone and coordinate it?"

"Sounds like a plan! And then we can start telling all our friends and stuff!" Eijirou giddily hops in his seat, which of course disturbs the cat on his shoulder. She lets out a growl and bats at his head. "Ow, yeah, sorry Hotaru, I deserved that." He sets her down, letting her stalk off to cuddle up with Kyou who's laying in her doggie bed in the corner, touching his ear to check that she didn't scratch him.

Ochako giggles at him. "You think everyone will assume we're adopting another cat at first?"

"I mean, they might, but we only did that once with Hotaru and it was funny! I think in this instance though, I'd prefer to tell some people face-to-face first before announcing it on our social media. Mostly I wanna see Denki, Mina, and Hanta's faces when they hear the news.”

"Yeah, Dunce Face will probably flip his shit, it'll be hilarious."

"I'm excited to tell Tsuyu-chan, Tenya-kun, and Deku-kun. Oh, stop making that face, Katsuki."

"What face? I'm not making any face," Katsuki replies petulantly. "I'm not even facing you."

"Yeah, but I know you and I know you're pulling a face at the idea of involving Deku-kun, because you always do even though you two are friends now," she says, rolling her eyes. Eijirou snickers to himself.

"We are not friends, I just tolerate the stupid nerd enough to work with him on occasion."

Once again, Eijirou and Ochako exchange looks then simultaneously roll their eyes affectionately, fully aware that whatever bad blood the two had as children has long been resolved enough that they frequently trade spots on the hero rankings and collaborate on missions, all the while throwing harmless barbs and challenges back and forth. The relationship is complicated, as "friends" doesn't quite describe them, but "rivals" or "frenemies" doesn't seem right either. They're just "Deku and Kacchan", a category of their own.

"Point is," Ochako continues. "Deku-kun is my friend, and I'm looking forward to sharing the news with him. I know he's going to be very happy for all of us."

"Think he'll cry?" Eijirou asks.

"Definitely," Ochako and Katsuki answer simultaneously.

Eijirou laughs, leaning into Ochako. "You're right, dumb question. He may be better than when we were first-years, but I should know better than to underestimate the secret Midoriya secondary quirk. Now, what's all this you got here, Chako?"

Lighting up, Ochako eagerly explains the various pamphlets that cover things like her recommended diet, the baby's development, and what sort of information she needs to submit to the Health Office. Eijirou just as eagerly listens, nodding his head and asking questions, and though he's busy making dinner, she knows Katsuki has an ear on the conversation so she makes sure to talk loud enough for him to hear as well.

~~~

Coordinating the conference call with their parents ends up being a more difficult task than Ochako expects; each set of parents has different schedules and events, not to mention there's Eijirou and Katsuki's schedules to consider, so it actually takes several phone calls and emails to figure out a day and time that works for everyone. The entire time Ochako also finds herself dodging the question for why this is so important, merely explaining that their triad had some good news for them and wanted to announce it to them all at the same time. She admittedly flushes when Mitsuki teases that perhaps one of them proposed to the other two or vice versa—the idea of getting married to Eijirou and Katsuki flustering her even if they're already expecting a child—but clumsily acts coy to keep her from guessing the actual news.

After two days of back-and-forth, they finally all agree that the upcoming Friday after dinner will work for everyone, barring any emergencies. Which gives Ochako several days time to build up her excitement, but also her anxiousness. What if any of their parents don't approve? Her own parents had been rather apprehensive about her being in a poly relationship back when she first told them, but now that it's been several years with only a couple hiccups, they're happy for Ochako's happiness, but what if this changes their minds again? Sure she's a grown adult capable of making her own decisions in life, but she's always been close with her parents so she'd hate to lose that relationship over this. Mitsuki's reaction also worries her a bit, as while she does like the woman, she can be rather brash and critical like Katsuki at the most unpredictable of times.

She quietly admits this to Katsuki as they're snuggled up on the couch waiting for Eijirou to get home from a late-running patrol shift; he gruffly assures her that both his mom and dad will be ecstatic at the news, so her parents will surely feel the same, which means she has nothing to worry about. In return, he confesses feeling a little apprehensive himself regarding her and Eijirou's parents reaction to him being involved, but Ochako's quick to tell him that if she's fine, then he's fine as well because their parents all know what a good person he is and seen how wonderful and loving a partner he's been, so they should have no qualms.

Eijirou, on the other hand, seems to vibrate with anticipation with each passing day, as if the information that they're expecting is waiting to burst out of him like an explosion from Katsuki's palms. It even seeps into his aura while out doing hero work, enough that one of Ochako's sidekicks happens to take notice.

"Red Riot-san was more energetic than usual when I happened to pass by him doing patrols on my way home yesterday," Subspacer muses when Ochako stops by the office to pick up more work to do from home. "When I asked him if something good had happened on patrol, he grinned and said no, but he did get some news that made him really happy recently, but didn't elaborate further." They turn to her, head tilted curiously. "Any idea what that's about?" [4]

Ochako gives a chuckle that she hopes isn't as nervous-sounding as she feels. "Oh, I wouldn't think on it too hard...You've seen him in casual work settings, he gets excited over the smallest stuff." She does her best to maintain a smiling poker face as they eye her a moment, before they let whatever it is they're thinking go, going on to fill her in on what's happened at the office in her absence. Ochako knows they're suspicious, but mentally thanks them for not pressing the matter.

The days pass and Friday arrives without much fanfare. All three of them are antsy in their own ways during dinner; Eijirou can't seem to sit still at all, Katsuki's foot bounces restlessly, and Ochako frequently slips into her natural Kansai accent as she talks, excitement and anxiousness starting to come to a head as the promised time ticks closer. Soon enough, their dinner is eaten and cleaned up, their pets are fed, and then they're sitting on their couch with Eijirou's laptop opened up on Ochako's lap.</p>

On her right, Katsuki's phone makes a little ‘boom' noise to indicate he has a new message. "My old man says he and the hag are ready when we are," Katsuki says after checking.

Eijirou's phone dings to her left a moment later. "My moms are good to go!"

Sure enough, hers buzzes less than a minute after, and a quick glance tells her that her parents are also ready. Taking a deep, steadying breath, she smiles at both her partners, then clicks the button to start the conference call.

