Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 重啟之極海聽雷/Reunion: The Sound of the Providence/The Lost Tomb Reboot/this thing has too many names
Reunion (I'm just going to call it that) is a 2020 action drama about the most specialest little babygirl in the tomb-raiding world, his two husbands, and the cadre of assorted weirdos they pick up as they try to follow a set of directions left by a dead (?) man in the thunder.
Imagine if someone showed you the Mandalorian, and you were like, gee, that was a neat little sci-fi one-shot! because you'd never heard of Star Wars. That was basically my experience watching this show, having no idea that the Lost Tomb franchise (DMBJ) was even a thing. Turns out that not only is there a whole big continuity out there with these characters, but that Reunion takes place a few years after the main story's resolution. Don't worry, though -- Reunion doesn't spoil you for that resolution. It doesn't spoil you for much, period. Look, DMBJ has a weird relationship to endings, okay?
I have written a more thorough where-to-start guide for DMBJ as a whole, so if you want to consider other entry points, well, that information is there for your consideration. Yet it is my opinion that this is the best entry into the overall franchise, and a fun thing to watch just in general, and I'm here to make my case for both of those.
The rest of this rec will assume that you have no familiarity with the DMBJ series. That's okay; you don't need any. All you need is to trust my five reasons you should watch this.
1. Old Man Yaoi
As you begin this show, you are introduced to the Iron Triangle. That's them in the picture up there. Left to right, you have: Xiao Ge, magically tattooed immortal hottie who just got back from ten years in [scene missing]; Wu Xie, our protagonist, who's just a little guy and it's his birthday; and Wang Pangzi, the literal best.
(And yes, Wu Xie is in his 30s and Pangzi is in his 40s, which is not technically old man anything, but ... look, if you watch, you'll see why I think I'm justified in calling it that.)
They are extremely married. They are a disaster trio of disasters so disastrous that no one else should ever be subjected to their chaos. They're going to make sure lots of people are, though, don't you worry about it. Sometimes those people even deserve it.
However, because the show (tragically!!) decides that Xiao Ge has somewhere else to be like 95% of the runtime, most of the relationship you get to see is between Wu Xie and Pangzi.
I'm saying this now as an old gay nerd who just this year celebrated her 15th wedding anniversary: I have never, never felt so represented in media as I have watching Wu Xie and Pangzi interact. There's a little wake-up song they sing together near the end of the show, and it just ... it packs so much character development into thirty seconds. These boys have been living adjacent lives for so long that they've made up their own little shared songs about the mundanities of daily living. That is just what happens when you marry your best friend and then decide to get old and weird together. Ask me how I know.
Look, if you want to know whether this show is for you or not, watch to the end of the first episode, to the part where Pangzi flips over the table. If your heart is filled with joy (as it should be), keep going.
Love makes a tomb-raiding syndicate family.
2. A fun-filled action-packed romp of nonsense!
If you're familiar with Hellblazer canon, this will make sense to you: Reunion is Dangerous Habits. If you're not familiar with Hellblazer canon, try it like this: Reunion is a terrible place to start because it plays on your extant affection for a character who gains a terrible status effect almost immediately. It's a also great place to start because it throws you right in the action with measurably high stakes and gives you a reason to build that affection very quickly.
I'm also going to warn you right off the bat: The plot of this show got cut to ribbons by censors.
See, the DMBJ books, being books, are allowed to get away with supernatural shit! So you've got zombies and ghosts and curses and monsters and immortality and all your other standard ooky spooky semi-urban fantasy trappings. But the DMBJ adaptations, being live-action, are heavily regulated in their content. This is why, in the early Reunion episodes, our heroes are menaced by human-looking creatures that are actually ancient mannequins made of leather that are piloted, mecha-style, by evil clams. Because evil clams are more scientific than zombies. I guess.
So yeah, the plot of this book already had to get mangled into a more "science"-compliant shape even before it made it to filming. The real problem is that a whole lot more of it got cut after it was all filmed and put together. I have read an explanation of what the actual storyline was supposed to be, and yeah, if you know what you’re looking at, you can see (and hear) the scars where major elements got hacked out with a weed whacker.
