CW: Death, Violence, Familicide
Imperia views Femininity as pure unadulterated strength and wits. Through her femininity is how she is getting and has gotten not only power but joy. After all, she only loved her mother. Her father and younger brother (Gray and Shaxor from Utahime Five) she despised and actively aided the Intoners in murdering them. And she did it with utter joy. In a way Imperia hates masculinity, mostly the traditional toxic masculinity that Gray was.
After her mother's death and when Gray was forced to y'know...actually raise his teenaged daughter he straight up didn't. Even though Imperia was a perfect girl practically. Beautiful, intelligent, even combat capable to a degree. Yet he overlooked her and gave territory to an ACTUAL CHILD instead of her. Which led Imperia to straight up help the Intoners. But here's the thing. Imperia only likes One.
She HATES the other Intoners with a passion. Viewing them as actual fucking children and idiots who doesn't deserve the power they have. Even though, in Midgard at the time they are the pinnacle of "feminine beauty" they are literally goddesses. But they are really only beautiful. Five is frivolous, Four is hypocritical, Three is Selfish, and Two is just incompetent. Only One earns Imperia's respect which got them into this deal, that One would aid Imperia as her successor. Cause Imperia genuinely cares.
Imperia genuinely cares and wants the best for Midgard. Wants to improve on the land after the Intoners are gone. And in such she views Femininity as a leader. A powerful protector with strength and wits that through those things can lead to glory and more importantly, prosperity. Just like how she viewed her mother.
Imperia echoes her mother and wants nothing more than to do all she can to better Midgard through her mother's teachings and that includes whatever sacrifice she will have to make along the way. But in her eyes it is worth it.
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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Sources for Somerton's Plagiarism from Hbomberguy's Video (as much as I could get)
I went back through Harry's video, focused entirely on the sources James Somerton pulled from in the hopes of creating as much of a comprehensive list as I could--though my Google-Fu is not very strong. I did however find something I thought was forever lost and that made me very happy--specifically the magazine Midlands Zone containing the column by Steven Spinks that Harry poignantly used as an illustration of gay erasure... while Somerton uses it to sound like HE is waxing remorseful about the very subject.
This is not a complete list, I'm sure. For one thing, I was only able to attempt to pull sources that Harry himself mentioned in the video. Surely there's so very much more out there. I expect there to be a great deal more internet archeology to unearth just how much writing and culture Somerton has stolen like he's the British Museum of Natural History but for gay people.
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Harry's list of mentioned youtubers:
Alexander Avila - https://www.youtube.com/@alexander_avila
Matt Baume - https://www.youtube.com/@MattBaume
Khadija Mbowe - https://www.youtube.com/@KhadijaMbowe
Lady Emily - https://www.youtube.com/@LadyEmilyPresents
Shanspeare - https://www.youtube.com/@Shanspeare
RickiHirsch - https://www.youtube.com/@RickiHirsch
VerilyBitchie - https://www.youtube.com/@verilybitchie
Harry created a convenient playlist of videos by these and other people he wants to bring to everyone's attention.
Please give them your support.
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Midlands Zone Magazine - Column by Steven Spinks
After a great deal of searching, I found an archive of the "Midlands Zone" magazine, where you can read through past issues dating all the way back to February 2014. I have also found the issue from which Somerton took Spinks' poignant discussion of gay erasure:
Overall archive
Specific Issue - Pages 16-17
It will not allow you to download it, but you can read it exactly as it appeared in print form.
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My best effort to find the exact book or article Somerton lifted from to be able to get attention to the original writers
Tinker Bells and Evil Queens
By Sean Griffin
The Celluloid Closet
By Vito Russo
Wikipedia article about the book
Wikipedia article about the documentary
My weak google-fu could not find where you can access the book or documentary. Check your local municipal or university library for book or documentary, or if you know a good source for one or both, please reblog with it added
Camp and the Gay Sensibility
By Jack Babuscio
The Groundbreaking Queerness of Disney's Mulan
By Jes Tom
Personal site with links to social media accounts
Why Rebel Without a Cause was a milestone for gay rights
By Peter Howell
Why "The Craft" is still the best Halloween coming out movie
By Andrew Park
Opinion: From facehuggers to phallic tails, is 'Alien' one of the queerest films ever?
By Dani Leever
Women and Queerness in Horror: Jennifer's Body
By Zoe Fortier
[Pride 2019] We Have Such Sights to Show You: Hellraiser and the Spectrum of Queerness
By Alejandra Gonzalez
Revealing the Hellbound Heart of Clive Barker's 'Hellraiser'
By Colin Arason
Queering James Cameron's Aliens (1986)
By Bart Bishop
Demeter and Persephone in space: transformation, femininity, and myth in the 'Alien' films
By David Greven
Fears of a millennial masculinity: Scream's queer killers
By David Greven
(Scholarly site, unable to access original work, offers a way to request a full copy of the text in PDF)
Queer Subtext in Stephen King's It - Part 1: 'Reddie' Character Analysis
By Rachel Brands
Rachel is the very unfortunate lady who found out she was being stolen from because she supported Somerton through Patreon and saw one of his videos early with her writing--lacking any form of citation or credit
How 'It: Chapter Two' Leaves Richie Tozier Behind
By Joelle Monique
When Horror Becomes Strength: Queer Armor in Stephen King's 'IT'
By Alex London
Why Queer People Love Witchcraft
By Amanda Kohr
'The Favourite' Queers The Past And The Present
By Giorgi Plys-Garzotto
(Wuko) Crush (Mako x Wu)
By MoonFlower on YouTube
5 Terrible Movies With Awesome Hidden Meanings
By J.F. Sargent
The Radicalization of Sexuality: The Queer Casae of Jeffrey Dahmer
By Ian Barnard
Netflix's 'Dahmer' backlash highlights ethical issues in the platform's obsession with true crime
By Shivani Dubey
The Possible Disturbing Dissonance Between Hajime Isayama's Beliefs and Attack on Titan's Themes
Original Article by "Seldom Musings"
(Author has made all posts not related to Attack On Titan private and has retired from the blog)
Everyone Loves Attack on Titan. So Why Does Everyone Hate Attack on Titan?
By Gita Jackson
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The following people are otherwise named in the video. There are no direct citations of articles or books by them in said video. I am unable to guarantee that I have identified the correct individual.
Darren Elliott-Smith
Michaela Barton
David Church
Claire Sisco King
Amanda Howell
Jessica Roy
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Telos announced and cancelled a film likely based on this book:
The Final Girl Support Group - By Grady Hendrix
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I refrained from including certain sources.
First off only focusing on Somerton's work.
Secondly not including anything that might be visible enough to not require amplifying their voice (I cannot speak for all of those I have found links to, but journalism is frequently a thankless job).
Thirdly any source that is of a nature that is antithetical to the very existence of the queer community, such as the right-leaning source that didn't make it into Somerton's video, but Harry was able to identify as a source he had considered using.
If you feel I have missed a mentioned source--or you know of a source from material that was not covered in Harry's video--please do not hesitate to reblog with added details.
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Please share this information far and wide, and please add to it if you find more material that can be positively identified and linked to the creator/writer.
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