Eijirou's mothers are the first to pick up, but her parents and Katsuki's follow suit seconds after. It's almost overwhelming seeing six faces on the screen, but besides the big news she intends to drop during this call, this is something they've all done before in lieu of separate phone calls and emails. Besides, it's been weeks since she's seen any of them through anything besides social media, so it's nice to be able to talk to their families face-to-face, even if there's a screen separating them. Smiling brighter, she gives a little wave, Eijirou doing the same. "Hello everyone!" she greets. A chorus of greetings echoes back from their parents. "I'm glad this worked out, it's been so long since we've been able to do a group call like this!"

"The woes of adulthood and having busy jobs, right hon?" Mitsuki turns to Masaru, who nods in agreement.

"How is that new line coming along, Masaru-san? I recall Mitsuki-san mentioning before you two had a deadline this week," asks Karuko. [5]

"I've finished everything that's within my control, so now it's just a matter of waiting for the samples to see if there's anything that needs adjusting before going into full production." [6]

"That's good to hear! Considering your other work, I'm sure it'll be a success."

"Not that I don't want to hear how the rest of you are doing," Tomoe interrupts, blunt but not unkind. "I think I'd like to hear from our children, since it's often so hard to get a hold of them with their unpredictable jobs." Ikane smiles a little, apologetic for her partner's abruptness. [7]

"Aw, but we wanna hear what you're up to too, Mom!" Eijirou jokingly complains, grinning.

"She does have a point though," Saburou says. "Ochako, how's your arm? I hope you're getting proper rest so it heals properly."

Katsuki snorts. "As if either of us would let her do anything reckless on our watch."

Ochako shoots him a sharp look hidden behind a smile that says “be glad you're sitting on my injured side, because I would be giving you such a pinch right now if I could”; Katsuki simply smirks back at her. Huffing, she turns back to their families. "I promise I'm getting plenty of rest; all I've been doing the past week is paperwork, which I'm glad I can do on my laptop because it's difficult writing left-handed! I feel so antsy sitting around barely doing anything though, so at my next check-up I'll ask if it's okay to go out for runs or something."

"I understand feeling restless, but please be careful, Ochako," her mother chides worriedly. "We wouldn't want you to get hurt further."

"Agreed!" Ikane cheerfully pipes in. "As amazing as that takedown was, it wouldn't do if you were out of commission for months instead of weeks."

The trio shares a glance at that, which doesn't go unnoticed by Mitsuki. "Now what's that look for? Is that related to whatever news you had to share with us?"

"Oh that's right, you did mention having some sort of good news. Did one of you go up in rank?"

"Did you get new sidekicks?"

"Are you being recruited for another overseas assignment?"

"New sponsors?"

"Whoa, whoa, one at a time," Eijirou laughs, holding up his hands. Once their parents settle a bit, he continues, "It's not anything related to our jobs, though it will kinda affect them."

"Particularly for Ochako here," Katsuki adds, nodding to her.

Confused and curious faces stare at them, bringing Ochako's nerves back, but she steels herself; after all, what do any of them have to be unhappy about? "So, when I had told you that they didn't have anyone with a healing quirk on staff at the hospital to heal my wrist, I wasn't being honest with you. Truthfully, they did have someone there, but because of some tests they ran, they were hesitant to use the quirk on me as they weren't sure how my body would react."

In the corner of her eye, Eijirou's grin gets steadily wider, his hand gripping hers as he tries to contain himself from bouncing in his seat. With a roll of his eyes, Katsuki reaches behind her and gives his arm a gentle swat, but it does nothing to hinder Eijirou's energy. On the screen, Tomoe's eyeing them intensely, to the point that if Ochako wasn't absolutely sure her quirk doesn't work through screens or cameras, she'd almost think that she's reading their auras to try and get a bead on whatever it is they're building up to. Not for the first time, she finds herself glad she's never considered going into business law, as she'd hate to be stared down by Tomoe during negotiations or prosecutions.

"Why is that, Ochako-san?" Masaru inquires. "What did they find?"

"Well, turns out that I—"

"You're going to be grandparents!" Eijirou blurts excitedly, unable to hold himself back any longer. When Ochako and Katsuki both turn to him with fondly exasperated expressions, he at least has enough awareness to look sheepish at his outburst. "Sorry, I just couldn't wait any longer."

All their parents are quiet, faces in various levels of stunned and surprised. It's Saburou that speaks up first. "Pardon me, what?"

Shaking her head at Eijirou, Ochako turns back to the laptop. "Turns out I'm pregnant, nearly fourteen weeks now. We're having a baby!"

"Wait, really?" Mitsuki exclaims, and it seems the Urarakas are about to speak as well, but everyone's interrupted by a joyous scream that makes them all jolt.

On the Kirishima-Keshiki part of the screen, Ikane's leapt from her seat and started hopping around, still squealing happily. "Ohmygodohmygodohmygod, I'm going to be a grandma! Tomoe we're gonna be grandmas! Oh my god!"

"You really did get your passion from her," Katsuki observes dryly, earning a giggle from Ochako.

"She's going to be like this for a minute or two, so I'm going to mute us until she calms down so the rest of you can talk," Tomoe says, rolling her eyes fondly before Ikane's happy screams go silent, though she's still jumping around on screen.

"Your mother really does love children, doesn't she, Eijirou-kun?" teases Mitsuki.

"Oh you didn't see his reaction when Ochako told us the news, he did pretty much the exact same thing as Ikane."

"Katsukiiiii, they didn't have to know that!" Eijirou complains, flushing a bit.

"You literally just shamelessly blurted out the surprise, you have no right to be embarrassed now!"

"Boys, play nice," Ochako chides playfully, patting them both on the leg.

"While I am happy at this news," Karuko butts in, expression stuck between elated and concerned. "You said you're close to fourteen weeks along, right? That means you've been doing all that strenuous and stressful hero work. Are you sure everything is okay?"

Ochako nods, turning her gaze down and placing her uninjured hand on the bump that's become a little more prominent in the past week but is still easily hidden by her clothing. "I was really worried when I first heard the results for that exact reason, but I got a check-up at the hospital and have had two appointments with my doctor since then, and they've said I've got a healthy and hardy baby growing despite all the factors that could have made it otherwise."

Sound returns to the Kirishima-Keshiki feed, with Tomoe and Ikane settled back in their seats. "Whew, I'm sorry for my outburst, everyone," Ikane says, looking a little out-of-sorts and somewhat teary-eyed, but still positively glowing from joy. "I got a bit overzealous. But still, I'm so happy and proud of you three! To have a baby that's managed to hold on and stay healthy without you being careful means it must be fate for you to have it. Do you have an idea on which of you is the father?"

