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facets-and-rainbows · 4 years

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Blue Exorcist 10th anniversary book Q&A session

The 10th anniversary book has a section where Katoh answers 100 questions submitted by fans on Twitter, so here they are translated/paraphrased! May contain manga spoilers up to the recent flashback arc, so be warned.

(Note that I’m playing it very fast and loose here because there are A HUNDRED OF THEM, so not exact wordings, but it should capture the gist. Lemme know if there are any you want elaborated on)

1. Katoh likes the feel of traditional drawing more than digital but is impressed with how far digital has come

2. Meph THOROUGHLY ABUSES spacetime to watch all his shows and ensure that he gets all the merch he wants

3. Did the girls take all of Yukio’s school uniform buttons in middle school? Yes, they did (apparently it’s like A Thing for girls to ask for a button from their crush at middle school graduation, based on some sad movie from the 60s where a guy who got drafted as a kamikaze pilot gave a girl one of his uniform buttons to remember him by)

4. Rin's tail is about a meter long

5. There are tons of servants working at Mephisto's mansion. Belial is in charge of them

6. Katoh borrows from all sorts of neat real locations when making settings

7. Katoh identifies with pretty much all the characters the most! Except Lucifer.

8. Demon designs she's proud of include the impure king and hachirou, pretty much anything that was the main one in an arc

9. Katoh lists a bunch of her favorite musical artists/music she’s listening to recently: King Gnu, Official Hige Dandism, Kenshi Yonezu, BAD HOP, Sakanaction, Keyakizaka 46, Hypnosis Mic, Aimer, B’Z, Queen Bee.

10. Awww the rabbit manga that characters are often reading isn't just Robo to Usakichi, it's an even older one that she drew as a little kid

11. She likes industrial style interior designs

12. Rin and Yukio alternated who got the top bunk growing up, because they couldn't agree on it lol

13. Katoh cares a whole lot about panel layouts and speech bubble positions, might even be her favorite part of the process (it shows!)

4. Katoh does NOT have a mashou, lol

15. Rin has probably been practicing in secret so he can learn to carry stuff with his tail

16. Izumo probably got into shojo manga around 1st grade, her mom had some around the house

17. Specialty dishes: Rin - lots of stuff but especially nabe Yuri - stuff you can throw together quickly Shiro - stuff he learned from Yuri and/or cookbooks, alongside teaching Rin Yukio - Does. Not. Cook.

18. Can't pick a favorite place she's been on research, but there's no place like Japan

19. Kinzou's band isn't currently meeting because demons, but he's probably still thinking of new songs

20. Hardest characters to draw: anyone with detailed flowing hair. Hardest to write for: Lightning and Gedouin. She had to go read books about serial killers specifically for material for Gedouin, lol

21. Suguro actually gets a dorm room to himself, though allegedly Yukio is technically assigned as his roommate, lol. Didn't end up that way what with Yukio being a teacher and also Rin’s whole...situation

22. Shiemi makes some of her own hair accessories! Cute

23. Katoh doesn't mind if you include stuff with fan letters but check with the editor first

24. Time for making each chapter: Planning/storyboarding: 1-5 days. Sketching: 3-5 days. Drawing/inking: the rest. Just...the rest of the time

25. Neither Suguro nor Izumo have dated before and neither is currently dating. But that's probably just because things were hectic for them! It could happen

26. Yukio breaks 5 or 6 pairs of glasses a year, someone get this kid a strap or something

27. How many spare glasses does Yukio have? Check the fanbook lol it's in there (dang it Katoh)

28. The demon she wants us to pay the most attention to is Lucifer. Because plot.

29. What's under the Order's big meeting table? It's a BOTTOMLESS PIT and if you fall in it you DIE that's what makes it COOL (laughs)

30. What are the job requirements for the angelic legion? Literally just Arthur liking you and inviting you to join

31. She WANTS to do more character profiles but just hasn't gotten to it

32. Rin's tail feels like a cat tail, texture wise

33. The "red Assiah fire" is literally just actual fire nothing special

34. Rin's current hair color is light blue fading to white at the ends

35. Thoughts on Rin's growth: she likes that he stays positive in awful situations and she also thinks it's very main character of him to face the past instead of avoiding it

36. Mephisto didn't purposely surround Rin with stuffed animals when he woke up after going crispy. Mephisto's bed is just Like That

37. Kurikara was based on a cool sword she found in a sword book, but that one was technically just a ceremonial sword. The symbol on it us a Sanskrit letter kaan (sp?) associated with Fudou Myouou

38. Kuro can communicate with normal cats and hangs out with them often

39. Sometimes Shiemi's skirt is extra fancy around the hem what's up with that? Apparently it's an optional accessory that comes with the skirts help I haven't noticed this and don't know any fashion terms in any language

40. When coloring, Katoh always tries to have an overall theme in mind ("emphasis on blue" etc) so it comes together in the end

41. Yes the twins are genetically related to Shiro because of Goro (she says they're like his nephews but I say GENETICALLY at least they'd be indistinguishable from his children)

42. Strongest mom of all the strong moms around here? Yuri! Did you SEE her give birth??

43. Are you careful about your own health Katoh-sensei? Not particularly! Her mom has had to bring her food at work sometimes! Don't do this at home kids

44. At the dating events Shura goes to, does she drink cocktails in moderation? Yeah, she probably downplays her normal drinking habits at these things. But normally she's down for just about any kind of drink

45. Lucifer just really likes oysters okay

46. How many pages of manga does Katoh draw in a day? If she's being good about self-care: three. Maximum number ever: TEN

47. Mephisto is one of those folks who can eat like a garbage compactor and never gain weight. Possibly because his body resists that sort of change the same way it resists aging etc

48. First food Rin cooked: fish burger type patty. Yukio's favorite things Rin cooks: fish simmered in soy sauce, yellowtail with daikon radish. It's fish all the way down

49: Did Rin ever get more monthly allowance from Mephisto? It doubled! He gets TWO 2000 yen bills now (rip) [T/N: That's uh, that's USD $37.26 a month or 33.10 euro]

50. Why isn't Rin more popular with the girls? He gets nervous talking to them, plus he's too oblivious to notice even if he DID have some fans

51. Why change Suguro's hair? She gets bored with keeping everything the same, and she wanted a visual representation that he was getting serious and going into kind of a training arc

52. Things Katoh pays extra attention to when drawing: trying to capture the feel of whatever she's drawing (like "that looks warm and soft" or "I bet that guy stinks" cough Lightning cough)

53: Does Rin take after Yuri more? (He's got her eyes!) Katoh tried to draw Yuri so she looks like both twins. Personality, too - Yukio has her smarts and Rin has her optimism

54: Do you ever wanna be like Mephisto? Well she'd like to be able to get away with just ANYTHING EVER, but no, let's not be like Mephisto

55. Konekomaru not only carries around a cat toy in case he meets any cats, he MAKES cat toys to carry around based on what he thinks the cats would like

56. How'd you come up with Shima? Go read the fan book!

57. Do the kids have Twitter/Instagram accounts? Rin - probably not. Konekomaru might be on some social media. Paku and Izumo are totally on instagram

58. Is there something Rin makes that you wish you could try? All of it! That's the whole idea! He's good at cooking!

59. Will we ever have a (G-rated) reveal of what ALL of Mamushi and her family's tattoos look like? Maybe! She'll think about it

60. Does Arthur have a repertoire of different hairstyles? Not really, he just puts some of it up on the top. Heck he might even have people to do that for him

61. If you wrote a shojo manga what would it be about? She'd have to do a lot of research before even coming up with a story, since there are so many style differences between the genres aside from just the subject

62. The other two of Mephisto's top 3 favorite foods: Cup ramen and....f-fried bubblegum?? Is that a THING???

63. Where do you start when drawing a character? Usually the outline of their face but if it's a complex pose/composition she'll start with whatever's in the foreground (like hands)

64. If Katoh could have a familiar, what demon would she choose? Mephisto. As the all-powerful author, she might actually be able to command him as a familiar!

66. If you swapped Yukio and Rin's relationship around what would change? not much, you'd pretty much have Rin going to the Illuminati and Yukio going to the past

67. Top 3 foods/souvenirs to try in Kyushu? Well she doesn't know what’s good CURRENTLY but when she was there she always used to like burdock tempura udon, hakata torimon (a kind of manju with white bean paste inside), and Chikae style cod roe. today I learned Katoh went to high school in Kyushu

68. Katoh listens to music a lot while she's storyboarding, then when she and the assistants are all drawing and inking they put various videos/movies and stuff on in the background

69. For all his hitting on girls, is Shima actually popular with the ladies at all? He's got enough girls in his life that he probably COULD find a girlfriend if he really wanted, but the double agent thing tends to get in the way. He still wouldn't be as popular as Yukio though (side thought/translator’s note: Shima would be proud of being number 69.)

70. Katoh has the ending planned out in a big-picture way, but there are still a few details here and there that she's fretting over

71. It's cute when the boys put their ties over their shoulders when they're working on something! Where'd that come from? She just figured a tie might get in the way and that seemed like a realistic way to get it out of the way

72. Looks like Yukio is getting some facial hair! What about Rin? They're both about the age for it, but maybe Rin can't grow a beard yet. Maybe a little peach fuzz here and there

73. Katoh's favorite blue exorcist merch? There were some exorcist licenses a while back, and the exorcist pins. Basically it's really cool that these little accessories she drew ACTUALLY EXIST NOW, LIKE YOU CAN HOLD THEM IN YOUR HANDS

74. Okay realtalk how long do we have left, I don't want the series to end yet? We're solidly in the second half by now but it's not, like, ABOUT to end yet

75. Katoh would be a Knight meister, based on what characters she likes to play in games and such

76. How many people in the whole exorcism cram school? More than you think! She doesn't give a number but apparently licensed exorcists also attend classes for new meisters, etc, so there's a wide age range attending

77. How's Arthur feel about, like, studying Taming on the way to becoming Paladin? He's at least mostly accepted that you have to use demons to fight demons effectively

78. Konekomaru started wearing glasses in his first year of middle school, so like 7th grade (more recent than I thought!) He has one spare pair, in contrast to Yukio lol

79. Katoh's current obsessions? Ghost/scary stories! She's even been going to live readings of them recently

80. Media Katoh consumes for inspiration? A wide range of foreign teen drama, horror/suspense, shojo manga, light novels, anime, etc. Special focus on things where two boys are in conflict or there are brothers involved

81. If they weren't exorcists what jobs would they have? Rin - chef. Yukio - doctor. Shiemi - uh, florist?

82. Inspiration for the design of True Cross Town? Katoh and her assistants gathered up a bunch of references, picked out stuff they felt matched the tone, and mashed them all up together

83. Did you use any references etc for the school/exorcist uniforms? She says she probably should have but she just kind of made them up before publication

84. Favorite part of drawing? For color pages, picking out a color scheme. For black and white, drawing in all the little details (though she doesn't always get time to lately)

85. Once again confirms the demon kings' weird hair is a representation of their horns. ADDS THAT PEOPLE WHO CAN'T SEE DEMONS CAN'T SEE THE WEIRD HAIR

86. Now that Yukio's at the Illuminati, where's he gonna get his Jump SQ and spare glasses? Well he probably never planned to stay for long, but hey it's a big ship and they might have an optometrist and/or newsstand there

87. Do you base the demon characters on any references etc? Not really, she just gets a general idea of popular demon designs and then makes up her own in her own style

88. Merchandise Katoh personally wants to have made: stuff that an adult could just use in their day to day life. Also, it's not gonna happen, but if her favorite figure brand made AoEx figures she could die happy

89. If Beelzebub's host body was a beautiful woman, how would Shima react? Would the womanizing win out over the bug phobia? Katoh replies that Shima would probably just faint from being near a girl that pretty, before the bugs even got involved

90. Will the twins ever get to smile and eat dinner together again?? We'll just have to wait and see!

91. What do you check at a "scenario check"? what's a scenario check man I dunno They check for people being out of character or the setting feeling off. They had a lot of these checks for the anime, but they also do them for the drama CD, games, and all that other stuff where multiple authors are involved

92. Why does Shura use baldy as an insult for people who are clearly not bald? She feels like they have some kind of metaphorical, mental kind of "baldness" and she's calling them out on it. Whatever that means

93. After Blue Exorcist ends, what do you want to draw next? She has SO MANY IDEAS, SO MANY

94. Did Katoh make up the Shinto chants that, for example, Izumo used against Gedouin? They're assembled from bits of actual Shinto prayers according to what feels right in the scene

95. Yukio reads the Jump SQ, right, and, just hear me out here, he likes gag manga, right? Does this mean he reads Salaryman Yukio? It's something he would read, but let's say that in the AoEx universe there's just a very similar manga that he finds oddly relatable

96. What do Yukio and Shima do in their free time on the Dominus Liminus? oh my god you guys this ship has so many amenities. Yukio probably spends time reading in the library, which they totally have. There's also, like, a gym, and a movie theater, and a THEATER theater, all of which are free. Shima probably hangs out at the pool (!) and goes to the movies, and hits on illuminati girls, lol

97. Easiest character to draw? The ones with boring simple hair, lol. Lightning gets an honorable mention for ALSO not having eyes in most shots, but Rin wins--he was specifically designed to be easy for Katoh to draw because that's what you want in your main character

98. How do demons understand gender? They just possess whatever feels like the best match to how they feel in Gehenna, whether that's a man, or a woman, or a rat, or whatever

99. Where do you start when you're coming up with a story? She starts with character design and how the characters relate to each other. Currently she's just continuing an existing story, so she works on splitting up the overall plot into episodes and fleshing it out with scenes and information about characters

100. When do you feel most happy? She honestly feels like she lives a very happy life overall. Mentions noticing a lot of little things, like how nice her cats' heads smell when she cuddles them or taking a nice cold refreshing drink of water. There's happiness in everything. aww.

#blue exorcist #interview #Ao no Exorcist #translation

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omniswords · 3 years

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Chronicles of a Parisian Dumbass 15

new year, new chapter c: it's been a while since i've worked on Chronicles—December Mood dips are Not Delicious, plus i started streaming regularly, which has been fun! ((i’m omnistruck on Twitch if you want to check it out 🥰) but rest assured i intend to see it through to the end. i hope you've been well <3 take care, and enjoy!

From: itsdjbubbles

My dude, if your stage presence is anything like this flyer, y’all are absolutely gonna kill it at La Tortue.

Well. Luka doesn’t know about that.

It’s not like Kitty Section is totally obscure. They’ve had a stage in Paris’s annual pop-up music festival or more than one occasion. And sometimes Juleka’s tagged along to street corners with him so they could duet in hopes of more than just pocket change. And, of course, there was that whole music contest with Bob Ross and XY, but that had only ended in fiasco: their music was stolen, Rose’s vocals ripped right off the track. Luka argued up and down over the phone until he was red in the face, nearly biked down to the studio and let them have it, but he could hardly prove it. And he cared too much about it jeopardizing Juleka’s happiness to follow through.

Total corporate bullshit. He didn’t know how Jagged Stone did it. When he said so at dinner the night he gave up, his Ma only tousled his hair and said, “You’re my boy, aren’t you?”

Sometimes he thinks that’s the strongest, bravest, he’s ever been. That all his audacity peaked years ago, and he’s only gotten worse since then.

Bubbles isn’t corporate bullshit. Luka feels like he’d be able to figure out something like that from conversation alone. But their talks have been friendly—and more than that, supportive. He’s even shown a few messages to the band, just to check that he wasn’t losing his mind. And he saw how their faces softened in approval, or lit up with excitement. Even Juleka’s.

Besides, Bubbles makes music. And when he samples something, he actually credits it. He knows how to play the game. And it feels like they’re on the same side of the board.

Bubbles has that stage presence; the fact that he only needs that one shadowy picture on his profile is more than enough of an indicator. And Bubbles has a reputation that precedes him. So even if they’re on the same side of the board, it feels like Bubbles is always just a couple of steps ahead.

At least his bandmates are on the same side, and at the same step. All it took was a casual mention, during a late-night band practice, of “the bakery he keeps getting their snacks from” being all in on getting them even more exposure. They didn’t exactly do a good job of hiding their excitement, but he wouldn’t have wanted them to, anyway. Even Juleka, after practice ended, had to admit, “You did good.” And then, with perhaps a bit more snark, “Maybe she’s the one trying to impress you. “

“Stop,” Luka said with a roll of his eyes, but he couldn’t help thinking about it once the partition between their beds was up. There was no way Marinette Dupain-Cheng was trying to impress him.

…Was there?

By now, nearly a day later, Luka’s still asking himself that. Still hemming and hawing like they have more than just two weeks to get their act together. Pacing below deck with his phone in his hand, thinking about pear tarts and pretty faces instead of going to see them in person, and staring at Marinette’s phone numbers until he thinks he’s accidentally memorized both of them.

He doesn’t recognize the pattern or the area code of one of them, so he can only assume that it's an American number. But he still hasn’t mucked up the courage to text or even save the French one in his phone. Why does he need to be scared in the first place? It’s a phone number, and this is strictly business, and everything between them has been strictly business.

Well. Nearly everything. Nearly strictly.

He thinks.

Okay. Okay. All he has to do is say… what? Hi? Who just starts texting someone for the first time with “Hi?” But he can’t go writing a whole essay either, even though at least now he has the power to edit his words instead of just saying them and hoping for the best.

This is harder than it needs to be. And yeah, maybe he’s just making it harder than it needs to be, but it’s not like his brain and the shake in his hands are giving him much of a choice in the matter.

Luka switches back over to his message thread with Bubbles and shoots off a quick reply—flatterer—because maybe answering something easy will make the hard stuff more tolerable. He finds himself looking toward his guitar as though it might lend him strength… well, what the hell. It couldn’t hurt. He plays a doodle or two, idle notes, and catches himself before his fingers can drift toward the beginning of the ocean-blue song. At this point, it’s neither perfect nor good, and he can’t tell if it’s personal dissatisfaction or the numbers that the latest draft has been doing online.

Both. It’s probably both.

Messaging Marinette ends up being just as hard after his attempts at centering as it was before—because as it turns out, the whole music-giving-him-unbridled-confidence thing really only works while he’s playing it. So now he’s left still staring at the blank NEW MESSAGE screen, the cursor blinking almost tauntingly at him because of course it is. Because somehow, he can write a note telling a girl her eyes are pretty and survive long enough to see her smile about it, but he can’t send that same girl a text. It’s not like he can even see her reaction this time, anyway; that just gives him even more of an advantage.

Okay. Okay. He can actually do this. Maybe. He thinks—no, no, he has to.

With a deep breath that he holds longer than he releases, Luka opens a new message.

To: Marinette hey. it’s luka.

And like an idiot, he hits SEND before he’s even put the rest of his message together. So now he has to make a mad dash to come up with something so he doesn’t seem like a total creep for messaging her out of the blue.

