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#g-witch episode 15
ferhog · 1 year
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I now feel a little bad about every Owl House fan that I recommended Witch From Mercury to.
Then again the Owl House fanbase is weirdly into the idea of children suffering so maybe they’re thrilled with this.
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lordsmaf · 1 year
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Pictured: someone powerful
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adracat · 1 year
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G Witch Episode 15 thoughts
This was an intrigue heavy episode focusing on the nature of war profiteering and the Earthian conflict. This was a much needed look at differing perspectives beyond Suletta and Miorine.
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We knew from Earth House and Sophie/Norea that the situation on earth is bleak. But this was the first proper glimpse at how much. Constant rationing, unsafe living conditions, lack of medical care; the worst possible situation for these people. And that's not factoring in Spacian warmongering for the sake of profit margins.
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And poor Guel is caught in the middle of it all. You have to feel sorry for the guy. Sure, he's a spoiled spacian 'prince' but he also murdered his father and now his family company is about to be bankrupt while he's trapped as collateral. To the earthian's credit, they're trying to keep him alive. Sadly, Guel lacks the will to live after the plant incident.
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Nika's situation is also dire. Norea is devastated by Sophie's death and has no patience for Nika being a spacian sympathizer. She wails on Nika and chides her for being selfish. Norea has a bit of a point here, much as I like Nika. Attacking a school full of civilians was shitty, but so is the earthian treatment by spacians.
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Meanwhile, Shaddiq has an enlightening conversation with his adoptive father. It's revealed what exactly the corporations are doing to make a profit. To my understanding, they're funding wars by selling weapons to the highest bidder. Perhaps funding both sides of massive conflicts if it's profitable. Partitioning implies they divvy up sections of earth to corporations.
I suspected Shaddiq was some flavor of earthian since we know he's an orphan with a lot to prove. Half-earthian is interesting, since it implies he remembers his parents and sees himself relating more to his earthian heritage. He says he wants to break this system, but is that his true goal? The DoF were retaliated against because of his actions. We'll see.
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Sophie's gravemarker being stuffed animals hurts so much. She was a hero to these kids apparently. UGH! Twisting the knife. We also see the DoF prepping for the Benerit retaliation with these small bits of humanity. A soldier embraces his family as worried civilians watch on. The spacians are looking worse by the moment.
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I really liked this subplot for Guel. This girl was about to murder him as revenge for her father dying at Plant Quetta, but when she was crushed by rubble he tries to save her. She even asks him why, and the truth is he doesn't know. He just heard her calling for her dad and could relate to her grief.
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But for all his urgency, the child dies in his arms. He sounds shaken and visibly changed from the Guel we once knew. Guel has seen the horrors of earthian oppression first-hand. The only positive is this incident rouses him from depression.. I'm so proud of him. Though, it's still a mystery what he intends to do. Protecting the last he has of his father could mean anything.
**Quick addendum, it's so smart to have Guel go through these trials in particular. Not just because of his privilege , but he was the most entrenched in the dueling games and prized his piloting skill. The school intentionally familiarizes its students with weapons of war, reducing their impact when they begin selling or piloting for real. It's a cyclical horror-- children who become coporporate heads have no idea of the damage they're doing by selling these weapons at the earthian's expense.
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Brief mention to Olcott. I think you're pretty cool. He's apparently a former Dominicus soldier aquianted with Kenanji. Just like Guel with the girl, he empathized with Guel during his captivity, and it's implied he was the reason why the spacians didn't just do away with him. The man is shown to be traumatized himself by the rampant conflict. I'd love to find out more!
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This post-credits scene was a doozy. It's painful this is the bulk of Mio's screentime but at least it was interesting. We learn Notrette was a botanical engineer who veered into human bioengineering at some point. We also learn Prospera wasn't lying and QZ was indeed Notrette's vision. Rajan is cagey on the exact details but apparently Delling wants to complete it for his wife's memory. Sorta noble? The Notrette-Elnora/Prospera connection seems very likely now.
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It was lovely of Rajan to say this to her. He wants her to follow her heart and not what would please her parents. Whether Moirine will decide to proceed with Quiet Zero is for another day. i CAN'T BELIEVE IT ENDS HERE ;-;
See you next Suletta Sunday!
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**Addendum, again lol But I forgot to comment on Eri here. She does look older. It seems like she lived for a number of years past Folkvangr, but still died during piloting. A handful of years more at most
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finally have time to continue my rewatch and its the bob episode
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this episode really raised my expectations for the show in a way it never delivered so idk that there'll be much to say unless i see random stuff that ended up tying in later
now that the show is over i kinda feel like this episode was unnecessary lol it should have been a half ep if all it was gonna do was push guel back to space. it should have been an episode where the audience is made to sympathize with the plight of earthians more given what was to come and from what we see in the episode itself, but from the posts i saw around the internet between when the episode aired even up until now, a lot of people did not care for the earthian struggle and some even called them stupid. i'm sure that's just a ton of outspoken reactionaries but i wish they could have done more with this plotline
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instead we get this idiot full on stockholm syndroming over his abusive father. guel could have had a clean break from everything. hell, he could have continued being a shitty capitalist but yknow maybe not be a war profiteer.
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anyway, this ep marks our first opening change with eri's silhouette finally revealing her datastorm form
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i love nika's character but lol i'll always side with norea on this issue. nika's idealism is noble, but it just doesnt work irl. and her saying that dawn of fold is causing suffering is so laughable when spacians and the benerit group are literally foaming at the mouth for profit at each new conflict on earth that they can provide weapons to
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sabina-sama, my beloved
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yea amerikkka sucks, norea, i agree
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lol capitalists are so goddamn stupid
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the depressing thing about this line is how so many things work like this irl and capitalists don't care that eventually profits will come down to a trickle becuase they'll jump on to the next big thing to get them high profits as quickly as possible
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lol this is so dismissive to the suffering of an entire planet these evil ass people just left to rot
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i didnt remember that they have kenanji in this scene telling rajan what a bad idea it is to send benerit group brownshirts to attack earth. i guess it's supposed to paint him in a better light and make him seem "reasonable" or "moral" or whatever but lol no
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literally everyone pretty much until almost the end of the show
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i wish we'd gotten more interactions with sophie, like a flashback of her on earth with these kids would've been nice
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ok i guess i forgot the fight in this ep is cool, but lmao the prodoros doesnt even have a kit at all!!!!!!! so like what was the point
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damn comrade olcott rules
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oh huh thats kind of interesting. whatever that thing olcott's wearing looks an awful lot like the headpiece suletta and miorine wear in the timeskip to communicate with eri. i'm guessing it's some kind of gund tech since that facilitates the use of his prosthetic arm?
