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sevenpixels · 2 years
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PETITE MAMAN (2021)
dir. Céline Sciamma
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shimizuyuko · 1 year
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Petite Maman (2021)
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randomrichards · 2 years
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PETITE MAMAN:
When Grandma dies
Family cleans on old house
Girl finds friend in woods
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screenshothaven · 5 months
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Petite Maman (2021)
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sweetsmellosuccess · 10 months
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Celiné Sciamma's charming film, "Petit Maman," is carefully set in early fall, a particularly enigmatic period of time where everything is in transition between summer joy and winter solemnity. We meet 8-year-old Nelly (Joséphine Sanz) as she's bidding adieu to the women in the nursing home in which her grandmother has just passed away. Along with her grieving mother, Marion (Nina Meurisse), and lackadaisical father (Stéphane Varupenne), the young girl goes to her grandmother's house, where her mother grew up, in order to clear it out for the last time.
Wandering in the woods, she runs into another 8-year-old girl (Gabrielle Sanz), who turns out to be, by some unexplained dint of fate and magic, to be her own mother, only from many years before. Naturally, the two hit it off immediately, and spend the few days they have together playing games, making pancakes, going for a raft ride, and enjoying each other's company.
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rookie-critic · 1 year
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Petite Maman (2021, dir. Céline Sciamma) - review by Rookie-Critic
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"You did not invent my sadness."
Petite Maman was a quiet, understated, beautiful masterpiece. Director Céline Sciamma's follow up to the highly acclaimed Portrait of a Lady on Fire, Petite Maman sees a mother and daughter mourning the loss of a mother/grandmother while trying to clear out the house that she lived in. Less is most definitely more here, and the lessons this movie gives on grief (both independent and shared), and how we handle death as adults, as children, and as parents are subtle, but extremely profound. Josephine and Gabrielle Sanz are incredibly bright young talents that get to handle the full brunt of this movie's emotional weight and they both do so beautifully. Do yourself a favor and go watch this. It is in French, but in today's world that should never stop you from seeing a film, especially one this good.
Score: 10/10
Currently available for streaming on Hulu.
I would like to amend my Top 20 Films of 2021 to place this squarely at #2 behind C'mon C'mon. Let the record show!
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forfoxessake · 1 year
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[109] Petite Maman (2021)
Directed by Céline Sciamma 
 It just amazes me how can something so simple as two children playing can be so meaningful and beautiful. I currently have no other words to describe this precious movie.
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thebutcher-5 · 2 years
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Petite Maman
Benvenuti o bentornati sul nostro blog. Nello scorso articolo abbiamo deciso di cambiare argomento e di passare al mondo dei fumetti recensendo, dopo tantissimo tempo, un comic sui supereroi ossia Superman: Su nel cielo. In questa storia Superman scopre che una bambina orfana è stata rapita da degli alieni e, dopo una lunga riflessione, decide di abbandonare la Terra per cercarla, intraprendendo…
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entrevisttas · 2 years
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Aquí está la lista de los colaboradores de Entrevisttas.com. Si te apetece colaborar, no lo dudes... contáctanos a través de la web.
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thexfridax · 11 months
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Time loop: Twin sisters Joséphine and Gabrielle Sanz as mother and daughter in ‘Petite Maman’ © Alamode Film
Interview with Céline Sciamma:
“Alliances are extremely important”
An interview with French director Céline Sciamma about her new film ‘Petite Maman’ and the power of women.
By Susanne Lintl, kurier.at, 17.03.2022
[T]ranslated by @thexfridax
Whenever a French film succeeded in the past couple of years, it was very likely that she was involved in it: Céline Sciamma, born in 1978, does not only write excellent screenplays (among others for Jacques Audiard’s great suburban documentary[sic] ‘Les Olympiades’ or for André Téchinè’s ‘Quand on a 17 ans’); with her own films, she’s also become one of the most important voices in the European auteur cinema in the past 15 years. In her new film ‘Petite Maman – When we were children’ (coming to cinemas as of Friday), the follow-up to her multi-award winning female drama ‘Portrait of a Lady on Fire’, the staunch feminist and Lesbian (she was in a relationship with Adèle Haenel for a long time) goes on a tender journey of childhood. At the house of her recently deceased grandmother, an 8-year old girl meets her mother who happens to be of the same age, and finally begins to truly understand her through joint talks and activities.