Therefore: You cannot expect this plot to make sense.
But that's okay! You're not here for the plot to make sense! You're here to watch some characters you love run around through ridiculous and sometimes beautiful labyrinths, trying to solve puzzles you're never given enough information to understand, all in search of the resolution to a mystery that had half its guts torn out before you got to see it -- and you are here to love it. If you have ever laughed and cheered your way through a Mission: Impossible film without pausing to care too much about the plot holes it’s dodging left and right, you are in the correct frame of mind to appreciate this. Just believe that whatever engaging nonsense the show tells you is correct for the time being and go with it.
You cannot watch DMBJ and care about the laws of physics. You simply cannot.
Do not, however, let me give you the impression that the shoddy plotting is accompanied by equally shoddy performances. A major part of this show’s incredible watchability comes from how the cast is shockingly good. There are some serious heavy hitters among the actors. A major part of why this Wu Xie and Pangzi are my favorite together is the incredible chops both Zhu Yilong and Chen Minghao have, to say nothing of their real-life affection for one another. (See that scar on Wu Xie's neck? That scar is there because Zhu Yilong commits to the bit.) Effortlessly charming Mao Xiaotong turns potentially irritating wunderkind Bai Haotian into a perfect precious weirdo baby. Wu Erbai's entire second-season character arc could have been unintentionally comedic, but veteran of queer cinema Hu Jun sells even the undignified moments as relentlessly tragic. And of course Baron Chen absolutely kills it with...
3. This giant fucking loser
This is Hei Xiazi. That's not his name, but it's close enough. Allow me to do a dramatic reenactment of my watching his first scene:
[camera pans over to him]
me: Ugh, I recognize this kind of wannabe badass character design. I hate his type. He's self-important, hyper-masculine, and just a big jerk, and the show thinks he's soooo cool. Barf.
[thirty seconds later]
me: Oh no. I was so wrong. I love him forever now.
This is because he is (as indicated above) a giant fucking loser. Yes, he's a good fighter who knows lots of things. He's also a wet potato chip of a man. Sure, he can get you into a headlock, but he can also annoy you into submission, and that's honestly more fun for him. My wife has used the phrase “Vash the Stampede-coded” to describe him. My wife is not wrong.
And the kind of ridiculous thing is, being such a loser is what wraps back around to making him cool again. He's a loser because he just doesn't fucking care. His masculinity is the opposite of fragile. You tell him to wear a dress and makeup, he'll do it -- and sure, he'll complain, but only because he enjoys complaining. He has no dignity. He’s tits-out. He's gender. He's the worst and also the best.
Hei Xiazi is a major character in the other installations, to the point where he and his boyfriend (more on him later) even have their own movie. But of course, I did not know this on my first watch, so I kept expecting the show to explain his whole deal. It does not, but you don't really need it to. He sees better in the dark. He doesn't age. He's a thug for hire. There, that's all the bio you need.
One of the things that makes him great is that he is the least sexually threatening person ever. Across all the properties he's in, he spends a fair amount of time with women -- sometimes in very close quarters -- and they are perfectly safe around him. I actually wrote a whole post about it once upon a time (warning for tiny spoilers for a series that isn't this one) wherein I claim that not only Xiazi but Reunion in general is the television equivalent of the shirt that says I RESPECT WOMEN SO MUCH I DON'T HAVE SEX WITH THEM.
That said, this loser does get a sort-of romance plot here -- and honestly, I find it very cute! It's not even the only instance in this series of a bisexual guy in a long-term same-sex relationship getting a girlfriend, and I like that other one too! Look, the handle of my DMBJ sideblog is @katamaricule because I joked that Wu Xie treats polyamory like a katamari, and if you don't move fast enough, you're going to be rolled right up into his gay little cuddle puddle.
This is not a show for exclusive ships; this is a show for inclusive ships. The Jiumen Association is a polycule. You don't even have to know what the Jiumen Association is to know it's true.