For fuck’s sake. This is exactly why he writes his messages in the notes first.

To: Marinette sorry, hit send before i could finish. anyway, just wanted to tell you the band is cool with the postcard idea. i can pay you next time i come to the bakery, if that’s cool.

To: Marinette anyway, it’s really cool of you to offer your help like this. sorry if i didn’t say so yesterday, it’s kind of been... a wild time.

Luka locks his phone before he can agonize too much over what he’s sent, stuffs it away and starts pacing again. It’s not a frantic, shaky thing; no, he’s learned to keep the shakes on the inside until no one’s around to see them. He jumps when his back pocket vibrates, and he nearly drops his phone trying to fish it out. It’s only Bubbles, and he can’t tell whether he’s relieved or disappointed until his phone buzzes again. Twice. And this time, it actually is from Marinette.

From: itsdjbubbles Sorry, I was getting some stuff ready for my next project. Listen, I’m just saying. Don’t sell yourself short as this stuff. Paris is gonna hear you up there, and it’s gonna lose its collective fucking mind.

From: Marinette hi luka ☺️ no worries, i do that too sometimes. here’s the mockup for the postcard. let me know what your band thinks, i’ll do some tweaks and send it to print. sound good?

Luka balks, both at the tone of the message and at the picture she sent. It looks almost exactly like the flyer, same color scheme and everything. The only difference seems to be in the composition, which makes sense; she’s got more of the eye for this stuff, even for someone who only “dabbles.”

To: Marinette wow, this is... thank you? that was fast. and this is really well put-together. i think they’re gonna love it.

you really weren’t kidding, huh.

Luka finds himself sinking onto his bed and staring at the message thread instead of actually doing something productive. And strangely, he’s fine with that. The more time passes, the less scary it is to see her typing back, again and again and again.

From: Marinette course i wasn’t kidding. “help” is practically my middle name to the people who matter.

and i mean, there’s only a little bit of time until your show, right? so, gotta get movin.

anyway, i gotta run. my friend needs help for his summer class and i promised i’d go visit today.

Keep me posted about your band!

♥️

There is far too much in that message for Luka to need to process. “People who matter?” “Keep me posted?” The literal heart emoji at the end? He reads their messages over and over, mostly to confirm that this really, actually just happened, but he’s not going to push his luck. Maybe she just talks to everyone like that, and more importantly, the two of them haven’t been much more than a series of transactions anyway.

A... lot of transactions.

That she’s been doing a lot of giving for.

Luka tries and at least sort of succeeds at shaking the thought from his mind; he can’t read hers, and he shouldn’t try to. He sends her one last text—cool, have a good one—and switches back to Bubbles before he can worry if his words were too casual.

To: itsdjbubbles Thanks for the vote of confidence. I guess you’re not the only one? the bakery I go to, they’re offering to help too.

or, I mean, CBG is offering to help.

Bubbles’s reply doesn’t come until a few hours later. It’s presumably after that project work he mentioned, and definitely after Luka’s had some time to play out the rest of the shakes before he goes busking. His phone buzzes with the notification just as he’s about to leave, and what Bubbles has to say makes his stomach churn and his blood run both hot and cold.

From: itsdjbubbles wait. wait wait wait. hold on i just scrolled your posts.

CBG is *Marinette Dupain-Cheng?*

ohhhhhhh my dude you are in for it now.

#miraculous ladybug #lukanette #endgame lukanette #luka couffaine #marinette dupain cheng #fic: chronicles of a parisian dumbass #and we're back to luka being a total mess.#how are you? i hope you're well 💙💖🎶

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ask-de-writer · 4 years

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LOST TIME (part 3 of 3) A fantasy of Flocking Bay.

Return to the Master Story Index

Return to Flocking Bay

LOST TIME

De Writer (Glen Ten-Eyck)

5556 words

written 2003

Reproduction in any form, physical, electronic or digital is prohibited without the express written consent of the author or proper copyright holder.

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Users of Tumblr.com are specifically granted the following rights. They may reblog the story. They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions. I will allow those who do commission art works to charge for their images.

All sorts of Fan Activity, fiction, art, cosplay, music or anything else is ACTIVELY encouraged!

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Her hands skimmed lightly over the inlaid table tops and felt the textures of the brocaded silk upholstery. Her eyes took in the carvings and inlays on the furniture and the hand carved moldings, unique to each room. She drifted from chamber to chamber as delicately as a ghost, and as silently. Her camera hung from her neck by its strap, forgotten. She was as taken as I had been by the nature of the beauty here. Her head tilted slightly at times, as though she was listening to something that I could not hear.

Somehow, the library managed to survive all of the changes of ownership apparently intact. Some of it was actually written on scrolls. The other books were mostly quite old. It would not have surprised me to find that some of them were medieval manuscripts or perhaps translations of something older yet. I had not had the time to look at them beyond the merest glance.

If I had even the slightest idea of where to begin, I had no doubt of my ability to read it. I have never yet found a written language from Europe, Asia, or Africa that I could not read and write as well as speak fluently. As I told Lois, part of my income comes from helping archaeologists to make out old texts and inscriptions.

Lois spent a lot of time in the library. She stood with that listening aspect for a short bit, then she pulled a book from the shelves as though she knew exactly what she was looking for. She set the book on an old-fashioned reading stand and opened it with that small amount of leafing that indicates complete familiarity with the contents. She read for a few pages, sometimes more or less, then replaced the book. Then she went on to the next. She spent several hours in this pursuit, finally looking up, eyes bright.

“Vandervekken, are you as hungry as I’ve gotten to be?”

“Now that you mention it, yes,” I replied.

Lois led the way to the kitchen, and held the door for me, looking as pleased as a conjurer who has just performed a clever illusion. The table was set for two. There was a selection of cold cuts, a woven loaf of bread to pull apart, melted butter to dip it in, a bowl of salad with a cruet of dressing and a bottle of wine just cool enough to sweat.

“Was it you that set up the food and got things done for me?” I asked, slightly floored by the thought.

“No . . . though I did choose this menu. I hope that you like it. I really can’t tell you very much more yet. Now, let’s eat.”

“Not until you tell me one thing,” I stated. “You were with me all the time, so how did you do this?” I gestured at the table set with food.

“I didn’t. The house did it,” she replied. “I just suggested the menu. Now, please let’s eat first. I have found out a few things out that I don’t understand. I’ll tell you what I can after we eat.”

Dinner passed quickly. The food was excellent but the atmosphere was a bit strained. I was feeling puzzled, more than a bit jealous, envious of Lois’ apparent knowledge. I did compliment the food but my attempts at small talk all fell flat due to my own mood.

As we cleared away the dishes, I asked in a brooding voice, “What can you tell me, now, that you couldn’t before?”

Lois looked a bit hurt, which made me instantly contrite. I hastened to add, “I didn’t mean that tone of voice. I really do want to know.”

“I really don’t know much. Capt. Vekin appears to have been involved in some sort of sorcery. He made the house to look after him. It’s sort of alive. It is trying to communicate with me so that I can talk to you. I can almost hear it but not quite like a voice.

“It gives me hunches. That’s how it guided me to those books in the library. If I understand any of what I have learned, the house likes you and will provide for you. It wants to reach you desperately, but something is blocking it. It can only reach your feelings.

“Anyhow, all I am sure of is that the floors are terribly important. We already agree that painting them over was a crime.”

“Why can’t the house undo the painting, then? The same way that it fixed the rusty fence or the yard?”

“I don’t know why. I did find out that it can fix what happens to it, but not what is done to it. I guess that intent is the key. Rust happens, termites happen, the yard grows, it will take care those things itself. The floor painting was done deliberately. I guess that’s the difference. We have to undo it.”

“WE . . .” that almost stopped me in my tracks. After a moment, I asked cautiously, “What do you mean, exactly?”

Lois seemed almost scared as she answered, “I know that you’ve been a loner since your memory loss . . . I’ve been a loner, too. This afternoon . . . I got sort of attached. I had a hunch about . . . I like both you and this house. The house seems to want me to help you. More important, I want to be with you . . . if you’ll let me.”

I felt like I had been hit on the head with a sandbag. After a bit, I got my breath back enough to say, “Gaea! Yes! Let’s start on those floors and see what happens.”

“It may not be easy to do, you know,” she replied, relieved.

“Let’s take Lilitu back to town to get paint stripping stuff and tools!” I enthused.

“Flocking Bay rolled up it’s sidewalks at 9:00,” she said tartly. Then added, “I have a heat gun for paint stripping and shrink wrapping back at the Voice. We could try that and a scraper.”

“You’re a wonder!” I cried, hugging her impulsively. To my surprise, she hugged back, and kissed me. I kissed back. All in all, it was about ten or fifteen minutes before we went to get the paint stripping gun and scraper.

We started in the front hall, just at the door. Lois was indeed right. It was not a simple thing to do. Oh, the mechanics were simple enough. All that we did was apply heat to a few square inches until the paint started to lift and bubble, then scrape it off. The problem was simple. It would not scrape off at all if Lois tried it.

Only I could actually remove the paint. The moment that the heat from the gun hit the paint my head began to hurt like it was on fire. Scraping the paint away felt like having a blood clotted bandage ripped slowly off of a still unhealed wound. I could not have done it alone. It was an agony even with Lois’ support, hugs and sympathy.

The first of the patterns that we revealed was one of knots, rivaling the finest Celtic work. When I tried to trace the lines it was almost impossible. They writhed in and out in the most peculiar way. The part that I was tracing was always in focus, but the intersecting lines could not be held in focus or even in view.

Trying to unravel the one small knot that we uncovered gave me even more of a headache until, instead of trying to trace it, I looked at it as a whole. Suddenly, the pain stopped. In it’s place was a memory. “Ebla,” I said in wonder, “how could I have forgotten you, Empire of Roads and Trade?”

“Ebla?” asked Lois. “What is Ebla?”

“Ebla was a smallish city just to the south of Asia Minor. We now call it Turkey. The kings of Ebla collected tribute from Ur, Babylon, Egypt, the Indus valley, Jericho and the many cities of Canaan. Even the wild Sythians paid them. They were wealthy. They had little land of their own, and never attacked their neighbors.

“Ebla did not rule by fighting wars. They built roads and trade routes. Ebla paid the mercenaries who protected the trade from bandits. If someone did not pay their tribute, Ebla closed the roads, routing the vital trade around them until they gave in.

“Ebla collected tolls for the use of the roads. They shared the money with the kingdoms that their roads crossed. Often a kingdom's share of the tolls was greater than the tribute that they paid.

“After more than a thousand years of peaceful trade, greedy kings and merchants sacked Ebla. The poor fools never quite understood why the bandits suddenly flourished and the trade upon which they depended for a thousand years died. Ebla was destroyed more than 3,500 years ago.”

Lois said quietly, “I never even heard of them before. Where did you learn of them?”

“I lived there. They called me Lord Wanderer. I built their first roads and helped to set the policies that kept the peace and created the trade.

“You are right. We have to go on. The rest of my life is under this paint. My memory, my sorcery. The length of my life is not an accident. The one greatest good that came from losing my memory is a thing that I just learned. I can share my life, if you will be the one to walk the halls of time with me.”

“Where you go,” said Lois quietly, putting her hands into mine and looking into my eyes, “there I will go also.”

Startled, I said, “Lois, did you know that ancient Roman women used to say that when they got married?”

She flashed me smile and replied, “I had a more than a hunch that they did. It was in one of those books that our house showed me.”

-THE END-

<==Previous

Return to the Master Story Index

Return to Flocking Bay

#LOST TIME #Part 3 of 3 #Flocking Bay #Written by De Writer

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rqs902 · 4 years

Text

my beautiful boys in the same screeeenn ill just ignore the clothes lol man look at jin fan’s side profile

aw they look so happy lol how did dxy become kc

lol when volunteer li hao on his CELL PHONE is a better video editor than the entire youku paid staff

oof the video was so funny and highlighted a bunch of the kids qualities like lin mua and csp’s cuteness and it was touching.... lol ycw “I DONT HAVE SLEEVES LEND ME YOUR SLEEVE” to wipe his tears loll

LOL im amused cto were some of zlj’s first friends and they guilt trip him into joining their groupppp HAHHAHA

pretty sure that was xue en telling zlj to be careful and put safety first :’)

im literally crying at this suitcase

but also still wished they gave more screen time to everyone not-zlj LOL but i guess at least we saw some more lin ran and yzx. but zlj did do a great job!! i really appreciate his skill and im glad the non-cto kids said such nice things about cto aw but really their age difference is not that big??? LOLLLL making cto seem so old??? but xue en is only 1 year older than lin ran and 3 years older than cxh and ycw LOL plus 1998 is xikan’s age too lol.....

omg xo crew being all these creatives including li chenxu ayy thats cool, i feel like we havent gotten to know much about him so this puts him in a new perspective for me

is akey supposed to be in the group? LOL zhan yu is going wild for him tho LOL

im happy akey is making more rap friends!!! i feel like hes been working on that since qcyn

cjh has always seemed so real, i respect that

LOL hwx looks so awkward standing on stage in the middle. jin fan’s vooooiceeee and huang junrong yessss HAHAHAHA THE AKEY STANDEE IM CRYING HAHAHHA man jin fan has gotten to live up to his vocal name in this show, i hope that makes him happy. he still !! has not !! shown off !! his bboy !! dancing skills !! :(

LOL lin mo being so amused that akey had no idea about the standee. hes a dork. so were they not allowed to do 3 stages? bc i feel like akey wouldnt have needed that much extra prep time to do all 3 of his stages just sayinggg hahahha but ay extra tyger screen time ill take it! i can see why he picked the creatives group though, that performance definitely better fits his musical and stylistic interests.

AYYY CSP DANCING but lol qby calling him cui duopeng aw

omg so sparkly!! LOL syh looks so scandalized by their confetti ribbons HAHAHAHHA but yay for mxy really owning this stage!

LOL the way lin mo’s face scrunches up when su er points out he’s “momo” and then he just nods and tells hwx “momo is supporting you from behind” awww

oh rip this luo jie gaokao segment, was this the last time they saw him?

lol ycw is always the one with the doggo but i appreciate xzx for not abandoning him like everyone else so he could still do 100 ways and fulfill his dreams

LOL THE FACT THAT THEY USED THE 100 WAYS GROUP’S AUDIO LOL

aw good for them being able to make a fun and entertaining stage and do well and bring everyone amusement. lol ycw throwing random flower petals everywhere so casual

LOL rip renyu hes just sitting there minding his own business and then gets personally attacked HAHAH TWICE hHHAHAHAHA

LOLLL SBR YESS and sbh hahahhaha csp being all scared of why theyre watching him and sbr is just like oh nothing~

lolll xikan curling into a little ball when everyone else is laughing and csp’s “why did i lose again?” LOOL

oh rip bye yan an

ouch syh..... going back to singapore to do adult things gosh i appreciate him going after mhw after it seemed like he had given up

man ycw cries a lot

kinda sad they cut the tyger perf BUT they did perform my favorite song (always thankful for akey’s composition skills!!!) AND at least they showed off zhan yu’s high notes and listed akey as a composer and gave lin mo some screen time to talk i guess its okay bc i appreciate the performances that they have shown fully so far, and i get that they cant show everyones in full. and it looks like all the kids liked the perf so thats fun

OOF A JUNRONG FEATURE THIS IS WHAT WE ALL NEEDED YESSS man i didnt realize he had so many show experiences already man.... ooo dxy vocal time!!

OH GOSH THEY BROUGHT UP FAN YUUUUUUUU man the way renyu smiles watching fan yu play piano im softtt oof renyu’s voice is so nice even when hes like on the verge of crying

ahhh xu zhaohao’s song has me crying... i really like his voice too.

wow im surprised so many of them took footage of themselves on their way to snzm? lol wait did they cut out li chenxu’s part on stage?

HAHHAHAHHA LI HAO OMGG xu shengen wow this is amazing li hao is gonna be like a great director one day i can FEEL it. THE FACT THAT THIS IS THE ONLY PART OF THE ENTIRE EPISODE THATS SUBBED HAHAHHAHA look at li hao, making better videos than youku since 2020. li hao’s story man.... he and shengen and chenxu must be close

i see why people were like whoa theres actually tygers in the next ep preview! what a unusual experience!! but ay there was huang enyu too! ahh he looks like hes desperate oh gosh but everyones crying it looks like :c ill keep my hopes up that lin mo’s is happy tears but its still rough to see

aw su er...... oof the fact that they put in clips of some kids on other shows (i even saw super idol omg) and him putting lin mua at the end, they must really have grown to like that haha i saw someone posted about li hao saying he liked the lin mua too and appreciated that it was something lin mo promised to his fans. im glad they dont make fun of him for it in a mean spirited way.

im grateful for this “extra” episode outside of the actual competition. they did seem to get to do performances that they wanted to be in. im guessing some kids’ perfs didnt get aired? so im hoping they get released elsewhere so we can still watch them. again i will say that having only half the number of trainees compared to other shows and having them for 3 stages rather than the usual 1 has allowed me to feel like ive gotten to know most (if not all?) of these kids, similar to how i felt about ip, which is nice. like i at least know their names and faces. at least it wasnt like qcyn where kids got eliminated before they even had 1 stage ugh. grateful and excited to see yixing again too next ep! hopefully this means we wont get some nonsense judging like last time... also excited to see momo with his pink hair! and in the same perf as zhan yu and akey (what happened to jin fan lol) everyone having colorful hair will be exciting!

#rants

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pyotatochip · 5 years

Text

just like dancing | hyunjin x reader

what’s up losers. this one goes out to @starhhj thanks for always hurting me so good <3

just like dancing | hwang hyunjin x gender neutral reader wordcount: 4k inspired by: sidekick by walk the moon summary: meeting up with a photographer for a day of modelling turns into making a maybe forever friend.

ur a model

well. aspiring model.

ur instagram is a buncha pictures that u make ur friends take of you whenever y'all hang out

u have booked a couple photoshoots and submitted them to magazines

u even got published a couple times!!!!

not in anything big, just photography journals and portraiture mags

BUT IT'S SOMETHING!!!!

photoshoots are hella expensive tho fuckin. rip ur wallet

so u join a facebook group, which is something u never thought u would do

the idea was that aspiring photographers and aspiring models would meet up, get experience, and maybe make professional relationships

you? young and cute

all these photographers? 36 yr old dudes

they always invite you to their studios in their houses

to do artsy half nude shoots

so u were pretty unwilling to meet up with most of them

(understandable)

but then this one schmuck posts in the group, just when u so happen to be looking for weekend plans

“looking for a model this saturday, autumn themed shoot at han river. the leaves are really pretty right now, i wanna catch them before too many fall”

han river was a pretty public place, so u DEFINITELY felt safer

and like, ur school is pretty close to there, so ur familiar with the area

u comment “i'm free all day, give me a time and i'll meet you there”

after it posted, you clicked on his profile and

fuck

he was not 36

and he was CUTE

u freaked the fuck out

this kid looked like he was ur age. and he was hot.

should u delete the comment?

why would u do that?

bc ur nervous?

why are u nervous?

bc the photographer is a hottie?

is that really a good excuse?

before u could debate with urself much longer, ur comment received a like and u got a private message

hyunjin: hi! u look great! meet at the main gates of yeouido park at 9am?