“It was my idea that a child meets a young version of her mother. Children are a good topic in cinema, because they are precise observers. Vital analysts of their environment and of course of their parents. In a certain way, it makes you come alive, when you observe them. Children are curious and have their own perspective of the world. Instinctively, you think about your own life, your own experiences as a child,” says Sciamma in the interview with the KURIER[.] Of course, she’s borrowed from her own childhood: “There were many connections. First of all, I made the film in the city, where I came from, in Cergy-Pontoise. The house and the rooms are based on my grandmother’s house, which I remember very well. It’s made a lasting impression on me, because I felt comfortable at her place. Grandmothers are key figures for children, especially for girls. When they die, it’s a turning point, a terrible break.”
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Céline Sciamma, renowned French screenwriter and director © APA/AFP/JOEL SAGET
Have you also built tree houses as a young girl? - “Yes, I loved doing that. We have also filmed in the woods, where I played as a child.”
In ‘Petite Maman’, Nelly and Marion grapple with reality while building tree houses or playing together, thus getting to know each other. The encounter with the past and her mother’s 8-year old self, makes the present clearer for Nelly. She understands why her mother often feels so sad. “She suddenly sees [T: cue KT Tunstall] her own history through a new lense,” according to Sciamma. A touching scene, where Nelly tries to dispel her mother’s fear before a major surgery, knowing full well that she will get through it: “Everything will be fine”.
Céline Sciamma likes films with and about young people, coming-of-age films that tell the stories of childhood, its loss during adolescence and how this leads to disorientation. ‘Water Lilies’ or ‘Tomboy’ are about this difficult search for identity. Her heroes are always women – they have shaped her, rarely disappointed her, and supported her during difficult times.
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Building a tree house with your own child-mother: ‘Petite Maman’ © Alamode Film
“When I look back, then I see that alliances with women were extremely important for me. Alliances that I forged right at the beginning of my journey. With people, who are still present in my life. Especially with my producer Bénédicte Couvreur, who I knew since my film studies. You have to know who to rely on, otherwise you won’t make it.”
Sciamma is one of the initiators of Collectif 50/50, a feminist collective, which aims at promoting gender equality as well as sexual and gender diversity in cinema and audiovisual media. “A powerful alliance often doesn’t look very mighty, but it doesn’t matter. Stick together and believe in your generation, then we are strong. That’s what I want to tell women”.
Next, Sciamma would like to do “something international”. A film, which is not based in France. “I need to try something new. Experiment. Try out something different”. Sciamma hints at the direction this may go. She is an ardent admirer of the Japanese anime master Hayao Miyazaki, [of whom she says] in the US film magazine ‘Little White Lies’:
“I love his masterpieces like ‘My Neighbour Totoro’ or ‘Spirited Away’. It would be wonderful if I could make a film like that”. ‘Ma vie de Courgette’, for which I wrote the screenplay, was already an animated film”.
