crown swap

something you NEED to know about mo dao zu shi before you read it is that it is a murder mystery that is actually a tragedy that you don't know is a tragedy or the full extent of it's tragicness until about halfway through the murder mystery.

NICCORI CORI CORI CORI CORIANDER

walki with me... tommy kinard calling buck "baby"..... tommy kinard kissing buck..... tommy kinard gently holding buck's waist.... tommy kinard making buck laugh.... tommy kinard listening to buck ramble with stars in his eyes.... tommy kinard peppering kisses all over buck's face as buck blushes..... tommy kinard letting buck set the pace for their relationship..... tommy kinard calling buck "evan".... buck learning to love his own name because how can he not when tommy says it so gently..... buck sitting in tommy kinard's lap..... buck getting hurt on a call and tommy is there right away taking care of him.... buck waking up in the morning with his head pillowed on tommy kinard's chest as the sunlight streams in through the window and casts tommy in a sort of halo and his breath catches and buck is so happy he made it through his twenties and the tsunami and truck falling on him and the embolism and the lightning strike and any of other myriad of ways the universe has had it out for him because he gets to wake up to tommy motherfucking kinard in his bed as the sunlight gently cradles them in her embrace

("baby," tommy says, eyes still closed, less than two seconds later, hand brushing along buck's spine to card his fingers through buck's hair, "you're thinking too loud. go back to sleep."

buck honest to god flushes at the endearment. because that's what he is, tommy's baby. he's tommy's baby. jesus fucking christ, he feels like combusting. burying his head in his boyfriend's (boyfriend!!!) chest, buck tries not to whine.

"don't wanna," he whispers, peeking up at tommy, "wanna look at you."

tommy's other arm comes up to settle along his waist and buck wants to, fuckin', purr or whatever with how right it feels. tommy cracks open his eyelids to peer down at him.

"evan," his boyfriend (boyfriend!!!) says fondly.

and that's another thing he never knew about himself until he started dating tommy. he loves his name. not his nickname or his last name or buckaroo or any variant of that but his first name. he fuckin' loves the name "evan" or maybe he just likes the way tommy says it. and tommy has so many ways he says buck's name.

there's a soft, whispered "evan" in the mornings, and fond "evan" in the afternoons. there's an "evan" that tommy says like he's holding 3 tons of solid gold in his hands. there's an "evan" that he can barely get out through his laughs when buck bursts out with a fun fact at a wrong time. there's a choked-off, bitten, "ev-" when they're in bed at night and tommy can't believe buck is under him, gorgeous and panting. and there's the panicked "EVAN!" on a call gone wrong and there's an angry "evan" when buck doesn't take care of himself and there's a worried, two-syllable "ev-an" when he comes home with more bruises than he left with and there's-,

well the point is that there's a lot of different "evan"s that tommy says these day. he's going to catalogue them all one day. like his very own personal auditory archive. something to pull out on his off days.

"evan," tommy says fondly, "i'm not goin' anywhere sweetheart. i'll be here when you wake up. so go back to sleep, i'll be right where you left me."

and well-, buck forgets sometimes that this is a two-way street. that he may be tommy's baby but tommy's his boyfriend too. that tommy's practically required by law to be here when he wakes up. (oh by law?, he can almost hear his boyfriend snark. buck's bites the inside if his cheek to stop himself from giggling.) and more than some vague, ephemeral, Boyfriend Laws™️, tommy wants to be here when he wakes up. this is something tommy is actively choosing to do.

so when tommy says, "go back to sleep sweetheart" and "i'm not going anywhere, evan", well, who is buck to question that? he burrows deeper into the warm cocoon tommy has made, and let's his boyfriend's heartbeat lull him back to sleep.)

i need to read more books and annotate in the margins i need to write more i need to buy jeans that fit me i need to eat more fruit i need to buy good quality headphones i need to get a skincare routine i need to talk to my friends more i need to wash my hair i need to stop treating this inhabitation as a curse. i am tired of punishing the body that has fought me for survival every day for years. i deserve little treats as regularly as possible !!

I’ve gotten a few anons since I started doing my rereads (which is weird because I’ve done them before, it was just on my other account that many if not most of the same people interact with) but to be clear: I am anti no one of the acotar series. I genuinely like all of them though some more than others but like…guys, pls. they’re not real people ily but you don’t have to defend their honor in my inbox. I see you and I love your love for these morons but I don’t want to hear how much you hate so-and-so because you love so-and-so. You do you and I love that for you but I beg, leave me out of it 😅

hello... (and bye ig 👋)

your room was square

i once noticed from there

in your bed, as you slept

and i held my breath

everything had its own place

and i wondered what space would i take

in the order you kept

sometimes the only thing that gets me thru the day is believing that my f/o’s would love me through my disability. that they’d always meet me where i’m at and help me and take care of me even if i try to resist it. what i’ve been conditioned to believe is rotten work they’d assure me that it’s not. because nothing is rotten when it’s me

everytime i think about the new chapter the more and more i like it, it really consolidated yuuta and gojo's characters. the revelation of how the higher-ups were taken down and the set-up for the scene with gojo and yuuta's conversation about what their plan was for gojo's body, in case he lost, might just be the part i find most interesting. all in all, the chapter really highlights the underlying difference between the violence of oppression and the violence of resistence and revolution.