"No," Ochako's quick to answer before either of her partners could. "And I don't think we'll really know until it's born, but to be completely honest, if possible I don't think I want to know at all, because even if only one of them will be related by blood, both Katsuki and Eijirou will be raising them with me together, and I think that counts just as much if not more than whoever contributed chromosomes." She looks up again, and her eye strays over to Tomoe. There's a subtle expression of understanding and gratitude on her face, and her hand's wandered to grasp Ikane's, and Ochako knows that she sees her point more than any of the other parents on this call. "No matter what, they'll both this baby's father. No ‘real' father or bullshit like that."

Everyone's silent for a moment, stunned by the sudden conviction and seriousness in her words. She knows her partners are both staring at her, but she stays looking at the screen so that she doesn't lose her nerve. It's only when she hears a quiet sniffle beside her that her concentration breaks, but before she can turn to see what's wrong, Eijirou's got his arm around her and pulling her close, face buried in her hair.

"That was so manly," he whispers, voice a little choked up, and he presses a soft kiss to her head. "You're the best, I love you so, so much."

On her other side, Katsuki all but shoves his face into the space between her neck and shoulder, his hand gripping her bicep. He murmurs something, but she doesn't really catch what it is. While she appreciates the sudden affection, she's a bit embarrassed that it's happening with their parents right there, and she's not really sure what's brought it on. "I— Uh— What—" she stammers, stuck between looking for help from their onlookers and avoiding eye contact with them. On screen, her parents and Masaru have politely chosen to turn their attention elsewhere while Mitsuki grins, unbothered by the PDA and in fact looking oddly proud. [8]

"You're right." Ochako turns her attention to Ikane and Tomoe's feed, where Tomoe seems to be holding back giggles at Ochako's predicament but also looking away politely. Ikane, on the other hand, is watching their triad with fondness, gaze soft. "That was rude of me to say, especially when I'm fully aware that love and family aren't defined purely by blood." Her hand finds Tomoe's, and she gives it a gentle squeeze in apology. "You're going to be a wonderful mother, Ochako-chan, and I'm glad my son has such loving partners in you and Katsuki-kun."

Eijirou whines, ears turning pink as he hides his face further. "Mama, don't say things like that, I'm gonna cry more! And then Ochako will start crying because hormones, and I'll feel bad for making her cry, and then Mom might get involved—"

"Hey now."

"—and maybe Katsuki will get overwhelmed—"

"Oi, don't just assume things—!"

"Nothing wrong with some manly happy tears, Ei-chan; I know we taught you that!"

"I know, but it's still a bit embarrassing to do it in front of everyone!"

"Says one of the two currently clinging to me without shame..." Ochako mumbles.

Both Eijirou and Katsuki stiffen, realizing that yes, they're practically smothering Ochako while their parents are watching; Ochako can't move her head much in this position, but she's sure they're both starting to flush. After a moment, the two finally pull away, their heads turned to avoid eye contact with everyone.

Eijirou lets out a sheepish chuckle, ruffling his hair. "S-Sorry about that, I guess we got a bit overwhelmed and forgot about our company."

"No harm, no foul," Saburou assures gently, waving off the apology.

"Besides, it was kind of cute. It's not often I get to see my Katsuki get so emotional," Mitsuki teases.

"Shut the fuck up, old hag," Katsuki grumbles, flushing more and sinking a bit into the couch.

Masaru puts a hand on Mitsuki's shoulder when it seems like she's about to scold their son. "Be nice, you two," he chides, waiting until Mitsuki's hackles lower before looking to Ochako. "Really, we're delighted at this news, and we're happy that you've shared it with us all. I'm sure all of us parents can agree that it's not always an easy road, but we're all here for you if there's anything you should need along the way."

"Of course!" Karuko pipes up. "We'd be happy to give you advice and help whenever you need it. Now, tell us more about everything, like when are you due?"

From there, the conversation flows smoothly, starting at talks about Ochako's pregnancy and what the three of them are to expect in the future before eventually moving on to general life updates such as new projects at work or what their neighbours are up to. As the group call edges towards the two hour mark, everyone notes with amusement that Ochako's eyes have begun to droop. Ochako tries to insist she's fine when Saburou points this out, but before long her head is leaning against Katsuki's shoulder, barely able to stay up. The families all say their goodbyes, promising once again that the three of them are welcome to come to them for anything and kindly demanding to keep updated, then the call ends. Eijirou reaches over to close the laptop, taking it from Ochako's lap as he stands and chuckling when Ochako shifts to sleepily cuddle with Katsuki now that she's free to move.

Katsuki, on the other hand, rolls his eyes, though it does nothing to diminish his affectionate smirk at Ochako's drowsiness. "C'mon Ochako, let's get your ass to bed."

"Nooooo..." Ochako tiredly protests. "'m fine, yer just"—she yawns—"just warm and cozy..."

He snorts. "It was fucking thirty degrees outside today and it's not even that cold in here with aircon, why the hell do you want to be warm?"

"Shhhhh..."

"Alright then." Despite her protesting, he stands, scoops her into his arms with no more than a quiet grunt, then saunters off towards their bedroom even as she half-heartedly wiggles about. "If you behave and go to bed, you can cuddle me all you want."

"But I dun wanna go to sleeeeeeep," Ochako whines, pawing at his chest in a lazy effort to get away.

"Oi, if you don't stop wriggling around, I'm gonna drop you and it'll be completely on purpose," he warns.

"No you won', 'cause 'm pregnant, injured, 'nd cute, 'nd I know ya love me too much to drop me..."

As they enter the room, Katsuki hears Eijirou—who's getting changed into his sleepwear off to the side—laugh at Ochako's sleepy retort, so he levels a frown that says "don't encourage her" at him, even though he knows that she's completely right in that statement. He would maybe consider dropping her on her butt just to show that he won't put up with her being a little shit if she wasn't pregnant, but circumstances are not in his favour, so instead he unceremoniously deposits her on the bed, earning a squeak.

"Uncalled for..." she grumbles, pouting petulantly as she rolls to the side and hugs her pillow. "What if I hurt my wrist more?"

"I know you're not that fragile, Round Face, so don't try to guilt me."

"Eiiiijiiiii, Kacchan's bein' mean to meeee..." Rolling his eyes again, Katsuki goes to change into his own sleeping clothes.