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To better understand your own mother: ‘Petite Maman’ © Alamode Film
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paulinawoodpecker · 4 months
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Tad The Lost Explorer and the Crystal of Atlantis characters/ cast
Tad: Trevor white (singing: ZAYN )
Sara: Alex Kelly (singing: Tori Kelly)
Mummy: Joseph Balderrama (singing: Joseph Balderrama)
Tiffany maze: Gemma whelan (singing: Taylor swift)
Ramona: pippa Bennett warner (Bebe wood)
Victoria: Elena Sanz (singing: auli’i Cravalho)
Ramirez: Elena suarel (singing: auli’i Cravalho)
Reena: Olivia Rodrigo (singing: Olivia Rodrigo)
Lukas: Patton oswalt (singing: Justin Bieber)
Amy Jefferson: Eden Riegel
Jasmine Jefferson: Ciara bravo
Princess kida: Jenny slate
Roca: Travis Scott
Wawa: Jenna Ortega
Prya: Anna Kendrick
Luca: James corden
Anne: phillpha Alexander
Queen Rosalina: Christina apple white (singing: Jennifer Lopez )
Shanlina: Nicki Minaj (singing: phillpha soo)
Sarafina: Catherine Keener (singing: Maya Rudolph)
Max: Adam james (singing: Adam Sandler)
Jack: Ramon tikaram (singing: James Arthur)
Pickles: Gary Martin (singing: Andrew rannells)
Tiffany: Sheila Victor (singing: Renee Rapp )
Blair: dove Cameron
Ying: Constance Wu
Andrea: Cristina V
Riña: Brittney spears (singing: Brittney spears)
Ruth: snoop dog
Charlie: Jack Harlow
Ninja: Cathy Ang
Agent nick : Chris pine
Agent Lou: pitbull
Agent Justin: Lukas Gabriel
Zulo: Samuel L Jackson
Zula: china anne McClain
Joya: Becky hill (singing: Becky hill)
Other voices:
Elena: Aimee Carrero
Isabel: Jenna Ortega
Naomi: Jillian rose reed
Mateo: Joseph Haro
Gabe: Jorge Diaz
Felice: Elle fanning
Victor: may wolff
Camille: Maddie Ziegler
Odette: Carly Rae jespen
Eep: Emma stone
Dawn: Kelly Marie Tran
Guy: Ryan Reynolds
Thunk: Clark duke
Princess peach: Anna Taylor joy
Mario and Christopher maverick: Chris Pratt
Sonic: Ben Schwartz
Tails: Colleen o shaughnessy
Knuckles: idris Elba
Claire: Lexi medrano
Sam S: Anna faris
Winnie: Geraldine viswanathan
Alexandra: Aimee Garcia
Jun: Ashley Liao
Asha: Ariana debose
Mavis: Selena Gomez
Tulip: Katie crown
Queen Amaya: Angelique carbal
Dahlia: Jennifer kumiyama
Simon: Evan Peters
Hal: Niko vargas
Gabo: Harvey Guillén
Safi: ramy youssef
Bazeema: Della saba
Dario: Jon rudnitsky
Kenny: Ken jeong
Kevin: Kevin hart
Ryan: Roger Craig smith
Jessie wakins: Tiffany haddish
Flora peace: Ariana grande
Minnie wakanda: Kiki Layne
Snowy Moscow: Taylor swift
Chai Ming Kong: awkafina
Kelsey swells: Ariel winter
Nagham hugh: Beyonce
Song list:
All I want: Olivia Rodrigo (Rini wants to ask Lukas to be her boyfriend)
Watch me work: (joyas villain song ft. Her henchmen; takes place when she steals every singers and rappers talent)
Mount rageous: (joyas villain song 2.0 ft her henchmen)
Better place (family harmony): (Tad’s team frees all the singers and rappers)
Just sing (world tour): (all the singers and rappers freedom)
Marry you: Bruno mars (tad and Sara’s wedding aka epilogue)
Most wanted: (Beyoncé and Miley Cyrus): (end credits)
(All the singers and rappers will be able to be in this film)
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cyarskaren52 · 8 months
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https://web.archive.org/web/20200127175703/https://www.nytimes.com/2020/01/26/arts/music/grammy-winners.html
2020 Grammy Winners: The Complete List
https://web.archive.org/web/20200127172755im_/https://static01.nyt.com/images/2020/01/26/arts/26grammys-winners-billie/merlin_167891961_805fe086-4b08-486d-9d8e-20c0069f55bf-superJumbo.jpg?quality=90&auto=webp
Compiled by Lauren Messman
Published Jan. 26, 2020Updated Jan. 27, 2020, 10:28 a.m. ET
The 62nd annual Grammy Awards were on Sunday. Here are highlights from the show:
Billie Eilish won five awards, including record, album and song of the year, capping a night that also saw multiple wins for Lizzo and Lil Nas X.
Our critics and writers weigh in on the best and worst moments.
Lizzo and host Alicia Keys kicked off the show by addressing the death of the basketball star Kobe Bryant.
The ousted Grammys chief Deborah Dugan is at war with the Recording Academy. In a speech, Keys seemed to reference the turmoil.
Check out the red carpet looks.