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*secelia voice* kashtanka woof woof
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can the novels please give us more info about this lmao like we're just never going to know why the hell notrette created quiet zero
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i'm really never gonna feel sorry or bad for delling, like ok you were sad your wife died and you were a controllling freak
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ok sure it's finally revealed to us why he came up with this ridiculous holder system but how dumb do you have to be to do this?
i said it in an earlier post as part of my rewatch, things could have gone soooo badly for miorine. guel was physically abusive, how was that leaving your daughter in "safe hands"? someone could have become the holder and literally raped her or something
anyway i hate delling and i'll forever headcanon that even though maybe they're on amicable terms in the end, miorine probably never fully forgave him
ok on rewatch i guess this episode was better than i remembered it being. like standalone, its definitely a good episode imo, but mannnn i really really wish it ended up tying more into the actual plot than it actually did. i just really sympathize with dawn of fold lol and instead they just got kinda brushed off as being pawns of the SAL's big plan to just rearrange who was profiting off weapons sales lol
ok might do ep 16 tonight too, not sure yet
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pencil-peach · 6 months
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G Witch Onscreen Text Series Masterpost
Here's links to all of the posts in my series where I analyze and discuss all the onscreen text in G Witch episode by episode! (And also just kind of talk about stuff I like...!)
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SEASON 1
Prologue
Episode 1: The Witch and the Bride
Episode 2: Cursed Mobile Suit
Episode 3: Guel's Pride
Episode 4: Unseen Trap
Episode 5: Reflection in an Icy Eye
Episode 6: A Gloomy Song
Episode 7: Shall We Gundam?
Episode 8: Their Choice
Episode 9: If I Could Take One More Step Towards You
Episode 10: Circling Thoughts
Episode 11: The Witches From Earth
Episode 12: Keep Marching On Instead of Running Off
SEASON 2 (IN PROGRESS....DONT LOOK..!!)
Episode 13: Envoys from Earth
Episode 14: What They Wish For
Episode 15: Father and Child
Episode 16: Cycle of Sin
Episode 17: Precious Things
Part 1: PRE- DUEL Part 2: DUEL
Episode 18: Our Empty Selves
Episode 19: Not the Best Way
Episode 20: The End of Hope
Episode 21: What We Can Do Now
Episode 22: The Woven Path
Episode 23: Unrelenting Tenderness
Episode 24:
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Why are you down here. The episodes are all up there. Go click one and get out of here!!!
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the-eeveekins · 4 months
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25 Days of G-Witch Reflection
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This was my 4th time watching G-Witch, but really the first time I've watched it start-to-finish since the show ended in July (I watched the Japanese version twice a week when it was airing and was also watching the English dub simultaneously, which ended a few weeks later). The idea to watch an episode a day starting December 1st and ending on Christmas Day didn't come to me until very late in November, when I was thinking about wanting to make sure I watched it again before the year ended. It was challenging at times and stressful at others, but I looked forward to watching an episode every day and writing down my thoughts on each one, and those thoughts slowly grew with each episode.
My thoughts? Well I still love this show, and honestly the pacing felt better this time around, but maybe that's just me getting used to it. That's not to say it's pacing is amazing, but now that I don't have the burden of certain expectations going in, the pacing and the speed at which the ending happened feel more natural. In addition, a lot of big problems I had before really feel like it might be a case of me overthinking things once I started writing them out everyday, but there's still the issue of the show being ambiguous enough that those things aren't clear in the first place.
I think G-Witch's biggest problem is the expectations people have going into it, some due to it being a Gundam series and some being how well it executes it's background themes. There is an expectation that the show will seriously tackle the conflict between Earth and Space, the corporate corruption, the co-opting of medical technology for warfare and the transhumanist questions raised in the prologue and ending. I personally believe that those were never meant to be a focus, that the point of this story was the relationship between Suletta & Miorine and the conflict of their families (with The Tempest serving as the framework for the story) and everything else was a background detail meant to move that story forward. So maybe the reason I love it so much and many of it's "flaws" don't bother me is I never expected it to (nor really wanted it to) tackle those issues, and focus on that family drama instead.
I remember being in the minority when the 2nd season was airing that didn't want a 3rd and 4th season, especially one that would turn G-Witch into a traditional war story. I liked that G-Witch seemed to be aiming for a smaller, tighter focus around Suletta & Miorine's family, and I could tell midway through S2 that that story was barreling towards it's conclusion and anymore would've just been another Gundam war story unless they continued to take this AU further and further away from the core Gundam experience.
Unfortunately, for one reason or another, the show itself seemed to forget that in parts of S2, and tried to be more like a traditional Gundam series for a moment. Watching it day-to-day makes episode 15 really stand out for how egregiously out of place it is, and the series ties too hard to keep Guel relevant during it's finale, to the detriment of more important things. We may never know what happened behind the scenes, but I still firmly believe that this was a result of executive meddling. My biggest complaint after this 4th viewing is that S2 spent too much time on the Jeturk family and not enough time with the Rembran family (Delling and Notrette are almost an afterthought), and instead of building the SAL as the final antagonistic faction, we wasted time following the Dawn of Fold for an episode that didn't impact the story. Definitely still think they needed to introduce the Demi-Barding & Gundam Schwarzette earlier and do a little more with them.
