Prompt 85
Dan is very grumpy. He’s not pouting, despite what the others would claim, he’s brooding. How many times were they going to get de-aged?! And this time they were all clones! He did not sign up for reincarnation, nor for getting turned into a literal baby.
He doesn’t care if this world has heroes or villains or whatever, he’s going to bite the next person to pick him up. Happily if it’s one of the scientists currently scrambling around as alarms go off.
Though he’ll happily do the same to the new colorful people too. Honestly he’s just feeling particularly violent, and it’s not like he can murder with his tiny baby hands. At least his so-called siblings look just as ready to attack as he does.
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omegaverse hilson would be like doing mate-affirming behaviors only for wilson to deny it being Like That and the ducklings trying to get wilson to use The Voice to get house to behave because he's literally the only alpha who can do it to house and not make him worse bc house is a bitter contrarian (cuddy is an alpha too but her Voice does not work on house like at all, either just pisses him off or gets him to make dirty jokes)
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I don't know how I'd ever convey this in art but. Thinking very deeply about how in boy king au, a very crucial part of characterization is that Seb is a wolf in sheep(or lamb more specifically)'s clothing and Fernando is a sheep in wolf's clothing.
Seb is very unassuming, very delicate, seemingly very vulnerable and malleable. But, deep down, he can be very ruthless. It's in the the way he hesitantly declares war, with a spark in his eye and a suppressed smirk. In the way he challenges someone to a card game or a horse race, proclaiming that he's not great, but winning every round and prancing around the room and mentioning it ad infinitum. The way he's able to instantly turn the tide in a debate in one fell swoop. By showing all his cards constantly and letting himself be vulnerable, he's making himself invulnerable. No one would ever consider him to be able to make big moves, so he wins every single time, because no one even thinks to expect it from him.
Fernando on the other hand, is constantly committed to having a looming presence and harsh reputation, but deep down, he's soft. He knows what happens to people when they're vulnerable, and he's not going to let himself be taken advantage of. The way he keeps a brave face when being informed of the marriage proposal, but goes back to his room and cries. The way he proclaims that he was always going to be the rightful ruler of Spain, but confides to Flavio that he never thought there was any real chance of it ever happening. The way he takes himself so seriously in public, but inside feels so giddy whenever he can make someone laugh. Everything to him always feels unstable and ready to crumble at any moment, and he's not willing to contribute to that by letting himself relax.
I think thats why it's very difficult for them to get along at first, because they have completely different approaches to how they carry themselves and make their way through life. Seb is confused at Fernando because he feels that he's very bland and overly serious at first, but truthfully he's not really seeing the actual Fernando. And Fernando finds Seb to be naive and easily taken advantage of, but that's because he's never seen Seb at his most cruel. Seb really loves when he eventually gets to see Fernando being vulnerable, and Fernando really admires and respects Seb when he sees him being serious. I think it just takes a while for them to show the other their full and complete selves, even the parts they can sometimes be ashamed of. There's this very compelling dichotomy in Seb laying out all his cards, but still being very difficult to read, and Fernando keeping his cards to his chest, but his intentions often being easily seen through.
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Camilla's being a question mark of a character is sort of the whole point. Like the person who's describing her is a repressed queer guy who's very much not interested in her, but rather her brother, hence the constant comparisons between the two of them.
It's not Camilla Richard wants but Charles and he can't admit that to himself so he projects her brother's qualities onto her with only a few of her actual 'characteristics' told to us. Hence her position in the narrative, which is narrated by Richard, is very superficial and 'soft'. Of course, Camilla was a bigger part of the entire plot (bigger than even Richard) but it doesn't really matter to Rich hence it's not given much thought.
In a lot of analysis about her, sometimes people get a little accusatory towards Donna but the person she chose to use as narrator doesn't really care about Camilla as her own person. So it wouldn't matter how much information was originally written for her, we still would never get a peak to it.