4. The power of friendship
This show has a lot of characters.
I'd say the supporting cast is divided into three categories: characters who have been in previous installments, characters who have not been in previous installments, and characters who probably should have been in previous installments (or at least mentioned) but who were only created for Reunion so we have to pretend like we've known about them all along.
There is no way to tell which is which -- which is part of my argument that this series makes a good entry point to the franchise.
Take Huo Daofu. Huo Daofu is a brilliant doctor masquerading as a donut stand operator who treats Wu Xie with all the cold disdain of a man confronting the person who left him at the altar years ago. On the one hand, yes! We do know Huo Daofu from a previous series, and we've known he's both a doctor and a bitch. On the other hand, oh, we have no idea why he's like this about Wu Xie, and we probably never will. The show just treats it like it's for an excellent reason, and you know what, from what you know about Wu Xie, it probably is.
Consider also Jiang Zisuan. One of the show's principal antagonists, Jiang Zisuan turns out to be the brother of ... well, let's just say it's someone whose having a brother really should have come up before this. It has not come up. (And that's even before we get into the issue of his surname.) His stated identity as that person's brother is so bizarre that my favorite interpretation is that he isn't actually that person's brother -- all the flashbacks we see are just his delusions about a relationship he's completely invented. But there's no way you'd know how fucking weird this is on your first run.
Then there's our friendly little support himbo, Kanjian, who shows up to all occasions with two tickets to the gun show and not a thought in that beautiful head. (His name just means "vest," which is par for the course when it comes to the author's naming conventions.) He was a lot more menacing in the last series (where they kept putting sleeves on him, geez), where most of what we learned about him is that you can loan him out to other tomb-raiding families. Now he's a golden retriever with great aim and a slingshot. It's an upgrade.
The trick is, you cannot be surprised when someone shows up and the show treats them like you should know who they are, even when there's no possible way you could know who they are. I mean, for heaven's sake, Liu Sang arrives in the middle of an obvious beef with Pangzi, the origins of which are never satisfactorily explained, while also having a giant do-I-want-to-fuck-him-or-do-I-want-to-be-him crush on Xiao Ge, which is also never satisfactorily explained. Whatever, you just roll with it. He's got good hearing, a bad attitude, and questionable taste in idols. Now you're good to go.
(I should throw in a special note here that Liu Sang is many, many people's little meow meow, and not undeservedly. For a fuller explanation of why that is, please consult this other post I made.)
Part of the fun of this big cast is the adorable interactions you get. All the characters have appropriately big personalities, and the show loves letting people you wouldn’t expect bounce off one another. It’s not your typical action-hero show where nothing happens without the protagonist in the room. There are lots of exciting combinations and tons of charming dynamics! Unlikely friendships form all over the place! Enemies become allies! Allies become friends! Friends become friends with other friends! Some friends become enemies again! You'll need a scoreboard to keep up!
This is not to say the show treats all its characters perfectly or equally -- one of the precious few main female characters doesn't even get a real name, for heaven's sake, and the less said about the brownface racism, the better. It is, at its heart, a dude show for dudes made in China, with all the troubling decision-making that implies. Where it does deserve credit, though, is in understanding that its supporting characters are actual people with personalities apart from their function in Wu Xie's narrative. Sometimes the show just asks "what if [random character A] and [random character B] had to interact?" and has fun considering the answer! Which is almost always a delight to watch, and sometimes even breaks your heart.
5. Amazing rewatch value!
And by this I mean the experience of watching this show is remarkably different once you have any understanding of the rest of the DMBJ universe.
For instance, there's a point where two characters are scuba-diving past some submerged coffins, and one character tells the other whose coffins they are. Working only on information Reunion has given you, you're like, oh, that's where they buried the guy who built this creepy place, that's a little weird. Once you recognize that name from other series, though, your reaction is far more, excuse me, they did WHAT to WHOSE corpses?