"There, there, if you really don't wanna sleep, you can cuddle with me and watch me play some Street Fighter," Eijirou says as he slides into bed, handheld console in hand. "Do a bit of backseat gaming. How's that sound?" [9]

Ochako hums, her tired brain considering the offer. "...'Kay..."

"But first, you're getting changed out of your day clothes," Katsuki announces, tossing a set of her pyjamas on the bed. When Ochako makes no move to do so, he huffs, then reaches over and pulls her towards him, tugging gently but forcibly at her clothes. "C'mon, you're not going to be comfortable sleeping in those shorts, let alone your bra."

"Whoa, getting frisky, are we?" Eijirou teases, waggling his eyebrows with a sly grin. Katsuki responds by throwing a pillow at Eijirou, who cackles even as it hits him in the face.

Before long, Ochako's changed into her pyjamas and curled into Eijirou's side, her head resting on his chest so she can watch the screen, her cast wrist pillowed carefully. Katsuki slips in on her other side after finishing his nightly routine; instead of cuddling, however, he chooses to sit up against the headboard, reading glasses perched on his nose and a book open on his lap. Eijirou's game and the occasional turning page are the only noises in the room, until barely half an hour later, both boys glance up at a quiet snore, smiling upon seeing Ochako out cold as predicted. Eijirou lets her continue sleeping on him for a little while longer, then carefully shifts her to sleep on her proper pillow, kissing her brow softly. Katsuki sets his book and reading glasses aside as Eijirou gets up to finish his own nightly routine, shuffling down under the covers and putting an arm around Ochako, who shifts closer to his warmth in her sleep. When Eijirou returns to the room ten minutes later, he's greeted with the sight of Katsuki spooned protectively against Ochako and just as asleep as her. While not a new sight, it's one that Eijirou can never get tired of, and he can only imagine how much better it will get as Ochako's belly grows, and then when their new addition comes into the world. Quietly, he takes a picture to appreciate later, then goes to join them on the bed, leaning over Ochako to peck Katsuki on the cheek before turning off the bedside light and settling in to sleep himself.

Footnotes: [1] - This time the doctor is not named for their profession, but still named for their quirk; I had a thought a little while ago that went something along the lines of “you know people probably take on jobs that have nothing to do with their quirk all the time, why don’t we see more of that in the HeroAca world”, and so we have Dr. Houkou. Their quirk basically makes them a human GPS; their name is made up of the kanji for “direction” and “navigation”.

[2] - This is apparently a thing that has happened to some people, believe it or not. Not something that happens often, mind you, but it happens. Factors for why the pregnancies go unnoticed include the person’s weight, the size and position of the baby, and things like spotting being mistaken for light periods. Which is why if you thought I was stretching the truth too much by having Ochako not notice for three months, surprise! Reality is weirder than you think.

[3] - Me: You know Bakugou’s language in Japanese isn’t really full of swearing, it’s just very blunt and rude because Japanese doesn’t have the same equivalents to curse words so the likelihood of a child imitating his speech is unlikely.

Also me: Meh who cares, gonna write it like that anyway, it’s funnier to think about it this way.

[4] - Unlike the doctors I’ve named in this story and Tsuwari, Subspacer is a full-fledged OC of mine! I’ve given careful thought into their quirk, name, and personality, though I’ve been undecided on their age and professional status for a while. I decided to add them in as one of Ochako’s sidekicks for giggles, but if I do get around to writing more of this storyline, you’ll likely be seeing more mention of them!

[5] - Since Ochako’s parents don’t have names (truly a travesty; they’re an important part of her motivation, but they have yet to get profiles like the Bakugous or Jirous? I call unfairness), I decided to give them names. Following Horikoshi’s current naming conventions for parents—which involves separating the kanji in the children’s names and giving at least one to each parent as part of their names (i.e. Katsuki “勝己” separates to get Masaru “勝” and Mitsuki “光己”), the only exception so far being the Midoriyas as Izuku “出久” only shares kanji with his yet-to-be-seen father Hisashi “久”—I took the “茶” and “子” from Ochako’s name and searched through various kanji readings and meanings to get Saburou “茶奉郎” and Karuko “軽子”. The sa in Saburou means “tea” and an alternate reading of the kanji, while bu means “offer, dedicate” and rou means “son” (this same kanji is in Eijirou’s name; it’s a relatively common kanji for boy names). Karu means “light (opposite of heavy)” which is supposed to reference what I can only assume is the family quirk (again, we have no idea what her parents’ quirks are; I DEMAND TO KNOW HORIKOSHI), and then ko means “child” and—similar to rou being common for boy names—is pretty common for girl names.

[6] - I will admit I have no idea how the production of fashion lines work, and unlike many other things, I’m not arsed to research it for a single line of dialogue (I do that enough as it is...I’m very easily distracted) so if I’m horrendously wrong on how fashion designers work in a company, please ignore it.

[7] - I actually have come up with entire profiles for Eijirou’s mothers, but I do not have the room in the notes to go into complete detail on them on here, so feel free to read about them here instead. I unfortunately don’t draw so they don’t have ‘official’ appearances, but I’ve tried to describe them as I see them in my head as best I can.

[8] - I think it’s relatively well-known that PDA in Japan tends to get the side-eye if it’s anything more than holding hands, and while Japan as a culture does seem to be slowly getting laxer about it and this fic is set in the hypothetical future, I doubt there would be significant change, plus I’m sure they’ll still think PDA in front of one’s parents is pretty taboo. Personally I’d feel a bit shy about hugging/cuddling with my S/O in front of my family, but I’m also aroace af so what do I know, hahaha.

[9] - Just imagine the gaming console Eijirou’s using is similar to the Switch, but like...a future version. Maybe it’s not even a Nintendo product, who the heck knows what game technology is gonna be like.

I considered also writing about the trio telling their friends the same week in-universe, but all the ideas I have for that are kinda vague and I’m not really sure how to write the scenes out without seeming repetitious, or how to keep them interesting to read, so I nixed that in favour of ending at this point, especially since I’ve struggled so much to get here. Maybe that’ll be an actual snippet, but no promises, hahaha.

#my hero academia #boku no hero academia #kirikacchako #katsuki bakugou #kirishima eijirou #uraraka ochako #kiribakuraka #nerufic #once again this is queued up to post during the day

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breezytealy · 7 years

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Do you have a headcanon for the Super Seven ages in your comics? You're an amazing artist. Love your arts.

