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#gerry marks
formlines · 9 months
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Raven Transformation Pendant
Gerry Marks
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zimtrim · 11 months
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Devo - Mark Mothersbaugh
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lizard-queen-izzy · 27 days
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Thinking about how it definitely physically hurt Jon to burn Gerry's page. How severing a link to that much information probably drove the Eye mad.
Jon feeling the sensation of the page burning across his whole body. Feeling a wave of heat and searing pain consume him as the page burned in his waste bin. The light of the flames flickering their light across his eyes as he watched what was left of his friend burn away. Consumed in the pain, but accepting it because he knew he was freeing Gerry.
Jon who was so hopeful Gerry was still out there somewhere. Who was devastated to learn he'd died. Who was so excited to learn he was still around, in a way. Who had to burn his final tie to this plane and let him rest.
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wheredidalltheusersgo · 3 months
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Introducing: The Surfer Dudes, Pete and Gerry!
They're fun, they're laid back, and they refuse to spend their final years in a seniors centre!
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mythserene · 4 months
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Lewisohn: rewriting history in the area where we trust him most – the songs performed
-In which Lewisohn rewrites a Beatles story and completely changes the songs sung, and coincidentally changes them in such a way so that if you know your Beatles trivia you'll think that Paul completely hogged the mic for two-thirds of the show-
Although I’ve come to a place where I’m more surprised to find a Lewisohn quote that turns out to be accurate than I am one that’s butchered, I have tended to believe that he is trustworthy on things like dates and songs performed. I’ve felt like that’s probably his anchor, and that he shapes the rest of his narrative around that.
But perhaps the habit of taking license cannot help but spread into other areas, because I am discovering that neither dates nor song lists turn out to be sacred with Mark Lewisohn.
As far as dates, that is part of a bigger piece that has been tangling me up for a few weeks, but his version of “the Beatmakers” performance shows that Mark Lewisohn will write what he wants, and that he has zero compunction in changing history to suit himself, regardless of subject.
In Chapter 22: “Right then, Brian — Manage Us,” a primary theme is that every promoter was done with the Beatles when Brian Epstein came along. Brian Kelly, especially, is given the role of being fed up with them, and Lewisohn uses “the Beatmakers” performance—Gerry and the Pacemakers and the Beatles going on stage together—as an example of how bad everything was just before Brian stepped in. (I do believe that Brian was a godsend, but that doesn’t mean that Lewisohn’s narrative is supported in every area, and in some places he stretches a lot more than in others. This is definitely one of those areas.)
Here’s the story: before going to the Litherland Town Hall performance, Bob Wooler had been drinking, maybe with the Beatles, and in Lewisohn’s version, Gerry seeing that they were all drunk sent “Gerry Marsden scuttling to the pub around the corner.” Every telling I’ve seen, one way or another, is in agreement that Gerry Marsden as well as Wooler had been drinking, and that the Pacemakers and the Beatles all played together with Wooler introducing them as “the Beatmakers.” Lewisohn adds some highly unlikely Preludin into the mix—“John, pissed and pilled…”—but I’m not going to take that on here.
Along with the chance to tell a riotously colorful story—one that in Lewisohn’s telling goes much farther than any of the source materials I’ve found—the main point of the tale is for Wooler to give us the climax of the—(all unsourced, other than this single, butchered Wooler quote)—frustration Lewisohn tells us promoter Brian Kelly was feeling: “Brian Kelly was fraught with anxiety over it. It was only a short episode and a bit of a shambles.”
The quote by Wooler that Lewisohn uses to try to prove his point, and the one and only reference he gives to support any of his “Brian Kelly fed up/Epstein must save Beatles” narrative is a modification of one of those Lewisohn monsters I call a “donut.” (There’s a hole in the middle. However in this case, as in many others, he also adds words that were never spoken.)
THE ACTUAL WOOLER QUOTE:
“Brian Kelly was fraught with anxiety over it, but the audience liked it. It was a bit of a shambles really, so I lowered the curtain on the proceedings.”
LEWISOHN’S REWRITE:
“Brian Kelly was fraught with anxiety over it. It was only a short episode and a bit of a shambles.”
And while I am very interested in what Lewisohn is using for his Brian-Epstein-saved-the-Beatles-but-Paul-tried-to-thwart-him narrative, I felt the need to pause to look at Lewisohn’s massive and nonsensical alterations to this performance, especially in the songs the improvised combo-band played. (And yet how very authoritatively Lewisohn does it.)
The whole section has problems, but let us deal with the songs.
Mark Lewisohn says they “thundered through four numbers”—
The Beatmakers thundered through four numbers—“Whole Lotta Shakin’ Goin’ On,” “What’d I Say” (extended mix), “Red Sails in the Sunset” and the new Ray Charles record “Hit the Road Jack”—during which John, pissed and pilled, slid from the piano and slumped on the stage.
