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juicyfacefuckingartandshit · 2 months

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I have so many fucking ideas I want to draw for disco Elysium but I am procrastinating doing their little drawing things so I can know how I want them to look like I’ve got a ref sheet for Harry, Kim, jean, Judit and I should probably do one for trant, Elizabeth, Cuno, Klassje, and probably also Titus

AUGHHH procrastination…. AIGHHHHH

Ok so my list of things I want to draw is IN NO PARTICULAR ORDER

1. Harry trying to shield Kim from the rain with his hand or maybe his ledger and it just falls behind his glasses and directly into his eyes

2. Harry and Kim pushing a stroller and someone is like ‘oh wow I bet he’s a cutie!! Can I see!!!’ And when they look it’s cuno

3. Someone in the fucking these boots are made for walking pose (I don’t know why I just need to)

4. OHHH MY FOD NO???? SAD vv?? WHAT THE FUCK PAST ME??? Apparently I want TK ahve harry FUCKING DYING ???

5. AND KIM FUCKING DUING????? PAST ME???? STOP?????? IT HURTS NO

6. That one quote from the tiny hawk movie ‘why does it smell like pee pee and poo poo in here?’ With someone talking about Harry probably Jean??? OR CUNO???? someone…

7. The one thing where the caption is ‘I said watch yo tone’ but with jean and judit where Judit fucking SPIKES HIM after he was a little bit mean to the saddest wettest most crumpled up guy ever

8. Someone doing thag thing from that one vidoe where the guy walks up to the security camera with sunglasses on and then takes them off the reveal another pair of sunglasses, probably jean or maybe Kim???

9. King of the junjil but with Harry du bois I do NOT know how I’m going to do this I do NOT want to animate please but he would so be like ‘what kind of animal do you think I’d be? SERIOUS ANSWERS ONLY’ to either the hardie boys or the 41st Kim would say rooster with the hardie boys and judit would say rooster with the 41st

Smaller side ones:

Fuck the world and the world jackets

Someone drew Harry as an image of someone at the Gaylord building I NEED to do one but with jean and with that fucking mural

Harry eating a lighter (there in an image I have as a ref)

You will NEVER be clean stop hurting your anus (kim??? Judit??? WHO????)

Harey as an image of Cem Karaca

“She says my mutton chops are like pork chops” it’s perfect j have to

KIM AND HARRY AS THE BUSTED SONG FROM PHENIAS AND FERN JFS LITERALLY PERFECT GUYS

“ok. keep bulying me, im a fking nobody its whatever i kno im a fk up and i kno everyone hate me in here.” As Harry and possibly jean

That hey wake up image with the fire bjt with Harry and the fuckinf scab

Disco pose ref image with Kim and Harry

Kim doing one of his very fancy poses he does when he’s going to shoot something WHY DOES HE MAKE THAT POSE??? WHY???

Also Harry and Kim in cold weather Kim with his jacket zipped all the way up to the collar and Harry with functioning lapels

OH AND KIM MAKIKG OUT WITH HIS KINEEMA

AND HAREY HOLDING A CIGARETTE WEIRDLY

#disco elyisum

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papermoonloveslucy · 3 years

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ZIEGFELD FOLLIES

April 8, 1946

Directors: Lemuel Ayers, Roy Del Ruth. Vincente Minnelli, George Sidney, Norman Taurog, Charles Walters. Robert Lewis Producer: Arthur Freed for Metro Goldwyn Mayer

The shooting schedule ran between April 10 and August 18, 1944, with retakes plus additional segments filmed on December 22, 1944 and then between January 25 and February 6, 1945. The film was first proposed in 1939.

Synopsis ~ We meet a grayed, immaculately garbed Florenz Ziegfeld, Jr. in Paradise (his diary entry reads "Another heavenly day"), where he looks down upon the world and muses over the sort of show he'd be putting on were he still alive.

PRINCIPAL CAST

Lucille Ball ('Here's to the Ladies') is appearing in her 64th film since coming to Hollywood in 1933.

Fred Astaire ('Here's to the Ladies' / Raffles in 'This Heart of Mine' / Tai Long in 'Limehouse Blues’ / Gentleman in 'The Babbit and the Bromide') also appeared with Lucille Ball in Roberta (1935), Top Hat (1935), and Follow the Fleet (1936). His name was mentioned twice on “I Love Lucy.”

Lucille Bremer (Princess in 'This Heart of Mine' / Moy Ling in 'Limehouse Blues')

Fanny Brice (Norma Edelman in 'A Sweepstakes Ticket') appeared in the original stage version of many editions of The Ziegfeld Follies on Broadway.

