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anamon-book · 2 years

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また一日　田中小実昌文化出版局装幀＝野見山暁治

#また一日 #komimasa tanaka #田中小実昌 #gyoji nomiyama #野見山暁治 #anamon #古本屋あなもん #あなもん #book cover

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sinelanguage · 3 months

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and for the museum of the day i was Considerably more excited for: the National Museum of Modern Art!! splitting this into two parts for my sanity, main exhibit first

one thing that impressed me about this museum was the overall presentation of descriptions used. a lot of art museums will present some information and context to the piece, but the national museum specifically tried to encourage people to read the text (metaphorically) and engage in Thoughts. it was pretty neat to look at a piece then see what specific emphasize the museum curator wanted to put on something.

For example, Nakanishi Natsuyuki’s piece Compact Object was described like this:

Fish bones, a rubber ball, a clock, seashells, hair.. this egg-shaped object seems to be packed with the contents of a garbage can. Or is it a time capsule, capturing a fleeting moment during a certain era? Nakanishi staged performances by bringing these clusters of everyday objects into public spaces, such as in the streets and on trains. His intent seems to have been to carry a microcosm of the world in his hands rather than to produce a sculpture that sits on a pedestal.

which, imo, does a decent job at explaining the intent but also promoting people to think about the intent going into objects on a level a bit further than just “here’s what this means.” this was pretty consistent in the museum’s presentation, which I really appreciated.

The other thing I thought was incredibly funny was this fucking. diary entry they had on display. keep in mind i was dead on my feet in this museum writing down notes to post to my tumblr blog and then read kishida ryusei’s diary from 1923:

Woke up around 10 o clock with a slight headache. Not surprising since i was up unttl three last night talking with Senge [Motomaro] and others, and that's why I overslept. Took a bath after breakfast. Got on the 1:49 pm train to Tokyo and then a taxi to Shintomiza. The play was about to start. My seat was excellent. Sendai Hagi is a famous kabuki play, but it was the first time I had actually seen it. The scenes performed were: the Bamboo Room, Cooking Rice, Under the Floor, The Showdown, The Scar. All of these were fascinating. I's not often these days that l immerse myself as deeply in kabuki as I did this time.

me, two museums in, feeling a profound kinship with this artist from a century ago writing a diary entry about his hang over but going to tokyo for three plays. as i write notes in my phone about art. incredible.

For actual pieces though there were quite a few:

Kayama Mayazo, Waves in Spring and Autumn thought this piece had a lot of really neat spins on some classic imagery (mountains, seasonal trees, waves/water). I especially liked the details of the waves breaking— the waves themselves were this even, looping/fluid lines but the edges were crashing with noisy scribbles

Komaki Gentaro, Bricks and a Squirrel: this is one of those “can’t explain myself”. the bricks had a very weird wood grain pattern, paired with a squirrel in this frightening black orb, completely surrounded. sometimes ur just a squirrel in an orb

Nomiyama Gyoji, The Withered: i like organic things in weird, inorganic messes. this was like, a rat king but with branches, and it was confusing to look at. enjoyed it a lot.

Kodama Yasue, ambient light - sakura: this is exactly what it says on the tin but for what it is it works really well. it’s just the impression of looking up at Sakura blossoms through sunlight, and man is it effective at it. I think in person this works better just for the size and detail of it- it captures the feeling of looking up through foliage very well and was very pretty to boot

Takanashi Yutaka, Hongo: Mansada Parlor, 6-17-1 Hongo, Bunkyo-ku from Machi imo all of takanashi’s photos had this very lived in quality to them, like a photo taken of a place that feels deeply familiar and like home. The collection overall has these deep colors and contrasts with mundane settings and a large amount of visual objects/interest, so it made the feel of the piece really nice (photos here)

overall: really solid, probably doesn’t beat the contemporary art museum but that’s just because my taste is what it is. for an art museum though, i really appreciated the approach and curation

#personal #sineposting

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ofhouses · 7 years

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433. Kazuo Shinohara /// House in Itoshima (Gyoji Nomiyama House) /// Itoshima-gun, Shima-cho, Fukuoka Prefecture, Japan /// 1976

OfHouses presents “Kazuo Shinohara - 7 Houses from the 70′s, Part V”. (Photos: © Masao Arai. Source: JA 93/2014 “Kazuo Shinohara - Complete Works in Original Publications”, pp. 96-97; Yasumitsu Matsunaga, Kazuo Shinohara, “IAUS 17 - Kazuo Shinohara″ (NY: Institute for Architecture and Urban Studies and Rizzoli International Publications, 1982), p. 90-93.)

#shinohara70 #kazuo shinohara #Itoshima #Japan #70s #OfHouses #oldforgottenhouses #the collection of houses #www.ofhouses.com

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o-toto · 10 years

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