—‘Tune In,’ Lewisohn – Chapter 22 (Emphasis mine.)
Sticking to the songs, the page referenced in the footnote first quotes Bob Wooler:
“They did a few numbers like ‘Hit The Road Jack’, swopping instruments and the like.”
—FOOTNOTE 9: ‘The Best of Fellas’ – Bob Wooler (Emphasis mine)
Then the next paragraph quotes Gerry Marsden, and I’m going to add boldface to the songs he says they played:
“It worked very well as we all knew the same songs and all played the same songs. Paul, John and I took turns on the piano and Les played the sax. We did ‘Roll Over Beethoven’, ‘Johnny B. Goode’, ‘Great Balls Of Fire’, ‘Pretend’, ‘Blueberry Hill’, ‘I’m Walkin'’ and ‘Sweet Little Sixteen’, probably some others too.”
—FOOTNOTE 9: ‘The Best of Fellas’ – Gerry Marsden (Emphasis mine)
So, either they performed exactly four numbers, including an “extended mix” of Paul wailing ‘What’d I Say,’ —or— they performed at least eight numbers and “probably some others, too.”
“The Best of Fellas” version from Bob Wooler and Gerry Marsden that is referenced in the footnote makes sense in ways that Lewisohn’s rewriting doesn’t. Marsden begins by saying that they all knew the same numbers, and moreover what Lewisohn is telling us is that Paul took over the mic for three out of four numbers, and went so far in his spotlight-hogging selfishness as to sing an “extended version” of ‘What’d I Say.’ It’s a particularly egregious “if you know, you know” insertion that conjures up a very damning image of Paul in this otherwise “mutual mood of cooperativeness.” But not only is Lewisohn’s song list not supported, if Paul had hogged the spotlight that way it’s only reasonable to believe that Marsden would have remembered that, and certainly wouldn’t have described the collaboration in the way he did. And if Paul was hogging the mic and spotlight and had sung song after song where he was the lead, Marsden absolutely, positively, would not have rolled off a list of songs that didn’t include a single, solitary Paul song. That is simply beyond belief.
Gerry Marsden’s recollection also makes a lot of sense in that it’s natural that he would best remember the songs where he sang lead. And indeed, out of the seven songs he names, four are Pacemakers’ songs. (Including the one Wooler names and Lewisohn decides to agree with: “Hit the Road, Jack.”) And none of the songs anyone names are songs where Paul sings lead. Two are John songs and the other is a George song, which lends credence to Gerry Marsden’s “probably some others, too” comment, because it’s likely that there was at least one song where Paul was lead.) But in Lewisohn’s seemingly fabricated four-song list, other than “Hit the Road, Jack” they’re all Paul numbers. So not only does Lewisohn choose to have Paul singing an extended version of a scene-stealing “What’d I Say” but he slyly tells us that Paul basically hogged the microphone for seventy-five percent of the numbers (and even more of the time) that this “cooperative” was on stage together. Now, if you’re not a hardcore fan with a fair amount of knowledge this will probably slip past you, but if you’ve got a dog in this hunt, and especially if you already think Paul McCartney is a self-obsessed prima donna, you’ll get the picture Lewisohn is so deliberately painting. And I write deliberately very—well, deliberately—because if a writer makes the decision to veer away from the record and create a very specific, very limited, and very fictional song list for an anecdote about two groups deciding to get together and sing, and more than two-thirds of the songs chosen for the historical rewrite are Paul songs—and then that writer even goes to the trouble of telling readers that Paul sang an “extended mix” of one of those songs—then of course it’s deliberate. Lewisohn didn’t choose his reinvented song list at random out of a Bingo cage.
Here are the songs referenced in the footnote versus the songs that Lewisohn says they sang.
SOURCE MATERIAL SONG LIST/USUAL LEAD:
“Hit the Road Jack” ✓ /Gerry Marsden
“Roll Over Beethoven”/George
“Johnny B. Goode”/John
“Great Balls Of Fire”/Gerry (and Paul?)
“Pretend”/Gerry Marsden
“Blueberry Hill”/Gerry Marsden
“Sweet Little Sixteen”/John
“I’m Walkin'”/Gerry Marsden
LEWISOHN’S SONG LIST/USUAL LEAD:
“Hit the Road Jack” ✓ /Gerry Marsden
“Whole Lotta Shakin’ Goin’ On”/Paul
“What’d I Say” (extended mix)/Paul
“Red Sails in the Sunset”/Paul
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P.S. If you haven't been reading all of @wingsoverlagos 's work, you absolutely have to. She's done so much and Lewisohn's inventions are so much worse than I realized.