Judy Garland (The Star in 'A Great Lady Has An Interview') also starred with Lucille Ball in Thousands Cheer (1943).

Kathryn Grayson (Kathryn Grayson in 'Beauty') also starred with Lucille Ball in Thousands Cheer (1943).

Lena Horne (Lena Horne in 'Love') also starred with Lucille Ball in Thousands Cheer (1943).

Gene Kelly (Gentleman in 'The Babbit and the Bromide') also starred with Lucille Ball in Thousands Cheer (1943), Du Barry Was A Lady (1943), and A Guide for the Married Man (1967). He made an appearance on the Lucille Ball special “Lucy Moves to NBC” (1980).

James Melton (Alfredo in 'La Traviata')

Victor Moore (Lawyer's Client in 'Pay the Two Dollars')

Red Skelton (J. Newton Numbskull in 'When Television Comes') also starred with Lucille Ball in Having Wonderful Time (1938), Thousands Cheer (1943), Du Barry Was A Lady (1943), and The Fuller Brush Girl (1950). On TV he appeared on “The Lucy-Desi Comedy Hour” in “Lucy Goes To Alaska” (1958). Ball and Skelton appeared in numerous TV specials together.

Esther Williams (Esther Williams in 'A Water Ballet') also appeared with Lucille Ball in Easy To Wed (1946).

William Powell (Florenz Ziegfeld Jr.) also played the same character in The Great Ziegfeld (1936).

Edward Arnold (Lawyer in 'Pay the Two Dollars') appeared with Lucille Ball in Roman Scandals (1933) and Ellis in Freedomland (1952).

Marion Bell (Violetta in 'La Traviata')

Cyd Charisse (Ballerina in 'Beauty') also starred with Lucille Ball in Thousands Cheer (1943).

Hume Cronyn (Monty in 'A Sweepstakes Ticket') was honored by The Kennedy Center in 1986, at the same ceremony as Lucille Ball.

William Frawley (Martin in 'A Sweepstakes Ticket') played the role of Fred Mertz on “I Love Lucy” and “The Lucy-Desi Comedy Hour”. He also appeared on “The Lucy Show,” his final screen appearance.

Robert Lewis (Chinese Gentleman in 'Limehouse Blues' / Telephone Voice in 'Number Please')

Virginia O'Brien (Virginia O'Brien in 'Here's to the Ladies') also starred with Lucille Ball in Thousands Cheer (1943), Du Barry Was A Lady (1943), and Meet The People (1944).

Keenan Wynn (Caller in 'Number Please') appeared with Lucille Ball in Easy To Wed (1946), Without Love (1945), and The Long, Long Trailer (1954).

SUPPORTING CAST

Ziegfeld Girls

Karin Booth

Lucille Casey

Aina Constant

Elizabeth Dailey

Frances Donelan

Natalie Draper

Karen X. Gaylord

Aileen Haley

Carol Haney

Shirlee Howard

Margaret Laurence

Helen O'Hara

Noreen Roth

Elaine Shepard

Kay Thompson

Dorothy Tuttle

Dorothy Van Nuys

Eve Whitney - appeared on “I Love Lucy” episode “The Charm School” (ILL S3;E15).

Dancers

Gloria Joy Arden

Jean Ashton

Irene Austin

Judi Blacque

Bonnie Barlowe

Norman Borine

Hazel Brooks

Ed Brown

Kathleen Cartmill

Jack Cavan

Marilyn Christine

Laura Corbay

Rita Dunn

Meredyth Durrell

Shawn Ferguson

Jeanne Francis

Jean French

Mary Jane French

David Gray

Bill Hawley

Doreen Hayward

Charlotte Hunter

Virginia Hunter

Patricia Jackson

Margaret Kays

Laura Knight

Laura Lane

Dale Lefler

Melvin Martin

Diane Meredith

Lorraine Miller

Joyce Murray

Janet Nevis

Ray Nyles

Billy O'Shay

Jane Ray

Dorothy Raye

Beth Renner

Melba Snowden

Walter Stane

Ivon Starr

Robert Trout

Chorus Boys

Rod Alexander

Milton Chisholm

Dick D'Arcy

Dante DiPaolo

Don Hulbert

Herb Lurie

Matt Mattox

Bert May - appeared on “The Lucy Show” in “Lucy and Tennessee Ernie Ford”

Jack Purcell

Tommy Rall

Ricky Ricardi (!)

