The Manster (1959)
My rating: 6/10
At its heart, a fairly average 50s monster movie, with the rubber prostheses and the yelling and lumbering and all that, with a sort of "involuntary Jekyll and Hyde" angle, and there really was no reason to set it in Japan. But there was no reason not to, either, and the fact that they did diversified the cast quite a bit - they hired Japanese-American and Japanese actors (apart from the female lead, who was mixed-race), too, so there's no yellowface - and there seems to be a fairly earnest attempt at a respectful and accurate portrayal of contemporary Japanese culture. Not bad, for a movie called The Manster.
That little model volcano going off in the background near the end was adorable, though.
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The Manster aka The Split (1959)
Director(s): George P. Breakston and Kenneth G. Crane.
Starring: Peter Dyneley, Jane Hylton, and Tetsu Nakamura.
An American journalist stationed in Japan is given a mysterious injection by a mad scientist, turning him into a murderous, two-headed monster.
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THE MANSTER (1959) – Episode 159 – Decades Of Horror: The Classic Era
“Hey, Doc. Tell her it’s an old American custom called smooch. And tell her she smooches good, huh? And tell her I’d like to give her some advanced lessons, huh?” Don’t you just love those old American customs? Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they travel to a mountaintop in Japan; a mountaintop that provides the inconvenient lab location for the creation of . . . The Manster (1959)!
Decades of Horror: The Classic Era
Episode 159 – The Manster (1959)
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An American journalist stationed in Japan is given a mysterious injection by a mad scientist, turning him into a murderous, two-headed monster.
Directors: George P. Breakston (as George Breakston); Kenneth G. Crane
Writers: William J. Sheldon (screenplay by) (as Walt Sheldon); George P. Breakston (from an original story by) (as George Breakston)
Music by: Hirooki Ogawa
Cinematography by: David Mason (director of photography)
Makeup Department: Fumiko Yamamoto (makeup artist)
Special Effects: Shinpei Takagi
Selected Cast:
Peter Dyneley as Larry Stanford
Jane Hylton as Linda Stanford
Tetsu Nakamura as Dr. Robert Suzuki (as Satoshi Nakamura)
Terri Zimmern as Tara
Norman Van Hawley as Ian Matthews (as Van Hawley)
Jerry Itô as Police Superintendent Aida (as Jerry Ito)
Toyoko Takechi as Emiko Suzuki
Kenzo Kuroki as Genji Suzuki
Alan Tarlton as Dr. H.B. Jennsen
Shinpei Takagi as Temple Priest
George Wyman as Monster
Fujie Satsuki as Cleaning Woman (uncredited)
“SEE THE TWO-HEADED KILLER CREATURE!” screams the tagline from The Manster, half man-half monster. The Grue-Crew follows the cast and crew to Japan for this delightfully silly, yet oddly effective, late 50’s creature feature. The results are part Jekyll and Hyde, part pre-Cronenberg body horror (RE: an eye growing out of the hero’s – or is it the villain’s – shoulder). Don’t let the title fool you, this one deserves a Saturday afternoon Monster-kid viewing. Check out what the Grue-Crew think with episode 159.
At the time of this writing, The Manster is available to stream from Amazon Prime in B&W and colorized versions, and from Tubi.
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Daphne, is Dr. Jekyll and Mr. Hyde (1920) starring John Barrymore! This will be the Classic Era Grue Crew’s ninth journey to Silent Screamland. Yup, Chad’s going to have to read intertitles again.
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at
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To each of you from each of them, “Thank you so much for watching and listening!”
Check out this episode!
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The Manster (1959/1962)
Bruce Robinson with How to Get Ahead in Advertising, Sam Raimi with Army of Darkness, and how many others watched The Manster on Elvira’s Movie Macabre and pocketed the idea away for a future film? One of which is #120 in the Criterion Collection. I’ll let you guess which one.
Experiments gone wrong, an American reporter lured by a Japanese lab assistant, a determined doctor, and the inevitable end.
I don’t remember seeing this one on Elvira’s Movie Macabre, which I swear to baby jesus I watched every week. But that was ... 40 years ago. The horror. Literally.
B Horror movies have long held a fascination for me. Now I know they are the seed for other, prettier, more flushed-out storytelling. But the start - the beginning - the genesis if you will - starts with B.
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285 #Inktober Day 12 Stuck. The Manster (双頭の殺人鬼, Sōtō no Satsujinki, "The Two-Headed Killer") is a 1959 American science-fiction horror film. Shot in Japan, it was produced by George P. Breakston and directed by Breakston and Kenneth G. Crane from a screenplay by Walter J. Sheldon. Sheldon's script was based on Breakston's story which he originally titled The Split. #Inktober2021 #Manster #art #artwork #artistofinstagram #artist #artistforhire #Custom #create #drawing #drawingaday #draweveryday #illustration #pencil #sketch #ink https://www.instagram.com/p/CU9Q96grOJL/?utm_medium=tumblr
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The Manster - USA, 1959
The Manster – USA, 1959
‘See the two-headed killer creature!’
The Manster – aka 双頭の殺人鬼, Sôtô no Satsujinki – is a 1959 American horror feature film produced by George P. Breakston and directed by Breakston and Kenneth G. Crane (The Monster from Green Hell) from a screenplay by Walter J. Sheldon, based on Breakston’s story. It stars Peter Dyneley and Jane Hylton. It is also known as Doktor Satan (in Greece), The Split a…
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