“Let this incredible mask whisk you away to the Paris Opera House! This is Carlotta Giudicelli's Masquerade Mask from the Broadway production of The Phantom of the Opera!” (depicted: Pamela Shandrow, US Tour)
“Step into the captivating world of The Phantom of the Opera with this show-used Ornate prop fan used in the Masquerade scene at the beginning of Act 2!“ (depicted: Elizabeth Welch, US Tour)
“Step into the mysterious world of the Phantom of the Opera by winning The Phantom's "Red Death" Hat worn by Howard McGillin and Hugh Panaro in the Broadway production!“ (depicted: Hugh Panaro, Broadway)
“Place the winning bid on this stunning The Phantom of the Opera Act 1 Ballet Chorus Crown! This crown was worn by Heather McFadden as Meg in the Broadway production” (depicted: Lisa Lockwood and Nicole Vermont? Broadway)
“Immerse yourself into The Phantom of the Opera culture with this Act 1 Ballet Chorus Crown! This crown was worn by Samantha Hill as Christine Daaé” (depicted: Jessica Radetsky, Broadway)
(auction photos: CharityBuzz, original design: Maria Bjørnson)
(note: apart from the fan and the Red Death hat the depicted items and stage photos may not be identical, but they show similar styles. I have not found any photos of the listed tiara wearers in those tiaras and semi wonder if that info is correct. It sounds like odd-ball styles for Megs and Christines, even if it do happen they wear other styles)
The legendary 1985 concert performance of Stephen Sondheim's acclaimed musical Follies was presented by the New York Philharmonic at Avery Fisher Hall at Lincoln Center.
The thrilling - and possibly historic - New York Philharmonic concert version of Follies presented at Avery Fisher Hall was a reunion of sorts, albeit one with a happier ending. To cast this all too transitory event, the producer Thomas Z. Shepard brought together veterans of Sondheim musicals stretching from the 1964 Anyone Can Whistle to Sunday in the Park With George - among them, Lee Remick, Elaine Stritch, George Hearn, Liz Callaway and Mandy Patinkin. They were joined by other stellar musical-comedy hands who exemplify the Broadway heyday whose passing Follies mourns - Barbara Cook, Carol Burnett, Betty Comden and Adolph Green. Once this company paraded before the orchestra to the glittering melody of the opening song, ''Beautiful Girls,'' it was impossible to separate the fictional show-biz reunion dramatized in Follies from the real one unfolding on stage. The audience, more than willing to let the distinction slide, simply erupted into pandemonium.
The cheering rarely subsided thereafter, and not without reason. Mr. Shepard assembled this evening to record the complete Follies score, which was mangled on its original Broadway cast album. Although there were still a few elisions (mainly of dance music) in the concert, this version was as complete, gorgeously sung and sumptuously played as Mr. Sondheim or his fans could wish. But there were other reasons for the thunderous response as well. Even in concert, Follies proved much more than merely a star-studded recording session. The performance made the case that this Broadway musical can take its place among our musical theater's very finest achievements. (Frank Rich, The New York Times)
what we need now more than ever is a philharmonic concert of classic broadway numbers performed by a group of like, classical soprano, sitcom star with a voice range of five tones, broadway / off-broadway performers known to absolutely nobody outside the fandom
i know im very much a west end phantom blog but this news is really upsetting. phantom broadway was my very first experience of the show, i saw it when i was 12 and honestly probably changed the trajectory of my life and made me the obsessed freak i am today!
paul a. schaefer - phantom
julia udine - christine
john riddle - raoul
the crowd just gets louder and louder each show 💕 surprisingly loud applause specifically when the title song started, masquerade staircase revealed, and immediately when the meg reveals the mask.
Patti Lupone and Company perform “Anything Goes” at the 1988 Tony Awards
Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. G. Wodehouse, revised considerably by the team of Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. Songs introduced that later became pop and jazz standards are "Anything Goes", "You're the Top", "All Through the Night", and "I Get a Kick Out of You".
For the 1987 Broadway revival, John Weidman and Timothy Crouse (Russel's son) updated the book and re-ordered the musical numbers, using Cole Porter songs from other Porter shows, a practice which the composer often engaged in. This revival opened at the Vivian Beaumont Theater, in Lincoln Center, on October 19, 1987, and ran for 784 performances. Directed by Jerry Zaks and choreographed by Michael Smuin, it starred Patti LuPone as Reno Sweeney, Howard McGillin as Billy, Bill McCutcheon as Moonface, and Anthony Heald as Lord Evelyn. It was nominated for ten Tony Awards (including nominations for McGillin, LuPone, McCutcheon, and Heald), winning for Best Revival of a Musical, Best Featured Actor (McCutcheon), and Best Choreography. The production also won the Drama Desk Awards for Outstanding Revival of a Musical and Outstanding Actress (for LuPone).