Alex Romero

“LIMEHOUSE BLUES” starring Fred Astaire, Lucille Bremer, and Robert Lewis

Robert Ames (Masked Man)

James Barron (Couple with Banners)

Eleanor Bayley (Couple with Branches)

Mary Jo Ellis (Couple with Banners)

Sean Francis (Ensemble)

James King (Rooster)

Harriet Lee (Bar Singer)

Eugene Loring (Costermonger)

Charles Lunard (Masked Man)

Patricia Lynn (Ensemble)

Ruth Merman (Ensemble)

Garry Owen (1st Subway Policeman)

Ellen Ray (Couple with Parasols)

Jack Regas (Masked Man)

Billy Shead (Couple with Parasols)

Ronald Stanton (Couple with Branches)

Wanda Stevenson (Ensemble)

Ray Teal (2nd Subway Policeman)

“LOVE” starring Lena Horne

Juliette Ball (Club Patron)

Lennie Bluett (Dancer)

Suzette Harbin (Flirt)

Avanelle Harris (Club Patron)

Maggie Hathaway (Dancer)

Charles Hawkins (Club Patron)

Marie Bryant (Woman Getting Her Man Taken)

Cleo Herndon (Dancer)

“THIS HEART OF MINE” starring Fred Astaire and Lucille Bremer

Helen Boyce (Countess)

Feodor Chaliapin Jr. (Lieutenant)

Naomi Childers (Duchess)

Charles Coleman (Majordomo)

Sam Flint (Majordomo's Assistant)

Sidney Gordon (Masked Man)

Count Stefenelli (Count)

Robert Wayne (Dyseptic)

“PAY THE TWO DOLLARS” starring Edward Arnold and Victor Moore

William Bailey (Subway Passenger)

Joseph Crehan (1st Judge) - played a Detective on “I Love Lucy” “The Great Train Robbery”

William B. Davidson (2nd Judge)

Eddie Dunn (3rd Subway Policeman)

Harry Hayden (Warden)

George Hill (2nd Subway Policeman)

Wilbur Mack (Subway Passenger)

Larry Steers (Magistrate)

“NUMBER PLEASE” starring Keenan Wynn

Peter Lawford (Voice of Porky)

Grady Sutton (Texan)

Audrey Totter (Phone Operator Voice)

Kay Williams (Girl)

OTHERS

Bunin's Puppets

Elise Cavanna (Tall Woman)

Jack Deery (Man)

Rex Evans (Butler in "A Great Lady Has An Interview”)

Sam Garrett (Roping / Twirling Act)

Silver (Horse in "Here's to the Ladies')

Arthur Walsh (Telegraph Boy in "A Sweepstakes Ticket") - appeared on “I Love Lucy” in “Lucy Has Her Eyes Examined” (ILL S3;E11).

‘FOLLIES’ TRIVIA

Sidney Guilaroff, Lucille Ball’s hair dresser, who takes responsibility for her famous ‘golden red’ for this movie, becoming her trademark color.

Although they appear in different segments, this is the only feature film collaboration between “I Love Lucy co-stars" Lucille Ball and William Frawley. Coincidently, Frawley's character in this film shares a striking similarity with his iconic character of Fred Mertz on “I Love Lucy.” In this film he plays a money-hungry curmudgeon of a landlord, much like the show. In the above photo, he appears with director Minnelli and co-star Brice.

The horse ridden by Lucille Ball is the Lone Ranger's Silver!

Lucille Ball was actually fired by Ziegfeld from his road company production of Rio Rita in the 1930s.

In February 1956, Lucy and Desi appeared on “MGM Parade” to promote their MGM film Forever Darling. The show also included footage of Lena Horne singing from Ziegfeld Follies.

Lucy also played a showgirl in pink in “Lucy Gets Into Pictures” (ILL S4;E19) aired on February 21, 1955. The scene was inspired by Ziegfeld’s legendary stage shows featuring beautiful women wearing elaborate costumes navigating long staircases. To solidify the comparison, Ricky says he is going to a meeting with Mr. Minnelli. Vincente Minnelli was one of the directors of Ziegfeld Follies.

Lucy Ricardo had previously cavorted around in a lampshade in the manner of a Ziegfeld girl in both the unaired pilot and “The Audition” (S1;E6).

Ziegfeld Follies includes a sketch for Red Skelton called “When Television Comes” aka “Guzzler’s Gin” in which a (future) television spokesman gets increasingly sloshed on his product. This sketch was an obvious influence on Lucy’s Vitameatavegamin routine in “Lucy Does a TV Commercial” (ILL S1;E30) aired on May 5, 1952.

Ziegfeld Girl Eve Whitney appeared on “I Love Lucy” episode “The Charm School” (ILL S3;E15). She used her own name for the character.

The Telegraph Boy in "A Sweepstakes Ticket" Arthur Walsh - appeared on “I Love Lucy” in “Lucy Has Her Eyes Examined” (ILL S3;E11) as Arthur ‘King Cat’ Walsh. He teaches Lucy how to jitterbug.