“u look great!”

“U LOOK GREAT!”

(jooe sunbaenim is quaking)

screech

you: so early! okay! what kinda look are u going for?

hyunjin: haha i wanna get that fall morning light!!! i’d like it to be pretty autumnal. warm colors, maybe a sweater/scarf/jacket combo? if u have something like that. minimal makeup & hair, if you're into that stuff. hopefully that's all okay (^ム^)

you: sounds good! see you saturday!

you spend the next few days at school literally just thinking about how ur meeting up with a cutie on saturday

u rlly dont know what to do with urself

i show ur friend a pic of him and she's like “HOOYKY FUXKJGN GODJ”

which was basically your initial reaction too

but then shes like “he looks familiar??? is he a model too???”

u have literally no idea but it's completely possible

like, it's a waste to have that face exclusively behind the camera

and suddenly the two of u are like. obsessively going through his instagram bc WHAT THE FUCK he’s like….. REALLY GOOD

like, he does a lot of portraits, but the focus isn't necessarily always the person in the photo

the composition and background are just as important in every shot and it…. shakes u

there’s a few pictures of him too, all of which are v aesthetic

but how could they not be??? have u seen his face????

he also tags literally every person in his pictures whether they’re models or just his friends while they’re hanging out

and he photocreds everyone who takes pics of him!!

you are literally…. fallin’ in love

because he was cute and had a good eye and wrote cute captions and was so humble!!!

ur friend is like “wow we stan a pro”

“he looks seriously familiar tho, right?”

she's like “yeah i'm confused why have i seen his face before”

and ur shook bc like… if u had seen this boy irl there's no way you would forget how cute he is

finally,,, it's the weekend

you get on the train and head to han river early in the morning, dressed up and made up for your ~autumn photoshoot~

as soon as you get to the gates ur like.. holy fuck

it's so pretty

the leaves are a mix of orange and red and green and there's a couple dusting the ground too

no wonder hyunjin wanted to shoot here

ur kinda aimlessly wandering around the gate when u suddenly spot

him

he’s wearing a bomber jacket and has a camera bag over his shoulder

and his neck is literally at a 90° angle while he's looking at his phone

ur like…. that cant be ok

u get a notif while ur walking up to him and its a message from him asking if u were on ur way

“actually, i can't make it”

he looks up and immediately laughs. “hi! y/n?”

u wave. “hi hyunjin!! nice to meet you!!”

y'all exchange pleasantries and he's suddenly like

“your outfit is literally perfect” he steps back to look at u. “exactly what i had in mind”

u put up a peace sign. he laughs again.

uh oh

u really like his laugh

and his smile

and his everything

uh oh

he leads you further into the park where there's less people and more trees

“i brought another jacket and a couple of scarves in case u wanted something different” u say as he's helping you take off ur backpack

“oooooo a professional”

“not even”

he asks you if he can take a boomerang of u for his instagram story and u do a lil twirl

he gasps

“that was cute!!!!”

he giggles while he's posting it

what is with this kid and his giggles

u cant

if he keeps doin it at this rate, it'll probably be the death of u

which is

cool

he puts your backpack on and pulls his camera out of his bag. “let's take some pics in this outfit and then i'll peek at the other options. i like this look a lot”

and then… he just starts taking pictures

u literally laugh

“where do you want me?”

“wherever,” he goes, checking the pics real fast. “i tend to go for candid shots”

suddenly,,, his entire instagram flashes in your brain

the pictures of people laughing and mid walk and reading books

u thought all the models were just. really comfy and professionals and shit

IT WAS ALL A LIE

“so uhhh…” u literally dont know what to do

u have Never done a shoot Like This

“just walk,” he said. “look around. i'll follow”

you: no fear

hyunjin: just walk

you: one fear

u nervously laugh again and he's hitting his shutter like A MILLION TIMES A SECOND

“okay…… i guess i'll walk then”

u push his shoulder while u walk past him bc he's cheesin at u way too hard for u to handle

“ow”

“that didn't hurt”

“it hurt my heart :(“

ur walking backwards and laughing and he's just. only looking at you through his camera.

so. u wander.

u take a lovely morning walk down the pretty paths at han river

u really were so scared that u would be completely directionless, but hyunjin ends up asking you to do specific things also

“go up on those rocks”

“i'm literally wearing slippery ass boots do you want me to die”

“do it for the shot, y/n”

sIGHHHHHH

so ur up on some rocks trying not to fall into a fucking river

and when hyunjin shows u the pics he takes….

okay

yeah

he was right

the entire time he was shooting, he would just strike up conversation to make you comfy

asking how long you've been pursuing modelling

if u wanna do it as a career or if its just a hobby

about ur family

about ur pets

(he asks a lot about pets)

ur sitting on a bench and he's crouched a few feet away to get those ~angles~ when he asks

“where do u go to school?”

“kyunggi”

hyunjin gasps. “no way! me too!”

you fuckin ALMOST DIE

because u fuckin brainblast and have a recovered memory of seeing hyunjin In Your School's Uniform in the lunchroom and suddenly IT ALL MAKES SENSE

you hop up from the bench and like. YELL.

“OKAY I THOUGHT YOU LOOKED REALLY FAMILIAR ARE YOU KIDDING”

he stands and literally screams and u are. so shocked. “i thought you looked really familiar too!!!! i figured i just had seen your pics on the facebook group!!!! i highkey stalked ur instagram bc i couldn't figure out where i knew you from!!”

okay, wig

he stalked you also which is….. great

“what year are you???”

“i'm a junior!”

you push him.

“boi what the fuck! me too!”

“no way!!!” he's laughing “that's crazy!”

he literally pulls out his phone and opens instagram

u have never seen a person use instagram stories as much as this bitch

like, he intermittently pulls out his phone to get shots for his story

u almost threw hands when u were sliding around on some stupid wet rocks bc he was like “JUMP AGAIN I NEED IT FOR A BOOMERANG”

he does this cute lil hair flip and adjusts his bangs before he starts recording and u…. kinda wanna cry

“I KNEW Y/N LOOKED FAMILIAR”

he spins so ur in the shot with him and puts his arm over your shoulders

“WE'RE LITERALLY IN THE SAME YEAR AT THE SAME SCHOOL”

u laugh out loud

he laughs with you and u have to cover ur mouth so an uwu doesn't fall out

u try not to focus on his literally perfect eye smile as he hunches over his phone to post to his story

like,,,

those crescents

are so cute

and he has this lingering grin every time he laughs

and like. wow. lips. amirite. ladies and gents.

“i cant believe u go to kyunggi,” u say. bc u cant.

“what are the odds. out of all the people in that group, we end up meeting up”

u almost made a joke about it being destiny but then u were like oo no thats creepy dont say that

then hyunjins gasps

and u look at him

and he just looks at you wide eyed

and fucking

whispers

“destiny”

you scream laugh

he's laughing too

but on a real level ur like why would that have been super creepy if u said it but it was cute as hell (and a little heart fluttery) when he did?

he goes on saying it's crazy that you had never had any classes together over the years

“or any clubs,” u said

“yeah!!! what clubs do you do??”

“photography! which is why i'm shocked!!!”

hyunjin gasps again

wtf is up with this boy and his gasps

“i was gonna do photography but they meet the same days as dance!”

BITCH

WHAT THE FUCK

“I DONT DO DANCE BC THEY MEET THE SAME DAYS AS PHOTOGRAPHY”

his entire jaw drops off his damn face

“YOU DANCE TOO?”

“I’M JUST AS SHOCKED AS YOU ARE”

u literally can't believe

“we've been barely missing each other all this time when we could have been best friends :(“

oh ow

ouch hyunjin

that got u right in ur weak heart

like literally u might have a heart condition now bc he just hit u with the “we could have been best friends”

“sorry i already have a best friend”

DGDGSH WHY DID YOU SAY THAT

then he's laughing and ur like… oh fuck wheew

“well, sorry, i'm replacing them now. we have to catch up on lost time.”

and honestly………. he's right

number 1: y'all are both photography nerds

even tho you have begun to skew on the modelling side of it, u always loved taking pictures of scenery and u knew way too much about how cameras worked

and hyunjin really was like a pro

u had watched him adjust settings on his camera for white balance and exposure and everything

and judging by his instagram, he set himself up for some flawless editing too

number 2: y'all are both dance nerds

he tells u basically all his friends are in the dance club and have formed a lil dance crew bc of it

u say u used to take classes when u were younger but now u just go to the gym and hide in a practice room for a few hours every week

he does hip hop! which is so predictable but u still act all surprised

u tell him u used to do ballet but ur much more into urban dance these days

number 3: y'all both don't know how to stop laughing

like literally if either of you do anything remotely funny the other one is fucked for five minutes

ur pretty sure 90% of the pics hyunjin was taking were of you covering your face because ur literally GUFFAWING

and like, y'all ain't even that funny

but the more you laugh the less funny shit has to be for you to be crying

hyunjin told u to stop making him laugh bc his fingers were getting weak and he didnt wanna drop his camera

you, trying not to giggle: its ok u have a strap around ur neck u can drop it

hyunjin, tears flowing freely: PLEASE LET ME BREATHE

number 4: y'all both LOVE UR PETS

like idk man he tells u about kkami and u freak the fuck out because he's just SO EXCITED ABT HIS PUP

and hyunjin almost ditches u right then n there when u say ur more of a cat person BUT he forgives u because ur cat is literally named hot dog

this is highkey the most fun you've ever had on a shoot

like, you feel so comfortable with hyunjin

and every time you take breaks to peek at the pictures he's been taking

u like … literally stop breathing

he's so talented ;;

you eventually swap jackets and scarves and wander around more

and literal hours later hyunjin's like

“are u hungry”

u stare. “always”

he laughs. “do you wanna go to the convenience store and make ramen”

“i thought you'd never ask”

so y'all go to the conbini and pick out ya fave ramen packets

(and some chips and candy bc u have literally no self control)

hyunjin really tries to buy your food for you but you yell at him while ur checking out bc Boi. No.

the cashier: watched the two of you look at food and bump into each other constantly, touching each others arms and giggling the whole time

you: leave me the fuck alone hwang hyunjin or i'm calling the cops!!!

the cashier: ????????

u make ur ramen at the handy dandy hot water dispenser and carefully bring it back to a seating area in the park

“be careful it's hot!!!”

“hyunjin please, u act like i'm not a ramen pro”

“i just didnt want u to burn ur cute lil mouth, damn”

ur entire being goes WEE WOO WEE WOO

u literally almost choke on nothing and you just cough to try to play it off

hyunjin is having none of it

he's laughing his ass off

“wow that got you better than i expected”

“fuck off hwang”

he stands up to leave and u laugh and grab his sleeve

he's giggling before he even sits again

y'all eat ur ramen and chat more about school and hobbies

he tells u about this one time he almost got admitted into a cult

you: wow… pretty AND dumb

hyunjin, flustered: h-hey!

you tell him about how your cat is a rescue and his heart melts

there's a minute where you're staring at nothing in the distance eating chips

and hyunjin is just staring at you

his brain: hoe dont do it

his heart: doki doki

his brain: oh my god

“hey… are you still free all day?”

u look at him. “yeah, why?”

he opens a bag of gummies. “i'm supposed to meet up with some friends to go bowling in like an hour but i wanna keep hanging out. wanna come?”

you groan. “i'm so bad at bowling”

“we can be on a team,” he offers you a gummy bear and you take it. “i'll carry you.”

pls explain why an image of him holding you bridal style popped into ur head sgdhhf

“haha okay. as long as ur friends aren't lame.”

“they are, but i'll be there so it's fine”

“fair enough. i'm in.”

so y'all hop on a bus and head to the bowling alley that (apparently) hyunjin and his buddies frequent

(he's playing pickles with you in the back of the bus and you're giggling so hard that ur struggling to tell him to cut it the fuck out so you don't disturb the people sitting next to you)

((but also feeling his entire body press against you isn't the worst))

you've been to this bowling alley before

it's popular among younger folks because it's cheap lol

the two of you walk in and one of his friends immediately starts yelling

u freeze “dude i thought u said we were gonna be early”

he looked at his phone “we literally are”

this blonde kid is yelling hyunjin's name and ur wide eyed while u follow

“UR LATE”

“I'M NOT”

“IT'S 2:20”

“WE SAID 2:30!!!”

“TELL THAT TO LITERALLY EVERYONE WHO SHOWED UP AT TWO!!!!!”

hyunjin looks over to the group of his friends already bowling a game “oh”

u bust out laughing

hyunjin gets all flustered like “i-i thought it was 2:30!!!”

“who's ur friend, my perpetually late son”

“o-oh,,, this is y/n”

his friend sticks out his hand for you to shake. “hi, i'm chan. were you the model today?”

you grin “are you saying i look like a model?”

“OKAY!” hyunjin grabs your shoulders and you giggle when chan stutters without responding while hyunjin drags you to the counter to rent shoes and pay for a game

hyunjin is: flustered

he's all embarrassed because he was late and got yelled at by his fake dad

and then u went and,,,, u were so smooth with chan

he wondered if you had been flirting with him all morning because you actually liked him or,,, ur just a flirt

he grabbed your wallet out of your hand and shoved it in his pocket so that he could pay for your shoes and game for you.

“hyunjin!!!!!”

“you wouldn't let me buy you food and you wouldn't be here if it wasn't for me if you argue i swear i'll throw you down a lane”

you pout but you let him pay

and ur heart,,, it goes off, dude

like,,,, maybe,,,,,,, u would let him throw you sgdgshsh

y'all walk over to the lane his friends are on, bowling shoes in hand

“y/n!”

your face lights tf up. “seungmin!!”

hyunjin looks between the two of you probably six times while you hug before finally going “w-what”

you and seungmin look at each other, then at hyunjin

hyunjin: you know each other

you and seungmin, in sync: photography club

hyunjin: alright, well,

he announces to everyone your name and you were his new best friend and that if any of them had a problem with it they could talk to his fist

you, softly, but with feeling: f-fuck

y'all change your shoes and watch as his friends finish up their game

while they play, hyunjin points each person out and tells you their name, helping you learn all these new people

since u guys were twenty (20) minutes late, they were already almost done with the first game

they were all pretty good.

well. most of them were.

the guy hyunjin pointed out as jisung kept getting gutter, but he was having fun

everyone else kept getting strikes or spares and u were like oh god

you keep telling hyunjin that ur really bad at bowling

hyunjin: i'll teach you. it'll be like ghost.

you, softly, but with more feeling: f-fUck

you, realization washing over you: wait how would you even-

hyunjin: *giggles*

hyunjin's giggles.

send tweet.

the entire time you were entirely too conscious of how close he was to you

you could feel the burning on your shoulder, thigh, knee - all the contact points where his body bumped into yours

your knee bobbed involuntarily while you watched the game end, nervously anticipating your turn to hit the gutter

and suddenly, hyunjin's hand was gently placed on your knee

it stopped bobbing

you looked at his hand, then at him

he smiled, but kept looking forward

“relax. even if you're bad, i'll hype you up.”

it was barely above a whisper so you wondered for a sec if he was even talking to you

hhhhHHHHH THIS BOY

yall start bowling.

he was. not all talk.

like who the fuck is good at bowling

hyunjin, apparently

he fuckin. chucked that ball down the lane

it made a smooth curve and took out. every. pin.

you stared at the empty lane in disbelief as hyunjin got a couple high fives from his friends making his way towards you

"not bad, right?"

"bro what the fuck"

he laughed and held out a hand to help you up "we bowl a lot"

you didnt even process fully that he was pulling you out of your seat because it was your turn.

ur hands: sweaty

ur arms: spaghetti

ur vomit: on ur sweater already

not actually

u picked up the ball hyunjin had helped you pick and looked at him like a deer in headlights

"bro i havent bowled since i was six"

he giggled. "you can do this"

he walked with u and showed you his starting stance, gently adjusting the way your wrists twisted and patting your hip

u. tried to not blush. no word on how well you did.

he guided you through your walk up and when u let go of the ball..

…

……

YOU DIDNT HIT GUTTER

you SCREAMED

"BRO I HIT A PIN!!!!!!!!!!!!"

hyunjin gave you a Sick High Ten, laughing "now you gotta hit the other nine!"

you froze

fuck

the others were starting to calm down from the excitement of your first half-frame, anticipating your second hit

you watched your ball return from the lane n went over to grab it

hyunjin looked at you Once and was likr….. is that caspar the ghost

the color had DRAINED from you

u…. u hit a pin…… thats like the best u've ever done

n now you gotta TOP THAT?

"its like dancing," he said suddenly. u looked at him, desperate to hear advice in terms u understood. "even if you can go through the motions, it doesnt necessarily make you good. you have to trust your body to remember the motions, give it a little finesse, and that's when you start to get Really good."

you blinked at him

"was that supposed to be helpful"

"can you Shut the Fuck Up and Bowl"

you took a deep breath, adjusting your stance as hyunjin reminded you of the steps you needed to take

another breath

steps

swing

let go…..

roollllingngg…………

*HIGH PITCHED WAILING*

"I HIT FOUR PINS!!!!!!!!!!!!!!!!!!!!!!!"

hyunjin scoops u up in a hug, spinning you around

ur too busy SCREAMING to register whats happening until he puts you down

u stare at him a second

he stares at you

"GOOD JOB Y/N!!!!!"

you turn to seungmin, who also scoops you into a hug, the rest of the boys crowding around you

you didnt even have a chance to be embarrassed about the weird eye contact you n hyunjin made

or about how. everyone in the bowling alley was staring at you guys.

because like…… suddenly

you just made a bunch of new friends

and one of them

helped you hit a pin for the first time.

and maybe….

he was still holding your hand

and maybe that felt really nice.

#hwang hyunjin #hyunjin #stray kids #skz #stray kids scenario #stray kids imagine #stray kids fluff #hwang hyunjin scenario #hwang hyunjin imagine

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ninawonton-blog · 5 years

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When I was a Kid

I never wanted to shoot lightning from my eyes. It’s inconvenient, pricey (you have no idea how much I have had to pay for destroying people’s electronics), and meme-worthy.

I have a genetic mutation that causes changes in the composition of my body. I can mix and match the chemicals in me and shoot out whatever they produce. Although it would be cool, but I don’t get to choose the product – or, for lack of a better term – my power.