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i just woke up so idk how coherent this'll even be but last night i practically fell asleep thinking abt the trend of dai being confronted by his youth and feeling out of place for it in one way or another. on one hand he definitely can recognize himself as still young and having lots of space still to grow, so he's more than willing to defer to and obey adults or seek guidance and lesson from them, but at the same time this is a kid with an extremely bizarre and intensely demanding upbringing. daisuke has been raised right at the cusp of death all the time. he's gotten nearly fatal injuries just from his training. within his more intimate circles, he's used to everyone constantly counting on him as 'the only one' instead of setting him aside. his father has been absent essentially up until recently, his mother absolutely adores him but is also the one overbearing him on the family destiny and his 'duty' as a phantom thief, and even his grandfather strictly emphasizes how daisuke, as the sole niwa child, was the only one that could do become dark. there's so much responsibility placed onto him all the time, which, again, lucifer thematic. child-king sized burdens that connect him immediately to dark's decision to betray the hikari and take responsibility for the artworks after the cultural revolution.
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𝗚𝗮𝗹𝗲 𝗵𝗮𝘀 𝗱𝗲𝗰𝗮𝗱𝗲𝘀 𝗼𝗳 𝗲𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲 𝗶𝗻 𝗺𝗮𝗸𝗶𝗻𝗴 𝗵𝗶𝗺𝘀𝗲𝗹𝗳 𝘄𝗵𝗮𝘁 𝗵𝗲 𝗵𝗼𝗽𝗲𝘀 𝗶𝘀 𝗱𝗶𝗴𝗲𝘀𝘁𝗶𝗯𝗹𝗲. Even as a child, Gale struggled to find steadfast friends. He had rambled too much, was a prodigious student among overly envious wizard boys, and honestly, to make sure he kept in the good graces of most, he, with some practice, hammered a mold. He didn't wear a mask, of course, more leaning on concealing his more 'unsavory' quirks, but it was not unlike walking like just half of he was--offering, essentially, the more 'palatable' parts. He was proud, sure, riling his share of more insecure peers, but he was good at magic, obnoxiously good, and in time, people weathered that pride to essentially ride his coattails. As Mystra's chosen, however, that doubled in force. He learned to hide himself, learned he was loved exclusively for magic. He made more friends among those lonely evenings in his tower, growing familiar with the voice of long dead authors and finding, of course, fulfillment in words. In fact, his idea of romance comes largely from words. It's partly why when smitten, he's such traditional ideas. He's not socially inept, mind you, but many of his thoughts come taken from stories, and if asked, he'd admit to having his heart steeped a touch in romanticism--though age, blessedly, has tempered the naive.
With the orb, unfortunately, he learned to quell himself only further. Gale could only feel so much, a terrible weight for a man who longs most to be seen and heard. Again, he'd further stemmed his excitements, his babbling passions and the stars in his eyes, and even despair and heartache were halved or quartered, or else, of course, the orb would burst. Now, he's learned not to be burden, that on top of being something half of himself. Suddenly, Gale being Gale wasn't just halfway a nuisance, but Gale being Gale could be more than inconvenient--Gale of Waterdeep is now plainly catastrophic.
Gale doesn't exactly hate himself, but it's hard for him to think anyone would like him for him. He's so starved to show himself just as he is--and it's partly why he rushes to give himself over completely when the moment's right.
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So I played myself and kinda ship Shezleth lmao
You know how Byleth on expeditions essentially says he thinks he's only suited for war? And the right answer is to say that's not true (it's not!!)? And you know how in his and Jeralt's A support, when Jeralt mentions teaching, Byleth gets a little thoughtful?
Imagine some years after the war/few3h, Byleth eventually does become a teacher (at Garreg Mach or otherwise) and he's obviously well-liked among his students
And sometimes a certain group of mercenaries come to visit and Byleth always lights up when he sees their leader so the students are Curious
Shez and Byleth always end up doing at least one class together, where they spar each other because 1) It's fun to spar with your boyfriend, 2) they've got some tally running of who beats the other the most often and 3) it makes for a good demonstration of a serious fight, so the students definitely learn a lot!
One day one of the students asks how they met and Byleth just replies "We tried to kill each other"
Shez: "He's making it sound overly dramatic—"
Byleth: "But it's true, isn't it?"
Shez: ".... maybe, but still, I feel like that doesn't give people the best idea about our relationship"
Byleth: *shrugs* "Makes for a great conversation starter"
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