The first Judge in the “Pay the Two Dollars” James Crehan also played the Police Detective on “I Love Lucy in “The Great Train Robbery” (ILL S5;E5) first aired on October 31, 1955.

Porky, a voice on the telephone in “Number Please” Peter Lawford, played “Password” against Lucille Ball on September 24, 1964. At the time, Lawford was married to President Kennedy’s sister, Patricia. On November 26, 1968, Ball was a guest on “The Tonight Show” when Peter Lawford was sitting in for Johnny Carson.

Chorus Boy Bert May appeared as a solo dancer on “The Lucy Show” in “Lucy and Tennessee Ernie Ford” (TLS S5;E21) in February 1967.

In the dressing room, Lucy jokes with Fanny Brice, one of the funniest women in showbusiness. This was the only time Ball and Brice collaborated and was Brice’s last film.

Ziegfeld’s follies began on Broadway, so it was appropriate that the show featured past and future Broadway musical stars:

Lucille Ball ~ Wildcat (1960)

Carol Haney ~ The Pajama Game (1954)

Tommy Rall ~ Call Me Madame (1950)

Fanny Brice ~ The Ziegfeld Follies

Marion Bell ~ Brigadoon (1947)

Victor Moore ~ Anything Goes (1934)

There was a lot of material that was not filmed, but written and cast. Some of the original skits would have added “Lucy” performers Mickey Rooney, Ann Sothern, and Van Johnson to the cast.

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balu8 · 4 years

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Fairy Tale Parade #7, cover by Walt Kelly

“The Ugly Duckling“, Pencils: George Kerr

“The Brave Princ“;Pencils: Casper Emerson

“The Mermaid“ by Gaylord Du Bois (adaptation) and Pencils: Arthur E. Jameson

#dell comics #comic book #cover #fairy tale parade #walt kelly #source comicbookplus

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hclib · 5 years

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NOW ON VIEW IN SPECIAL COLLECTIONS My Mighty Journey, A Waterfall’s Journey

In May, renowned printer and wood engraver Gaylord Schanilec stopped by the Special Collections department to deliver our copy of his latest project, My Mighty Journey, an impressive fine press book done in collaboration with author John Coy, designer Paul Nylander, and book binder Barb Eijadi, of which only 40 copies were produced. Gaylord gave us a tour of the book describing the concept, process, and work that went into creating this impressive work of art over the last four years. My Mighty Journey and other artists’ books by Gaylord Schanilec, are now on view in Special Collections. My Mighty Journey is open for reading and browsing.

Owamniyomni, the Falls of St. Anthony, is the only major waterfall on the Mississippi River. Over the past twelve thousand years, it has eroded fifteen miles to its present location in downtown Minneapolis. My Mighty Journey is the story of this migration, written from the perspective of the waterfall. The narrative considers the people who lived nearby, the ways they lived, and how the area around the waterfall changed drastically in the past two centuries.

Coy’s poetic narrative complements Schanilec’s stunning visual images, which feature material collected along the riverbank—wood, stones, fish, and plants—to show the progression of the waterfall as it moved fifteen miles upriver from present-day St. Paul to its current location in Minneapolis.

My Mighty Journey was purchased for the Hennepin County Library with funds generously donated by Chris Du Bois. A trade version of this book will be available in October. Join us for an author talk and book signing on Saturday, November 2, 2-3 p.m.

Learn more about the four-year development and creation of My Mighty Journey @mymightyjourney

#Minneapolis #Minnesota #MMJ #Mississippi River #St. Anthony Falls #artists' books #Book Arts and Fine Press Collection #Gaylord Schanilec #John Coy #Minneapolis History

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thewidowstanton · 5 years

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The Widow’s Best of 2018

In what has been another miserable year in many respects, the arts have been more important than ever in keeping spirits high. Here are some of the things we’ve liked. They lean a little, but – suffering as we are from ‘circus fatigue’ – certainly not all the way, towards that art form. But first we have something to say. Last year when we posted our ‘Best of’ round-up, one of our favourite cabaret acts had a fit of pique and unfollowed us and blocked us because she hadn’t made the cut. So this time, before offending anyone else of a similarly delicate disposition, we’d like to point out that to be considered for our list, we have to have seen your show – even if it’s an old one – during the year. So, now that’s clear, let’s proceed. All shows are in London unless otherwise stated.

BEST SHOW: Knot by the hand-to-hand duo of Nikki and JD – American Nikki Rummer and Frenchman Jean-Daniel Broussé – seen (again) at The Place. This show has it all: skill, emotion, humour, dance, music. We simply loved it! Don’t miss it on tour again in 2019.