At twelve, my power manifested. My mom – who could breathe fire – had hoped that I would be like her. She never had to worry about gas money or robbers. I remember one time when I was 5, some bearded bloke broke into our apartment. I didn’t do much other than continue playing Monopoly by myself (I was that kid), but my mom was angry, to say the least. She had been deep-frying chicken at the time of the invasion, which was just awful timing. When she heard the commotion and saw the robber in my room, trying to tip-toe his way around me because he probably thought I was blind and deaf, she threw the deep-fried chicken in his face. My mom, as a bonus, torched the meat and his face with her fire-breathing.

Needless to say, the bloke nearly died on the spot, and we ended up eating Chinese delivery instead.

Oh, and we didn’t call the police. No one liked us, and that included the police. Calling them would be too much a hassle.

Back to the story of how I first discovered my power.

It was 2023, and I was 12 going onto 13. It was the week before Christmas. My body had been feeling all weird the entire month.

I had explosive diarrhea every morning, a nosebleed every day, and was constantly shocked by every piece of metal around me. I didn’t even have to be touching it. I could be standing a good three feet away and all my hair would rise up.

My mom, being the fiery lady she was, told me that she went through the same thing growing up, basically telling me to suck it up.

Thanks lots.

I’m not sure if she thought my symptoms were anything other than being a scrawny little boy who got the flu every year. People usually manifest at around 8, so I was a very late bloomer. In most cases, if you don’t manifest by the age of 10, you’re considered a Stale. No superpowers. No nothing.

I believe my mom thought I was a Stale. In fact, everyone around me did, from our old neighbour Suzie the Angry Stale to our old roommate, Vray the Big Water Guy. I could tell that my mom was disappointed that her son turned out so different from her. I was angry that I was a Stale. There weren’t and still aren’t many benefits to being someone so ordinary.

Or that was what I thought.

On the morning of Boxing Day, my mom and I decided to get the Blender from the Future 2.0. It was 60% off that day, and my mom’s eyes lit up as if she’d just seen her favourite celebrity crush take off his shirt. We got into our Mazda 3 2020, and were soon driving to get that Blender from the Future 2.0, which – by the way – was honestly a rip-off. But obviously, we didn’t know that at the time.

There were a lot of things that we didn’t know.

[End of Part One]

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survivor-guyana · 5 years

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Immunity Results #3

Meet Your Judges!

DAN

Hi sisters, it’s Dan, king of half faced selfies, here to roast your lip syncs

NEHE

Hi sisters, it's Nehemiah, king of not winning a game he deserves to win, here to judge you guys like you never been judged before, p.s Tim stop stealing my role as the one straight black guy in the org community

CHARLOTTE

hi sisters, i’m back from the dead and ready to roast some bitches. i honestly don’t remember if i’ve played more than one main season but i was in kuang si and really that’s the only one that matters. not sorry!

CONNOR

hey sisters, hope you missed me because im still not coming back.

DENNIS

Hi sisters, I was forced to write this start. But entertain me

JESS

About three things I was absolutely positive. First, Edward was a vampire. Second, there was a part of him-and I didn't know how potent that part might be-that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.

HOSORORO

youtube

Dan: 31/50

Theme: 5 - No real theme tbh, I guess the editing incorporated some nice colors and stuff. I wish y'all could have been more in sync with a theme tho. Maybe I'm just being critical.

Creativity: 5 - The editing was creative, I liked the effects and the added little bits that went along with the lyrics. I think the difference between this video and the others tho was that the others tried something new and exciting to spice up their videos. Was it more creative? Maybe? There's nothing wrong with picking a bop and lip syncing, but it's 2019 ladies, spice it up.

Effort: 7 - She may have bought that hair, but y’all yanked it right off. I think some of you really tried harder than others, but I stan when people just do their best and record where and when they can. It shows dedication and I like that shit. I think that the effort into learning the lyrics without reading them off the screen and dedication to filming in the car kind of showed y'all want this.

Composition: 7 - BITCHHHHH I’M GAGGGGGT. It’s 240p, but honestly Ariana Grande who? Whoever edited this made it seemless, but honestly the low quality needs to get clocked a few points.

Entertainment Value: 7 - The dancing, the outfits, the lip sync skills? A bitch was entertained. While the other videos tried to make things new and exciting, y'all delivered what I think of as more of a successful project.

Jess: 34/50

Theme 8/10. If I had to say the theme, I'd guess that it's "bad bitches" which you all are.

Creativity 5/10. If a 0 is 1 person playing basketball instead of lip syncing at all, and a 10 is a full out choreographed dance number done by your entire tribe, I think this falls solidly in the middle. I don't think there is a lot about this that sets it apart from past music videos I've seen, but I don't think it is bad.

Effort 8/10. It seems like most of your tribe members were at least majorly involved and tried to make this good! And you all put effort into the dancing/attitude you had, it felt like everyone tried to match their actions to the song.

Composition 6/10. I think the editing is good and it matches the timing of the music which is nice, the cuts are usually on the beats! But it did get a little repetitive after a while, like I felt as though the same thing was happening throughout the whole video and there wasn't a variety in the images/cutting style/etc. I also think it was hard to tell if the video was in sync because for some reason y'all are in 2007 and only uploaded this at 240p???? Are you guys all over the age of 45 why did you do that. Finally, the flickering glitter filter was cool at the start, but I wish you'd spiced it up and not just used that throughout the entire video, also at points it was a little distracting due to the bright colours that would pop up.

Entertainment Value 7/10. Six of these points are for the girl who was in the car because she was killing it and I loved her. I took points off for a similar reason I had above -- it felt like the video was one note and I wish you guys had a little more variety throughout.

Dennis: 38/50

Theme: 6/10 Creativity: 8/10 Effort: 8/10 Composition: 8/10 Entertainment: 8/10

I know I will get alot of hate comments for this, but this in general is not really a song to lipsync too. EITHER WAY I think you did a good pretty good job with it. All of you seemed to enjoy yourself and the editing was enough to keep my attention throughout the whole video. I didn't really get the theme, but overall it was a very entertaining Lipsync!

Connor: 35/50

Ok this is good. You clearly all worked together artistically so that your individual shots were coherent. Im not crazy about the pink strobe kinda thing going on through the entire video but you were all performing and this is well done. Theme: 7 Creativity: 6 Effort: 8 Composition: 7 Entertainment Value: 7

Charlotte: 42/50

Theme: IF THE THEME WAS FABULOUSNESS YOU ACHIEVED IT. ARIANA WOULD BE PROUD. 8/10

Creativity: I feel like you could have done a little bit more with some of the lyrics but all in all I loved this video and now I'm just being picky. 7/10

Effort: See above. I think you could have done a little but more but keeping the pink aesthetic through your editing and ALL THAT DANCING werk werk werk. 8/10

Composition: Love. That. Aesthetic. 10/10 PLUS YOU'RE ALL IN THE SAME CAMERA ORIENTATION I LOVE THAT. LOVE THAT FOR YOU.

Entertainment Value: FUN, ENJOYABLE, FLAWLESS, NEVER BEEN DONE BEFORE. 9/10

Nehe: 44/50

7 8 9 10 10

Now this is a fucking music video work bitches work

TOTAL: 224

ARAKAKA

youtube

Dan: 29/50

Theme: 7 - Annoying advertisements? Trying to show the effects of product placement on our every day life? I loved it haha I was shook.

Creativity: 6 - V creative, but was it really a music video? I guess parts were but I also was like so lost after a while. I think song choice is always important and I was so bored during the song parts. I wish you had made the song part as creative as the ad parts.

Effort: 4 - Honestly the effort was misfocused on the ads and less on the music video, was I mad about it? only like 50%. the song was boring and just kinda blah so it was interesting

Composition: 5 - Choppy, but I can’t edit so rip

Entertainment Value: 7 - Honestly this how to video taught me so much and I’m shook. THE POPCORN I LITERALLY SCREAMED. While I nodded off during the music video portion, I stanned the ads

Jess: 32/50

Theme 6/10. I think your theme was ads? I didn't really understand it but it was fun and unique.

Creativity 8/10. I have never seen anything like this that's for sure.

Effort 4/10. It seemed like everyone in your tribe was in the video I think? But most of the stuff you guys submitted was 1 take/shot and wouldn't have required a lot of editing, which is the most time consuming/effort requiring portion of the challenge so...

Composition 5/10 The editing of the commercials was pretty good, but it didn't flow as well as it should have because the audio levels were a bit all over the place. Also at one point it was in colour and out of focus but I wasn't sure why? Also a+ for doing your video in 1080p (@ other tribes take note). Since the actual music video portion was just one shot, I feel like I can't really give you a higher rating than the other tribes in this category.

Entertainment Value 9/10 First frame: a guy in a Stitch onesie with a bottle of tequila and a mug that says "ray of fucking sunshine"?? I laughed immediately. Then I was shook when later I realized it was actually a shot glass and was close to the camera and it got even better. This whole video was wild and I had no idea what was going to happen so I was pretty entertained.

Dennis: 45/50

Theme: 8/10 Creativity: 10/10 Effort: 8/10 Composition: 9/10 Entertainment: 10/10

This is probably the last kind of video which I expected in a challenge like this. I think it was really creative and connected entertainment with comedy and a nice little theme. I am very impressed good job!

Connor: 20/50

“””””Acting””””””” “””””””Edgy”””””””” Eggs?? Im vegan. What was the point of this? Was there a point? Pop corn girl gets you an extra point but this is not a music video. To quote bandersnatch, you chose the wrong path.

Theme: 3 Creativity: 6 Effort: 4 Composition: 4 Entertainment Value: 3

Charlotte: 34/50

Theme: I've been out of the ORG world for awhile but is this what music videos are now??? I feel like the music video of your video was sorely lacking. YouTube loves ads but not that many!!!!! I did think the ads were pretty creative though so I marked up points for that below. 6/10

Creativity: See above. 9/10

Effort: It wasn't just straight up lip syncing so I gotta reward you guys for that. 8/10

Composition: That black and white switching to color towards the end got me fucked up. 6/10

Entertainment Value: To quote the person sitting beside me: "OMG another ad?"Cute concept, not sure it works as a music video but you tried. 5/10

Nehe: 35/50

Honestly this was something i never seen before and i enjoyed it hahaha

TOTAL: 195

TAKAMA

youtube

Dan: 26/50

Theme: 6 - Cats? Bikes? Awkward White People Dancing? Are these the themes you went for? If so, y’all killed it haha, but it wasn't cohesive and I don't get what y'all were going for really.

Creativity: 5 - honestly, I stan an original song choice bc I haven’t seen this before, but also, a song like this needs to be sold and I don't know if y'all pulled out all the stops. I would have liked to see more passion from some of you in the props and theatrics department.

Effort: 5 - Some of you seemed to try a little harder than others, but overall y’all were feelin it

Composition: 5 - A little choppy, but I can’t edit for shit so like good job?

Entertainment Value: 5 - Okay Miss Tim with that bike balance, idk your name sis (maybe Jones) but striped sweater, pm me on skype – dan.disbrow so I can buy it ty. Other than that I don't really remember much besides a lot of cringey dancing.

Jess: 29/50

Theme 1/10. Tbh I don't really know what the theme was here, did you guys forget this category??

Creativity 4/10. Pretty much the same reason that I gave Hororo's tribe a 5, I'm giving you a 4. I am taking one point off because they at least did some stuff to make their video more unique/specific to their song whereas I think you guys could have used this editing style/dancing/etc to any song and it would have also worked, so it wasn't super unique.

Effort 9/10. Everyone who was in the video seemed really into it and did a good job having fun! But this is a 6 person tribe... one person wasn't in it and they weren't the editor?? You should vote them out if you lose.

Composition 9/10. The editing flowed well, you showed everyone on the tribe a pretty decent amount, and everyone's individual videos were pretty on point for lip sync? Usually when people film on their webcams it's not in sync, but these were all really good! You lose one point because the video quality was low and wasn't 1080p which it really should be.

Entertainment Value 6/10. I liked everyone's attitude and dancing and I loved the cats. I originally had 5 but then I remembered the cats and went back and added another point. But I wish you guys had done something unique for each mini song, like maybe divided them up amongst your tribe, or had people change outfits or something? If you had done that, I'd have given you way more points for theme and entertainment value. But because it was kind of repetitive/one note, it's hard to say I was REALLY entertained the whole time.

Dennis: 37/50

Theme: 9/10 Creativity: 7/10 Effort: 8/10 Composition: 7/10 Entertainment: 6/10

Comment: What stood out for me in your video was the theme. I assume that you wanted to mimic the fans v faves theme with a riff off and I thought that was actually quite smart. Everything else seemed to be for me what I would expect from a lipsync, but besides the theme nothing that stood out to me especially.

Connor: 27/50

The lip sinking is a little off at times (im coming back to this part, in the middle / two ish minute point-on it is not good) and I think the transitions from song to songs could have been smoother, but I think this is creative in terms of it being a mashup. I think there could have been more “music video” aspects to it. In addition to y’all singing. EXTRA POINT FOR THE CATS ( stripped sweater??? who is this??? Queen????)

Theme: 5 Creativity: 6 Effort: 6 Composition: 4 Entertainment Value: 6

Charlotte: 28/50

Theme: Was your theme Pitch Perfect? Like, I'm not sure whether or not there was anything you guys planned out but it really just seemed kind of randomly thrown together. 5/10

Creativity: I liked the cats? 6/10

Effort: See above. I feel like y'all just kind of threw this together? It was missing something for me. The person in the stripes pulled it together for you though so 7/10

Composition: Y'all really out here in 2019 not filming in the same orientation? I'm deducting 50% for that. It's a travesty. Also, if one person does a filter and no one else does, does it really make sense? IDK. 3/10

Entertainment Value: ... again, I liked the cats. Plus the stuff with the bicycle was weirdly entertaining. 7/10

Nehe: 31/50

TOTAL: 178

Thank you judges!

That means, Takama, I will be seeing you that tribal council on January 28 at 10 pm est.

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mmvcdsi · 2 years

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Class 3 SDL

Collage task - develop 3 analog based collage

To do this SDL I took some magazines home from uni, I chose the books that had interesting imagery and cool colours that I could possibly use.

With this first image, I did not do any planning and went straight into cutting and sticking. My original idea was to have the man have a solid colour / negative space as the head but since the picture did not use his side profile it didn’t look as good as I wanted to look so I started drawing on the shape. I actually started this image with the hearts on the background. I saw that it has the pattern on it and would look cool to split up. The rest of the image I was just flipping through the pages of the magazine to find something cool to make the picture complete. I was very impulsive with the decisions I made with this image, I was not thinking much and just used the pen to draw on stuff to make texture so that it is less boring. I was more drawn to the more simple collaged with one main thing in the middle more than a whole page full of stuff and I tried to do that here where I stopped with the skull man.

The second picture had more planning and I think this one is my favourite out of the three. With this image I was looking through the magazine and ripping out the pictures that I like, collecting all the things I need and then gluing them down. I notice that for me to start I use one big piece somewhere on the page and build off that. Since the picture in the middle had a mellow look, I wanted to keep this image more on the minimal side, not adding too much. I was pretty happy with the final product. Next time I want to try print out my own pictures so that I can plan beforehand instead of looking for stuff from the magazine.

This image is had less planning than the second one but I put more thought into the composition than the first one. I had also ripped out the images prior to gluing. I started with the mans face and cut out the eyes, I was trying to go for the same aesthetic as the other collages I’ve seen around. I also wanted to try do a waterlike shape flowing out of the eyes with the purple and pink but I ran out of the page since I used it earlier. I also used type in this picture where for the first two I was avoiding it entirely. At the end with this image I ended up not liking the white background, as it was too plain I cut the collage out and placed it onto a new page I found on the magazine. Here you can also see how I started at one spot and building off that. What I ended up liking about this image is that the background somewhat more plain and black and white compared to the focal point of the image.

What I want to do better is to try plan stuff more and be cleaner, I also want to be less impulsive when it comes to when I don’t know what else to add to the page. It didn’t take me long to start on these images compared to the activity in class which is somewhat am improvement. I would want to try use more than just paper and pen, I want to try use paints or ink with the collage.

0 notes

kitsoa · 6 years

Text

Lyric Comic Q&A

So it turns out when you work on a project for half a year, you get a lot of Thoughts and want to express them whether people are actually curious or not. Without further ado, your un-requested Birdmen Lyric Comic Q&A

(Warning: I’m long winded)

*Why a Lyric Comic?

Dude, lyric comics are cool. I’ve always been fascinated by the beautiful, multifaceted artistic experience they provide, because of my love for music and art. Furthermore, I am often plagued by cinematic trapped in my head, spurred by the movement and lyrics of my favorite songs. Since I have no means or experience in the animation category (which would free these phantoms from my head) the lyric comic was a godsend of a medium for this inspired idea of mine. Kiki-kit of the Gravity Falls fandom and Tides-miraculous’ lyric comic in the Miraculous Ladybug are my main inspirations, I’ve adored their sense of motion and emotional savviness. It’s quite the powerful medium.

It’s also a good medium for me personally. I am a ‘looper’ with my music, allowing me to listen to something over and over without tiring. This is useful in the drafting stages! I loved the challenge (though I definitely didn’t anticipate it’d take this long).

*Why this song?

“Out of Mind” was one of those songs that spoke to me, in an overly cathartic, heart-yearning-- almost funnily sardonic ways. Birdmen being on the brain, I started to easily see how much the singers voice reflected that bombastic frustration our Eishi is so known for. The Pre-Chorus “Are you kidding me?” speaks to me the most, reminding me of his cry of frustration during his first blackout, screaming against his fate as he fell from the sky (this exact image did not make the final cut in the end, but I certainly vied for it until other themes overtook it-- let’s face it, there are many screaming Eishi’s to choose from).

This period of time between Takayama’s disappearance and the inevitable reunion is super intriguing to me. Eishi’s in the role of the heartbroken singer, hopelessly betrayed and unable to get over the good thing they had.

*Breakdown the story:

The progression goes like this:

Eishi’s loneliness consumes the first verse, Takayama’s empty seat, Eishi standing alone… all the while peppered with Takayama’s broken promise, which culminates with Eishi’s defiant Death Tweet. The Refrain then serves as these hallmark moments that define them. This is what they had. Every rescue, every proclamation or venomous defying of fate-- it’s what made them. And you’d have to be out of your mind to think that these moments could be forgotten.

Verse 2 is all about that shift in Eishi to follow him. Wistful memories drive Eishi as he chooses to leave and depart from everything he knows, just to get him back. Meanwhile, that opinion of Takayama is still weighed down by that grating irritation (like hell he’s in touch reality, how could he do this?) culminating to his call for him in the Himalayas. The Refrain fires again with the same point as the last but this time I tried to go for a more fervent angle, some of the scenes actually focus on Takayama’s feelings for Eishi and ultimately the pull they have towards each other.

The Bridge is where things get desperate. The moments in the manga where Eishi is in physical pain because of the Whiteout shake me so much. It reminds me of a straight up panic attack. I let this crescendo with the music, making the black void swallow the chaos in a quick snap. Building to the final chorus.

