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#gung-ho
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Battle Action Force No. 523, dated 11 May 1985. Gung-Ho cover by John Cooper (although it was made up of panels of his interior art). Treasury of British Comics.
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gameraboy2 · 10 months
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Gung-Ho #1 (2020) Cover by Daniel Clarke
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1980sactionfigures · 1 year
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Boomerang Billy - Gung-Ho! (Lanard Toys)
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comfortfoodcontent · 2 years
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thevondoom62 · 1 year
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While effective for intimidation, one almost questions the practicality of having a ‘gator wrangler like Croc Master around.
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kollectorsrus · 1 year
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blade-liger-4ever · 2 years
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My favorite animated Marine
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nscafe-firehose · 2 days
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Tiger Force Duke & RAM
Retro Cardback Gung-Ho
Retro Cardback Recondo
Desert Commando Snake Eyes
Desert Commando Snake Eyes and Retro Cardback Recondo
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xanexcaligula · 11 months
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larucheanimation · 1 year
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December 10, 2021
I finally took the time to read the whole Gung-ho serie. I love the style used in these comics books.
10 D��cembre 2021
J’avais finalement pris le temps de lire toutes les BD Gung-ho que j’avais. J’adore le style utilisé dans cette série de BD.
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Battle Action Force No. 565, dated 1 March 1986. Montage Action Force cover by Jim Watson, Vanyo and Kim Raymond. Treasury of British Comics.
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pleurgh · 1 year
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Gung-Ho: Anger #3 Variant cover for Ablaze publishing
Drawn by Cian Tormey Coloured by Mark Dale (me)
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sualne · 1 year
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something i wish i'd see more in trigun fanarts is people having vash speak their native/non-english languages completely unprompted, ive seen folks have him speak french, which he canonically knows, but i really do believe he's a polyglot. mostly because of that one time in the desert when he saw the samurai and wanted to greet him in japanese but struggled to remember how to even say hello.
my headcanon is that rem had them learn as many languages as possible but with the big fall and so many people dying, which i think is what led english to became No man's land main (or even only?) language, means that vash (and knives!) both got horribly out of practice and are various sort of rusty in every others languages.
what im saying if there's any pun or joke you've been dying to write but just doesn't work in english vash (and knives!!) are right there!
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goldrogerstits · 11 months
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what if the assassin you sent to guard your brother from the rest of your employees fell in love with him instead 🤔
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lizkreates · 9 months
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Reflection ~A Trigun fan comic~ (Comic Script in the Keep Reading)
Context note: This takes place just after the events of TriMax Vol 10 on Brad’s ship going to December. I’m giving them more time on the trip because Livio grew a full-ass beard between pickup and drop-off (prob because of his healing factor, who knows.) Enjoy!
Vash's coffee is a reference to my first comic Black Coffee & Donuts!
Comic Script for Reflection: A Trigun Fan Comic
PAGE 1
Panel 1: Vash, with his hair down and dressed in his black undersuit, wakes up startled in a cold sweat. He clearly slept poorly bags under his eyes. It’s only been a day or two since he laid Wolfwood to rest.
Panel 2: A full body shot of him stepping out of the bed, his Colt weight down his hip, face obscured.
Panel 3: He leans over the counter in front of a mirror, shoulders hunched, head hanging.
Panel 4: He looks up, hand covering the remaining blonde of his hair so it appears full black. Large pale portraits of Rem and Wolfwood flank Vash on each side in the background.
Vash: Rem, Wolfwood, you both sacrificed everything. Funny isn’t it that I’m beginning to look more like you?
PAGE 2
Panel 1: Vash flashes back to a moment when he and Wolfwood walked side by side in the arid desert of No Man’s Land.
Vash: Wolfwood, you were there every day by my side, now I'm alone again. 
Panel 2: Another flashback to a moment Vash and Wolfwood sat on the edge of a rooftop and looked out over the cityscape to the stars pricking the sky.
Vash: There was so much unsaid between us.
Panel 3: A fresh flashback to the couch, where Vash held Wolfwood's hand in his final moments.
Vash: I wish I had known how to tell you that I loved you before it was too late.
Panel 4: A dramatic crop of half of Vash’s lower face, tears streaming down his cheeks as he cries out.
PAGE 3
Panel 1: Livio, a tall, tan, broad-shoulder, white-haired man with a tribal tattoo over his left eye, dressed in a white shirt and black pants, bursts through the bedroom door concerned.
Livio: Mr. Vash, I heard crying, are you okay?!
Panel 2: Vash looks over, a little comically rattled and surprised
Vash: Livio?
Panel 3: Close-up of Vash’s lower face smiling, a tear rolling down his face.
Vash: I’m alright.
Panel 4: A blank Panel, filled with still air
Vash: Actually.
Panel 5: Big Panel, Vash crying into the crook of his arm.
Vash: I'm not... I miss him. I can’t stop missing him.
PAGE 4
Panel 1: Vash rubs the tears from his eyes, Livio grabs his arm shamefully, his body language clearly showing regret and discomfort.
Livio: I’ll uh, leave you to it, and see myself out.
Vash: It’s okay, I just didn’t want anyone to see me like this.
Panel 2: Close-up of Livio looking down.
Livio: It’s better to let yer feelin’s out than to hide ‘em and let ‘em fester, I should know.
Panel 3: Livio turns to the side and a sad snot stream runs down his nose he was trying to keep in. Livio is very much struggling allowing himself to miss Wolfwood. He doesn’t feel like, he should even though he desperately does.