MALE CIRCUS ARTIST OF THE YEAR: Laci Simet, whose 40-year career has encompassed appearances on high wire, Wheel of Death, motorbike on the wire, skywalks and more recently The Semaphore – a recreation of the Koch Sisters revolving act – during which he balances on a knife edge that is constantly falling away from him. His was also the MOST READ WIDOW INTERVIEW.

FEMALE CIRCUS ARTIST OF THE YEAR: Rhiannon Cave-Walker from Fauna, not just for her stunning skills but because she’s such lovely person. Fauna ran at Flora Herberich’s Battersea Circus Garden during Wandsworth Arts Fringe.

BEST ACT: The flying Russian cradle in Cirque du Soleil’s OVO at the Royal Albert Hall, Barcode’s Russian bar with flyer Alexandra Royer and bases Eric Bates and Tristan Nielsen, seen at Cirque de Demain in Paris, and anything Lewie West did in Gravity & Other Myth’s Backbone, which ran at the Queen Elizabeth Hall.

BEST SURPRISE APPEARANCE: The stupendous Rowan Heydon-White, who popped up unannounced in Circa’s Peepshow during the Underbelly Festival.

MOST INNOVATIVE CIRCUS SHOW: The holograms used in Circus Roncalli.

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BEST THEATRE SHOW: Mother by Peeping Tom Dance at the Barbican during the London International Mime Festival.

MOST WELCOME RETURN FROM INJURY: Lydia Harper, who returned to Cirque du Soleil’s TORUK after four months off following hip surgery. And Andrew Adams of The Silhouette. Having fallen 30ft from the Wallendas’ high wire and being badly hurt, he recovered and appeared with Sasha Harrington at Cirque de Demain.

BEST CIRCUS 250 SHOW: Chris Barltrop’s self-penned one-man show, Audacious Mr Astley – seen at the Edinburgh Festival Fringe – tops the year celebrating the birth of circus in the UK. Chris also gets BEST COSTUME for Astley’s beautiful and authentic red coat.

BEST MC: The inimitable Calixte de Nigremont, whom we met at last at Cirque de Demain.

BEST MAGIC TRICK: Yann Frisch appearing a pack of cards from nowhere during Le Paradoxe de Georges in his spectacular movable theatre Le Camion-Chapiteau – which gets BEST VENUE – in Paris, and Eric Chien’s Ribbon act to become 2018 FISM close-up champion.

MOST ARRESTING IMAGES: Phia Menard’s show about suicide, Les Os Noirs, at the Montfort Theatre in Paris.

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BEST ONGOING NIGHT: Rose Thorne and Benjamin Louche’s Double R Club at Bethnal Green Working Men’s Club.

MOMENT OF WONDER: Cai Guo-Qiang’s exquisite daytime powder fireworks. Plus Lewie West skidding on this hands in Backbone, and Daniel Cave-Walker balancing on his head in Fauna. Look, no hands!

BEST CIRCUS CABARET: Black Cat Bohemia at the Underbelly Festival at Southbank Centre. A simply wonderful show! It transcended the format, which can often look tired, and its line-up included our interviewees Lj Marles, Katharine Arnold and Nicolas Jelmoni, as well as others knock-out acts such as the lovely Jo Moss.

MOST UNIQUE SHOW: Crème de la Dregs by Dina Martina at Soho Theatre.

BEST ‘IN CONVERSATION’: Performance artist Rose English and Stine Hebert during Crying Out Loud’s Circus Sampler at Somerset House.

BEST DANCE: B-boy Elihu Vazquez in Barely Methodical Troupe’s SHIFT, seen at the Norfolk & Norwich Festival, and German Cornejo and Gisela Galeassi’s thrilling duets in Tango After Dark at the Peacock Theatre.

BEST DANCE CIRCUS: Motionhouse’s Charge also at the Peacock. BEST CIRCUS FILM: Psycho-Circus with Christopher Lee from 1966, in which a circus becomes the location for stolen loot and murder!

MOST FABULOUS: Régis Marvin Merveille N'Kissi Moggzi in the joyous French teen movie/documentary Swagger, which is set in one of the country’s most under-privileged neighbourhoods.

BEST INTERVIEW: Gaylord Fields speaking to the tireless Petula Clark on WFMU. Hoping for some UK concerts in 2019.

BEST MUSIC IN A CIRCUS SHOW: Elliot Zoerner and Shenton Gregory’s soundtrack for Backbone, played live onstage.

MOST SHOWBIZ: Mr Murray Hill. Nobody cared when his show at the Edinburgh Festival Fringe drifted off course and never came back. It was enough to be in the New York icon’s presence.