See the complete list of winners below:
Record of the Year
“Bad Guy,” Billie Eilish
Album of the Year
“When We All Fall Asleep, Where Do We Go?,” Billie Eilish
Song of the Year
“Bad Guy,” Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)
Best New Artist
Billie Eilish
Best Pop Solo Performance
“Truth Hurts,” Lizzo
Best Pop Duo/Group Performance
“Old Town Road,” Lil Nas X featuring Billy Ray Cyrus
Best Pop Vocal Album
“When We All Fall Asleep, Where Do We Go?,” Billie Eilish
Best Rock Performance
“This Land,” Gary Clark Jr.
Best Rock Song
“This Land,” Gary Clark Jr., songwriter (Gary Clark Jr.)
Best Rock Album
“Social Cues,” Cage the Elephant
Best Alternative Music Album
“Father of the Bride,” Vampire Weekend
Best Metal Performance
“7empest,” Tool
Best R&B Performance
“Come Home,” Anderson .Paak featuring André 3000
Best R&B Song
“Say So,” PJ Morton, songwriter (PJ Morton featuring JoJo)
Best Urban Contemporary Album
“Cuz I Love You (Deluxe),” Lizzo
Best R&B Album
“Ventura,” Anderson .Paak
Best Traditional R&B Performance
“Jerome,” Lizzo
Best Rap Performance
“Racks in the Middle,” Nipsey Hussle featuring Roddy Ricch and Hit-Boy
Best Rap Song
“A Lot,” Jermaine Cole, Dacoury Natche, 21 Savage and Anthony White, songwriters (21 Savage featuring J. Cole)
Best Rap Album
“Igor,” Tyler, the Creator
Best Rap/Sung Performance
“Higher,” DJ Khaled featuring Nipsey Hussle and John Legend
Best Country Solo Performance
“Ride Me Back Home,” Willie Nelson
Best Country Album
“While I’m Livin’,” Tanya Tucker
Best Jazz Instrumental Album
“Finding Gabriel,” Brad Mehldau
Best Latin Pop Album
“#Eldisco,” Alejandro Sanz
Best Latin Rock, Urban or Alternative Album
“El Mal Querer,” Rosalía
Best Americana Album
“Oklahoma,” Keb’ Mo’
Best Song Written for Visual Media
“I’ll Never Love Again (Film Version),” Natalie Hemby, Lady Gaga, Hillary Lindsey and Aaron Raitiere, songwriters (Lady Gaga and Bradley Cooper)
Producer of the Year, Non-Classical
Finneas
Best Music Video
“Old Town Road (Official Movie),” Calmatic, video director; Candice Dragonas, Melissa Larsen and Saul Levitz, video producers (Lil Nas X and Billy Ray Cyrus)
Best Comedy Album
“Sticks & Stones,” Dave Chappelle
Best Musical Theater Album
“Hadestown,” Reeve Carney, André De Shields, Amber Gray, Eva Noblezada and Patrick Page, principal soloists; Mara Isaacs, David Lai, Anaïs Mitchell and Todd Sickafoose, producers (Anaïs Mitchell, composer and lyricist) (Original Broadway Cast)
Best Instrumental Composition
“Star Wars: Galaxy’s Edge Symphonic Suite,” John Williams, composer (John Williams)
Best Arrangement, Instrumental or A Cappella
“Moon River,” Jacob Collier, arranger (Jacob Collier)
Best Arrangement, Instruments and Vocals“All Night Long,” Jacob Collier, arranger (Jacob Collier featuring Jules Buckley, Take 6 and Metropole Orkest)
A Grammys Red Carpet Fantasia
We went to the Grammys red carpet in Los Angeles.