I definitely wish Suletta & Miorine spent more time together in S2, but I don't know that I'd change anything significant enough in S2 to make them spend significantly more time together. I would just give them more time in the wake of their reunion to see them talk afterwards before Suletta boarded the Calibarn. And even if the number of scenes they physically shared was small, they constantly thought about each other and motivated each other through the entirety of the season. Everything Miorine did was for Suletta's sake. Miorine was constantly in Suletta's thoughts, even after the divorce, and she never gave up on that relationship.
It's been 6 months since the series finished airing, and I still think about it daily. I still have a lot of emotions regarding the series. I cry pretty much the entire 2nd half of the final episode still, I still can't listen to Houseki no Hibi without breaking into tears, and it even hits me sometimes when listening to The Blessing or looking at various pieces of art. Much to my surprise, and my immense relief and happiness, not a day goes by where I don't see a new piece of Sulemio artwork, and seeing them together still brings me great joy and happiness. Suletta is my favorite fictional character ever, and Miorine is right next to her, and they're both incredibly important to me for a number of reasons. I love them so much that it actually got me to write fiction about characters that aren't my OCs, and even post my writing publicly for the first time. This show and it's ending makes me incredibly happy, but I also felt an incredibly strong melancholy when it ended that took me over a week to get over, and those feelings have strongly returned in the wake of finishing it again.
I don't know how long this hyperfixation will last. I've never loved a piece of media or characters as strongly as I love G-Witch and Sulemio, and I'm definitely in uncharted territory when it comes to that. But until I stop thinking about this show and these girls on a daily basis, I'm going to keep talking about it and showing it my love.
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onigiriico · 1 year
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Thank you to everyone who has watched episode 15. From reading the script to standing in front of the mic, it was an absolutely heartbreaking story.
Whether it's hope or despair that awaits in the future, the sun will still rise. [Guel] hasn't stopped moving forward, and I hope you will continue to witness his decisions until the very end.
Azakami's tweet after today's G Witch episode 🥹
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animefeminist · 1 year
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Chatty AF 179: Mobile Suit Gundam: The Witch from Mercury Part 1 Retrospective
Vrai calls in Gundam experts Maddie and Megan to discuss the very ambitious and very queer first cour of Mobile Suit Gundam: The Witch from Mercury!
Episode Information
Date Recorded: February 1, 2022 Hosts: Vrai Guests: Maddie, Megan
Episode Breakdown
0:00:00 Intros 0:01:35 Background 0:04:19 The Gundam franchise and Universal Century 0:10:15 Gundam: The Origin 0:10:58 Suletta as Gundam’s first female pilot protagonist 0:13:37 The novelty of a two cour anime 0:15:19 Wow cool robot 0:18:22 Military appropriation of medical tech and portrayal of disability 0:23:41 It’s gay too 0:27:11 Reading Suletta as autistic 0:35:24 Guel 0:38:59 These KIDS (GUND-ARM Inc) 0:41:21 Miorine 0:42:51 Prospera 0:47:25 Aerial’s short story 0:48:20 The Manchurian Candidate 0:52:13 Part 2 theories 0:55:41 Gundam recs for G Witch fans 0:58:39 Outro
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people want g witch to be centered around men so so bad
Absolutely!
It’s not entirely coming out of nowhere, I mean, yeah, Gundam has historically had an overwhelming majority of male protagonists with a traditionally masculine presentation (Kamille “is a man’s name” Bidan is such a neurotic can of gender worms, Loran’s gender is so cool, and Celestial Being’s Meisters also positively reek of gender, and I mean that in the best of way, but even then, they’re still identified as male characters by a general audience).
But considering the fact that G-Witch has been running for 15 episodes plus a prologue, you’d think that people would have accepted Suletta and Miorine as the main characters, the protagonists of the show. Just because episode 15 had no Suletta doesn’t undo that fact. People are idiots. So many anime fans have fundamentally immature views, even adults. I don’t know if the media literacy of anime fans has been decimated in the past decades or not, but it certainly isn’t what they’re the most famous for.
(IBO was a lot more shounen-y than many of the shows that preceded it and I wonder if this led newer fans to that kind of expectations of having male leads and an overwhelming focus on men as the norm, when this clearly isn’t the story G-Witch is trying to tell).
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sunnydaleherald · 3 days
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The Sunnydale Herald Newsletter, Monday, April 22 - Tuesday, April 23 Part I
KENNEDY: And this is gonna help us how? DAWN: The sand forms a circle. The circle acts as a barrier. And the barrier contains the portal. KENNEDY: Now what? We hold hands and chant kumbaya or something? WILLOW: Maybe. 'Til we get the magicks up and running, I'm kinda working on my best guess here. XANDER: Will, maybe we should wait. KENNEDY: For what? XANDER: Spike - to see if he can bring back that demon. WILLOW: No, I don't think we should wait right now. Opening a portal this size could take days. KENNEDY: Better get started. WILLOW: I think I might pee my pants. KENNEDY: You can do it - the magicks, not the pants thing.