Hey nonnie! Oh my gosh thank you for the compliments I’m glad you’re enjoying them ^^Super7/nextGen headcanon was like the BestWorst question you could ask because I have a timeline and notes hahaHAHAHAHAHAaaaaa. Here, have 3,800 words, most is under the cut. Everything I draw/write is in this “Super7″ AU :) (I wish I could write well ;A;)

–

The Earth still isn’t officially part of the federation of planets under the Galactic King’s control. They’ve had a few public alien contacts (that some are convinced are still hoaxes, Buu is just a weird-ass looking guy maybe) but no official Galactic welcome and the Z-team are selfishly keen to leave it that way to prevent what would amount to exposure. The kids would like to balance real jobs and training too thank you very much, they have enough pressure on their shoulders without the entire planet looking to them.

But come 796 it’s all getting a little dicey; there’s civil unrest at the Galactic level with the King under threat and the powers wanting to steal the throne taking a more expansionist approach, fighting amongst themselves in the the power vacuum left by Frieza. This is all putting the Earth in danger as an untapped resource full of biodiversity. The Gods go quiet, leaving it up to the Earthlings to sort themselves out, they see the problem with intervening to save just one planet. The “Super7” take on the challenge to defend alone (the older gen have their own loose team too but are taking a back seat on purpose). As skirmishes had been becoming more frequent and difficult over the years and they start to see the patterns in who’s arriving, Pan and Bra get brought in a little earlier than planned (17 and 16 respectively rather than 18) to prepare for what might end up as a battle for survival. This all coincides with someone after Bulma’s tech (the blue #15 electrofluid used in the time machine she’d recently repurposed as a general high-yield fuel) that they suspect may be an off-worlder, and someone asking extremely pointed questions of acquaintances that makes the group think their relatively anonymous existence as fighters may be coming to an abrupt end at the worst possible time.

–

In 796 their ages are roughly: Bra 16, Pan 17, Uub 22, Marron 25, Goten 29, Trunks 30, Mai ~30/31(+).

I’ve put a crap tonne of character outlines/headcanons under the cut explaining where this all comes from, but to summarise at 796 -

- Trunks is at CC as vice president to his mother’s president/COO and his grandfather is still CEO. He is looked at as team leader too- Mai is also at CC, although moonlights making ki-based weaponry and defences without the CC logo so she can participate in battle- Goten runs a dessert café in Satan City (food and hospitality! it’s a bit random but makes sense I promise) and uses Nyoibo - both G and T keep up fusion training so Gotenks is around a lot.- Uub is full time Papayaman, taking the traditional superhero role and sense of purpose that brings, he take over from Great Saiyaman and takes credit for saving the world as Mr Satan’s protege- Marron’s way of helping is to uncover corruption as a journalist to stop the incidents Uub deals with happening in the first place, and she’s frantically working to find out who’s trying to uncover their identities- Pan is a little of a crimefighter, though keeps the extent of her abilities on the down-low, a more normal face to Papayaman’s superhero and keeps up the Satan brand, whilst she pushed against it for a while she’s settled into it.- Bra is an social media darling, and is becoming the face of CC to the youth market in particular. She’s extremely calculated in this and does not give any hint at any point she can punch you to the moon. Both her and Pan have just started to learn the fusion dance from Trunks and Goten.

General character outlines and other h/cs under the cut because it’s longgg -

I’ve shoved a ten hour time difference between West and Satan city (it’s probably closer to 12 but ten gives more overlap in daylight) which is really fun to think about!

Due to Shenanigans in Super, God ki gets banned under pain of erasure by Beerus. Realistically this means they can only use it for universal level threats when Beerus okays it. Only Goku and Vegeta have the ability and they aren’t allowed train with it either. Whis tells the others that hybrids can’t use the technique anyway so not to bother. They suspect it’s a lie as the potential of hybrids is higher so it’s a way to prevent them from overpowering Beerus in the future, but they daren’t risk trying the ritual.

Because there’s seven in the main group they each hide a Dragonball for security, making what they hope is the start of a tradition. Four others in the group know where it’s held, no one knows all seven locations. The idea being - the balls aren’t in the same place to be stolen, they can find them without the dragon radar with two/three of the group left, and they’re nearby so the group will know if anyone’s searching for them. Further any mind-reading techniques would need at least two sets of memories to find them all (Trunks’ idea, he’s extremely careful).

Actually having the power to revert disaster but not use it (saving the wishes for the big events) weighs heavy though so they’re more domestic in helping out in Act of God events like earthquakes than their parents were. Uub takes the lead in these sorties as Papayaman as he’s the traditional hero. Gohan will sometimes tag along as Great Saiyaman, and Goten also has a GS uniform and can pass as GS, though he absolutely hates it. For everyone else (and a pining Goten) Bulma and Mai design pure black “camo” gear, impossible to get a fix on body shape and untraceable on radar, which frees them to use the full extent of their powers should they need to. Their traditional gis/armours are usually underneath, and they’ll revert to them when they need the freedom of movement in a real fight :’).

Goten’s attitude is like his dad’s - very zen and open, although he’s massively empathetic and knows how to behave himself. He’s responsible in a fiercely protective way. He’s easy-going to the point people think he’s not smart as he won’t question ideas, but that’s because he’s able to quickly follow people’s logic and doesn’t need to question suggestions, he just gets people. He won’t do something if he can’t see the sense in it though and will dig his heels to the point even Trunks can’t change his mind. He loves people, and his openness and “big-picture” mindset mean relationships are all a big blur to him. He sees his close friendships just as deeply as any romantic relationship would be. He’s always on hookup apps to meet interesting people, but he’d just as happily “hook-up” ::cough:: as going out for dinner. Fun is fun is fun to him :). Goten loved the idea of swords but really struggled focussing his ki to an edge. Goku fetches Nyoibo for him instead, which he finds far easier and he gets proficient in staff forms, using Nyoibo’s extension abilities in battle. Like the real monkey king, Goten shrinks Nyoibo down and keeps it in his ear so he has it ready to go at all times. To everyone else though it looks like an industrial piercing and Chichi flipped out when she first saw it “first the hair, now piercings???”. (and I freaking forgot to add it in when colouring that strip, I kicked myself when I saw it missing!!!)