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clairebearsparkles · 2 years
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TW: Nausea || Jon's time with the Corruption, pt 1
Part 2 Of Corruption
I want to do a mini series of this Eye!Jon getting the markings, since he definitely has different experiences with getting them
Credits once again to the amazing @jasontoddiefor for the au idea
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big fan of milfs and their little lap dog men
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hellish-cruelty · 1 year
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Monumental fucking episode, Historical moment, Brilliant television.
What a fucking Shit Show At The Fuck Factory!
Succession, Connor's Wedding: Season 4, Episode 3 (Parallels)
Frames chronologically- Connor's Wedding Season 4: Episode 3, All The Bells Say Season 3: Episode 9, Intro music
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gameofthunder66 · 9 months
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'Fear' (1996) film
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-rewatched 8/21/2023- 3 [1/4] stars- on Netflixdvd
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formlines · 9 months
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Eagle Earrings
Gerry Marks
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zimtrim · 1 year
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Devo - Mark Mothersbaugh
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rookrock · 3 months
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I want to believe Gerry is happy and remains so. However,
JONNY
GODDAMN
SIMS
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slimepuppied · 2 months
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romangerri soulmate au.
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bamboobrat · 1 year
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succession s4 e3 recap: i just called to say are you a cunt? 1/2
ding dong the bitch is dead!
today we celebrate! extra long recap! (you'll find part two here and at the bottom)
it's finally time to fire gerri:(((
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this has been in the cards since the hazmat suit remark, but still shakes me to the bones.
and sticking her with cruises? horrifying.
almost as horrifying as logan asking roman to kill her...
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"you two, you know, you were close"
dickpickgate, the laughs were too high a price to pay.
on a more positive note, greg is also not having a good day.
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is he out of the inner circle? was he ever in? did kerry really look up if a focus group existed and pull him apart like string cheese?
my guess is it's because he is annoying. on this, logan and i agree. visually aggravating, indeed.
(on a more serious note, yes, i've seen the posts about nick and all i can say is believe women)
big boss man's last words:
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i wasn't paying attention. karolina was in the scene.
tom uses one line to summarize the episode we never got.
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wanting to kill cyd and gerri on the same day can kill you, you know. it's called karma.
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felt a strong impulse to skip the intro having seen the trailer, but i'm a good lil nick britell fangirl of course.
also, you know it's going to be a good episode when it's a mylod.
roman is very nervous about breaking up with his girlfriend firing gerri. "let's enjoy this sham marraige and the death of romance", he said...
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i know i asked for more gerri. THIS NOT WHAT I MEANT!
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roman is me, i am roman etc.
i'm also sad to report that i am, in fact, team hat.
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they are sad and angry but not in a perverted way:(
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so, so pretty<333 j. for supporting! sarah for lead, please!
it's the least they could do. seriously.
looks like having to kill gerri was the last drop for our romey.
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calling your dad a cunt right before he dies? it's shakespearean.
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connor associates victoria spunge with the loony bin. some of you might think the cake is not an essential part of this episode, but you are wrong.
shiv doesn't pick up the phone. first the cake, now this!!
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this is what my mom tells me all the time: gotta pick up the phone, i could be dying.
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and just like that... logan roy died. on the toilet. where all horrible fathers deserve to die. special shout out to tywin lannister!
the writers are absolute sickos for making me actually morn this guy by watching how his children absolutely fall to pieces:
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roman repeating how everything will be okay. ken saying he can't forgive logan, but that he loves him. shiv immediately reverting back to her younger self and calling logan daddy...
anyone else have some trauma responses to share?
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these asshole kids crying over their asshole father </3
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they frantically go back and forth between accepting that he is dead and making action plans on how to save him. it's a beautiful and heartbreaking throwback to the first season, when they still believed their money and status could save them from experiencing death.
even billionaires are mortal. really makes u think 👀
frank calls kendall son and i think it finally sinks in. i'm a pool of tears ready to be wiped up off the floor.
shiv and ken go to let connor know.
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they look so smol and lost and sad, i CAN'T. they really are kids.
connor is on some GOAT shit with this line:
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well, his father may not ever have liked him, but at least he got the world's strangest hug from his homey romey.
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being in denial too hard can cause hug disfunction.
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it's not a nice thing to call someone dead.
truly a heartbreaking rant we get from kieran here. one emmy for our favorite slime puppy!
karl continues to be the voice of reason:
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i feel connected to this man, spiritually and emotionally.
he should pour one for kerry as well.
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our girl is simply not dealing. fingers crossed for a delicious breakdown to come.
tom agrees.
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funniest shit i've ever seen.
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this is why we like to keep karl around, for the drinking and the nicknames.
part 2
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90smovies · 2 years
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clairebearsparkles · 2 years
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TW: Nausea and Vomiting || Jon's time with the Corruption pt 2
Part 1 of Corruption
Gerry's a true friend for helping Jon hold up his hair
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