~~Buffy Season 7 Episode #137: "Get It Done"~~
[Drabbles & Short Fiction]
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Who’s Boss (Buffy/Spike, T) by veronyxk84
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Tiefling Xander (Ensemble, T) by Baldur
When the Morning Comes (Buffy/Riley, T) by MadeInGold
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Cleanup on Aisle Five (Buffy/Spike, M) by Soulburnt
[Chaptered Fiction]
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Hand in Flightless Hand Ch. 3/9 (Buffy/Spike, E) by tragicbynight
Love Bites Ch. 4 (Buffy/Spike, E) by cawthraven
A Different Path Ch. 9 (Buffy/Faith, M) by Anaxilea
In the Company of Witches and Slayers: Ch. 15/200 (Willow/Tara, E) by VladimirHarkonnen (TheLightdancer)
I Don't Want to Be the One Ch. 11/40 (Buffy/Spike, T) by pommedapi
Never Let Me Down Again Ch. 8 (Buffy/Angel, M) by BuildMeUpButtercup_x
Kiss Me Twice Ch. 1 (Buffy/Spike, E) by Geliot99
Goodbye to Everything That I Knew Ch/ 30/30 COMPLETE (Buffy/Spike, M) by My_Barbaric_Yawp
Angel Doesn’t Know Ch. 3 (Buffy/Spike, Angel/Cordelia, E) by My_Barbaric_Yawp
What the Poets Don’t Tell You Ch. 1 (Buffy/Spike, unrated) by norkadearest
The Boring Stuff: Reptile Boy Ch. 5 (Buffy/Angel, M) by missfiggy
You’re my always Ch. 7/7 COMPLETE (Willow/Tara, T) by Shipper_wlw
Omission Ch. 10 (Riley/Spike, E) by toutes_les_routes
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Keep Your Enemies Closer, Chapter 9 (Buffy/Spike, T) by disco-tea
A Ripple In Time, Chapter 2-5 (Buffy/Spike, E) by CheekyKitten
Saving You, Chapter 1 (Buffy/Spike, E) by Spikelover4ever
A Second Chance- Their Story, Chapter 9 (Buffy/Spike, E) by Loup Noir
Kiss Me Twice, Chapter 1 (Buffy/Spike, E) by Geliot99
Spike Has A Girlfriend, Chapter 5 (Buffy/Spike, E) by Spikelover4ever
Haunted Hearse, Chapter 1 (Buffy/Spike, E) by simmony
Love Lives Here, Chapter 52 (Buffy/Spike, E) by Passion4Spike
Lil' Ripper Makes a Friend, Chapter 41 (Buffy/Spike, E) by Soulburnt
Maclay Down, Chapter 1 (Buffy/Spike, E) by Soulburnt
Early One Morning , Chapter 35 (Buffy/Spike, E) by all choseny
The Neighbor's Point of View, Chapter 100 (Buffy/Spike, G) by the_big_bad
Hello Cutie, Chapter 6 (Buffy/Spike, E) by CheekyKitten
Centerfold, Chapter 3 (Buffy/Spike, E) by Passion4Spike, Passion4Spike, MissLuci
So It Goes..., Chapter 1 (Buffy/Spike, E) by scratchmeout
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Title For Sale, Chapter 1 (Buffy/Spike, T) by Desicat
Love Lives Here, Chapter 52 (Buffy/Spike, E) by Passion4Spike
Lie to Me, Chapter 25 (Buffy/Spike, E) by In Mortal
Bathroom Wall, Chapter 3 (Buffy/Spike, G) by hulettwyo
Sculpture of Dance , Chapter 13 (Buffy/Spike, M) by Desicat
Hi Granny!, Chapter 2 (Buffy/Spike, G) by Desicat
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Conflict Management Ch. 1 (Buffy, E, SPN xover) by holetoledo
[Images, Audio & Video]
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Manip: Photoshoot (Buffy/Spike) by disco-tea
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Manip: Spike in Barbieland by disco-tea
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Artwork:Decided to celebrate my love of Buffy with a new tattoo by LittleRhodey
Artwork:Episode Poster: ATS 218. Dead End () by tmcarlee
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Artwork:Spike () by isevery0nehereverystoned
Manip:BtVS Season 7 headers () by onegirlinallthewrld
[Reviews & Recaps]
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BTVS/Angel Rewatch Chronicles: Seasons 6/3, Part One by QualifiedApathetic
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Mothman’s Buffy Rewatch, Season 3, episode 3, “Faith, Hope, and Trick” by mothmans-wedding-photographer
Season 5 episode 6: family by mybuffysittersavampireslayer
Various thoughts on Buffy s7 e21+22 by pinksparkl
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PODCAST: Episode 25 - Hang on to Your Ovipositor! (Bad Eggs) by The Sunnydale Diaries
PODCAST: ATS 214 - The Thin Dead Line by Another Buffy Podcast
[Community Announcements]
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Tuesday Prompt: Spring by comment-fic
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multitrackdrifting · 5 months
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In my mind G-Witch ends at Episode 15 and they just forgor to release the rest, there's certain things that are super hard to ignore when you re-watch it (which I have):
Why is Nika a focal point of the 1st season finale but she is in a prison room for the entire 2nd season?
Why do we only see Earth like three times in the story
Why is Guel Jeturk given two potential mentors from Dominicus but doesn't remain on Earth despite everything in the narrative pointing toward it (Kenanji, who was the ace pilot that helped kill everyone in the prologue, and Olcott who is a defector that is part of the Fold's militant arm).
Why do characters that seemingly need to have a conversation simply not do that? None of the children talk to their parents at the end of the story even for the ones that are alive. The easy response is that overcoming trauma and conflicts may not require the other party who had a role in creating it, but I don't think that's an apt way to actually answer this question. I think they just had to hand in their homework and top brass refused more seasons.
Why do the Dawn of Fold mostly get shown in a negative light (yes, I realize that they're a front for something else) and the story does nothing to convince the viewer that the Earthian plight is a sympathetic or human one besides the children dying? There's a genuine lack of time spent on Earth as a subject and it leaves this obscure veil over the entire subject
The lack of observed "conflict" throughout the story is a fine concession compared to the average Gundam series, but it also carries the caveat that it doesn't really work if 3/4 of the show is non-lethal combat scenarios because for that narrative choice to be more effective, they need to show how violent the conflicts on Earth are besides showing it briefly a couple of times.
Why is Earth House not even a thing in the 2nd season, like they are there and they talk, but they have no material role in the story besides Martin and Nika making amends. I think this part wouldn't annoy me half as much if every Earthian besides them wasn't literally a terrorist within the narrative and not even in like a Zeta Gundam kind of way.
Overall Earth got completely shafted which is the central gripe most people will have with the political side of the story, everything got hand-waved, and the plight of those struggling with the proxy wars on Earth is barely shown. Everyone waxes on about the state of Earth and how things are going but nothing substantive is explored with it in a way that matters in the grand scheme of things.
Why does Prospera not even give a shit that Kenanji is there like, I know you can spin this a certain way but it's genuinely hilarious...?