Or another point where a character you've already met is on a train, and there's a handsome gentleman who just happens to be riding with her. He hands her his business card! Aw, that's sweet, he seems like a nice guy! Well, no, Xie Yuchen is not nice, but he is one of our allies, and he's Hei Xiazi's boyfriend, and a lot of what he's doing hits real different when you have a fuller grasp on why he's doing it and for whom. (Honestly, a major reason to watch Reunion first is so you're not fully and appropriately upset by how your black/pink gays merely have one teeny tiny scene together.)
From the way the series treats the persistent absence of Wu Sanxing, Wu Xie's third uncle, I absolutely, 100% assumed that he was a completely new character to this installment of the series, an extremely long-lost relative that we've somehow conveniently managed to never talk about before now. So imagine my gobsmacked surprise when I went to watch a different series, set much earlier in the timeline, where the opening scene prominently features Wu Sanxing as an actual character in the present-day narrative! ...Well, sorta. Look, there's a lot of fuckery with his identity in earlier parts of the story, and fortunately you need to know none of it to understand Reunion. But when you do, it suddenly makes a lot more sense why Wu Xie talks about someone who was a major part of Wu Xie's adult life like he died when Wu Xie was nine.
AND THE FLASHBACK SCENE WHERE A-NING GETS KILLED BY THE SNAKE, AND YOU'RE LIKE, OKAY, AND THEN YOU WATCH ULTIMATE NOTE AND IT WASN'T LIKE THAT AT ALL look, I know there are kinda reasons for this, different production companies and all, but seriously, what the fuck
All of which to say is that the experience of watching Reunion the first time is, hey, this self-contained romp is a lot of fun! The experience of rewatching it after watching any of the other DMBJ installments is a transcendently wonderful head-clutching avalanche of one moment of recognition right after another.
And here's the thing: You will watch more. Reunion is a gateway drug. If you are interested enough to make it through all 62 episodes, you're going to be interested in watching more. Which is great. The English-speaking fandom needs more people. Come down into the tombs. It's great down here. We've got snakes and arguably unintentional homoeroticism. Join us. Join usssssssss
Are you ready for an aventure?
There are a couple different ways to watch the first half, but there's (weirdly) only one way to watch the second, so for both of them, I'm going to send you straight to iQiyi: Season 1 (32 episodes) and Season 2 (30 episodes).
And just so you’re ready when Reunion is done, here’s how you find the rest of the DMBJ series, in the absolutely non-chronological order in which I, personally, think you should watch them:
The Lost Tomb 2 (AsianCrush, YouTube)
Ultimate Note (iQiyi)
The Mystic Nine (iQiyi, Viki)
Sand Sea/Tomb of the Sea (Viki, WeTV, YouTube, also YouTube)
Also, there's a lot of movies and side series and other pieces that are worth seeing, and even a couple of full series I've left off the list, and you can just slot them in wherever. And maybe we'll get Tibetan Sea Flower someday? Look, hope springs eternal.
They're so perfect. Perfect triangle. Perfect boys.
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my new Ninjago OC!
more information ↓
I haven't come up with a name for him yet bc I suck at those but I've got a backstory
- He was outcast by his species before the merge because of a reason I haven't fully flushed out yet (thinking of making it so that he can't do any shapeshifting at all and making it an entire allegory), but he deals with a lot of feelings of inadequacy because of this and he thinks he's failed as an Oni
- he was outcast before March of the Oni and was lost between realms trying to find a way back home to the first realm without the power of the darkness to guide him. essentially the realm crystal is the EASIEST way to travel realms but it isn't the only way, and he spent a lot of years alone
-When the merge happens he's forced to live in a world he doesn't understand at all and a lot of people during this time are struggling to figure things out. He manages to find a job at Chen's Noodle House and starts to enjoy the life as someone who serves food so eventually he leaves with enough money saved up and opens up his own restaurant
- I like the idea of someone gaining weight when they're happy bc he used to be really emaciated and could barely eat even 3 times a week due to how hard it was to survive but now he's got a healthy relationship with food and his body and he's generally a pretty sound guy and pretty mature considering things. It doesn't look like he's fat in the image but from experience an apron will hide a lot of that lol
- He does a lot of introspection and his outlook on life is that "it's complicated and messy but at least it's life," and he usually looks at things from a realistic perspective while hoping for the best.