Goten goes to college, more on his Mum’s insistence that he get furtherly educated with that prize money they put aside for him to use than anything else. Trunks took a gap year so they could “coincidentally” room together too (taking a CC internship in his gap year where he learnt to be Responsible) so he feels pressure to go. Goten picks most of the same courses as Trunks so they can use Gotenks to study quicker freeing up their time, but he does feel a little directionless and languishes. But then, but THEN! As they have to look after themselves (“NO we’ll be INDEPENDENT SAIYANS TYVM”) he gets sick of not having sweet treats (canon his fave food is pocky and strawberry daifuku) so he spends time learning to make pastries/sweet treats/baking to get his fix. Obviously the recipes aren’t great to his amazing smell/taste (that he inherited from his Dad) so he improves them. After seeing how people match wines with savoury dishes he starts flying to remote places to buy rare coffee/teas to test with his recipes. All the while Trunks is just watching like “you’re absolutely mad”, but he keeps it up and starts pairing things and testing them out on friends. He even gets good enough to make flavour profiles for people based on their likes/dislikes to pick /exactly/ the right flavourings, he’s a savant.

People are so pleased and excited it warms his heart that he can make people so directly happy, and making things with his hands feels so natural and grounded. Eventually Trunks just pulls him aside and says “I still think you’re insane but you should do this". So Goten works up a business plan for a desserts cafe in his final year - without getting Trunks’ help - and pitches it to his parents. Chichi’s obviously a little “this is left field”, expecting him to go with the flow as usual and end up at CC, but they agree seeing how excited he is, the last part of the prize money/education pot gets put towards a run-down place in Satan City after graduation instead of a masters degree. There’s not enough money to buy /and/ do up the place, but Mr Satan agrees to put up the rest of the money as long as Goten helps cater (bodyguard at and babysit Buu at in truth) events, so it’s not a handout. At first he hates the idea of more help but reluctantly agrees when Gohan chides him. He calls it Paozu Place, (PP vs CC) and when he starts making a profit (which happens towards the end of the first year as Goten flies around himself to get products saving money, plus the flavour-profile gimmick gets him an early cult following) he sends a portion of the money back home. Chichi is so proud :’) PP and Goten’s flat above is their base in Satan City.

Trunks - is also responsible but like a Prince (“stick to the plan guys”, weight of the world etc), he meticulously plans sorties to the point Goten will actively ruin things if he thinks Trunks is over-thinking things. Public think he’s hot and suave and he has a fanbase but it’s because he freezes in front of the press and, with his severe facial structure, his deer-in-headlights look gets interpreted as “handsome brooding”. In truth he’s a giant, easily flustered dork, happier when in control and enjoys things being “just so”. All throughout college he wore a beanie hat to hide his hair and therefore his identity, but people quickly learnt to look for the kid wearing the wooly hat in summer, nothing saves him from recognition poor guy. Although, due to Trunks’ extremely guarded nature and contrasted with Goten’s social charisma, people quickly bored of him and focussed on “his friend”, which Trunks prefers. He’s not shy per-se, but is used to over-thinking everyone’s intentions and prefers to people-watch. Unlike Goten he has a serious romantic streak, (the one thing his sizeable fanbase /have/ got right) but sucks at expressing it, attaching like a limpet to close friends. He also has a dark sense of humour and is really inventive for stupid shit but he’s usually biting it back. When he’s comfortable a different side comes out and when in free flow puns are quick and his banter is razor sharp. The only time he’s ever actually “cool” or “smooth” is when he’s relaxed and trying not to be, which gets ruined when people point it out - “WOW that pose is so cool” “wait what :|?” “aaaand ya ruined it”.

Combine that in Gotenks you’ve got a guy who’s fiercely loyal with a plan to save everyone, leading from the front, but also has a sick sense of humour with no inhibition to reign it in. “Gotenks no - GOTENKS YES” kinda deal. He’s a massive flirt because he knows it’s inappropriate (also best wingman, texting people on the boys’ behalf) and King prank. He’s more focussed than when he was a kid but the dumbass techniques remain, mostly to embarrass Trunks. They communicate through journals as memories can be a little fuzzy, it all started with a little piece of paper Gotenks carries in the fight against Buu :’)

Gotenks has his own complicated angst regarding Personhood and being a fusion. The Worst Thing you can do is call him “Trunks'n'Goten” or use “they” pronouns. The guys (obvs) understand and respect what autonomy he has, even fusing so he gets some downtime so it’s not all fight-train-fight for him. At first they kept him back, but he was so desperately lonely during the college years, hating living vicariously through Trunks and Goten’s memories, that they let him start talking to Mai, Uub and Marron on texts. When that seemed to go okay they let him hang out with them every now and again. T/G/GT only let Pan and Bra in on Gotenks’ partial social life when they ask to learn fusion without any prompting, (not wanting to influence what is a huge change in life circumstance) and Gotenks is massively excited he gets to properly meet and teach his two favourite people he’d been fussing over from a distance.

Marron is not a fighter (ack sorry Swol!Marron I love you) though is trained in ki use as a form of self defense (of course!) and particularly practises flying; she was adamant to keep up with Goten and Trunks when trailing them on adventures. Good thing too as she was the sneaky little shit eavesdropping on everyone, puzzling out every mystery so the boys didn’t have to. She considers herself the common sense of the outfit, to the point she’ll reach for the alcohol when the Saiyans are being particularly off the wall (“oh my god you’re all so ridiculous and unrelatable let me get drunk and tell you more”). Despite not fighting she does want to help people just like her chief of police dad, eventually settling on investigative journalism as way to help. Her over-ambitious final-year college project led her to make enemies in a mob boss which ended up in kidnapping. She used the time to wrangle more info out of them before being “rescued” by an extremely disgruntled, recently debuted Papayaman (“well they can’t find out that /I/ have superpowers”) that led to the mob leaders’ eventual arrests, and it got her her first job. She keeps an eye out for anyone researching how deep the connections between everyone in the group go and subtly tries to scupper it, so far successfully. In the rare serious fights she work on recon and civ defence with Mai, or if she’s present as a reporter actively supports the “oh it’s totally Mr Satan’s protégée saving us” narrative.

Mai is a complicated one and I could really get into the neurodevelopment of her. Whilst some things remain as-is (skill sets like engineering and weaponry that she uses, some habits and vocabulary) her regrowth means her ability to understand her adult memories isn’t there, they slowly cloud and fall away, becoming this fussy mess of facts-of-things-that-happened rather than a complicated nuance of emotion they would be if she’d aged normally. She dreams less and less of being an adult. She’s also at the mercy of hormones and brain structure at that age, still making the same mistakes she made the first time around. As a result she’s a little maturer than you’d expect for someone her age but not massively, and gets along with Trunks, Goten and Marron fine. She works on a number of ki-based techs like integrating ki-sense onto glass for an improved ki-scouter that can cope with the numbers the gang pump out (yay for logarithms) and display the complicated flow of individual ki signatures through different colours. With enough ki behind them the shield from her barrier seeds can protect cities for a few huge hits, and she can pick off lackeys with the ki gun she developed. None of these have the CC logo however as CC “doesn’t develop weapons.”