The whiteout is special because Eishi both yearns after this figment emotionally (his friendship with Takayama) and intellectually (what the hell is it and what does it mean?). It represents his unique position in the realm of the story being able to see it, but it ultimately captures the almost divine force behind the relationship of Eishi and Takayama. The outro then brings us back to Eishi failed call at the Himalaya’s, the whiteout ripping him up and forcing Takayama to save him. All the while calling back to that first interaction between them. A mysterious moment that obviously held more weight than any world shaking rescue. And I cap it off with a warmer depiction of their reunion.

*Are you shipping in this comic?

Despite the romantic song, my affections for the pairing, and any other subtext I’ve provided, I went in with the project with a platonic angle. Like I’m not lying. I’m on the ace spectrum or whatever so I kind of interpret every strong bond in the same realm. So that means, if you think it’s a romantic interpretation-- then you’re right. If you think it’s not, you’re also right. Love comes in many forms. Have fun kids.

*What was your process?

Storyboarding

Listen over and over and figure out where to phrase the panels. I then divided the lyrics up accordingly in a draft and reviewed the pacing over and over again. Does it flow? How many words would comfortably fit with each panel?

Determined the thematic arc. At this point I already had a few anchoring moments so I wrote a description of the panel in the draft. I went with the formula of Verses= move the ideas, Refrain= emotional accents, and the Bridge is like… the climax with an epilogue of an outro. This was tricky step. I debated a lot of ideas and some lyrics didn’t feel like a good fit until I really sat on it for a while.

Fill in the draft. This is where I sketch the general shape of panels. This is also where I look at the gestalt of the thing and make sure the composition is easy on the eyes. I tried to make it dynamic and zig-zaggy so as not to be boring. This is the step where one gets really excited about the project. Cause it’s no longer trapped in your head.

Sketching

Gathered references. Surfed the web, made some myself.

Made time to sketch, I did a lot of them at my summer job, made sure to draw about 2 or 3 a day. I had the time then because it was before I took on my day job. I was very surprised to find that I rarely went back to edit a picture or dispose of a draft. I went through with the mantra that I was going to finish the picture no matter what.

Stayed disciplined with said time. I would not let myself take a break from drawing because half the success came from the fact that I was on a roll.

When I finished them I then went through the process of scanning them (my scanner broke between the first 20 panels so RIP)

Coloring Stage

...Good lord. This is where I probably went the most wrong. Make sure you have a good process in place before starting out this stage. I was not one to digital art much as of late so my familiarity with my program was lackluster (and it also is literally the worst program in the world), and my laptop couldn��t handle more than 10 panels. So hurray for a very desperate fix. I did everything from my brothers computer, in his room. Sometimes at terrible hours because that's the only time I’m home.

Color planning. I rushed this process but I pulled up the textures and color pallets and reference images from internet searches and stock piled them. While planning I approximated the overall ‘tone’ of each pane; (is it a dark shade, a light shade, blue, or red in hue…) and then I adjusted that so the colors didn’t repeat or blend unless the panels where connected in the same scene. There was a lot of problem solving in the actual coloring so some of this was not as smooth and I paid for it later.

Sketch Editing. I was able to go back in, move around things and edit certain aspects of the sketch without compromising the entire work. This was a life saver.

Actually coloring. Because I color sketches it’s actually a painstaking process where I can’t use a wand or a fill. I’m not familiar with certain masking and coloring methods that would have sped the process up and I wanted to be consistent. This would take 3 to 5 hours a panel which I would do in small bursts.

Type-setting

Deciding font. I was hunting around for a good font for ages until I just decided… to use my own handwriting. This meant that I had to makes sure my tablet pressure specs were up to date and I had to practice my style. It’s not perfect but its cool.

Apply font to panel. There were moments when I literally said ‘screw it’ and left my handwriting a little more sloppy than standard.

Consultation. I worked with my graphic designer friend on improving the placement of text and the color choices. This was an interesting step she is a saint.

Finalize

Every single panel is extremely large. I had to resize each one. Before this I had many tests in the drafts to see how certain sizes would load or format.

*Will you make another?

Probably. Like, there is nothing more satisfying than getting something stuck in your head out of it. I have a lot of tunes I am fond of but barely any qualify for lyric comics (need to have a good pace, easy to latch on musical phrases, thematic content that works etc.) The fandom is important too. Now that I think about it I have storyboards for an old DCMK ‘lyric comic’ idea to Imogen Heap’s “A-ha” (it was like some hidden dark side!au shit I still come back to it). I can’t let my interest wan or it straight up dies. Birdmen is a really unique series for me because its held on for a remarkable amount of time and strongly at that.

Fun Facts:

I colored a total 77 panels, 11 of which were scraped versions of the core 66 because perfectionist tendencies.

It took me 3 months to sketch all the panels out, sometimes drawing 3 a day. I would often cradle my sleeping kitten while I drew.

Panel 54-- the final chorus, whiteout splash page-- took three days to draw. At first it was two pages taped together, then it was three. I had my friend mend the images together into a massive pic for me to color, then break it apart for blog distribution. The full version is used in her video edit of the lyric comic.

I didn’t use pressure sensitivity on my tablet until I got to the last chunk. RIP

It usually took me over a day to do one picture.

I do not have a computer in my room that utilizes the art program I need. I literally did every panel after #10 in my brothers room. Sometimes hella late at night too. Props to my generous brother, he tells me he likes the company.

I took a few notable breaks. All of Inktober was used on the art challenge. The weeks leading up to Birdmen Week. And at least half of the Christmas season was spent on coloring hiatus.

I like adding a ring around the pupils of the seraph eyes. This is not canon, but an error that I really liked. You can see it as a sort of glow.

I am having my friend edit the panels into a video for your convenience. I have no idea how long it will take but I’m tired.

#lyric comic project

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salonduthe · 6 years

Text

This work is licensed under the Creative Commons Attribution-NoDerivs-NonCommercial License.

Basically, you can distribute this text all over the place, as long as you always attribute it to me, you don't change a word, and you never charge anybody anything to receive it. But read the license for the full details.

-----

FOREWORD

"Ancient Chinese Secret, Huh?"

In the spring of 1994, I was handed a master's degree in film studies and politely invited not to return to graduate school in the fall. So I went to work at Dutton's, a fantastic indie bookstore in Brentwood, less than a mile from the Simpson condo, but that's another story. Doug, the owner, lets his employees borrow books from the inventory, on the principle that you can sell books better if you know them better, and that's how I discovered the Tao Te Ching (or TTC, as I'll abbreviate it from now on).

Oh, I knew about the book beforehand. I knew it existed, anyway, and I knew it was a classic of Eastern philosophy. But that's all I knew. Not that there's that much to know after that, about all anybody can really say about Lao Tzu is that according to legend, about six centuries before Christ, he got fed up with the royal court's inability to take his advice and decided to leave. Then, the story goes, he was stopped at the Great Wall by a guard who begged him to write down some of his teachings for posterity, and the result was this slim volume. Once I actually started to read the thing, I was hooked. Here was a book that managed to say with clarity what I'd been struggling to figure out about spirituality for several years.

The TTC I found at Dutton's was written by Stephen Mitchell, a version which remains popular nearly twenty years after its original composition. Having read a couple dozen translations since, it's still one of the most accessible versions I've seen, but even then, I found his style a bit too refined, too full of a certain "wisdom of the ancients" flavor. For example, here's how Mitchell starts the first chapter:

"The Tao that can be named

is not the eternal Tao.

The name that can be named

is not the eternal Name."

At the time, I was newly infatuated with the writing of Quentin Tarantino and David Mamet, so my dream version of a TTC reflected the simplicity and grit of their dialogue:

"If you can talk about it, it ain't Tao.

If it has a name, it's just another thing."

Anyway, I grabbed a couple other translations and started looking at the different ways they expressed the same sentiments--or, as I quickly discovered, how much poetic license Mitchell and other translators were willing to take with the original text. I don't think this necessarily matters all that much; many current English- language versions are by people who don't know Chinese well, if at all, and I can't read or speak it myself. To that extent, then, we're *all* (unless we're fluent in Chinese, that is) at the mercy of, at best, a secondhand understanding of what Lao Tzu said.

Once I thought I had a rough idea what was behind the words, though, I went about rephrasing the chapters in my own voice. My guiding principle was to take out as much of the "poetry" as possible, to make the text sound like dialogue, so the reader could imagine someone telling him or her what Tao's all about. You can't take the "poetry" out completely, because the TTC is always going to have those lines about Tao being an "eternal mystery" and whatnot.

But the beauty of the book isn't in its language, at least not for me--it's in the practical advice Lao Tzu offers us about how to live a productive, meaningful life on a day to day basis. What I wanted to do was to make that advice as clear to a modern American reader as it would have been to the guard who first asked Lao Tzu to write it down.

I worked through the first twenty chapters, then put the rough draft up on my website under a pseudonym I used online back in those days. A bunch of fan mail came in, so I kept plugging away at the text, then my hard drivecollapsed and all my files were completely erased. I was freelancing pretty steadily then, and what little free time I had I spent building my own website, so the TTC went on hold. I got an occasional email asking about the other chapters, and I developed a stock answer. When it was time for me to finish the job, I told people, I would.

Years went by. I'd left LA for San Francisco, then moved up to Seattle, chasing after big dotcom money. It was great for a while, but as Lao Tzu says, "If you give things too much value, you're going to get ripped off." In the middle of the worst of the frustration, I rediscovered the Tao Te Ching, and realized I needed to finish what I started.

I dug out all my old copies of the TTC and went shopping for more versions, some of which were even better than the ones I'd found the first time. Brian Browne Walker's translation comes close to the modern oral quality I was striving for, though his voice is still much more of an "Eastern sage" voice than mine. David Hinton is somewhat more poetic, but I think he does a wonderful job of capturing what Lao Tzu may have actually sounded like to his contemporaries. And Ursula K. LeGuin strikes a balance between the modern and classical voices that gave me a new perspective on Tao; her commentaries on several chapters are enlightening as well.

I wish I could say that I wrote the remaining sixty-one chapters in a hurried creative frenzy, but things took a little longer than I thought. I got distracted by the decision to move to New York City, and though I did get some work done on the book, it was a little over a year later, when (and, yes, I know how cliched this sounds) the planes crashed into the World Trade Center and I realized I'd still been wasting too much of my life on things that didn't pan out. Instead of talking about getting serious about my life, it was time to actually do it. (Living through the following two and a half years has also made me appreciate chapters 30 and 31 a lot more, for reasons that will become readily apparent.)

So here you are--with my own name attached, as thepseudonym has long since fallen away. From a scholar's point of view, this TTC is unfaithful to the original text on more than one occasion, if not in every single line. Case in point: in chapter 20, Lao Tzu didn't exactly say, "Don't spend too much time thinking about stupid shit." For all the liberties I've taken with his words, however, I've made every attempt to stay true to his message, and I hope you'll find something useful in my efforts.

--Ron Hogan

([email protected])

January 2004

-----

PART ONE

TAO (THE WAY)

-----

If you can talk about it, it ain't Tao. If it has a name, it's just another thing.

Tao doesn't have a name. Names are for ordinary things.

Stop wanting stuff; it keeps you from seeing what's real. When you want stuff, all you see are things.

Those two sentences mean the same thing. Figure them out, and you've got it made.

If something looks beautiful to you, something else must be ugly. If something seems good, something else must seem bad.

You can't have something without nothing. If no job is difficult, then no job is easy. Some things are up high because other things are down low. You know you're listening to music because it doesn't sound like noise. All that came first, so this must be next.

The Masters get the job done without moving a muscle and get their point across without saying a word.

When things around them fall apart, they stay cool. They don't own much, but they use whatever's at hand. They do the work without expecting any favors. When they're done, they move on to the next job.That's why their work is so damn good.

If you toss compliments around freely, people will waste your time trying to impress you. If you give things too much value, you're going to get ripped off. If you try to please people, you'll just make them pissed.

The Master leads by clearing the crap out of people's heads and opening their hearts. He lowers their aspirations and makes them suck in their guts.

He shows you how to forget what you know and what you want, so nobody can push you around. If you think you've got the answers, he'll mess with your head.

Stop doing stuff all the time, and watch what happens.

How much Tao is there? More than you'll ever need. Use all you want, there's plenty more where that came from.

You can't see Tao, but it's there. Damned if I know where it came from. It's just always been around.

Tao's neutral: it doesn't worry about good or evil. The Masters are neutral: they treat everyone the same.

Lao Tzu said Tao is like a bellows: It's empty, but it could help set the world on fire. If you keep using Tao, it works better. If you keep talking about it, it won't make any sense.

Be cool.

Tao is an eternal mystery, and everything starts with Tao.

Everybody has Tao in them. They just have to use it.

Tao never stops. Why? Because it isn't trying to accomplish anything.

The Masters hang back. That's why they're ahead of the game.

They don't hang on to things. That's how they manage to keep them.

They don't worry about what they can't control. That's why they're always satisfied.

"Doing the right thing" is like water. It's good for all living things,and flows without thinking about where it's going

...just like Tao.

Keep your feet on the ground. Remember what's important. Be there when people need you. Say what you mean. Be prepared for anything. Do whatever you can, whenever it needs doing.

If you don't compare yourself to others, nobody can compare to you.

If you drink too much, you get drunk. The engine won't start if you're always tinkering with it.

If you hoard wealth, you fall into its clutches. If you crave success, you succumb to failure.

Do what you have to do, then walk away. Anything else will drive you nuts.

10.

Can you hold on to your ego and still stay focused on Tao?

Can you relax your mind and body and brace yourself for a new life?

Can you check yourself and see past what's in front of your eyes?

Can you be a leader and not try to prove you're in charge?

Can you deal with what's happening and let it happen?

Can you forget what you know and understand what's real?

Start a job and see it through. Have things without holding on to them. Do the job without expectation of reward. Lead people without giving orders. That's the way you do it.

11.

A wheel has spokes, but it rotates around a hollow center.

A pot is made out of clay or glass, but you keep things in the space inside.

A house is made of wood or brick, but you live between the walls.

We work with something, but we use nothing.

12.

Sight obscures. Noise deafens.

Desire messes with your heart. The world messes with your mind.

A Master watches the world but keeps focused on what's real.

13.

Winning can be just as bad as losing. Confidence can mess you up just as much as fear.

What does "winning can be just as bad as losing" mean?

If you're down, you might be able to get up. But if you're up, you can get knocked down real fast. Don't worry about the score, just do what you have to do.

What does "confidence can mess you up just as much as fear" mean?

Fear can keep you from getting the job done, but confidence can get you in over your head.

Walk tall, but don't get cocky. Know your limits, and nothing can ever hold you back. Deal with what you can. The rest will follow.

14.

You can't see Tao, no matter how hard you look. You can't hear Tao, no matter how hard you listen. You can't hold on to Tao, no matter how hard you grab.

But it's there.

It's in you, and it's all around you.

Remember that.

15.

The ancient Masters were damn impressive. They were deep. Real deep. Words can't even begin to describe how deep they were. You can only talk about how they acted.

They were careful, like a man walking on thin ice. They were cautious, like a soldier behind enemy lines. They were polite, like a guest at a party. They moved quickly, like melting ice. They were as plain as a block of wood. Their minds were as wide as a valley, and their hearts as clear as spring water.

Can you wait for that kind of openness and clarity before you try to understand the world?

Can you hold still until events have unfolded before you do the right thing?

When you act without expectations, you can accomplish great things.

16.

Keep your head clear. Stay calm. Watch as everything happens around you.

Everything reverts to its original state, which was nothing. And when something becomes nothing, it gets right with Tao.

If you don't understand that, you're going to screw up somewhere down the line. If you figure it out, you'll always know what to do.

If you get right with Tao, you won't be afraid to die, because you know you will.

17.

When a Master takes charge, hardly anybody notices. The next best leader is obeyed out of love. After that, there's the leader obeyed out of fear. The worst leader is one who is hated.

Trust and respect people. That's how you earn their trust and respect.

The Masters don't give orders; they work with everybody else. When the job's done, people are amazed at what they accomplished.

18.

When people lose touch with Tao, they start talking about "righteousness" and "sanctity."

When people forget what's true, they start talking about "self-evident truths."

When people have no respect for one another, they start talking about "political correctness" and "family values."

When the nation is unstable, people start talking about "patriotism."

19.

Get rid of sanctity. People will understand the truth and be happier.

Get rid of morality. People will respect each other and do what's right.

Get rid of value and profit. People will not steal if they do not desire.

If that's not possible, go to Plan B: Be simple. Be real. Do your work as best you can. Don't think about what you get for it. Stay focused. Get rid of all your crap.

20.

Don't spend too much time thinking about stupid shit. Why should you care if people agree or disagree with you? Why should you care if others find you attractive or not? Why should you care about things that worry others? Call bullshit on all that.

Let other people get worked up and try to enjoy themselves. I'm not going to give myself away. A baby doesn't know how to smile, but it's still happy.

Let other people get excited about stuff. I'm not going to hang on to anything. I'm not going to fill my mind with ideas. I'm not going to get stuck in a rut, tied down to any one place.

Other people are clever; I guess I must be stupid. Other people have goals; I guess I must be aimless. Like the wind. Or the waves.

I'm not like other people. I'm getting right with Tao.

21.

A Master stays focused on Tao. Nothing else, just Tao.

But you can't pin Tao down-- you can't even see it! How are you supposed to focus on something like that?

Just remember what Lao Tzu said: The universe began as a void. The void fills with images. Images lead to the creation of objects. And every object has Tao at its core.

That's the way it's been, ever since the world began. How can I be so sure? I just know.

22.

Learn how to stand still if you want to go places. Get on your knees if you want to stand tall. If you want wisdom, empty your mind. If you want the world, renounce your riches. Push yourself until you're exhausted, and then you'll find your strength.

You can go far if you don't have anything to carry. The more you acquire, the less you can really see.

A Master takes this to heart and sets an example for everybody else.

She doesn't show offso people take notice. She's not out to prove anything so people take her at her word. She doesn't brag about herself but people know what she's done. She hasn't got an agenda but people know what she can do. She's not out to get anybody so nobody can get in her way.

"Learn how to stand still if you want to go places." That's not as crazy as it sounds. Get in touch with Tao, and you'll see what I mean.

23.

When you have nothing to say, you may as well keep your mouth shut. The wind and the rain don't go on forever. If nature knows enough to give it a rest sometimes, so should you.

If you're ready for Tao, you can live with Tao. If you're ready to succeed, you can live with success. If you're ready to fail, you can live with failure.

Trust your instincts, and others will trust you.

24.

Keep your feet firmly planted unless you want to fall on your face. Learn how to pace yourself if you want to get anywhere. Don't call attention to yourself if you want people to notice your work.

Nobody respects people who always have excuses. Nobody gives credit to people who always take it. People who hype themselves have nothing else to offer.

