So much happened this year, so much wisdom to integrate and process still, it’s been a year 😵💫
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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did this between comms again and yep im making my own da4 canon
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i've been doing a bunch of tartarus runs in reload lately, and it got me thinking about how i miss certain ways FES's clunky gameplay can characterize minato… (ramble about the great clock mechanic + leveling up party members in reload vs fes under the cut)
when i got to yabbashah block in tartarus (block 3), i remember commending the developers for adding the great clock mechanic. it's a much more convenient way to keep party members at the protagonist's level- so when you think about p3 from the perspective of trying to make it easier for people to play, the mechanic succeeds in this respect.
but now that i'm in adamah block, and that i've done lots of my once-a-month tartarus runs… i think that i got a little too dependent on it, and the way that i played through reload feels like a vastly different experience from how i played FES.
in reload, my party's levels are very lopsided. minato, yukari, akihiko, mitsuru, and fuuka are all level 90+, meanwhile junpei and aigis are at level 79, and then… poor ken and koromaru are at 71 and 64 respectively. (i never got to have a great clock for them…)
meanwhile, in FES, my party's levels were much more evenly distributed and were at least level 90. i did all of this manually for every monthly tartarus run because i enjoyed having options available for the taratarus guardians and monthly operations.
with how i perceive minato, i feel that the way i played FES feels more in-line with his character than me dawdling around waiting for the great clocks in reload.
FES's gameplay loop left me with the very strong impression that minato has to work twice as hard as everyone else in SEES does. it makes sense because, yeah, he's the leader, but something about having minato run through tartarus multiple times with different groups of people just to make sure that they are adequately prepared speaks volumes about his character, to me.
and while the tired mechanic is present in reload to some degree, most notably with allowing you to freely raise your courage stat when you visit edogawa after school… the tiredness system doesn't hit the same way that FES does, i think.
the way your party members in FES will call it quits when they return to the entrance floor at tartarus when they're tired, versus minato, in spite of all his tiredness and sickness, still pushes through tartarus because it's his responsibility…. idk!!! i miss that! i feel like this really hammers home the difference between minato and the rest of SEES, how minato doesn't really see himself as a human with needs worth respecting as long as he's useful to someone.
i don't think that tartarus being tedious (in FES especially) is not what most people would describe as fun, and i can respect people thinking it's a slog. but, regardless of how it feels to play, it doesn't change that FES's gameplay loop is a fundamental building block in how i perceive minato…
of course, i do recognize that you can just opt to NOT use the great clock in reload (and it's great when players are offered the choice to not partake in mechanics)! i definitely think that if someone really wanted to, they could manually level up party members, but i do feel that kind of playstyle isn't necessarily "incentivized" to the type of people who are into playing games for Having a Good Time. it's kind of like… "why would you do that when there's a much more convenient option available to you."
in any case! despite my woes, i do want to emphasize that i'm glad that reload has a much more smoother gameplay loop than the original P3 did, because it does make the game more accessible to people. having played both FES and reload, it feels very strongly apparent to me how the core gameplay formula of persona has really been refined in the past 18 years (to think og p3 was 2006 and reload is 2024.. time flies!). and reload has made revisiting a story that i love so dearly much, much easier because the gameplay just bops!
at the same time, due to my "i miss characterization informed by weird and dated FES gameplay quirks" woes, i still think that playing FES is worthwhile. (really, i feel this way about all iterations of p3! i think it's worthwhile to see what each version and side media has to say even if it doesn't Land™ for you.) but i also understand why people wouldn't want to play it, so i will keep writing posts about things i liked from FES's gameplay because i'm still very fond of FES (especially in respects to minato. these mechanics are so telling about him!!!) 💪
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twt armys giving 20k+ likes to blatant xenophobia toward sk in the name of "protecting bts"... you all couldnt stop at zionism, anti-blackness, homophobia, transphobia, racism, misogyny. you just really had to make sure EVERYONE knows without a doubt that you're soulless amoral freaks. not only do you not care about other people in general, you don't even care about bts, you just see them as props to boost your own ego. your so-called love for bts is manifesting in hatred for their country and their heritage that they've always spoken about with so much pride--how can you call that love? your whole existence revolves around bts but you don't fucking listen to them, not their lyrics, not their interviews, nothing. this fandom has always had issues but in the last few years and ESPECIALLY the last 6 months it's become unbearable and inescapable. you people are not human. i will always be so proud to be a fan of bts but you couldn't pay me to call myself part of this fandom with a smile on my face right now
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for the purposes of reading porn, i am now considering myself a trans girl who somehow has a cervix and a womb. if people can't be arsed to write smut without referencing wombs and cervixes and making specific note of somebody having both a vagina and an asshole or write shit like "all three holes" then i am just gonna get high enough to forget that i ain't got that kinda equipment.
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[doing very tedious animation work] [points at echem] you're so lucky i love you.
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I recently got out of a toxic and unhealthy friendship on here. I had to be the one to end it; hopefully the other party decides to leave it be and not smear my name due to realizing it wasn't healthy and that I had to end it because of it.