BEST SHOWBIZ BOOK: Spun Into Gold: The Secret Life of a Female Magician by Romany, Diva of Magic.

BEST BURLESQUE: Dita Von Teese, naturally, plus the stunning Zelia Rose, but certainly not the rest of the cast in The Art of the Teese at the Carré in Amsterdam.

BEST TV CHARACTER: Ciro di Marzio from Gomorra and Joséphine ‘Maître’ Karlsson from Engrenages/Spiral.

MOST IMPRESSIVE MEMORY FEAT: Laura Linney in I Am Lucy Barton at the Bridge Theatre, who was word perfect in this 90-minute monologue.

BEST GIG: Winter Kills (Piano Magic) at Antenna Studios, Barry Adamson at Union Chapel, and Sevdaliza at The Barbican.

BEST SOLO SHOW: Songs for Nobodies, Bernadette Robinson’s astonishing portrayal of five divas: Garland, Cline, Piaf, Holiday and Callas, at Wilton’s Music Hall.

MOST UPSETTING: The news that the spectacular French variety show Le Plus Grand Cabaret du Monde, hosted by Patrick Sébastien, is ending in June 2019. Sob!

MOST CHARISMATIC: Isabella Rossellini in her theatrical lecture, Link Link Circus, at the Queen Elizabeth Hall; a sort of follow-up to her wonderful Green Porno.

ONE TO WATCH: Mieke Lizotte, currently with Gravity & Other Myths.

MOST ANTICIPATED IN 2019: Aurélia Thiérée’s Bells and Spells at the Theatre Royal during the Norfolk & Norwich Festival, and Isabelle Huppert in the film Greta!

MOST MISSED: Circus artist/actor Raphael Cruz, who died at just 32, and our lovely friend Merian Ganjou of the fabulous Dior Dancers, who died aged 79. Keep on flying, Merian!

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Look out for the first of our interviews in the new year, which will be with one (or more) of the artists from Cirque Eloize show Hotel, which is coming to the Peacock Theatre in February.

Pic credits: Fabio Affuso; Nicholas Brittain

Follow @TheWidowStanton on Twitter

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neptunae · 3 years

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https://coupsurplacedujour.over-blog.com/2021/01/couple-du-jour-du-tierce-en-couverture-le-journal-gratuit-du-parieur-08-janvier-2021.html

LE JOURNAL GRATUIT DU PARIEUR DU 26/02/2021

5 GENERAL DE LOIRON

15 GABO DI ROCCA

13 GENERAL HAUFOR

16 GOSSIP BOY

6 GIGOLO DU NOYER

11 GAI MATIN

14 GAYLORD JAYF

10 GINKGO THELOIS

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onlylonelylatino · 7 months

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Tarzan by Russ Manning

#tarzan #lord greystoke #russ manning #dell comics #golden age #gaylord du bois #john clayton

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johnweekscollections1 · 4 years

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Korak Son of Tarzan Issue 18 - August 1967 Published by Gold Key [K.K. Publications] USA Cover Art by George Wilson Stories featured: Korak, Son of Tarzan in 'Giant Of Clay' … by Gaylord Du Bois (w); Nat Edson (a) Mabu, Jungle Boy in 'A Friend In Need' … by Gaylord Du Bois (w); Nat Edson (a)

Check out the various comic books that I am now letting go : https://johnweekstraveller.wixsite.com/johnweekscollections/comics-for-sale

#Korak #Tarzan #GoldKey

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mrrubbersuitman · 5 years

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#turok #turok son of stone #gaylord du bois #rex mason #dell comics #silver age comics #geek gifts #man cave #she shed #comics for sale