Think of being in touch with Tao like eating at a buffet: Take only what you need. Save some for everybody else.

25.

Something perfect has existed forever, even longer than the universe. It's a vast, unchanging void. There's nothing else like it. It goes on forever and never stops, and everything else came from it.

I don't know what else to call it so I'll call it Tao. What's it like? I can tell you this much: it's great.

So great that it endures. Something that endures goes a long way. And something that goes a long way always comes back to the beginning.

Tao's great. Heaven's great. Earth's great. And someone in touch with Tao is great, too. Those are the four greatest things in the universe.

Someone who's in touch with Tao is in touch with the earth. The earth is in touch with heaven. Heaven's in touch with Tao. Tao's in touch with the way things are.

26.

To be light on your feet, you need a steady mind. If your body is active, your mind should be relaxed.

A Master can travel long distances and still see everything she owns. She may be surrounded by beauty but she isn't caught up in it.

Why run around thoughtlessly? If you act lightly, you lose your bearings. If you act recklessly, you lose your self-control.

27.

With enough practice, you could come and go without a trace, speak without stumbling over words, do complicated math problems in your head.

You could build a door with no lock that nobody could open. You could tie something down with no knots, without even a rope, and nobody could pry it loose.

Masters have time to help everybody, and ignore nobody. They use their resources wisely, wasting nothing. Some people call this "following the light."

Good people teach others because they have the potential to be good too. Brains count for nothing if you fail to respect your teachers or to honor the potential in others. That's one of the most important lessons of Tao.

28.

If you are strong, but remain sensitive, power will flow through you. With that power, you'll always be right with Tao: It's like a whole new life.

If you are idealistic, but stay rooted in reality, you are an example to others. Set that example, and you'll always be right with Tao: There is no limit to what you can do.

If you are honorable, but remain humble, you will see things as they are. If you see things as they are, you'll always be right with Tao: Your life will become simple, yet full of potential.

Let Tao show you how to get right with Tao, so your slightest gesture can change the world.

29.

Want to take over the world? Think again. The world's a holy place. You can't just fuck around with it. Those who try to change it destroy it. Those who try to possess it lose it.

With Tao, you push forward, or maybe you stay behind. Sometimes you push yourself, other times you rest. Sometimes you're strong, sometimes you're weak. Sometimes you're up, and sometimes you're down.

A Master lives simply, avoiding extravagance and excess.

30.

Listen up: If you want to be a leader who's in touch with Tao, never use violence to achieve your goals.

Every act of violence backfires. An army on the move leaves a trail of tears, and a military victory always lies in ruins.

The Masters do what needs doing and that's all they do. Do what you have to do without arrogance or pride. Get the job done and don't brag about it afterwards. Do what you have to do, not for your own benefit, but because it needs to be done. And don't do it the way you think it should be done, do it the way it needs to be done.

The mighty will always lose their power and any connection they ever had to Tao. They will not last long; if you're not right with Tao, you might as well be dead.

31.

Weapons are terrible things. If you want to get right with Tao, reject weapons.

The Master, knowing all things came from Tao, recognizes what he has in common with his enemies and always tries to avoid conflict.

But when there is no other choice, he uses force reluctantly. He does so with great restraint, and never celebrates a victory; to do so would be to rejoice in killing. A person who would rejoice in killing has completely lost touch with Tao.

When you win a war, you preside over a funeral. Pay your respects to the dead.

32.

Tao is an eternal mystery, so small you can never take hold of it.

If a leader gets right with Tao, people will follow him on instinct. All will be right with the world. People will do the right thing without being told.

Everything that comes from Tao needs a name. But once everything has its name, you should make no other distinction between things. This prevents you from becoming trapped by them.

Everything in the universe is full of Tao and leads to Tao, just like the water in rivers that flows into oceans.

33.

Knowing things makes you smart, but knowing yourself makes you wise. To rule others, you must be powerful, but to rule yourself, you must be strong.

If you have only what you need, you have true wealth. If you never give up, you will find a way. If you stay true to yourself, you will never be lost. If you stay alive your whole life, you've really lived.

34.

Tao flows in all directions. It's in everything, but nothing can contain it. Everything needs Tao, so Tao provides, and never expects anything in return.

Everything comes from Tao, but Tao doesn't call attention to itself. It wants for nothing. Think nothing of it.

Everything leads to Tao, but Tao doesn't call attention to itself. Pretty impressive, huh?

It doesn't strive for success. That's why it succeeds.

35.

When you get right with Tao, everybody wants to be your friend. When they're around you, they can relax and enjoy themselves.

People can be easily distracted by music or good food. When we try to talk about Tao, it seems boring by comparison.

It doesn't look like much. It doesn't sound like much. But no matter how much you use, there's still plenty left.

36.

To make something smaller, you need to appreciate its size. To make something weaker, you must recognize its strength. To get rid of something, you need to hold it tight. To take something, you must give it up entirely.

To put it another way: Sensitivity and weakness overcome unfeeling strength.

37.

Tao never does anything but nothing is left undone.

If our leaders could get in touch with Tao, the world would take care of itself. Even if they wanted to impose their own ideas, they'd be drawn back to Tao's nameless simplicity.

When our lives are that simple, we want for nothing. We can relax, and the world becomes a better place.

-----

PART TWO

TE (POWER)

-----

38.

People with integrity don't even think about it. That's how you can tell they have integrity. Other people talk about how much integrity they have, when they really don't have much. If any. Truly powerful people don't do anything, but they get the job done.

Other people are always busy doing something, but nothing ever gets done. When kind people act, they do so without thinking about it. When the just act, they're always sure they're doing the right thing. But when the righteous act, and nobody reacts, they try to force everyone to do things their way.

If you're not in touch with Tao, at least you can still have integrity. If you don't have integrity, there's always kindness. If you don't have kindness, there's always justice. If you don't have justice, all you have left is righteousness.

Righteousness is an pale imitation of true faith and loyalty, and always leads to trouble. If you've already made up your mind, you don't know the first thing about Tao, and you never will.

The Masters pay attention to what's beneath the surface. They'll look at a tree's leaves, but eat the fruit. They turn all that down, so they can accept this.

39.

Since time began, this is what it's meant to be in touch with Tao:

Tao made the heavens clear. Tao made the earth solid. Tao made our spirits strong. Tao made the valleys fertile. Tao gave all living things life.

Tao gave rulers authority. Without Tao, the heavens would collapse. Without Tao, the earth would crumble. Without Tao, our spirits would fade away. Without Tao, the valleys would dry up. Without Tao, all life would become extinct. Without Tao, rulers would stumble and fall.

Humility gives us power. Our leaders should think of themselves as insignificant, powerless, unworthy of their stature. Isn't that what humility is all about?

Be strong, but pay no attention to hollow praise. Don't call attention to yourself. Don't make a scene.

40.

Tao is always heading back to where it came from. Tao advances by not pressing forward.

Things exist because they are. They are because they once were not.

41.

When a wise person hears about Tao, he gets right with it. When an ordinary person hears about Tao, he tries to get right with it, but eventually gives up. When a fool hears about Tao, he just laughs and laughs. If he didn't laugh, it wouldn't be Tao.

Here's what they find so funny: The path to enlightenment seems covered in shadows. The way forward feels like taking a step back. The easiest path seems difficult. Those with the most virtue seem debased. Those who are most pure seem to be grubby and soiled. The deepest thoughts appear shallow. The greatest strength looks like weakness. What is most real strikes us as imaginary. The largest space has no boundaries. The greatest talent seems to produce nothing. The greatest voice is unhearable. The greatest beauty is invisible.

Tao is hidden to us and it has no name. It is the source and the strength of all things.

42.

Chapter 42 starts out with some cosmic mumbo-jumbo about Tao making one, one making two, two making three, and three making everything else.

I don't know what it means, and, frankly, I wouldn't worry about it too much.

Let's get to the practical part: Men hate to be called powerless, insignificant, or unworthy, but that's how Masters describe themselves.

Because when we lose, we've won. And when we succeed, we've failed.

Other people will tell you what I'm telling you now: "Live by the sword, die by the sword." That's pretty much what Chapter 42 boils down to.

(See Chapter 46 for more details.)

43.

The softest force in the universe can overcome the hardest of objects. Something without substance can pass through the space between atoms.

That's how I know about the power of doing nothing.

The silent teachings and the power of doing nothing can only be understood by a few people.

44.

What's more important, fame or your well-being? What's worth more, your money or your life? What is more dangerous, winning or losing?

If you are too attached to your possessions, they will bring you misery. If you hang on to your riches, you will suffer substantial loss. If you know when you have enough, you will never be disgraced. If you practice moderation, you can stay out of trouble.

And that's the secret to lasting success.

45.

The greatest achievements may look like mistakes, but you will always be able to build upon them.

The fullest reserves may seem empty, but you will always be able to draw upon them.

The straightest line looks crooked. The most skilled people come off as clumsy. The most eloquent people are usually silent.

When it's cold, you can move around to stay warm. When it's hot, you should keep still and stay cool. But whatever the weather, if you stay calm, the world will sort itself out around you.

46.

"When the world is right with Tao," Lao Tzu said, "horses haul fertilizer to the fields. When the world loses touch with Tao, horses are trained for cavalry."

Nothing is more insidious than possession. Nothing is more dangerous than desire. Nothing is more disastrous than greed.

If you know when enough is enough, you will always have enough.

47.

You don't have to leave your room to understand what's happening in the world.

You don't have to look out the window to appreciate the beauty of heaven.

The farther you wander, the less you know.

The Masters don't wander around They know. They don't just look. They understand. They don't do anything, but the work gets done.

48.

Usually, we try to learn something new every day.

But if we want to get right with Tao, we have to let go of something every day.

We do less and less, until we end up doing nothing. And it's when we do nothing that we get the job done.

Let events take their course, and everything will turn out in your favor. If you act on your ambitions, they will never pan out.

49.

The Masters don't make up their minds. They turn their thoughts to other people.

They are good to good people, and they're good to bad people. This is real goodness.

They have faith in the faithful, and they have faith in the unfaithful. This is real faith.

A Master throws himself into the world completely, forgetting everything he's been told. People pay attention to him because he lives a life of child-like wonder.

50.

People who look for the secret of long life wind up dead.

Their bodies are the focus of their lives and the source of their death, because they think a healthy body is all there is to life.

Lao Tzu used to say a man who truly understood life could walk through the jungle without fear or across a battlefield without armor, totally unarmed. Wild animals and weapons couldn't kill him.

I know, I know: what the hell does that mean? "Well, he couldn't be killed," Lao Tzu said, "because his body wasn't where he kept his death."

51.

Tao is the source of all living things, and they are nourished by Tao's power. They are influenced by the other living things around them, and they are shaped by their circumstances.

Everything respects Tao and honors its power. That's just the way it is.

Tao gives life to all things, and its power watches out for them, cares for them, helps them grow, protects them, and comforts them.

Create something without holding on to it. Do the work without expecting credit for it. Lead people without giving them orders. That's the secret of the power of Tao.

52.

Everything starts with Tao, the mother of all things. If you know the mother, you know the children. If you know the children and remember the mother, you have nothing to fear in your life.

Shut your mouth and keep still, and your life will be full of happiness. If you talk all the time, always doing something, your life will be hopeless.

It takes insight to see subtlety. It takes strength to yield gently to force. Use that strength to hang on to your insight, and you will always be at peace. That's how to get right with Tao.

53.

If I had any sense, I'd be trying to get right with Tao, and the only thing I'd worry about would be messing up. It's not that hard to get right with Tao, but people are easily distracted.

"When the king's palace is full of treasure," Lao Tzu said, "ordinary people's fields are smothered with weeds, and the food supplies run out." Today, you see sharply dressed people carrying flashy weapons and living the high life.

They own more than they could ever use, let alone need.

They're nothing but gangsters and crooks. That's not what Tao's about.

54.

Tao's power is so deeply entrenched it can never be uprooted. Tao's power clings so tightly it can never slip away. It will endure for generations.

If you get in touch with the power of Tao, it will become real. If your family gets in touch with the power of Tao, the power will flourish.

If your community gets in touch with the power of Tao, the power will grow even stronger. If your country gets in touch with the power of Tao, the power will become abundant.

If the world gets in touch with the power of Tao, the power will be everywhere. How can I know this? I just do.

55.

A person filled with the power of Tao is like a baby boy: bees can't sting him, wild beasts can't attack him.

A baby has soft bones and weak muscles, but a firm grip. He hasn't had sex, but he can get an erection. That's because he's got lots of energy. He can cry all day and never lose his voice. That's because he's at one with his world.

If you're at one with the world, you know constancy. And if you know constancy, you've been enlightened.

It's not healthy to try to prolong your life. It's unnatural to impose the mind's will upon the body. People waste time and energy trying to be strong or beautiful, and their strength and beauty fade. They've lost touch with Tao, and when you lose touch with Tao, you might as well be dead.

56.

Those who know, don't talk. Those who talk, don't know.

Shut your mouth. Be still. Relax. Let go of your worries. Stay out of the spotlight. Be at one with the world and get right with Tao. If you get right with Tao, you won't be worried about praise or scorn, about winning or losing, about honor or disgrace. That's the way to be.

57.

You can run a country by sticking to principles, and you can win a war with strategy and tactics. But you can gain the entire world by doing nothing at all.

How do I know this? I've seen it happen: The more restrictions a nation imposes, the poorer its people become. When a nation hoards weapons, troubles arise from within and from without. When its leaders try to be cunning and clever, the situation spins further out of control. When they try to fix things by passing more laws, they only increase the number of outlaws.

A wise leader says to himself: "I do nothing, and people transform themselves. I keep silent, and they do the right thing on their own. I stay out of the way, and they prosper. I want for nothing, and they lead simple lives."

58.

When a nation is ruled with a light touch, people lead simple lives. When a government is harsh and demanding, people will spend their time trying to outsmart it.

Happiness is rooted in misery, and misery lurks beneath all joy. Who knows what could happen tomorrow?

Everything is relative; what's considered proper today may become improper. Correct appearances may hide dishonesty and sinfulness.

No wonder so many people get confused.

The Masters have sharp minds, not sharp tongues. They are austere, but never judgmental. They are straightforward, but not provocative. They are brilliant, but not flashy.

59.

Leadership is based on moderation. Practice moderation, and you'll get in touch with the power of Tao.

If you get right with Tao, nothing is impossible. If you get right with Tao, there's no limit to what you can do. If you get right with Tao, you can be a true leader.

Remember this advice if you want to be a leader: Plant deep roots in firm soil. Get right with Tao, and you'll always see things clearly.

60.

Being a leader is like cooking a small fish; get right with Tao, and it's quick and easy.

When you're in touch with Tao, you don't need to worry about misfortune. You can't make it go away, of course, but you can keep it from harming other people.

Also, as a wise leader, you cause no harm to others, so people won't have to worry about getting hurt, and they'll take the opportunity to do the right thing.

61.

Power flows down to every level of existence like a river to the ocean.

Victory comes from lying perfectly still and waiting for power to come your way.

If you yield to someone less powerful than yourself, you will be in a position to influence them.

If you submit to someone more powerful than yourself, you create an opportunity to get your own way.

So if you want to get ahead, lay low and bide your time. That way, everybody's happy.

62.

Every living thing gets its strength from Tao. Good people respect the value of Tao. The wicked and foolish don't, but Tao provides for them anyway.

Some people gain power and prestige through fancy words, others through great deeds. But Tao is available to everyone, not just the powerful. So don't look down on anybody.

When people become powerful, and everybody lines up to kiss their ass, sit still and stay right with Tao.

Why have the Masters always respected Tao? Because when you get right with Tao, you can always find what you need to get by, and trouble can never find you.

63.

Keep still. Don't work so hard. Learn to appreciate everyday life. Pay attention to details. Start small and work your way up. When people give you trouble, let it slide.

Break everything down to its essentials. Get the job done before it becomes a chore.

With the right preparation, difficult tasks can be completed with ease; every major project consists of simple steps.

The Masters don't take on more than they can handle, which is why they can do just about anything.

Don't promise more than you can deliver, and don't underestimate the task: You'll only make things harder for yourself.

The Masters are always aware of the difficulties involved, which is why they never have to deal with them.

64.

It's easy to maintain balance. Trouble can be nipped in the bud. Fragile things break easily, and small things are easy to lose.

Deal with the situation before it becomes a problem. Keep everything straight so it can't get messed up.

Every tree was once a seed. Every skyscraper started out with a shovelful of dirt. And--stop me if you've heard this one before-- a journey of a thousand miles begins with a single step.

When you try too hard, you defeat your own purpose. Cling to stuff, and you will suffer loss. The Masters make no effort, so they never fail. They aren't attached to things, so they never feel loss.

People often screw up when the job's nearly done. Pay as much attention to the finishing touches as you do to the initial steps, and you won't screw up like that.

The Masters try to be free from desire. They don't collect precious things. They don't cling to any beliefs. They pay attention to what everybody else ignores. They help the world get right with Tao, but don't try to change a thing.

65.

In ancient times, leaders who were right with Tao didn't teach everybody how to become enlightened. They kept people's lives simple.

People who know too much can't be taught anything. Leaders who try to be clever always screw things up. Leaders who keep things simple always make things right.

If you get that, you'll understand the mysterious power of Tao.

That kind of power is so deep, so extensive, it penetrates into every level of existence.

66.

An ocean is greater than the hundred rivers that flow into it, and all it does is wait to receive what they bring.

If you want to teach people, don't talk down to them. If you want to lead them, find out where they want to go.

People love leaders who make them feel safe without smothering them. They'll always support a leader like that, and because he doesn't try to compete with anybody, nobody is able to compete with him.

67.

Everywhere I go, people tell me, "Tao is so powerful, so immense, it's inconceivable!"

But it's only powerful because it's inconceivable. If we could wrap our minds around it, Tao would be just another thing.

The three most important qualities in life are compassion, or showing kindness and mercy to others, moderation, or knowing what a thing is worth, and modesty, or knowing your place in the world.

Courage stems from showing kindness and mercy to others. Generosity starts with knowing what a thing is worth. True leadership begins with knowing your place in the world.

But these days, I see everyone trying to act courageous without any trace of compassion. They try to be generous but they don't practice moderation in their own lives. They act like leaders, but they have no sense of modesty. No good can come of this.

If you want to get ahead, show people compassion. When other people attack you, defend yourself with compassion. It's the most powerful force in the universe.

68.

A true warrior never uses force with an attitude of pride or anger. A true victor does not pursue vengeance. A true leader shows humility.

This is the power of modesty. It's the best way to deal with people. It's always been an excellent way to get right with Tao.

69.

There's an old military saying: "I'd rather face an attack than have to make one. I'd rather retreat a foot than try to advance an inch."

That's the secret to moving forward while staying put, preparing for battle without revealing your strength.

When you defend yourself without any show of force, you give your opponent nothing to fight.