I can think of more, but I like G-Witch but the political side of the story is genuinely less interesting than IBO and folks that know me know I don't even like IBO. When it comes to character writing and emotional storytelling it's some peak, but it's very bad as military sci-fi specifically because its commentary on Warfare isn't bad b/c of space magic, it's bad because nothing actually happens, and the central political tension is literally handwaved in the finale. Having the warfare sit in abstraction for the entire duration of the story with the exception of the final arc of the first season and jumping in and out of our periphery in the 2nd ultimately makes the commentary it has on the warfare of the story feel like an ivory tower take on conflict because the characters for the most part can put aside the fact that war on earth exists despite the dialogue. I still think it's good, but it carries the weight of expectations it can't reasonably meet due to its duration, honestly Earth would have to just be cut out for this story not to disappoint half as much wrt it.
I think the thing that frustratse me the most, is that they give Prospera Full Frontal's scene from Gundam Unicorn but it's actually different because of how it unfolds in the ending. The thing is like ,it's actually good to give her that, but it still lacks the substance required for it to be an effective and cathartic resolution for her character since they do it during a period of time where the viewer that actually cares about the backdrop of the world w/ a lot of unanswered questions.
I'd still give the experience of watching it like a 9 in all fairness, but once you reealise the space politics are actually undercooked severely, it's more like a 7.5 at best for me, I think the emotional character writing and happy endings for the characters were enjoyable to see I just think the space-politics side of the story was very undercooked. While it's tempting to theorize as to why they weren't given more episodes during its run, according to the production announcement around October '22 they knew that it was 25 episodes about the entire time the show had begun airing, so the gaps in our knowledge aren't the product of sabotage, but necessary sacrifices to even get a legible story out the door. It's more accurate to say that the decision to continue the AU was not given despite the immense success during its airing - I believed it would get more episodes as IBO did, but one of those shows 1st halves ended on a cliffhanger and the other did not :/
The easiest way to phrase this is that it's a good show if you can put aside that it should have a stronger political side (within the context of its own world) and it's not even unreasonable to expect given the moving parts of the show starting from the prologue - but yeah, too little to say everything it needs to, so it just remains a good romance story but a pretty undercooked Gundam, which is nothing new for the series.
I'd liken it to FFXV is good if it's your first FF game it's good as hell if this is where you start, but a holistic look at it would make it feel bad if you've watched other Gundam series. And trust me, there are a LOT of undercooked and bad Gundam endings, it's not unique to this series. GSD and IBO are some ones I will never even bother defending, but I appreciate the genuine effort into the construction of this show it's just a shame it's not 50 episodes.
tl;dr - the first mainline gundam besides g-reco having less than 50 episodes results in a good story and world that has borderline nothing to say about some of its more glaring conflicts, the social side of things is interesting, the political side is completely uncooked.
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mayhem-ensues · 10 months
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Since I'm a deeply unserious person, and there's been a lot of discourse about how much time and attention different characters have been getting in the 2nd half of G Witch, so while rewatching the show in preparation for the final episode I decided to time how long Miorine appears for in each episode of the show.
Now to be clear, it's not measuring the exact seconds that Miorine appears on screen for, I've measured the lengths of scenes that she is in. So, for instance, if Miorine is off-screen but another character is talking to her, I've still counted that in the timer. Also, since this is just me pressing the start and stop button on my phone's timer these numbers are pretty rough but should still give a fair approximation of how big of a factor Miorine is in a given episode.
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Just to be clear this data of course is incomplete, not just because we still have one last episode to come, but also because this kind of stuff is better understood in comparison to other characters on the show. Like, it's entirely possible that most of the major characters in Cour 1 experienced a similar contraction of time from Cour 1 to Cour 2 when the show had more plotlines to juggle.
But that being said, yeah as a Miorine fan these numbers annoy me. With one episode left to go, Miorine has 25 less minutes' worth of scenes in Cour 1 compared to Cour 2, and even if with a big role in the final episode in the best-case scenario it probably ends up closer to 15 minutes less, which is a huge chunk of screentime in a show with 22-minute episodes.
Like the fact that she didn't appear at all in Episode 20 after the previous Episode ended on a very significant cliffhanger for her character is probably the most annoying part. And like, I'm very much aware of the fact that there was a lot going on in Episode 20 and cuts needed to be made somewhere, but Miorine is the deuteragonist of this show and is one of the characters that shouldn't be making way for screentime for secondary characters the way she has. Like, seriously they never even show her leaving Earth or processing what just happened. That all happens off-screen and she's just back with the Benerit Group for her like, one scene in Episode 21.
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lordsmaf · 1 year
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The gap between early G-witch highschool bully Guel Jeturk and current G-witch “I have been humbled, lost my company, seen the horrors of war, witnessed child death and killed my own dad” Guel Jeturk borders on the absurd like this is what 15 episodes of nothing but getting kicked in the dick does to you as a person
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black-diamond1329 · 7 months
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⭐ Name: Sandra, but you can tell me Sandy 😉.
⭐Age: I feel like I'm 15 years old, I stopped counting at 19 and my friends say that I act like I'm 5 years old XD hahaha ... Nah! I just turned 23 years old this August n_n.
💔 Occupation: Being a universitary girl XD ... Yes! It's so fun! (sarcasm).
🩷 Some things that I love it: Read (I read all kinds of books and about my favorite ships on Ao3! 🤭), cook desserts, listen to music while I do other activities like my homework or when I read, Greek mythology (The love between us will never die! 💗).
⭐Saint Seiya (or Knights of the Zodiac). I found this beautiful serie when I was 7 years old. My favorite is the original serie, although I also like the Lost Canvas a lot and Episode G (because Aioria is the protagonist). Soul of Gold gives me mixed feelings. From Omega and Next Dimension, better don't ask me; my mind lives in denial. My favorite characters are the Golden Saints, especially Aioros and Aioria, being Aioria my super favorite.
Thanks to Saint Seiya I developed a great love for the stars 💫 and I have many scientific books on the subject, as well as books of myths and legends about the constellations ✨.