Best Recording Package
Chris Cornell, Barry Ament, Jeff Ament and Joe Spix, art directors (Chris Cornell)
Best Boxed or Special Limited Edition Package
“Woodstock: Back to the Garden — The Definitive 50th Anniversary Archive,” Masaki Koike, art director (Various Artists)
Best Album Notes
“Stax ’68: A Memphis Story,” Steve Greenberg, album notes writer (Various Artists)
Best Historical Album
“Pete Seeger: The Smithsonian Folkways Collection,” Jeff Place and Robert Santelli, compilation producers; Pete Reiniger, mastering engineer (Pete Seeger)
Best Engineered Album, Non-Classical
“When We All Fall Asleep, Where Do We Go?,” Rob Kinelski and Finneas O’Connell, engineers; John Greenham, mastering engineer (Billie Eilish)
Best Remixed Recording
“I Rise (Tracy Young’s Pride Intro Radio Remix),” Tracy Young, remixer (Madonna)
Best Immersive Audio Album
“Lux,” Morten Lindberg, immersive audio engineer; Morten Lindberg, immersive audio mastering engineer; Morten Lindberg, immersive audio producer (Anita Brevik, Trondheimsolistene and Nidarosdomens Jentekor)
Best Contemporary Instrumental Album
“Mettavolution,” Rodrigo y Gabriela
Best Gospel Performance/Song
“Love Theory,” Kirk Franklin, songwriter (Kirk Franklin)
Best Contemporary Christian Music Performance/Song
“God Only Knows,” Josh Kerr, Jordan Reynolds, Joel Smallbone, Luke Smallbone and Tedd Tjornhom, songwriters (For King & Country and Dolly Parton)
Best Gospel Album
“Long Live Love,” Kirk Franklin
Best Contemporary Christian Music Album
“Burn the Ships,” For King & Country
Best Roots Gospel Album
“Testimony,” Gloria Gaynor
Best World Music Album
“Celia,” Angelique Kidjo
Best Compilation Soundtrack for Visual Media
“A Star Is Born,” Lady Gaga and Bradley Cooper
Best Score Soundtrack for Visual Media
“Chernobyl,” Hildur Guonadottir, composer
Best New Age Album
“Wings,” Peter Kater
Best American Roots Performance
“Saint Honesty,” Sara Bareilles
Best American Roots Song
“Call My Name,” Sarah Jarosz, Aoife O’Donovan and Sara Watkins, songwriters (I’m With Her)
Best Bluegrass Album
“Tall Fiddler,” Michael Cleveland
Best Traditional Blues Album
“Tall, Dark & Handsome,” Delbert McClinton and Self-Made Men + Dana
Best Contemporary Blues Album
“This Land,” Gary Clark Jr.
Best Folk Album
“Patty Griffin,” Patty Griffin
Best Children’s Album
“Ageless Songs for the Child Archetype,” Jon Samson
Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling)
“Becoming,” Michelle Obama
Best Regional Mexican Music Album (Including Tejano)
“De Ayer Para Siempre,” Mariachi Los Camperos
Best Tropical Latin Album
“Opus,” Marc Anthony
“A Journey Through Cuban Music,” Aymée Nuviola
Best Regional Roots Music Album
“Good Time,” Ranky Tanky
Best Music Film
“Homecoming,” Beyoncé Knowles-Carter and Ed Burke, video directors; Steve Pamon and Erinn Williams, video producers (Beyoncé)
Best Country Duo/Group Performance
“Speechless,” Dan + Shay
Best Country Song
“Bring My Flowers Now,” Brandi Carlile, Phil Hanseroth, Tim Hanseroth and Tanya Tucker, songwriters (Tanya Tucker)
Best Traditional Pop Vocal Album
“Look Now,” Elvis Costello and the Imposters
Best Engineered Album, Classical
“Riley: Sun Rings,” Leslie Ann Jones, engineer; John Kilgore, Judith Sherman and David Harrington, engineers/mixers; Robert C. Ludwig, mastering engineer (Kronos Quartet)
Producer of the Year, Classical
Blanton Alspaugh
Best Orchestral Performance
“Norman: Sustain,” Gustavo Dudamel, conductor (Los Angeles Philharmonic)
Best Opera Recording
“Picker: Fantastic Mr. Fox,” Gil Rose, conductor; John Brancy, Andrew Craig Brown, Gabriel Preisser, Krista River and Edwin Vega; Gil Rose, producer (Boston Modern Orchestra Project; Boston Children’s Chorus)
Best Choral Performance
“Duruflé: Complete Choral Works,” Robert Simpson, conductor (Ken Cowan; Houston Chamber Choir)
Best Chamber Music/Small Ensemble Performance
“Shaw: Orange,” Attacca Quartet
Best Classical Instrumental Solo