when it comes to yuuta and the archetype of his character he is the pure embodiment of love in the series. if yuuji is able to reach sukuna because he was one with him (love as oneness), yuuta's entire exitence has sorrounded love and, specifically, love as a curse. sukuna's surprise at yuuta's antics come from a place of not understanding love and therefore being unable to conceptualise that yuuta would go so far as betray his own humanity for it. he can't conceive how love can drive a person like yuuta, who's sweet and kind-hearted, to a place as cursed as this - emphasised by the sheer horror and heinosity that is seeing the usage of gojo's dead body with yuuta's innocent expression. but we know that yuuta's journey has always been marked by this concept of love as a curse, starting all the way back in jjk 0 where yuuta's unwillingness to let go of a deceased rika caused her to linger in the world in the form of a cursed spirit. one that yuuta learns to let go of by the end of the story. a lot of what he learns in that moment is about consent and mutuality in love (hence his domain expansion name), and although rika's soul passes and gets freed she is able to manifest her will into her vessel that continues to protect yuuta until this day. yuuta asking gojo for consent to use his body not only consolidates this mutual exchange and respect that he has for those he cares for - which are his main driving force - but is also exactly what separates him from someone like kenjaku, who body hops with total disregard for who they were originally. so there's that layer of irony behind yuuta having rika consume kenjaku to copy his technique and make use of it in a equally disturbing but more compassionate way. which in itself can serve to both question if intent plays a role in absolution and introduce, once again, the idea that humans and curses are not so different, as explored between mahito and yuuji in shibuya with them mirroring each other.

in regards to gojo i think his aknowledgement of his own inertia when it came to the revolution that he was leading was the cherry on top to consolidate who gojo really was as a person. gojo's greatest character flaw was arguably that he simply wasn't radical enough, allowing his students to be targets under the influence of the higher-ups. he had reasons not to kill them, as he explained before in the series, but he still failed to weight the consequences of his own actions and how no one is rewarded by working under a broken system. and i feel like having the youth he guided watching as he killed them is also quite significant as they're followers of this new revolutionary ideology.

i think the shock or impact these violent or twisted acts by the hands of those forced to survive within the status quo (like maki slaughtering her clan, gojo killing the higher-ups, yuuta taking over gojo's body) as a reaction to the violence they're subjeted to by this same system serves some purpose. and i think this is the reason the higher-ups are these anonymous faceless figures, barely-there personalities who have such a big influence in the lives of so many people. even in the real world, and we can think of systems like capitalism and how it exploits people in such a casual way and it relies on that exploration to survive, we sort of take for granted that violence coming from those institutions, having our attention driven away from the minority that's upholding these systems to other things instead. that violence is more "acceptable" because we've been conditioned to it whereas the violence in response to those acts is always met with more scrutiny. and that kind of contextualises why shoko and nanami, for example, much like gojo, aren't really revolutionary with their ideals either - or rather, do not get that priviledge. the difference being gojo was someone these higher-ups were actively afraid of, because if he wanted to, he could have done more. and that's exactly why the instant he was sealed it was the perfect opportunity for them to do whatever they could to prevent him from coming back and place new-drawn targets on the backs of the people gojo was protecting. the gruesome nature of maki slaughtering her clan or the off-putting way people react to yuuta discarding his own humanity and going against what he believes is right to make sure gojo's legacy continues is almost forcing this question of what are people willing to stomach in the name of survival and change.

gojo remembering geto in that crucial moment ("i was falling behind" or "i have to catch up") and just having in mind how they were both so young and naive is so incredibly bittersweet. geto had radical ideals, no matter how misguided. he looked at the world and he had this unshakeable conviction that things couldn't continue to be the way they were. he reached incredibly misplaced conclusions, yes, which came from a place of great pain and alienation, but gojo finally stepping forward to follow that same path, to be more radical, also sort of confirms that things could have been so different if only gojo had the same level of consciousness back then; that they could have found a way better solution together instead of the tragedy that ensued. the parallels between them add an extra layer of wistfulness to their bond, too. their fates have and always will be so intertwined, in such a beautiful and tragic way. and i think geto's unwillingness to force gojo to take a certain path will always be one of the biggest proofs of his love towards him. at the end of the day, even knowing gojo was who he was, geto always seemed to want to protect gojo's path from being stained like his.

at the core, jjk really is a story about revolution and humanity; a story about love and curses and how love is the most twisted curse of all (which has been reinforced over and over again). the fact some are rewarded and some are punished for taking certain paths under the same system is there to convey a very specific message. i really love the incorporation of eastern philosophies within the story and the role horror plays, too. the usage of the genre to deepen the impact of these themes and the way things are introduced with the intention to provoke almost visceral reactions in the readers (much like yuuta's own reaction) also makes the message much more impactful. i think this chapter was great!!!

i love my bi friends but i truly do need to make at least one irl lesbian friend, i can't keep hearing about men all the time i just can't

leaks in a couple of hours ya'll how we feelin? 🤧

The problem with my art right now is that 1) the little drawing time I have goes to @daily-basil ; 2) I have phases, and am currently deeply unmotivated ; and 3) when I do draw what this blog is currently about (Arsenic) I draw him in a gay way (because I love him deeply) and not like the unhinged person he actually is. I'm sorry I'm so soft about him right now. Yes I want Sunny and him to tear each other apart but they also need to love each other so so so much first

watched M3GAN again today on the 4k TV and my god she is so beautiful.

she is so gorgeous and i love her so much its INSAAAANNE.

SHE WAS RIGHT. SHE WAS JUSTIFIED IN EVERYTHING SHE DID!!!! Except maybe the kid DYING but he had the ear shit coming.

SHE WAS JUSTIFIED !!! SHE WAS NOT THE VILLAIN

THAT THERAPIST WAS-

Come on, you know you want to, give us the character bingo for Viktor.

don't mind if i doooo

Substance, Shadow, and Spirit [remixed, abridged] by Tao Yuanming