💥 I'm a Marvel Girl. I love those tormented superheroes and antiheroes. I basically grew up watching Marvel since Iron Man came out in 2008 and I immersed myself fully in the world of the comics, I have a lot of comics and books on my bookshelf 🤭. My favorites are: Iron Man ♥️, Captain America, Spider-Man, Loki, the X-Men, Black Widow and Scarlet Witch, in all their presentations and with all their charms and defects!.
🍿Series: Friends, Full House, The big bang theory, How I met your mother and How I met your father, Modern Family, Mom, Buffy the Vampire Slayer, Angel... I love it K-Dramas like Goblin: The lonely and great God, Crash landing on you, Tale of the Nine Tailed 😋, I have also watched many animes like Sailor Moon, Ouran High School Host Club, Toradora, Code Geass, Inuyasha, Kaleido Star, Shaman King, Attack on Titan... it's a long list and I don't remember everything at this moment 🤔. Miraculous Ladybug (I know it's for kids, but ... there is Chat Noir 🖤).
🐉In my House of the Dragon era 🖤: Like many people, I was also terribly disappointed with the horrible ending of Game of Thrones, but I really loved Fire and Blood when I read it in 2020... so I decided to give the serie a chance when I saw the first trailer... and I don't regret it! 🥳. I liked Daemon and Rhaenyra so much in the book and absolutely loved them in the TV Show! (Matt and Emma are incredible! ❣️). Another character that I loved in the book and the one I always wanted to know more about was Jacaerys Velaryon and I must say that I am very pleased with the choice of Harry Collett 😍 (oh yeah baby! 🔥).
I really hope that the directors and writers do justice to this wonderful crown prince! 🥰, because for me he is already one of my favorite characters of all time! ❣️.
🎥 Favorite Movies: Troy 2004 (did I mention I'm a Greek mythology lover?), the Star Wars saga 💫 (1-6 only), The Great Gatsby, A Walk to Remember, Harry Potter 🪄 (books and movies), The Lord of the Rings trilogy and the Hobbit trilogy, The Hunger Games saga ❣️(books and movies), The Twilight saga 😊 (books and movies).
I love Studio Ghibli movies with all my heart 💗 since my dad bought me the movie of Kiki Delivery Service when I was a 6-year-old little girl.
I love everything Disney and Pixar does 💗😘. (think of the happiest things, It's the same as having wings! 🎶)
🎧 Music: I have a very varied taste in music, some would say strange 😅, but if I like the rhythm and lyrics of the song I will surely add it to my playlist (mainly I like rock), AC / DC, Queen, Guns N' Roses, Bon Jovi, Linkin Park, Evanescence, Within Temptation, Imagine Dragons, Beyoncé, Ed Sheeran, Lana del Rey, Taylor Swift and Katy Perry. I enjoy classical music too 🩷.
⭐ Something more about me: I am an inveterate dreamer and extremely perfectionist. I express myself better by writing than talking 😚.
I haven't drawn anything in almost 5 years and when I did I used to draw with traditional media (watercolor, charcoal, colored pencils, gouche and acrylic paints 🖌️).
But since October (from last year), when I saw Harry Collett as Prince Jacaerys, I felt a desire to draw that I hadn't felt in a long time ❣️.
This is my first time trying to draw in digital media, I hope you like what you see! 😘 (YouTube tutorials don't fail me now! 😭). I spent the whole summer practicing🥺.
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P.S: Sorry if exist some error, the english is not my firts lenguage.
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dude1818 · 1 year
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So how are you feeling about G-Witch's portrayal of Earthians now, after Episode 15?
I almost used this analogy in my previous post, but this show is like watching a story about how awful the US invasion of Afghanistan was by trying to play up the fucking Taliban as sympathetic. The Earthian terrorists embedded themselves with civilians to use as meat shields, initiate a firefight, and then get butthurt when their ablative refugees get caught in the crossfire?
I think everyone in Dawn of Fold should be shot
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pencil-peach · 5 months
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GWitch Onscreen Text: Episode 17 PART 1: PRE-DUEL
It is time. This is part 18 of my series where I attempt to transcribe and discuss all the text that appears on text and screens in G Witch. We have reached The Big One. Episode 17: "Precious Things."
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HOWEVER....
This episode will be handled slightly differently. There is a lot to say about it, and a majority of it does not actually have to do with text.
AND SO. For the sake of keeping things organized, this episode shall be SPLIT INTO PARTS.
This first part covers the PRE-DUEL, primarily going over the parallels and symbolism to scenes in Season 1.
The next part will cover much the same, but during the DUEL itself. It will most likely be much smaller, but it doesn't hurt to keep things separate.
With all that said, the conclusion draws near.
<;< If you aren't ready, you can click here to return to Episode 15. Or, if you'd like, the Masterpost's loving arms can be found here.
But if you are truly ready, then let us begin.
PREFACE
(That's right this shit is STRUCTURED.) Episode 17 is probably one of my favorite episodes of the show (even if it's difficult to sit through) because of how utterly dense it is with its parallels to Season 1. For Miorine, Suletta, and Guel, it feels like nearly every scene is stacked with comparisons to past events, to highlight where the characters are now versus where they were back then.
The bulk of the parallels are contained to events that occurred within the first 6 episodes, which makes sense, as those 6 episodes are when the characters were living their most "normal" school lives. So we'll go through the episode piece by piece and I'll highlight comparisons I've found and what they mean as we go along. I might miss some, or maybe I'm reading too deep for others, but if you're this far in, I'm going to assume you have at least a LITTLE faith in my judgment, even if it's not always super clean.
With all that said, let us begin.
PRE-DUEL
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Episode 17 opens with Miorine confronting Prospera (Left). This parallels Episode 2, where Miorine confronts Delling (Right). In both cases, Miorine is confronting an adult regarding Suletta's fate. But unlike in Episode 2, where she's the one making a demand (to allow Suletta to duel for the right to be her fiancée), in Episode 17, a demand is being made of her. (To become President and take over Quiet Zero, and to facilitate a final duel for Suletta.)