“Marsalis: Violin Concerto; Fiddle Dance Suite,” Nicola Benedetti; Cristian Măcelaru, conductor (Philadelphia Orchestra)
Best Classical Solo Vocal Album
“Songplay,” Joyce DiDonato; Chuck Israels, Jimmy Madison, Charlie Porter and Craig Terry, accompanists (Steve Barnett and Lautaro Greco)
Best Classical Compendium
“The Poetry of Places,” Nadia Shpachenko; Marina A. Ledin and Victor Ledin, producers
Best Contemporary Classical Composition
“Higdon: Harp Concerto,” Jennifer Higdon, composer (Yolanda Kondonassis, Ward Stare and the Rochester Philharmonic Orchestra)
Best Dance Recording
“Got to Keep On,” The Chemical Brothers, producers; Steve Dub Jones and Tom Rowlands, mixers (The Chemical Brothers)
Best Dance/Electronic Album
“No Geography,” The Chemical Brothers
Best Reggae Album
“Rapture,” Koffee
Best Improvised Jazz Solo
“Sozinho,” Randy Brecker, soloist
Best Jazz Vocal Album
“12 Little Spells,” Esperanza Spalding
Best Large Jazz Ensemble Album
“The Omni-American Book Club,” Brian Lynch Big Band
Best Latin Jazz Album
“Antidote,” Chick Corea and the Spanish Heart Band
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randomrichards · 5 months
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PETITE MAMAN:
When her mother dies
Mom cleans out childhood home
Daughter meets new friend
youtube
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jartitameteneis · 1 year
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“CUANDO SONARON LOS TIROS”:
MEMORIA DEL 7 DE MARZO DE 1916 EN LA UNIÓN
El Siete de Marzo de 1916 es fecha emblemática en la historia de la lucha por las conquistas sociales en la Sierra Minera.
En plena crisis agravada por las consecuencias de la Primera Guerra Mundial, las sociedades obreras plantearon a la patronal las siguientes reivindicaciones: aumento de cinco reales en el jornal, pago semanal del mismo y gasto del carburo y de su combustible por cuenta del patrono.
Fracasadas las negociaciones, fue convocada huelga general en toda la Sierra. El martes, 7 de Marzo de 1916, al regreso de un mitin en la Casa del Pueblo de El Llano del Beal, una multitud de huelguistas se detiene a su paso por la Fundición “Dos Hermanos” (“Fábrica de Pío”) al comprobar que se estaba trabajando en ella.
Allí fueron duramente reprimidos por la fuerza pública con el resultado de siete muertos (todos ellos huelguistas) y decenas de heridos. Los fallecidos se llamaban: Gabriel Gutiérrez Sánchez (37 años, de La Unión), Francisco Carrillo Paredes (15 años, de La Unión), Francisco Molero Rubio (20 años, de El Algar), Herminio Añón Martínez (20 años, de La Unión), Ginés Sanz Giménez (27 años, de La Unión), Ana María Céspedes Soler (45 años, de El Llano del Beal) y Valentín Escobar Callejón (46 años, de Alumbres).
En medio de la tragedia, la asistencia a las víctimas ofreció gestos heroicos, a cargo de los miembros de la Cruz Roja de La Unión, y de generosidad manifiesta por parte de las Siervas de Jesús en el Hospital Minero.
La huelga concluyó con el acuerdo de aumentar 25 céntimos de peseta en todos los jornales y de abonar semanalmente los salarios. Posteriormente, el Ayuntamiento de La Unión ha recuperado el nombre de “Siete de Marzo de 1916” para una de las principales calles de la ciudad. Además, la histórica fecha fue conmemorada como fiesta local en la década de 1980.
Con el recuerdo de aquellos sucesos homenajeamos hoy el legado de generosidad y de valentía amasado con el amor, el sudor y la sangre de nuestros abuelos.
Para ellos el merecido tributo del honor y de la memoria.
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cordeliaflyte · 1 year
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1, 12, 15
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Your favorite movie released this year
I haven't watched a single 2023 release yet!
A performance you think is underrated
The little girls in Petite Maman :) Gabrielle and Josephine Sanz
Already answered 15!
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