-He still gets irrationally angry at a lot of things though and often he'll find himself taking it out on inanimate objects and then he'll feel bad about it afterwards. He doesn't do it a whole lot in front of people, especially customers, but if he's comfortable around you you'll see him swearing and breaking things (usually with his claws on accident) a lot more
- Meets Lloyd a few weeks after the merge when he just started his job at Chen's and initially Lloyd is weary at first because yk he's an Oni and Lloyd had subconsciously associated Oni with bad and everything wrong in his life, but [name I haven't come up with yet] is essential to something Lloyd is trying to figure out so they need to interact and Lloyd figures out through sheer power of being exposed to something that HEY you dumb idiot your ancestry isn't evil or bad
- He had severe issues for awhile with meeting people's expectations and he constantly ran himself ragged trying to keep himself in multiple places at once. He felt like he had to depend on only himself for a while because of the fact he let down his Oni tribe and because of the fact he lived so long in isolation away from others. When he's hired by Skylor he burns himself out within the first week because he doesn't take a break except to go home and sleep.
- Y y y es this is meant to be an OC shipped with Lloyd but they're both demisexual here bc I will always make my favs be on the ace spectrum no matter what
-Hes 21 when the merge happens and by the events of s1 he's 27 (2 years older than Lloyd). He was outcast by the Oni when he was 15 years old (around the events of season 1)
-fun fact, Oni still have pupils in my hc you just can't see them very well. they're kind of like the changelings from mlp where they do have pupils once you look closely but they blend in so well with their irises that you can hardly see them. most Oni eye colors are red, purple, or blue. some are occasionally orange, yellow, and pink. [name I haven't come up with yet] has purple eyes
- he has so much fur/hair (think kind of like mohair on a goat) that he has to stuff a lot of it in his shirt and then use pins to hold it in place and he spends like 30 minutes each day just combing it
- he works out every other day to help clear his mind and to calm himself down but Oni are naturally pretty big anyways and really strong
- despite the fact he knows how to cook he has the worst appetite known to man and will not hesitate to eat the nastiest things ever. I like to think that anytime Lloyd gets offered gross food (as he's somehow done a lot in the show) he pretends to "steal" it but he does genuinely enjoy every single food he comes across and it's not just something that comes from his life of being outcast it also comes from his Oni biology. Though, he seems to be a lot more inclined to eat certain things even for an Oni
if it's not poison, it's food!
- has abnormally large ears for most Oni and he can hear slightly better than most people. it's also another reason why he stretch himself too thin while working when he first started because he believed everything he heard needed his attention and he was constantly trying to get to multiple places and do many tasks all at once
okay now imma go to bed hehe this was actually really fun
-has a better work/life balance in the future at the very least lol so dw
-has digitigrade feet! they're not very exposed bc he wears baggy pants all the time but if you look down you'll see he's never wearing any shoes and his paws are just out
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TMAGP 13 Thoughts: Phone Bug
A big episodes for small reasons. Not much world-shaking happened but just enough was said about just the right things. A lot to get into in this one around the incident. We're starting to have the curtain pulled back. Just a crack right now, but that's just more reason to be cracked.
Spoilers for episode 13, and all of TMA, below the cut.
Not a huge amount to touch on in the date portion of the episode other than a couple of sentences. Yeah, Sam is a gifted burn out that's sad about not getting experimented on. Same old same old. But Celia has a baby. Jack being Celia's kid I wasn't expecting mostly because of how that figures into her timeline. She's very heavily implied to be TMA's Celia but based on what she said if she is then she's been in TMP's universe for at least 4 years. A "couple of wild years" and Jack's "just over a year old". Plus 9 months and it's a lot longer than it might've appeared. None of that stuff tripped Freddy's possible lie detector either that I heard.
If you work under the assumption that the voices are who most people think, and they started roughly when they arrived, then that's a fairly major time discrepancy. The voices are about a year old but Celia has been around for 4.