Sounds effects: sniff
Vash: Now who’s keeping in their feelings? Let it out! He was your friend too, wasn’t he? You deserve to cry too.
Panel 4: Livio smiles sheepishly. He wants to make Wolfwood proud of him first.
Livio: Yeah, I suppose he was, all this time. But I don’t think I’ve earned that right yet.
Panel 5: Livio’s stomach growls LOUDLY. Draw in a chibi style, breaking the tension.
Sound effects: grumble
Panel 6: Drawn in chibi style, Vash waves around his noddle arms and Livio’s mood brightens, grinning with excitement.
Vash: Oh, are you hungry?
Livio: Hell yeah, I am!
Vash: What would you like?
Livio: Uh, pancakes!
Vash: Alright, pancakes it is!
PAGE 5
Panel 1: They sit down and eat at a retro 50s-style diner booth in a small nook of the ship. Livio swirls the last of his pancake in syrup on the plate. Vash cradles a black coffee with both hands looking at Livio.
Vash: Hey, Livio, what do you want to do when this is all over?
Livio: Dunno, maybe wander around for a while or return to the orphanage to help make up for what I and the other guy did.
Panel 2: Livio hangs his head, eyebrows worried.
Livio: If I can be honest with ya, I'm scared to face them.
Panel 3: Zoomed out drawn in chibi style to break the tension. Livio shivers.
Vash: Is that scarier than Elendira?
Sound effects: shivers
Panel 4: They laugh.
Livio: Well, when ya put it like, hell no!
Vash: Haha!
Panel 5: Extreme close-up of Livio’s eyes softening as he remembers back to his time at the orphanage.
Livio: I think he’d like that. They were my first real family.
Panel 6: Vash is hit with a sudden realization, Livio has no one right now. In a misty background, he remembers when Razlo cried out after Wolfwood did in Master Chapel.
Vash (internal): Wolfwood, you left Livio in my care... so we wouldn’t be alone.
Razlo (background): ...I’m all alone again!
PAGE 6
Panel 1: Close-up of Vash with the sincerest smile.
Vash: I hope you know you’re not alone. You have me now.
Panel 2: Livio’s face contorts sorrowfully.
Livio/Razlo (internal): I don’t deserve this.
Livio: Mr. Vash I --
Vash: Wait, before you say anything...
Panel 3: Zoom out so we can see both of them and the table. Vash extends his leg as he digs deep into his pants pocket. Livio leans on the table watching him.
Vash: I know that we don’t know each other well yet, but he trusted you with me and I trusted him, wholly and completely, so…
Panel 4: Extreme close-up, Vash pulls out 2 black leather wristbands with silver latches.
PAGE 7
Panel 1: Vash offers Livio a wristband while holding one for himself in the same hand.
Vash: Here. One for you, one for me. I used a strap from his cross to make it, so part of him will always be with us.
Panel 2: Livio puts the wristband on his left hand.
Livio: Thank you.
Panel 3: Extreme close-up of Livio’s non-tattooed eye, tears pricking his lashes.
Livio: I hope one day I can repay yer kindness.
Panel 4: They fist bump wristbands in view.
Vash: Welcome to the family, Livio.
PAGE 8
Panel 1: A large portrait of Wolfwood with his sunglasses and back turned, fills the background, smiling as he holds his cigarette in his hand.
Livio: Hey, Mr. Vash?
Vash: Mm?
Livio: Would you mind tellin’ me a lil more about him… Wolfwood? Ya see, we were close at the orphanage as kids, but I don’t know who he became. I’ll understand if you don’t want to, you owe me absolutely nothin’.
Panel 2: A close-up of Vash’s coffee, Wolfwood’s staple morning drink, Vash’s reflection smiles back, tears in his eyes.
Vash: I’d love to.
PAGE 9
Panel 1: Bonus! Sometime later.  Drawn in chibi style.
Livio: Can I hug ya?
Vash: Sure, buddy!
Panel 2: They hug, Vash smiles, and Livio whimpers as he lets out the waterworks. He’s thankful for Vash’s kindness.
Panel 3: This sets Vash off, who also sobs. They cry in each other’s arms.
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high-voltage-rat · 2 months
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I think it's fascinating that the quotes:
"Have you forgotten sir, we were at war? A fight with an alien race for the very survival of our species. I feel I must remind you that it is an undeniable, and may I say fundamental quality of man, that when faced with extinction, every alternative is preferable."
"When you spend every day fighting a war, you to demonize your attackers. To you, they're evil, they're subhuman. Because if they weren't, what would that make you? What I'm trying to say... is I've been afraid to see you for what you really are. You're our brothers. Our sisters. And the things we've done to one another are unforgivable."
"These guys want to use us, take us away from our families, and send us all over the dad-gum galaxy just to test if their agents are ready for the big fight? Well... guess I'm interested in showin' em exactly what a big fight is all about! So I'm not ordering you to go. I ain't even asking. You do what you gotta do, Private."
came from the same series whose standard fare is lines like:
"What in the hell are you two doing?" / "We're being executed by our own men, sir." / "Cut it out."
"I only drink the blood of my enemies, and the occasional strawberry yoohoo."
"You always said I could sleep when I’m dead, Sarge, and guess what? I am dead. This purgatory is about to become purga-snore-y, yawn!"
...and both categories manage to be a poignant statement about the nature of war and what it does to the people in it.
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