RE: shipping - When she’s a teen she rebuffs a clingy Trunks at every turn, (poor dude) hoping to stay just friends. He’s lovely but he’s just a kid! Kiddo can’t understand why she’s being so cold though, surely they’d be great together, they were in the future! Before he goes to college she eventually tells him the truth but of course, Trunks insists he doesn’t care if she’s “old”, she’s not anymore, not really, and besides he’s the real problem. But he’s only nineteen, and she knows that’s not as mature as it feels. She has just enough wherewithal to say no, and whilst he mopes for a little they reframe their friendship around this new information. Of course, they eventually crack when he starts working full time at CC when he’s 24, they have a massive heart-to-heart about her experiences with memory and his own through fusion (because think about how ef’d up that is), they give it a tentative go, and Goten and Gotenks weep with joy they don’t have to put up with his pining anymore. Truten was a Thing at college but didn’t stick, although they are so freaking close you’d probably think they were still in a relationship of sorts anyway.

Uub is great! He is 100% the traditional hero type, taking his training so seriously when he joins the crew it winds up Trunks and Goten enough they pick up the slack again. It takes him a few years to catch up with Pan but soon becomes the complete tank for battles. He looks up to Trunks and Goten and even tried to learn weapons to be part of the cool gang but it just wasn’t his style in the end. He does his training mostly at home, though gets dragged around to Mount Paozu by Goku (Goku-totally-ITs-back-home-you-can’t-convince-me-otherwise) and Satan City, eventually working as Papayaman full-time as “Hercule’s student” to take over from Gohan’s Great Saiyaman. He supports his village, going back home as much as possible to see his little siblings, and his family is mega proud if fussing over his safety in big fights. Papayaman takes the credit for saving the Earth nowadays, and all the news articles cover the walls at home (equally with his other siblings achievements). Uub can 100% ham up the media appearances to be the dashing hero due to Mr Satan’s training, but it’s definitely something he’s only capable of with the mask on and otherwise he’s an eager, polite, caring, but ultimately shy guy.

Pan is fascinating, she’s at an intersection of being known as a publicly talented martial artist, and is well-known in Satan City for being a crimefighter (though not as into it as her Mum was as Papayaman is around now) but is privately a beast. People don’t know she has the same super-strength and flight abilities as Papayaman and she’s very keen to keep it that way. She uses the stage name “Pan Satan” for tournaments and to help maintain her Grandfather’s image. Whilst when young she got frustrated at the lack of recognition the Son side of her family got, the negative reactions a sizeable minority of the public have to the few public alien encounters the Earth’s had and to Papayaman’s “possibly real” superpowers scares her as she gets older. She has on occasion tagged along in disguise after Papayaman and used her powers freely in the background in things like hostage situations to provide barriers and prevent explosions “just to help :3”. The one time she was spotted Papayaman was asked about his friend and he despairingly referred to her as his “little shadow” and the name stuck for the gang when in camo. She has a massive number of teachers - Goku, Gohan, Picco"yo", Roshi, Chichi and Videl, Trunks and Goten (and of course Mr Satan), even advice from Vegeta. With all that her understanding of ki control, particular focuses and intents is terrifying, (maintaining barriers with very little concentration etc) and she’s eager to teach what she’s learnt to the group.

Bra took ballet as a kid, is graceful, a real effortless beauty, great with people, the model socialite … is a freaking scrapper in a fight. She spent so long working out how to guard her “perfect” nails as a kid during daily training (a frivolous challenge Vegeta set her) she can form solid and fast ki fists with an almost impossible momentum behind them given her size. She’s very physical in her attack forms, and takes a “point me in the right direction and I’ll smash them” approach. Like her Dad she can take a hit, acting as off-tank for the group (Trunks had to be convinced to let her participate, so close to danger is her attack style). She’s also calculating as hell, crafting a perfect social media profile to push the capsule corp brand amongst teens and young adults and is a media darling, every photo and hashtag considered and poured over to further her image. She is very, /very/ invested in keeping that intact. Trunks on the other hand just can’t work social media, so doesn’t do media other than official interviews if he has to as COO. Bra keeps pushing him to engage, so he has two posts - “This is my official account, all others are a fraud” and “Hey.” “Hey.” has the third highest number of engagements on the site, which both perplexes and amuses Trunks and really irritates Bra. She has a horrid temper in private and in honour of that, Trunks calls her Giggles. She and Pan are two peas in a pod though, getting into their own brand of trouble at all times and Pan is probably the only person she’ll listen to to get her out of a mood.

I could literally go on forever but I’m going to stop now aaaaaaaaa

#db super #dragon ball #dbz #super7 au #anon replies #hi anon!#I ended up writing this for you and also for me so I have it somewhere rather than just in my head #hope it's not OBNOXIOUSLY LONG SHRIEK #I also have enough ki rules to write Son Gohan's groundbreaking science book #and i've done fandom textbooks before so that might be easier #have a lovely day #:)#Anonymous

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kingoji · 7 years

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I’ve been giving the Godzilla ‘Millenium era’ movies a bit of a binge rewatch in order this past week, since we finally got a blu ray player in the house that they work on.

It was quite an odd period of movies. Seems to be the selection that opinions are most varied on as well. I’m gonna share mine on a film by film basis.

For the benefit of anyone who’s just happened upon this and doesn’t know the history, the Millenium series is the name given to the Godzilla movies from Japan that were made from 1999 to 2004. Initially they came about as a reaction to Tri-Star’s 1998 attempt (the one with Ferris Bueller and Leon), but the dwindling ticket sales of their previous series of movies, the Heisei era, also encouraged them to rethink their formula some. What was decided was that three standalone movies would be commissioned with different takes on the franchise, and the most popular would be the direction they embraced going forward. This largely fell by the wayside, and all but two of the films of the era ended up becoming standalone features. Naturally, as a result the reactions to the films varied as the tones and themes of the films themselves did.