Whereas Delling admonished Miorine for daring to speak without power, "I am vested with power. You have none." Prospera is demanding that Miorine accumulate power. "Make me a promise. That you'll become the next president."
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The parallel of Miorine making a promise with Prospera in this Episode as opposed to the one she made with Suletta in Episode 3 is obvious, but did you notice that the hallway they're in (top left) is structured almost identically to the room Prospera was waiting in on Plant Quetta in Episode 11 (Bottom left), and where she convinces Suletta it's okay to take other's lives in Episode 12? (Top and Bottom Right)
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In the next scene, after the opening, we see Miorine waking up in her room (Left). Season 1 also had a scene of Miorine waking up from sleep in Episode 4 (Right), but it's a lot different.
In Episode 4, Miorine is woken up by Suletta staying up late to study, and asks her why she's working so hard. When Suletta responds that she's doing it for the sake of the Mercurians, Miorine responds that that's "a drag," saying that she shouldn't have to carry that kind of burden and should only live for herself. Suletta responds that it's what she wants to do, and Miorine sardonically responds, "How noble of you," before silently heading back to sleep.
Compare that with this small, silent scene of Miorine slowly dragging herself out of bed, clutching her head because she clearly spent hours yesterday and long into the night trying to figure out how to free Suletta from her mothers clutches AND fulfill all of Prospera's demands. She's running herself ragged all for the sake of someone else, going against her philosophy in Episode 4.
There's also the fact that Suletta isn't with her in 17's scene. We see in Episode 4 that Miorine and Suletta are comfortable sleeping with each other, but she's chosen to sleep alone, with Suletta waiting patiently outside the door. (Oh, and also, did you notice that Miorine's room is clean?)
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Following that is a scene where Miorine and Suletta discuss Miorine's Birthday, Suletta's wish list, and their marriage. This is reminiscent of a similar scene in Episode 3 where they discuss much the same thing. Both scenes open up the discussion with Suletta denying a proposition from Miorine:
In Episode 3, Miorine is telling Suletta that she must win the rematch against Guel, to which she shyly mutters that she doesn't want to (Top Right) causing Miorine to react in shock. In Episode 17, Miorine asks Suletta what she would do if she asked her to get rid of Aerial, to which Suletta confidently responds that she wouldn't do it, (Top Left) to this, Miorine silently continues walking up the stairs.
The major difference is that in Episode 3, Miorine continues trying to convince Suletta to agree to the duel, explaining to her why it will be fine, but in Episode 17, she is silent. She doesn't explain or discuss anything. She just moves ahead.
When discussing their marriage, the roles have shifted. In Episode 3, (Bottom Right) Miorine is explaining that they won't actually be married until her birthday comes, in order to calm Suletta's fears about them being actually married.
In Episode 17, (Bottom Left) Suletta brings up Miorine's birthday, specifically because she's decided that she actually wants to marry her. It's now Miorine who is reluctant, due to the burdens she's carrying.
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Next is a scene with Shaddiq attempting to enlist the Peil Witches into his bid for President. It's similar to Episode 7's opening scene, where Sarius is enlisting the Peil Witches for his plan to expose Aerial as a Gundam. The Parallel comes from the contrasting intentions of each Zenelli.
Sarius is enlisting the Witches in order to expose Aerial as a Gundam and get it scrapped, re-burying Gundams forever. He is staunchly against the existence of Gundams, and this will never change. Whereas Shaddiq is enlisting the witches with the explicit promise of making Gundams core to the Group's business. They are at opposite ends of the political spectrum in this regard.
But in both cases, Peil agrees, making use of the plan for their own ends. Also, in Shaddiq's meeting, a Jeturk is not present.
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Okay time for the first Biggun. This scene starts off with parallels to episode 5, in that Suletta is upset by Elan in both scenes. In 17 (Left), she's accosted by 5lan, demanding that she give him Aerial. In 3 (Right), she's upset by El4n when he calls her annoying.
Unlike in Episode 3 though, where Suletta cries in response to El4n's harsh words, she responds to 5lan by shoving him away, showing how she's grown more confident in herself and her faithfulness to Miorine.
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Following this, Guel Jeturk shows up and asks Elan what he's doing to her. In Episode 3 (Right) he showed up mostly for his own pride, but switched to a more protective tone when he saw that El4n had made Suletta cry. But in this scene, (Left) he showed up because he saw she was in trouble.
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Guel and Elan's roles are completely reversed here. Whereas before (Right), Guel was flippant and emotional in response to El4n's calm demeanor, the opposite is true for Guel with 5lan. Guel (Left) maintains his composure, and 5lan loses his cool when Guel asks him what he's so afraid of.
It might seem like the Episode 5 parallels end here, but did you notice what kind of weapon 5lan is using in this scene? It's a taser.
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An electrical weapon that causes paralysis.
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Unlike before, Guel keeps a steady head, and he wins this duel against 5lan, pinning him to the ground. At the end of the battle, Elan isn't holding his hand up in victory (Right) but in defeat (Left).
Guel also says, "Cut it out. If you ruin this place, no apology will get you off the hook." Paralleling his behavior in Episode 1. Instead of being the one destroying the greenhouse, he's the one protecting it this time.
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Following this, Suletta and Guel have a 1 on 1 conversation. This is the 3rd time they have one in the series. They have one in Episode 3, (Left) when Suletta tells him her mother's motto. They have a second one in Episode 9 (Middle) where they talk about how Guel's father has forbidden him to duel, and finally they have this one in Episode 17 (Right) where Guel discusses his desire to rebuild the Jeturk company, and protect the things precious to him.
The parallel is obvious in the sense that in both prior discussions, Guel is learning something from Suletta, and now he's finally putting those lessons to use, but did you notice that all 3 conversations have a shot of Guel's hand?