Attacking an enemy you've underestimated is a costly mistake. When two forces oppose each other, the winner is the one most reluctant to fight.

70.

Lao Tzu's advice was easy to understand and easy to follow. But nobody understood him or did what he suggested.

His words stemmed from ancient wisdom, and his actions were highly disciplined. People didn't get that, which is why they didn't understand him. And the less they understood him, the more meaningful his advice became.

That's why the Masters live simply, hiding their wisdom deep within themselves.

71.

If you know what you don't know, you're doing great. If you don't know what you don't know, you're sick.

The only way to get rid of that sickness is to be sick of it.

The Masters aren't sick, because they got sick of being sick.

72.

When you show no fear at all, the universe gives you something to really be afraid of.

Don't try to fence people in or grind them down. Just let them be, and they'll always be on your side.

The Masters know themselves, but they don't reveal themselves. They love themselves, but they know what their lives are worth. They let go of all that to concentrate on this.

73.

Those who dare to be bold die. Those who dare to be careful survive. So--what do you want to do?

Why is life like that, you ask? I don't know.

This is how Tao works: It doesn't push itself, and it always succeeds. It acts silently, and it always reacts. It can't be summoned; it comes whenever it's ready. It can't be rushed; it's always on time.

"Heaven casts a wide net, with big holes," Lao Tzu used to say, "but nothing ever gets by it."

74.

If people's lives suck, and they look forward to death, what good does it do to threaten to kill them?

If people are afraid to die, and the wicked are condemned to death, then who would dare to commit evil?

But that doesn't mean you or I can just take life and death into our own hands. That'd be like walking up to an industrial buzzsaw and trying to use it without any training. We'd only end up hurting ourselves.

75.

People starve because the government taxes them to death. People rebel because the government tries to run their lives. People act like life is meaningless because the government takes everything they have.

People who know how to enjoy life are wiser than people who value their lives.

76.

A baby's body is soft and gentle. A corpse is hard and stiff. Plants and trees are tender and full of sap. Dead leaves are brittle and dry.

If you are rigid and unyielding, you might as well be dead. If you are soft and flexible, you are truly alive.

Soldiers trained to fight to the death will die. A tree that cannot bend with the wind will snap.

Here's a useful saying: The harder they come, the harder they fall.

Here's another: The meek shall inherit the earth.

77.

Lao Tzu said using Tao was like pulling on a bowstring: The top bends down, the bottom bends up, and all the energy is focused in the middle.

Tao takes energy from where it is, and sends it where it needs to be. But most people take from those who don't have enough, so those who have too much already can have more.

So who in this world is truly generous to others? People who are in touch with Tao. They do their work without taking credit. They get the job done and move on. They aren't interested in showing off.

78.

Nothing is softer or more yielding than water. Yet, given time, it can erode even the hardest stone. That's how the weak can defeat the strong, and the supple can win out over the stiff.

Everybody knows it. So why don't we apply it to our own lives?

Lao Tzu used to say: "Take on people's problems, and you can be their leader. Deal with the world's problems, and you'll be a Master."

Sometimes the truth makes no sense.

79.

Sometimes, when an argument is settled, feelings of resentment still remain on either side. What's the point of carrying a grudge?

The Masters care about what they owe other people, not what other people owe them.

People who are in touch with Tao do their duty. People who aren't try to force others into submission.

Tao doesn't play favorites. But if you do right by Tao, Tao will do right by you.

80.

Lao Tzu had a dream about a small country with very few people.

They didn't need machines to get their work done faster. They took their lives seriously, and stayed close to home.

They may have owned boats and carriages, but they never went anywhere. They may have owned weapons, but they kept those weapons locked up, securely hidden. They had so few responsibilities, they never had to make a To-Do list to remember what had to be done.

They enjoyed simple foods, dressed plainly, lived comfortably, and kept their traditions alive.

And even though their neighbors were so close they could hear the dogs barking at night, they had no interest in leaving their homes, where they grew old peacefully and died.

81.

The truth isn't flashy. Flashy words aren't true.

Educated people aren't always smart. Smart people don't always have an education.

Good people don't argue. People who argue aren't good.

The Masters don't hang on to things. They're always doing something for other people, so they always have more to give. They give away whatever they have, so what they have is worth more.

If you want to get right with Tao, help other people, don't hurt them. The Masters always work with people, never against them.

(with thanks to ronhogan)

#ron hogan #favourite #wisdom #tao

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adriansmithcarslove · 5 years

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2019 Electra Meccanica Solo Review: A Three-Wheeled ‘Mobility Solution’

Jerry Kroll, Electra Meccanica’s mile-a-minute-talking chairman and CEO, describes his Solo electric-powered single-seater as “a Disney ride that escaped.”

Having driven an early-build version for about 20 minutes around Los Angeles’ South Bay, I am unsure if that’s a good thing.

Three-wheeled transport ideas are hardly new. The Corbin Sparrow fluttered for about a decade before going bust a few years back. Europhiles will recall the crazy-leaning Carver, from Holland, and the sleek Peraves MonoTracer from Switzerland. But while the Euro-cycles exude technology and cool, the monopod Solo gives more of an amusement park vibe—but less Disney than an abandoned second-tier theme park in rural New Jersey.

As I contort myself into the Solo’s cramped cabin—there’s barely enough door opening space for a 6-footer to swing in his knees—I am confronted by a steering wheel as opposed to motorcycle handlebars.

After fastening the three-point seat belt, I turn the ignition key to illuminate a digital screen with graphics akin to a 1980s Atari video game. A compact disc player is mounted in the dash, giving it a further retro touch. The turn signal lever feels ripped from a Malaise Era GM sedan—cheap to the touch and sticky in actuation. Choosing reverse or drive is actuated by a left-to-right flip-switch; reverse activates a rearview camera with crisp clarity.

Pulling away, the electric motor whirrs and chirps in the old-school Jetsons style. Despite the instant torque familiar to EVs, getting away from a stop sign is slower than we’ve become accustomed to from electric cars; it picks up the pace at about 25 mph, with a claimed 0–60 of 8.0 seconds, which feels about right. Top speed is a good-enough 82 mph. Kroll claims the Solo’s 17.3-kW-hr lithium-ion battery pack has a 100-mile range and a three-hour, 220-volt J1772 recharging time, neither of which I had time to verify.

This version of the Solo lacks power steering and power brakes—to purportedly be upgraded along with some interior bits when future models arrive. Photos of a future-build interior also show some upgrades consistent with a current base-model econobox.

Could ditching your car for ride-hailing services work for you? Read our feature here.

As equipped, steering is a chore, and brake pedal feel is similar to stepping on a brick. There is no regenerative braking, nor will there be. Steering feel is all over the place, at times darty yet completely vague. The suspension travel is short, and minor impacts jar my lumbar spine harshly. Any offset bump flops the Solo like sitting on a three-legged barstool with one leg an inch shorter than the others.

As the cabin warms up in the wintry L.A. sun, I roll down the windows. The ensuing wind noise din is louder than one would experience on a motorcycle wearing a helmet without earplugs. There’s no A/C in this model, but nonetheless I flip on the fan, which gives off a musty odor evocative of a urinal cake.

As I meander my way around the South Bay, I notice several people gawking at this unusual, low-slung vehicle, but it’s hard to tell if they are pointing in an awestruck, “Wow, that is so cool,” way or more laughingly, like, “That goofball is driving an electric banana.”

Initially, I don’t necessarily feel any more vulnerable than I would in a Mazda Miata. Kroll claims the Solo is safe, but knowing that the Solo is categorized as a motorcycle by regulators—and therefore doesn’t need to pass passenger-vehicle crash tests—is not encouraging. This proves especially true when an adjacent, inattentive BMW 3 Series swings too wide in a two-lane left turn and I am staring straight at the Bimmer’s kidney grille, mere inches away from the Solo’s thin composite shell. The low-slung Solo lacks the zip, maneuverability, and elevated 360-degree outward visibility of a proper motorcycle, and as such, I was a sitting duck. Had the BMW driver not suddenly course corrected, I would have been punted into the shoulder.

The Solo comes with a two-year warranty, along with a five-year warranty for the battery pack. The first pilot production units—like the one I am driving—are built in Vancouver, British Columbia. But series production will come from the Zongshen Industrial Group, located in Chongqing, China, according to Electra documents filed with the Securities and Exchange Commission. Kroll hopes to sell 5,000 Solos by the end of 2019—mostly in the Los Angeles, Portland, and Seattle markets.

And they just could do it. The idea of a covered single-seater, priced at $15,500, is an intriguing proposition to folks fed up with commuting and urban parking hassles, especially if it gets you carpool lane access. But this early-build Solo shows a vehicle in dire need of some finishing school. We look forward to testing the updated versions coming from China.

2019 Electra Meccanica Solo BASE PRICE $15,500 VEHICLE LAYOUT Rear-motor, RWD, 1-pass, 2-door cyclecar MOTOR 82-hp/128-lb-ft AC Synchronous TRANSMISSIONS 1-speed automatic CURB WEIGHT 1,500 lb (mfr) WHEELBASE 80.5 in LENGTH X WIDTH X HEIGHT 122.0 x 52.0 x 53.0 in 0-60 MPH 8.0 sec (mfr est) EPA CITY/HWY/COMB FUEL ECON Not rated ON SALE IN U.S. Currently

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diviinedogs · 7 years

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❣️hoi, what was art school like? I'm planning to go myself (and my family is pretty passively aggressively turning me down), but I just want to know what skills do you learn? What is the experience? Thank u for your time! Ur blog and art are amazing btw

hI I think it really depends on the school but I can give like the idea of two of them since I went to another school for precollege to see if it was something I’d be interested in majoring in! C./C/A and I went to Ri/.ngli./.ng and my parents are actually letting me go back to school now so hopefully I’ll be back there in Fall c’: also thank you for liking my stuff!

this ask is gonna long because I know I’m gonna ramble so I’m gonna call the schools C and R so I don’t have to do the slashes all the time! C’s experience was a specific 1-2 month course so it’s nothing like actual college at R so feel free to skip down to it, I just thought it was important to add since it was my first experience at an art school

and after I talk about the schools I’ll say what stuff’s good to include in your portfolio, of course this is based on my experience but for the most part it helps in what you should try strengthening

I did animation at C, which was 2D in the morning and 3D in the afternoon. I did precollege the summer before my senior year cuz it’s like the college experience before college so you do get the feel of how it is being on your own, and I wanted to see if I was good enough to pursue something art related. At this point, my parents were on the fence about the idea, so it would help them too. And C’s in California, so I had a bunch of relatives who could show me around and who I could stay with during the weekends

experience wise, the teachers and TAs I had were really nice, so in 2D it was stuff like learning Principles of Animation and the first thing we did was a flipbook animation I think? and then it went to looking at scenes from movies for inbetweens and character sheets and we all worked together reanimating a quick scene from a movie. In the end, we all chose a really short scene from an animated movie to study and reanimate for our final

while in 3D, it was just learning around Maya and doing animation exercises each day with it, eventually working your way up to a mini film (nothing’s completely rendered though! just models), other than that it was pretty much the same as 2D

so basically, I learned the basics and they were really helpful, but to be honest I felt a bit lost with how free it was, you basically had to learn everything on your own with the teachers just checking your work. I was really good at 3D but it... wasn’t fun for me lol so I decided that after this I’d want to stay in the 2D realm of things

now for R! My parents were worried about the starving artist myth and all that, so they would absolutely not let me do Illustration even though that’s what I really wanted, so I chose Game Design and I was like hey I’ll deal with it or like maybe I’ll like it. If not, I could always try convincing my parents to let me switch my major.

the way things work at R is that all the majors are put into categories, so Computer Animation, Game Art, and Illustration are all the Media Arts majors. All Freshman take basically the same type of classes and things start breaking off around the second semester of freshman year. Eventually you like see no one outside your major lol

and lET ME TELL YOU........ R HAS A VERY HEAVY WORK LOAD, so you gotta be prepared for that. I think just about all art schools are like this, but R’s very strict on it. Manage your time wisely, there’s a lot of times I’ve seen people pull all nighters just to finish all their assignments. I was really bad at managing my time too, so when I go back I need to be more strict on myself. It’s better to do things early and relax than relax until last minute and have anxiety hell. Not many of the teachers are about how much homework you have in other classes. Also, it’s good to not do things last minute because then you can relax earlier and scanners and place you go to take photos aren’t crowded.

and trust me, your teachers will know if you did something last minute, and they can tell whether effort was put into something or not.

Now for classes, I’ll talk about just freshman year since that’s probably what’s most helpful to you right now and since I was made to drop out by my parents I’ll probably be repeating like the second semester of that rip.... anywAY

so, R starts you with foundation, so figures classes, 2D design, drawing (this one’s perspective! so important but rip everyone forgets everything after that semester so I should probably start studying perspective again)

the figure classes at R are sO GOOD............ you improve a lot with those, a few weeks into it I was thinking about the figures I had in my portfolio and was just like...... fuck these are so shitty how the hell did the school accept me.... of course the experience depends on the teacher, but I loved my figure drawing teacher he was really cool and good. He did demos at some point every class to where we would all just hover over his shoulder and watch him draw while he explained what he was doing. You i

2D design I hated because like...... abstract... it’s supposed to help you work with compositions and such but I really don’t understand abstract and execute it properly so that was a really difficult class for me

drawing class is just doing still life and perspective exercises, you don’t really get to the fun part till second semester, I forget the other exercises but I remember that towards the end there was one where you designed a car (like a fun spin on it like.... I think mine was a firefly styled car? yeAH)

other classes were Film & Narrative (so studying films, it was cool) and Writing Studio, which is just like a writing class, they don’t really apply to skills/experience in art so I’ll skip over those

second semester, you still have Figure Drawing, but there’s more of a focus on stuff and you get to draw animals too (sadly no, no real animals come into the classroom. You work off of projections and then there’s a field trip to a big cat sanctuary)

drawing II gets fun because you finally get to use photoshop for your still life and assignments, the assignments get more fun like the Tro/./.ja./n Ho//rs/e assignment. Like you could either do the actual one or draw a similar scenario, I’m totally blanking out on what I did but one of the examples was like a giant wooden mouse with cheese and in the back were cats watching the actual mice. Anyway, it had even more of a focus on compositions and colors.

Another assignment was designing a character’s room. It could be any character, but you couldn’t have anything that gave away their name. People had to be able to guess who the room belonged to just by looking at it. Sounds hard, but fun. If the character you chose had like a specific style from the concept art of where they’re from you’re free to use that too! I did Kida from Atlantis and one of my friends did Greg Universe’s room, so she got to imitate SU’s background style which was cool to see!

3/D desi/gn was............. super difficult to me, I almost failed that class >w>;;;; because it was woodshop type stuff and polymer clay depending on what you wanted. However, every assignment you did would lead up to the grunt assignment, which was like, you had three designs of things that would be possible grunt level monsters, and you essentially pitch a game idea to the class and they pick the best. SO again, modeling especially with actual clay is hard for me but it was a great experience when it came to designing and stuff. There’s more but I don’t want to get into all the assignments

3/.D design differs based on what major you’re in, and you only get it if you’re doing one of the Media Arts majors, but I’m pretty sure for the most part they’re the same?

if you major in Game Art or Animation, then you also take traditional animation, which was really fun but tbh...... I only knew how to do animation because of me being at precollege at C and then like learning stuff on my own, you were really left alone a lot, which is the same for some of the other classes. They’ll help you if you ask, but if you don’t then you can’t really get helpful feedback. Again, it depends on the teacher. The one I had was really nice and I frequently went to her for help.

so despite how some assignments/classes were hard for me, I really loved R and I’m excited at my parents giving me the option to go back, I just need to do a portfolio again >w>;;;; R’s a really good school with a lot of great resources. All of my issues came from problems with people (not teachers just other students) there and I’m not gonna get into those cuz personal lol

OKAY SO for portfolio tips

still life

figURES

ANIMALS, it makes you have a better understanding of anatomy and stuff

try to have a mix of media in there, like I mainly do digital but still have some traditional stuff to show that you know how to use those

I would keep figures realistic and not stylized so they can see that you have an understanding of them

depends on the school I think, but R strictly says in their guidelines to not do fantasy stuff like unicorns and dragons

NO FAN ART....... you can have it but you need to be really, really vague? if that makes sense, like people shouldn’t be able to tell it’s fan art

have what you’re applying for in your portfolio, so like depending on what you want I’d add concept art stylized stuff or character designs

you gotta have your best work in there, like some people like having okay/bad work to show how much they improved but that’s a bad idea, if you don’t think something’s good don’t put it in for colleges to see

#anon #ask

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teramelos1 · 7 years

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Big Walnuts Yonder with Nick Reinhart announce self-titled album, release “Raise The Drawbridges?” via Consequence of Sound

This year has already seen its fair share of mighty supergroups, featuring various members of At The Drive-In, Melvins, Grandaddy, and Franz Ferdinand. Big Walnuts Yonder is a collection of similarly talented veteran musicians — Mike Watt (Minutemen, The Stooges), Nels Cline (Wilco, Nels Cline Singers), Greg Saunier (Deerhoof) and Nick Reinhart (Tera Melos) to be exact — but the chemistry and creative process behind the new outfit are decidedly of a different breed.

“It’s worlds colliding,” Watt explains of the four-piece, which draws in elements of “proto-punk, free jazz, power pop, experimental music, psych-rock and your first teenage acid trip all in one.” Big Walnuts Yonder’s beginnings date back to a 2008 conversation between Watt and Reinhart, but because of hectic, overlapping schedules, it hasn’t been easy to sit down and polish off an official album.

“We had planned it for so long,” recalls Saunier. “Then several years passed in which nothing occurred due to everyone’s schedules. It was 2-3 years of warm, leisurely prep time, then suddenly made in a panic with time and money on the line.” The resulting effort is the band’s self-titled debut, due out May 5th via Sargent House.

The LP was recorded in just three days over the summer of 2014 with the help of producer and former Pere Ubu bassist Tony Maimone engineering at his Studio G in Brooklyn. Its collects 10 songs, eight of which started as “song forms” on Watt’s bass, then later fleshed out and added to by other band members; Saunier and Cline each contributed one track of their own to the final product. “I’m pretty sure the other guys didn’t have parts set before going into the studio,” says Reinhart. “But it’s interesting how a lot of the songs began as Mike Watt basslines, and everyone was able to pull songs and melodies out of them.”

The whole thing seemed to materialize in a way that was spontaneous, but also quite focused — a “concentrated sort of freakout,” according to Saunier. “We basically had to invent a new band on the spot. And, people might have a stereotype of what each person does, but we all showed up to do what we’re prevented from doing in other groups.”

As a first look at Big Walnuts Yonder, the group has shared “Raise the Drawbridges”, a track that captures an instance of police brutality. “He [Watt] takes the voice of an officer acting too tough and provoking conflict,” Saunier explains, “and then comments on the transparency of the officer’s fear and the futility of this dynamic.” Stream it down below.