Godzilla 2000

This is my personal favourite of the Millenium movies, and not only because it was the first one made where I was aware it was being made at the time and, thanks to publications like G-Fan, was able to follow along with updates periodically. I didn’t get online until around 2006 or so, so this kind of niche news was extremely hard for me to get ahold of. Godzilla 2000 had a radical redesign for Godzilla. It may well have been an effort by Toho to show Tri-Star that you *could* be extreme in redesigns while still honouring and being recognisable to the original (I am a fan of the Tri-Star design as a monster, but as Godzilla it was a failure), but it was also a solid way to visually differentiate this series from the previous one. Production values were higher across the board, and it was much more experimental in its special effects, often integrating the suit-acted Godzilla into panning or otherwise in-motion real-world shots. Before this, the technique was only ever used to add Godzilla into static shots or the far background. It doesn’t always hit the mark, but you have to respect that they aimed for something and took a shot. The miniature city sets were actually the largest ever constructed at the time, and the decision to reduce Godzilla’s height by half meant that they could be made larger and more intricate. In other words, the city sets looked more realistic and expansive, meaning they matched the real-world shots better and would be demolished more convincingly. The lighting work was stellar for this film, too, with crimson skies replacing the blue-tinted spotlights of the Heisei.

The human cast here is probably the most realistic and likeable of this series as well. All too often people dismiss the human element and act like the monster stuff is all that matters, but I cannot stress how much I disagree. Having a human cast you care for makes what happens with the monsters more urgent. My favourite character in this one is Katagiri, the director of the Crisis Control Intelligence bureau. He is considered the villain of the piece, and the film supports this by making him needlessly dickish to the main character and dangerously glib as to whether he lives or dies, despite the man posing no threat to him, his company, his position, or literally anything else about him. Thing is, despite this overplayed animosity, Katagiri’s behaviour and personality are actually fitting to his position and responsibilities. If it weren’t for his chafing attitude, he could have been the hero of this film quite easily. He reminds me of ‘The Colonel’ from Akira, only less stoic and serious.

In fact, I’m not sure there is a villain in this film. Godzilla is immediately established as a natural threat, but at the same time there are two equally valid points of view voiced about him; that he is a danger that has to be stopped, and that he is an animal doing what he does and should just be contained for study. Katagiri is next to be introduced as someone we shouldn’t like or trust, but see above. Then there is the alien life form which takes longer to fully understand the motives of but is no less destructive in the meantime. The alien, which for the most part is always hidden within it's vessel, had been stranded on this planet for millenia, and for whatever reason cannot leave. So it does what any living creature would do and tries to survive. It engages Godzilla because his DNA contains the key to surviving this new environment, but when things don’t go it’s way the life form resorts to learning what it can about Godzilla from our internet data first. This hacking and absorbing of data is seen as a hostile action and humans treat it as such. Then it faces Godzilla again and gets what it wants, only for things to go wrong again and Godzilla’s DNA mutates the alien from it’s natural state to a grotesque monster which then has to fight for it’s life before being destroyed. Next time you watch the film, pay close attention to how Orga acts when it is revealed. It looks at itself with horror, and when Godzilla advances on it it backs up in a manner which seems to say “Whoa, whoa, time out!” and only really gets into the fight when it realises Godzilla is not going to stop. It’s outmatched from the go and knows it, and everything it does seems born of desperation rather than aggression or strategy. Orga is one of the most tragic creatures in the Toho stable; a creature of genuine intelligence trapped in a brutish, cumbersome form, killed before it can try to do anything about it. Of course, for most of the film the alien is an ass to humanity, so it’s hard to feel too sympathetic to it. Then when Godzilla has “saved the day”, he proceeds to lay waste to Tokyo himself anyway, reminding us that while he may not be the villain, he’s sure as shit not our hero.

Actually, I think that’s the only universal source of contention for this film; after evrything has gone down and before Godzilla goes on his rampage, the human cast wax philosophical about him. One notes that humans created him, and ever since have tried to kill him. another than asks why he then keeps saving us. A third postulates that maybe it’s because “Godzilla is inside each one of us”. Which makes no sense. The first statement is correct, but the question asked is wrong as in this movie’s timeline Godzilla has always been the threat, and only got into this fight for personal revenge. I don’t speak Japanese so I don’t know if this is a bad translation, but I personally choose to interpret the real meaning of the discussion as something closer to the second person asking if we deserve Godzilla, an the final replying that we all carry the weight of responsibility for him. That’s how I’d phrase it if I ever adapted it in some way. It would also lead in better to Godzilla setting the area on fire than the actual “cuz we bros, man” that we get.

Takayuki Hattori is the composer of the score for this film. His only other Godzilla score was 1994′s Godzilla Vs. Space-Godzilla, but in the west probably his better known work was on the anime series Martian Successor Nadesico. I loved his work on that show, and as such am fond of his work on Godzilla. It certainly has a flavour distinct from other Godzilla composers that I’ve often read as “sounding more like Hollywood”, but I actually think it carries over conventions of anime scoring. You have very strong and individual sounding ‘hero theme’, ‘villain theme’, ‘battle theme’, ‘comedy theme’ etc. which you could easily imagine being attributed to an episodic show, often short and punchy. Whereas Hollywood movies are mostly scored to match exactly what fits on screen at that moment, and while you may get repeated cues added into different scenes, rarely is an entire piece applied wholesale to multiple scenes. I think I preferred Hattori’s work for G Vs SG than here, as that was in general a more fantastical film and as such a better fit for his “animated” style. Despite the overt sci-fi elements of Godzilla 2000, it is still comparatively a much more grounded film (there are no maser cannons here, and this film’s idea of advanced military arms is a new missile which is better at piercing armour than anything before). That said, this score is still strong and suitable, and to me feels more complimentary to Akira Ifukube’s traditional Godzilla theme than other scores have been. When it plays in this film it’s fitting to the overall sound, which seems to enhance it’s effectiveness as the familiar “shit, you know what this means” piece to build the anticipation, whereas in the next film it’s a more jarring difference that just makes you go “Cool, they’re using his theme after all”.

As a final piece of trivia, this was the first Japanese Godzilla film since 1984′s The Return Of Godzilla to get a western theatrical release, and the last until 2016′s Shin Godzilla. The trailer for the American release used Rob Zombie’s fast-paced song ‘Superbeast’ as accompaniment, which tickles me to no end given that this film was a response to Tri-Star’s Godzilla and the repeated chorus is “Hey yeah, I am the one that you wanted! Hey yeah, I am the Superbeast!”

Next up: Godzilla X Megaguirus!

#Godzilla #Gojira #Godzilla 2000

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