In Episode 3, when Suletta is talking about her mother, Guel holds his hand up to his cheek before closing it into a fist. In Episode 9, he brings his hand from his pocket, but doesn't close it. He holds it out limply. And in Episode 17, he once again brings his hand up and closes it. Each scene is representative of his current conviction.
Episode 3 is titled "Guel's Pride." He brings his hand up to the cheek his father slaps him across before closing it. It represents his current conviction: His pride. Proving himself as worthy in the eyes of his father. Episode 9 is titled "If I Could Take One More Step Towards You." The obvious allusion is to Miorine and Shaddiq's relationship, but it's also about Guel's relationship to Suletta. Their conversation ends with Suletta running down a lighted path, with Guel watching her go. He brings his hand out to his side, but DOESN'T close it, because he no longer has a sense of purpose: He's lost his conviction. He's scared of facing his father, and thus can't follow Suletta. Episode 17 is titled "Precious Things." After everything that's happened, Guel has returned to Asticassia with a new conviction: To protect the things precious to him. After losing his way, he's found the path forward, and once again closes his fist, confident in himself and his sense of purpose.
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There's also the parallels between both confessions scenes. When Guel confesses and is rejected the first time (Left), he becomes spiteful and mean, but now (Right), he's understanding, and even happy for her love with Miorine. He's truly changed.
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Miorine then comes out from behind the greenhouse, and demands a duel between Suletta and Guel. (Left) This is an obvious inversion of the scene from Episode 1 (Right). Where she demands Suletta NOT duel Guel.
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The following scene, where Miorine requests Guel's help (Left) is also an inversion of the scene from Episode 4 (Right) where she offers to help Suletta with the Threat Detection Makeup exam.
Both scenes take place in her room, and both scenes see her kneeling over her plants, gently pushing upon the leaves as she speaks. The fact that she's talking to Guel and Suletta respectively is an obvious inversion, but in Episode 4, she's telling Suletta that she can take care of both the Mechanic and Spotter positions herself, saying she doesn't need help, but in 17's scene, she's specifically ASKING Guel for his help, because this is something she can't do on her own.
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The next scene in the Dueling Comittee Lounge (Left) is, obviously, paralleling the similar scene in Episode 3 (Right). Down to this shot of Secelia seemingly being reused from that episode. In both scenes, Secelia taunts Guel, but as opposed to Episode 3, where he becomes enraged and fickle, in Episode 17 he confidently disregards her, saying, "The Jeturk emblem is the lion. So call me a lion, not a dog," much to her surprise.
But there's actually some more interesting parallels here.
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Firstly, Episode 3's Oath is officiated by El4n (Top Right), whereas Episode 17's Oath is officiated by Rouji's HARO (Top Left), two characters that are considered to be robotic and emotionless.
In both duels, Suletta requests something of Guel for the sake of others. In Episode 3, she asks him to apologize to Miorine (Bottom Right), and in Episode 17, she asks him to help stop the harassment of Earth House (Bottom Left).
Ah, and did you notice? Episode 3's duel takes place in the 7th tactical testing sector, a lucky number. Episode 17's duel takes place in the 13th tactical testing sector. It looks like Suletta's luck has run out.
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In both episodes, there's a scene following the oath with Guel speaking to Miorine and Suletta respectively. Both scenes even share multiple shots. Both scenes are also conversations involving, to some extent, Prospera. And both scenes, interestingly enough, has Guel end the conversation with a statement that calls into question the respective girl's belief (intentionally or otherwise).
In Episode 3 (Right) Suletta says, "My mother is always strong and kind," to which Guel asks, "A good parent, huh?" In Episode 17 (Left) Miorine says, "I want that girl to be happy. She needs a world where she can be free from Gundams or anything else," to which Guel mutters, "There are no worlds like that."
In both cases, he doesn't elaborate on what he means, but in both cases, his intuition is right.
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Perhaps some of this is a pushing it, but prior to the duel, both Episode 3 and 17 share two similar scenes. Both episodes have a scene in which Miorine has installed something on Suletta's phone in reference to the duel, and both scenes also have a scene where two characters discuss their intent to interfere with the upcoming duel.
In Episode 3 (Right) This entails Miorine installing her contact info onto Suletta's phone without her permission, and Vim and Lauda discussing the arrangement of the sprinklers to go off.
In Episode 17 (Left) This entails Miorine installing the "Victory Charm" on Suletta's phone, and Miorine and Prospera discussing when to deactivate Aerial during the duel. It's yet another inversion in that now, it's Jeturk house who's playing fairly, and it's Miorine who's working to ensure Suletta will lose.
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When Guel is asked by Kamil about the decision making AI, in Episode 17 (Left) he says he doesn't care about it, and to leave it in. Stating that "Pride alone won't defeat Suletta Mercury." This parallels the scene from Episode 3 (Right), where he gets incredibly mad about it, yelling, "Am I not skilled enough to win?!" Only to be slapped by Vim once more, telling him that "There's no room here for childish pride."
Guel also cuts his hair. The Jeturk family's hair are all based on lion manes, and Guel cutting his mane short is emblematic of discarding his prideful nature. It's also to show how he's brought himself closer to his father, who's hair was also cut short.
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The following scene, where Guel apologizes to Lauda in front of the Darilbalde (Left), parallels the scene in Episode 4 where Lauda apologized to him under similar circumstances (Right).
In Episode 4, the Darilbalde was destroyed, emblematic of the strained relationship between the two, but now it has been repaired. Even still, will it be maintained?
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As the MS suit containers roll into position, we get this shot of the Dueling Committee, both in Episode 17 (Right) and Episode 3 (Left) It's much emptier now, huh? GRAAAAAGH And that's all the parallels I can find for the Pre-Duel segment of the episode. Houuaauhhh there was a lot here and it was a lot of work, but it was also a lot of fun, and it really goes to show how tight this season's script is. Every scene feels intentional.
Anyhow, that's all for this part. Next time in part 2, we'll be discussing the Duel's parallels. If you've made it this far, thank you so very much, I truly appreciate it. I'll see you next time!
Click here to go to Part 2 >> Click here to go to the Masterpost.
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