Basically, if someone makes you start feeling like shit, from your life, to your goals, passion, and everything else, then it's not a rewarding friendship. And it's hard to sometimes see it in the moment. Because you want to think the best of peeps, especially ones you care about.
But sometimes the healthiest thing for You is to know when to put your foot down and end it, even if it hurts you and them. At the end of the day, you matter and what you're doing matters and no one has the right to make you feel shit for who you are when you're just living your life. Life is hard enough without adding peeps who make you feel that way or question how you live when, prior to them showing up, you were happy with all of it.
To anyone in a relationship or friendship like that, I hope, like me, you are able to take a stand and realize you deserve better.
I knew I was being manipulated but not how much until I talked to others close to me. I pray you all never have to experience such a thing because damn, you know you did the right thing, but feel so fucking guilty at the same time.
But your happiness matters. You matter. Please remember that.
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I think someone should just throw all of the BG3 companions into Dungeon of the Mad Mage. Just take the post-canon generally considered "good" endings and throw em in there.
Why? Because it would be hilarious to me and also that's like the one official module that goes up to level 20.
I won't lie and say the only thing I can think of is the team trying to kill an angry mechanical purple worm while screeching at Gale because "what do you mean we're in Waterdeep and you know the bastard who owns this death trap?? I was perfectly alright in the damn Underdark thank you very much I did not sign up for this"
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My feelings about elysia are so conflicting because like she is the reason i started accepting that im queer so she has a special place in my heart but her bad writing and touchy-ness is pretty off putting to me and god i hate having complex feelings *explodes *
ouhg big struggle I see
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the further you get into rou the more you get the feeling whenever doumeki goes into another room and fucking stares at the floor like what the fuck do i do now the camera cuts and he actually just full on screams like he's being murdered for 20 minutes and then readjusts his expression back to normal and takes a deep breath and walks back into the room and is like aight where's the wine
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For the ask game, 5, 18, and 30??
(from this ask game)
ahh thank you for sending these in!!
5. first sentence of the fifth paragraph of an unpublished WIP
ok so i have 7 tabs open and all of them are either new chapters or unpublished wips but here is the first sentence of the first tab - and a second sentence for a little bit more context lol:
'Watto has wings, a set that isn’t much to look at but that he’s rather proud of showing off anyway. And because Watto has wings, little Ani cannot, lest he grow up and get ideas.'
(that's wing fic au which i have been meaning to finish and post for forever)
18. If you keep them, share a deleted sentence or paragraph from a published fic
ok so i don't keep my deleted sentences or paragraphs - they are gone with the wind as soon as i don't like them lol BUT i can definitely talk about one of my first draft ideas for a fic that i didn't end up writing which i've definitely talked about before. in foolproof foolhardy, when i started writing what would become the last 2 chapters and the final arc of the story, i was totally sold on the idea that when they're in the ship on the way to their mission they would end up fucking ('to get it out of their system') as a one-time thing and afterwards they can just pretend they don't care about each other at all and the sex would be very angry and bitter except for the moments where they couldn't help but betray their real feelings (aka master skywalker caresses obi-wan's face, obi-wan kisses his pulse, etc etc)
and then during the mission the prince of the planet would be interested in obi-wan in a way that would prove to be Perilous (because obi-wan tries to pretend he can just go back to having fun and sleeping around and so he courts the prince's attention, but it turns out that actually he doesn't want to do that anymore because now he knows how anakin would hold him)
and anakin would do something very dramatic like start a full on war with the planet and or threaten assassination of the prince because hes a jealous lil guy and will use obi-wan's discomfort as cover for his actions without examining the root of the emotions which is in fact love (but twisted)
and then they fuck AGAIN and finally actually talk it all out (but it was already such a long story and that whole mission arc seemed needlessly dramatic when tensions were already high, so they just talked it out the first time they fucked on the ship, which i'm happy with)
30. share a fic you’re especially proud of
ooo interesting question! i definitely feel various amounts of proud of all my fics because of who i was and what i was trying out when i was writing each of them, but i think i'm especially proud of let my love be the knife that implicates me aka the rots compliant fic where obi-wan raises luke on tatooine alone and does as good of a job as he knows how. i just really like the concept of it - where obi-wan deals with his grief by talking about the agony and joy of loving anakin, luke's father, while also still so fresh off of mustafar and the fall of the Jedi, knowing he can only talk about this now because when luke is old enough to remember he shouldn't bear the weight of his secrets....only for luke to remember not the words themselves (about the empire, about sidious, about anakin's betrayal) but the emotion behind them, which was almost always love.
it's a sad fic but it's not so sad that i think it's unreadable and i really am so proud of a lot of the phrases and the pacing of it! mostly because i almost always avoid anything even resembling 'canon compliant' and so this was a really big moment for me lol
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the feeling when you posted a couple of gifsets hours ago, which got a collective 5 notes (all on one post), but you still want to make many more over the holidays
nothing is gonna stop me from posting more star trek
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