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hernehillandy · 5 years

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Something I learned today* One of the things I love about wine is the way it constantly surprises you. You regularly realise how much you still don’t know (or at least I do): new places, new grapes, new twists on wines you thought you knew well. But for that, you need good, adventurous wine merchants prepared to seek out the new: you’re never going to find many surprises in the supermarket. And I was reminded of this at today’s tasting from the ever-brilliant The Bunch collective of independent wine merchants. Here, in no particular order, are some of the things I learnt today in the course of an hour and a half’s tasting (interspersed with long and anguished handwringing with Fiona Beckett, Anthony Rose, Olly Smith and others about the current state of our Brexiteer-hijacked nation). * Hüsker Dü, pictured above - 1984, from Zen Arcade: see https://www.youtube.com/watch?v=rktLCGpQ3RA.  You can make Rioja taste like Beaujolais – Artuke Rioja 2018 (Lea and Sandeman, £11.95): I exaggerate somewhat but I honestly would not have recognised this as a Rioja, even though it’s 95 per cent tempranillo (the rest is viura – I’ll admit that I didn’t know you could use white grapes in Rioja, though perhaps I should have.) Carbonic maceration gives this wine a uniquely juicy and, well, Beaujolais-y tang. Not sure it would be my choice but it was arresting. And to be honest I could have put the contents of the entire brilliant Lea and Sandeman table in here too… You can make almost-rosé champagne that’s not rosé – Champagne Gatinois Brut Tradition NV, Grand Cru Ay (Hayes, Hanson and Clark, £34.45): this champagne is not listed as a rose, and its very delicate, slightly-pink colour can’t be the product of more than a couple of hours’ skin contact at most. Still, the 90 per cent pinot noir fruit shines through deliciously – expressive and long. Very unusual. Picpoul can be quite nice – (Adnams Picpoul de Pinet 2018, £7.49): It’s not the greatest-ever vinous revelation but I for one have got pretty tired of the ubiquity on even pub wine lists of flabby, blah Picpoul de Pinet: better than pub pinot grigio or a kick in the groin, slightly less enjoyable than a half of Stella. So it was a pleasure to taste this Picpoul, made for Adnams by Jeanjean. OK, so Jeanjean are now part of the giant AdVini group, reportedly France’s fourth-largest wine company, but one with its roots still firmly in its home patch of the Languedoc. And this is very decent at the price: clean and well-balanced with a little bit of breadth. There’s another Chablis taste-alike north of the Côte d’Or – Sorin Coquard Bourgogne Blanc 2016, Côte d’Auxerre (Private Cellar, £14.75): as something of a French geography anorak, I’m embarrassed to admit that I had until now missed the Cote d’Auxerre appellation (the generic AOC for the area around Irancy and St Bris, south-west of Chablis on the other side of the Autoroute du Soleil.) Pure and taut chardonnay with a quite Chablis-like stoney, mineral quality. There is a talented French winemaker called Gaylord – Domaine Gaylord Machon “Cuvée Lhony” 2015, Crozes-Hermitage (Lea and Sandeman, £25.95): one might suppose that most people with parents mad or cruel enough to call them “Gaylord” would themselves learn the lesson and name their boys, say, John (or Jean). Not Gaylord Machon, whose sons rejoice in the names Lhony and Ghany – after which he has named his two cuvées of Crozes-Hermitage. And fair play to him, this one is about as serious as Crozes gets: gorgeous fresh, brambly fruit with the added depth and structure of a strong vintage. Top notch. There’s a decent Austrian grape called Neuberger – Feiler-Artinger Neuberger 2017, Burgenland (Tanners, £22.50): writing this, it’s almost inevitable that tonight I will run into crowds of office workers drunk on this Austrian grape after over-indulging at one of the popular “Neuburger ‘n’ a Nurnburger” wine-and-sausage promos in local pubs. Still, I hadn’t come across it before this tasting. Apparently a roter veltliner/sylvaner cross, as some drunken smartass will doubtless tell me tonight before getting in the next round of neubergers. Quite full, fruity, well-balanced, expressive: for this kind of money to be honest I’d prefer a top-end grüner veltiner – but this is intriguing. You can make syrah in Morocco that tastes like the northern Rhône – Domaine des Ouled, Thaleb Syrah du Maroc “Tandem” 2017 (Yapp, £16.25): northern Rhône superstar Alain Graillot and partner Jacques Poulain make this syrah 30km north of Casablanca, Morocco. I guess the combination of altitude, Atlantic breezes, Crozes-Hermitage clones and a Rhône winemaker account for the fact that, although it’s made the best part of 1200km-plus south of Tain L’Hermitage, it tastes very, well, Crozes-like in its freshness and acidity, albeit with a bit more depth and fruit. Very good. Vaccarèse and Terret Noir are actual Rhône grapes – Gourt de Mautens 2015, IGP Vaucluse (Corney and Barrow, £54.75): I suppose I should know by the heart the grapes permitted in the Rasteau AOC (no Googling now) but while the grenache noir dominant in this is inter-planted with syrah, mourvèdre and cinsault (predictable), is Châteauneuf-du-Pape curiosity counoise allowed? Every wine critic remembers, with a mixture sympathy and schadenfreude, our colleague Oz Clarke’s televised failure to identify this and most of the other eight permitted Châteauneuf red grapes in a blind tasting – so I’ll admit now that I had forgotten the very existence of the vaccarèse and terret noir grapes in this group. Whether in their proportion or their mere unauthorised presence, they dictate that this Rasteau is actually labelled an IGP Vaucluse. And our government fancy their chances against French bureaucrats? Hilarious. Anyway, this is fantastically luscious and long, if expensive. Hüsker Dü’s legendary frontman Bob Mould plays The Garage, Islington on Sunday 29 September 19 September 2019