To accompany the song premiere, Consequence of Sound is happy to present an expansive interview with Saunier, Reinhart, and Cline, in which each talks at length about Big Walnut Yonder’s formation, the importance of each member’s contributions to the album, and the newly released lead single. (Note: All questions were submitted by our one and only News Editor Ben Kaye.)

You guys all come from pretty disparate musical backgrounds. When you were first forming the idea for Big Walnuts Yonder, what was it that drew you to go a little outside the box and bring such different styles together, and how did you figure out what sonic direction you’d be going in as a unit?

Greg Saunier: I sort of felt the opposite. Playing with Nick Nels and Watt was a piece of cake. Like coming home to a band you’ve never been in. I can think of musical projects each member has done that seems like way more of a stretch.

Nels Cline: I live in the cracks musically and always have. “Styles” and “genres” are not really my thing, so all I know is that I respect the musicians I play with and that I will do my best to participate in any endeavor in which we coalesce. It’s been my way since the late 70s! The sonic direction presents itself and demands respect more than we direct it when there is true collaboration in my opinion.

All the songs began with Mike’s basslines and then were built out from there, starting with NIck’s guitar riffs. What are some of the challenges writing in that way present, and how did you guys all figure out how to pull together a song from such basic starting points?

GS: I contributed one song, and its garageband demo was emailed to the gang the day before meeting up. I played all the parts myself but when I say parts you must understand I mean I played them on the computer with electronic sounds, using something called the “musical typing” feature in garageband. The funny thing about musical typing is that if your RAM isn’t up to scratch, some of the notes you type come out late. Like every note is a different amount late. The result is woeful. I hoped that even though my demo was so out of rhythm and discombobulated that they would still somehow glean what I’d meant, and come in the next day saying “no problem Greg, bad RAM, happens to the best of em” but actually I think they were really worried that I had no idea what rhythm was.

Nick Reinhart: I remember being really excited and nervous when my email dinged and there were mike watt bass demos sitting in my inbox. I listened through the 8 tracks and initially felt overwhelmed about how to approach adding guitars and doing justice to these bass parts. Watt’s musical language is so curious and unique. that’s part of the watt legacy — he sounds like himself. Finding interesting ways to dance around the bass and add to the conversation was really special.

NC: This is really the same way I recorded with Watt on “Contemplating the Engine Room” and Brother’s Sister’s Daughter (Japanese project). As Daevid Allen once sang with Gong, “Imagination is the key!”.

It sounds like a lot of the songs came together in a rather improvisational manner. How do you go from that to performing the songs in a live setting? Have you ever had to sit and re-listen to a track and sort of reverse engineer the music for yourself?

GS: I wouldn’t quite call it improv but it was pretty crazy how quick everybody came up with their parts even if they didn’t know the song. Particularly Nels hadn’t prepared any parts before recording but within seconds of hearing stuff he was playing stuff that sounded etched in stone like it had always been there.

NC: In this case I will definitely have to listen to stems or something to re-learn my parts! How we end up playing this ‘live’ is still a mystery and will be a fun challenge. I hope!

There’s a pretty big age gap between members of the band. What was surprising or inspiring about working with people from different generations? Any tips or tricks you picked up from the opposite end of the generational spectrum that you weren’t expecting?

GS: When everybody is able to quote Buddy Rich bus tape insults, age disappears.

NR: The creative wisdom these guys possess is totally amazing and being able to make art with musical giants is a real pleasure. I had previously learned so much from them from a distance, so being able to see it all from the inside out was super inspiring. They’re still ripping and learning. For me it was like looking into a crystal ball and seeing my future. It’d be like if I saw a newborn baby today and said, “Hi, in 30 years we’ll have a band and do something cool.”

NC: I play with people from their 20s to 70s. I don’t really think about age unless someone mentions it or brings up a reference that I am unaware of that is of their generation, so to speak. But in this case I think we all like sound and rock music, so…”

Most of the album was actually recorded in 2014, after some years of trying to get everyone in the same room together. Why has it taken three years to go from there to here? How does it feel to finally have it coming out and what’s it like having to talk about a project that’s, in a way, three years old already?

GS: Well I mixed this record so even though there was a gap after we did it, that was kind of useful. Came back to it ultra-fresh. And just finished the mixes recently, like three months ago or something. Stuff takes time especially when you’re DIY.

NC: My massive record from last year “Lovers” also took forever to come out and I am performing it this year. I don’t know… In this case it was Nick’s lyric writing/vocal recording that seemed to take some time. But we didn’t do an “Obama Suite” or anything, so I guess time isn’t really an important factor, really. “No wine before its time”! The music sounds fresh to me.

Watt, you wrote the lyrics for “Raise the Drawbridges” — can you tell me a little bit about what the track is about? It sounds to me like it’s about people too afraid to take charge of their life and face down challenges or those who try to stand in their way. Am I far off?

GS: I’m going to answer this because who says the person who wrote it is the only one who knows what something is about? This vocal moved me deeply when Watt first sent it to me. In the instrumental version this is probably the goofiest one we did, but the meaning completely changed once this portrait of police brutality was recorded. He takes the voice of an officer acting too tough and provoking conflict, and then comments on the transparency of the officer’s fear and the futility of this dynamic.

In his own words, Watt offered up a very detailed account of how Big Walnuts Yonder the album came together from start to finish:

“Eight of the ten songs started w/ Watt composition via bass only and he sent these out. nick worked on his developing his parts in response. this all happened well before ever getting into studio g in brooklyn. what I presented the band for my compositions were bass only (deliberately, to let Nick, nels and greg bring in their own for the collab) but they are what I would call SONG FORMS and not just bass lines. what I mean by that is there’s this part so many times and then it goes to this part so many times and so on. it’s supposed to be a foundation for a song form which I guess is made out of bass lines.

all four of us together for first time in brooklyn, we first attack these eight tunes as a team. the only titles they had were letters like song a, song b and so on. I’m re-enacting what I did at my pad by myself but w/these guys, I’m using tony maimone’s bass. nick’s doing the same except I think w/some of his solos cuz he’s interacting w/nels in real time. I remember greg asking me for a tiny bit of direction explanation for what was to become “I’ve got marty feldman’s eyes” when I put out a statement like, “I was influenced a little bit here by doing stuff from the clash’s first singles and album” cuz yeah, I had just done a benefit gig for the strummerville foundation and had to learn some of those tunes but it was still just a pure musical ref – I ended up using that confusion (sorry to confuse you, greg!) for the gist of my spiel when laster nick asked me to do spiel for it… I thought that point was very relevant! it was “dreamed up by committee” but still very connected to the cats on this proj.

nels brought his tune and explained what he wanted from each of us and made out a brief sketch roadmap the piece. we all four acted on that in real time, being it our first time for all of us – no “demo” to hear beforehand. same thing ‘pert-near happened w/greg’s tune. so there was actually two processes used: 1) eight had the watt, then nick and then all of us together and 2) two had their composers show us (the other three in each case) in the studio and then we went at it. to examine further, here’s my take. we got ten tunes recorded the way I just described and then were given roughs. down the road nick asks me to get spiel for two of the tunes, he gives me which ones, I think they might’ve been song t and song u. then he starts recording from his pad his spiel for seven of the other ones.

nels tune he decided was gonna remain instrumental. greg decided he would mix everything which is what we all wanted from the git-go and were very happy excited. I sent my two spiels but screwed up somehow so he mixed my two as instrumentals ’til I got him my spiels proper. he had gotten nick’s spiels from him. he had a few runs of mixes, each run being sent to us all and then he’d hear our opinions and do another run of mixes under those influences. I think there were four runs maybe altogether.”

(via Consequence of Sound)

#big walnuts yonder #nick reinhart #consequence of sound #mike watt #greg saunier #nels cline #wilco #the stooges #minutement #deerhoof #tera melos #raise the drawbridges #sargent house

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christhatcher · 7 years

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12 albums from 2016

These aren’t in any particular order. I have, and continue to, love them all. If I’d have listened to the Mammoth Weed Wizard Bastard album more often I reckon that would’ve got in too. Unfortunately I do a lot of listening to music in the car, and I’m perpetually late for work, and it’s impossible to drive at anything approaching the speed limit when you’re listening to an album by a band called Mammoth Weed Wizard Bastard.

Underworld - Barbara, Barbara We Face A Shining Future

Oh Underworld you've soundtracked many significant moments in my life from the 90s onwards, and as we both get older you keep reminding me that youth and fire in the belly aren't the only ingredients necessary for making vital music. Underworld have blown me away again with an album which finds them at their most intimate yet transcendent. To my mind that's the perfect balance to pitch on an album that takes its name from some of a husband's final words to his wife.

The lyrics to Low Burn ('Time, The first time, Blush, Be bold, Be beautiful, Free, Totally, Unlimited') could, in the wrong hands, all too easily find their way onto a platitudinous meme but they sound vital in the context of the tune, a cresting wave of synths, strings, bass throb and eventually Hounds of Love toms. The perspective shifts on the penultimate line to include, "Panic, craving, nothing... Time, the first time..." and it transforms the vocal from a call for the Living to one that seems to encompass life and death's full cycle. Played back to back with Nylon Strung, whose refrain 'I want to hold you, laughing' assumes a mantra like quality, the two tracks feel like a compellingly heartfelt plea to embrace utterly the short moments we have.

David Bowie - Blackstar

We will never see his like again. To some extent that’s probably true, but that’s because Rock n roll is now nearing the point of anachronism; it's passing is inevitable but not something to mourn. We can't be forever young and full of piss and vinegar and I think if you're determined to be 18 till you die you've set your sights pretty low. I actually hope that the future of expressive culture lies not solely in the hands of men and women on raised stages preaching to the masses but in increasingly indivisible hands and minds brought together and operating in the spaces where the real and virtual world blur. I hope it's a place where individuals come second to the product of expression. In short, I hope there isn't another David Bowie. I love the guy (as much as it's possible to love someone you've never met), but I hope that before too long we no longer require these figureheads to align ourselves with or against. I want his work to survive and be celebrated but I hope that the culture he sprung from baffles my descendants, because there's something rotten about our obsession with the shock of the new that is the third quarter of the 20th Century.

Jez: Look, Mark, I'm a musician, in case you've forgotten. I answer to a higher law, the law of "If it feels good, do it."

Mark: Oh, that's a great law, isn't it? What's that, Gaddafi's law?

Jez: It's the musician's law. Colonel Gaddafi could not lay down a bass hook, Mark. That should be clear even to you. - Peep Show (series 3 ep 5)

It was the shock of the new, not a Solomonesque cultural cache. And now the world is moving on. Not diminishing in talent over time as we speed further away from the grand ejaculation of the Big Rock n Roll Bang. Music hasn’t descended into an over reliance on auto tune, or computers. There isn’t a dearth of ‘real’ musicians learning ‘real’ instruments, learning their song ‘craft’… ‘organically’. The world is moving on. But still we get to listen to the fucking bullshit put about by old people convinced that the brief period when you’re most emotionally engaged in the cultural stimuli around you happens to be the apex of civilisation; and you should never underestimate a Baby Boomer’s ability to slip a pair of rose tinted blinkers over your eyes when you’re moving into the crawl space they’ve rented out to you from their burgeoning property portfolios (Hippies and Yuppies – only really distinguishable by the proportion of their income spent on joss sticks).

But back to Bowie. Guilty of none of the above. His capacity for re-invention and forward thinking doesn’t need re-iterating, the back catalogue up to and including Blackstar speaks for itself. This has turned into a rant but, sod it, I'm not in the mood for not ranting.

Here's to Mr Bowie, perhaps the ultimate rebuttal to those who cite ‘honesty’ or ‘realness’ or ‘rocknroooooll’ as fundamental to making ‘organic’, ‘real’ music and writing ‘proper’ songs. Who used artifice, and sounds regardless of source, was fearless and transcended rock n roll and took it higher than it deserves, subverted and utterly disregarded hoary, chin stroking… fuck it… boring… notions of what a song/album/concert could/should be.

And he left us with Blackstar. All of the above.

The Comet is Coming - Channel The Spirits

It's quite hard to believe that this is the sound of just sax, synths and drums (or ‘skins’, if I'm trying to be vaguely alliterative) recorded (to tape no less) in a three day burst of creativity. The sound, all pervading atmosphere and ethos at large here is worthy of the entire Arkestra, amped up and channelled through Funkadelic via Leftfield at their most furious. If they've heard Channel The Spirits, then I imagine that the house band at the Restaurant At The End Of The Universe are probably worried about losing their residency. Sub point: Slam Dunk In A Blackhole (which wouldn't sound out of place on either Blackstar or Kendrick Lamar's To Pimp A Butterfly) is my song title of the year.

Savages - Adore Life

Opening with the three chord grind of The Answer, Adore Life positively pulses and howls (the guitars sound feral) before dissolving into more cerebral territory for the title track. Jehnny Beth's lyrics run the gamut of love, turning the subject inside out fearlessly, never breaking eye contact. It's an intense, beautifully paced piece of work, packaged in monochrome but red blooded through and through.

David Holmes – Late Night Tales

I was introduced to Mr Holmes via one of those late 90s Chillout compilations. The culprit, 'Rodney Yates' is a journey borne on floating ride cymbal and strings a la Lalo Schriffin, which led me to its mother album 'Let's Get Killed'. Over the subsequent years, I've lapped up pretty much everything he's done, be it soundtracks (Out of Sight springs to mind), Psychedelic Funk mix albums (Come Get it I Got It), freaky Hip Hop (The Free Association) and this year, Late Night Tales and Unloved (more of the latter in a bit).

If there's a unifying thread to Mr Holmes' work, to these ears, it's the sense that he's a man outside of time. His work is peppered with samples and ideas from pretty much every decade since it became possible to capture and replicate sound. But this is not the back catalogue of a retro mongering throwback, it's a body of work that speaks of a genuine love of sound and an overarching desire to share it. I have no idea how much of his own music is created from samples and how much is original composition... the lines are utterly blurred and it makes for compelling listening.

In these interconnected times, the Internet, behaving like it's second syllable, drags the endless bounty of musical creativity onwards with ever decreasing regard for chronology and Holmes has a rare talent for sifting through the haul for treasures. If you're on the search for new artists then Mr Holmes beats Spotify or any app you could imagine hands down. He's arguably never been better than on Late Night Tales. It's a beautiful, torchlit collection made all the more striking by the fact that it's largely beatless and full of acoustic and vocal performances thematically linked to questions of love and loss. A truly mesmerising experience.

Church of The Cosmic Skull – Is Satan Real?

I've spent the last few years resolutely trying to engage with modern sounds after years in a proto metal, Sabbath indebted cul de sac (not a bad place to be admittedly, but it's good to shake things up every so often). This year however, I've found myself slipping back into my comfort zone, maybe as a way of escaping the hideousness of 2016, maybe because albums like Is Satan Real? are so fucking tasty. It combines the vocal, harmonic... There's no other way of saying this... pomp of Queen, hooks and almost jazzy flourishes that The Zombies would've actually stayed split up over and a deliciously sparse smattering of Sabbathian crunch. The fact that they only properly let rip on the closing 'Evil In Your Eye' is a masterstroke that has had me reaching for the repeat button, repeatedly.

Metronomy - Summer '08

Joe Mount is not cool, he’s no rock star and he doesn’t swagger, but the music he makes does, albeit in a slightly jerky, twitchy St Vitus on espresso way. When I was small I used to make myself spaceships out of bits of furniture, and go on adventures of the imagination… Listening to Metronomy has always felt a little like being invited into someone else's world of 'let's pretend'. One where the lightsabers are still visibly made from mismatched lego bricks and the Darth Vader helmet is quite obviously a plastic policeman's helmet with a flap of cardboard inexpertly sellotaped around the back. They aren’t smooth. They're not making music for parties in and around Jacuzzis and JD shaped swimming pools, but 40 minutes in the company of this collection of off kilter electro funk, break and disco beats and aching slow jams might allow you to pretend that you are. And, once again, the artifice is far more stimulating and appealing than reality.

Opeth - Sorceress

Opeth. Opeth. Opeth. I just bloody love them. That's a shit review, but it's basically how I feel. I guess that how you feel about Opeth depends on your views on progressive music. If you think it's wanky and unnecessary then you'd be forgiven for avoiding Opeth but I'd argue that you're mistaken, because there are very few elements included in an Opeth number that could be considered unnecessarily wanky. Dramatic shifts in tempo and volume and time signature abound on this, as all, their albums. The key to their success though, is that they're artfully and meticulously placed with an almost architectural eye for detail that seems set on firing the imagination, rather than bludgeoning the listener with its own cleverness. In the truest sense of the word Sorceress is a wonderful addition to an enviable back catalogue.

Hedvig Mollestad Trio – Black Stabat Mater

I don't really know much about these ladies. I'm not sure whether to describe it as Jazzy proto metal or proto metallic jazz... maybe the latter. But it is fierce. Really fierce. The five tracks slowly descend from a (relatively) straight forward opening freak out on a jazzy, turning bluesy groove, to nightmarish feedback and clatter that could be mistaken for King Crimson being dissolved in a rusted cauldron of battery acid stirred by Trolls. Also: One of my favourite album covers in a long time.

Paul Simon - Stranger To Stranger

Received wisdom has it that 74 year olds should just rest on the canon, firing blanks, cashing in on the willingness of Mojo readers to part with their coin for ever more padded out and barrel scraping reissues. Paul Simon seems to think that the best way to get through one's three score and tens is to build an album from the beats up and then bring in a designer and player of micro tonal instruments to add layer upon layer of otherwordly sound. I like Paul Simon. A lot.

Unloved - Guilty of Love

A collaboration between Jade Vincent, Keefus Ciancia and David Holmes (him again). As with Late Night Tales, Unloved is a creature of the night, but this time with teeth, paraffin eyes and a taste for smoke in the back of the throat. Guitars twang, drums can be heard reverberating up blackened alleyways and the astonishing voice of Jade Vincent entices, admonishes, damns and defies. When A Woman is Around should be considered a classic, 'Truth is seldom found (by a man) when a woman is around... Lose that Cheshire grin, take it like a man, keep what's yours, leave me mine.' Although there's a dark 60s vibe at work here, it's beautifully realised, with the faultless songwriting, performance and production giving it an elusive timelessness.

Nissenenmondai - N/A

This album is a perfect example of singular and fearless exploration.

They're a power trio, but that's where the similarities to that particular trope end.

They veer closest to making minimalist Techno, but with guitar, bass and drums.

They sound like they're being beamed in from the future, and not necessarily a good one.

Some of the album is hard to listen to and imagine it having been created by humans.

That's why I love it.

#david bowie #david holmes #Savages #metronomy #nissenenmondai #church of the cosmic skull #paul simon #the comet is coming #opeth sorceress #opeth #late night tales #unloved

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