However, it doesn't strictly rule that out either. Firstly, we know that moving between universes isn't actually one-to-one time-wise. Anya Villette went backwards 2 weeks when she crossed over. So them arriving at different times could support the idea that she's TMA's Celia further. Her general explanation of events could also be explained by this too. If she's not there willingly, or is there willingly but it didn't quite go to plan, a couple of wild years while you get your footing in a world you don't belong to isn't far fetched. If she was there looking for the voices then her showing up so relatively late could be explained by her baby too. So it's certainly not a dead and buried theory yet.
While Jack isn't Jack Barnabas he and the voices are about the same age. If people want to go rabid over that.
Gwen and Lena's little chat has a similar amount to really dig into. It's nice to see Gwen dealing with it all, and it's annoying we still don't know who died, but Lena does have a lot to say in a few words.
The world is full of opposing forces, some benevolent, most not. In order for the wheels to keep on turning, all these forces need to be monitored and balanced. That is where we come in.
This probably the most information we've had on the OIAR to this point from the show itself. I think most of this was safely assumed before this point. They've been doing a lot of monitoring, categorisation, and the only responses we have seen have been tamping major spikes down. A world of opposing forces is also a given. We are being led to believe that these are analogous to the 14+1 but there being benevolent ones if that's true is a big mix up. If you take the above timeline idea a step further and say the 14+1 arrived much earlier (or it doesn't matter because of how they're temporally weird) the benevolent ones could be native to TMP. They could be all TMP had.
Her assertion that the OIAR is a balance on these forces is interesting. Beyond the obvious stuff it also leans into an idea I've been throwing about regarding Starkwall. In the perception of Starwall might not really be the whole picture. The San Pedro Square massacre could've been an easy scapegoat to pin on them for the OIAR to split with them. A split caused by a disagreement in ethics. Starkwall thus far hasn't been shown to have an incredible disregard for human life based on Ep 7. The OIAR definitely has been. It could just be a PR move because the massacre was too big to contain but that feels like the least interesting way to handle this. A faction that's all in on monster hit men splitting with a faction who is against it has more room for interesting drama and worldbuilding IMO.
Balance was also a very large aspect of TMA in the end. The OIAR working towards that balance isn't as noble a goal as it might sound. Or it at least has the potential to be an incredibly misguided goal.
Okay, with all that mostly out of the way onto the incident itself. I enjoy this one a fair bit. Very different to what's come before it but with another recurring theme. We're starting to see a couple of patterns emerge now although it's too early to start naming things. I don't think there is a lot to really get into but this one was written by Alex, had a new VA, and was a recurring idea. Which does all point to this being quite important as these things go. All the episodes will likely tie up quite nicely in the end but this one seems quite relevant currently. In any case this was a fun one and I'm kinda curious how some of the elements within it will tie together. Mainly the gambling and insects.
Also, super weird they went with Zorrotrade for this. Because that's a real thing. Or was a real thing? It might be dead now, but still.
Post-incident chat has nothing I really want to comment on. More Alice and Sam is always good, even if Alice is trying really hard to not seem very upset.
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Incident/CAT#R#DPHW Master Sheet
DPHW Theory: 4622 doesn't seem particularly noteworthy. It's interesting from a thematic angle how this differs from Rolling With It. Both obviously very linked to gambling but this one lacks the compulsion elements. Which is a good indicator that H is linked to that sort of thing. Not that I need to convince myself of that further.
CAT# Theory: 3. Insert screams et cetera, et cetera. More seriously there still isn't a convincing pattern to this. Although I might be swinging back to my original tria prima and/or triple deity interpretation.
R# Theory: B is where I was thinking it'd end up while listening. So that's nice. Not much to add to this. Much like with DPHW the more information that lines up with the theory the less there is to talk about it because I've already done the hard bit.
Header talk: Gambling (Application) -/- Murder. Other than Application being a pretty weird Subsection I'm not sure there is much to dig into here. Although it does likely confirm he's dead. Which does make it a little strange that his statement wasn't read by one of the Freddy lot.
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