#wine #winetasting #rhone #syrah

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uncomicmas · 5 years

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Reseña de #Turok #5 ya a la venta por @dynamitecomics. El primer Turok comic fue creado en 1954 por Matthew H. Murphy, Gaylord Du Bois y Paul S. Newman, y desde entonces, un total de cinco editores diferentes han creado cómics basados en la Tierra Perdida y Turok. La serie gira en torno a un indio americano llamado Turok y su joven pupilo Andar cuando intentan encontrar una salida del Valle Perdido, un lugar atemporal donde los dinosaurios continúan prosperando. . . ¿De qué viene? En Turok #4 Turok, entra al templo de cristal en The Lost Valley y se encuentra con muchas versiones de sí mismo mis, en ese momento Andar, Sarah y el General entran a a ayudarlo. . . ¿Qué sucede? Turok lucha con Hunter, este ser que controla el espacio tiempo, una batalla entre varias versiones alternas de Turok y Hunter llena las páginas de acción y emoción. Turok vuelve todo a la normalidad pero se queda con Andar en esta era de dinosaurios para tener más aventuras. Resumen Con mucho acción, flechas, balas y Turok restaura el espacio tiempo, este cómic cierra este arco argumental Calificación 4.5 de 5 . . Créditos Escritores: Ron Marz Ilustrador: Roberto Castro Fecha de lanzamiento: 4 de septiembre Publicado por: Dynamite Comics Fuente de Imagen @dynamitecomics Portada arte de @ragsnhashtags . . . . #dinosaurs #comicbooks #jurassicpark #comics #jurassicworld #trex #comicbook #marvelcomics #dinosaur #marveluniverse #dccomics #comicart #superheroes #igcomicfamily #superhero #comic #comicbookart #cosplayworld #dcuniverse #geeky https://www.instagram.com/p/B2MACSNH_H6/?igshid=je4glbceyc5j

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grenobleagglo · 5 years

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Demain : Journée mondiale de la Terre : vive les initiatives individuelles libres loin du catéchisme violent des gardiens de dogmes. La journée mondiale de la Terre a été célébrée pour la première fois le 22 avril 1970. Le fondateur de cet événement est le Sénateur américain Gaylord Nelson. Il encouragea les étudiants à mettre sur pied des projets de sensibilisation à l’environnement dans leurs communautés. Aujourd’hui, le Jour de la Terre est célébré, à travers le monde, par plus de 500 millions de personnes dans 184 pays. Cette Journée c’est quoi à l’origine : la responsabilité individuelle positive. Cette responsabilité positive est celle qui existe chez un nombre considérable de personnes. Prenons l’exemple de la photo ci-dessus. Une dame d’un âge mûr peut être croisée passant un temps considérable pour embellir cette bordure de voirie publique. Elle ne court pas les subventions pour acheter les fleurs. Elle ne crée par une association pour donner des leçons. Elle fait. Elle agit. Elle plante. Elle désherbe. Elle arrose. Elle entretient les rondins de bois qu’elle vernit régulièrement pour qu’ils ne pourrissent pas. Et de façon surprenante, non seulement elle honore la terre en la mettant ainsi en valeur, mais elle agit pour la

sécurité routière sans le moindre panneau indicateur verbalisateur. Car cet endroit est tellement beau que les automobilistes ralentissent. Ils s’arrêtent même pour se croiser afin d’éviter d’empiéter sur les fleurs. L’âme humaine montre aussi toutes ses possibilités quand la raison positive domine. Voilà la véritable journée de la Terre. Le jour où les praticiens de ce type seront majoritaires, la Terre retrouvera des couleurs et de belles perspectives d’avenir.

21 avril 2019

#environnement #nature #journée de la terre

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giornalepop · 6 years

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IL FANTASTICO DEL NOVECENTO NASCE DA TARZAN

Uno degli uomini che più ha contribuito alla creazione del mondo fantastico dell’ultimo secolo è senz’altro lo scrittore americano Edgar Rice Burroughs (1875-1950), creatore di Tarzan.

Dopo avere fatto mille mestieri, Burroughs si improvvisa scrittore per le riviste di letteratura popolare chiamate pulp. Nel 1912, “All Stories” pubblica a puntate il romanzo che lo renderà famoso: “Tarzan delle…

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#alberto giolitti #conan #doug wildey #edgar rice burroughs #frank frazetta #gaylord du boys #gold key #john carter di marte #mike royer #paul norris #pellucidar #robert e. howard #russ manning #tarzan

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sphynxtee · 4 years

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