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gamesception · 9 months

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Sception Reads Cass Cain #7

So there are like a bunch of issues in a row where Cassandra shows up for just a panel or two each. Not really enough to make a full post on, and in the future I'll probably skip appearances like this unless there's something particularly noteworthy about them, but since there are this many in a row, and taken together they illustrate a point I've harped on in other posts, let's take a quick look.

Detective Comics #738 pencils by Mat Broome

There's a big explosion! So big that all these people around the city hear/feel it. Including Cass, who looks fine, but why does penguin get a full column and Cass has to share her column with, what, is that Bullock? like from the cartoon show? Eh, it's fine.

...

Detective Comics #739 pencils by Damion Scott

Hey, it's our guy Scott, with his signature cartoony expressive rubbery style. This a big issue for Harvey Dent, Jim Gordon, and Renee Montoya, and Scott really goes all out to get their emotions onto the page. But we're here for our girl, and here she is in the group shot. Proportions are a touch wonky, but if there's one artist we can trust to give us a recognizable Cass, even in costume, even with only a single panel group shot to do it, it's Scott. And yeah, she looks good - the pose gives her a bit of a cocky attitude, and the shadows on her mask give you a sense of her face, or at least the impression that there is a face - maybe too small in this group shot to really make out her expression too well, but at least she doesn't read as faceless here.

Patricia Mulvihill did the colors for this issue, and gives us a non-cannon variant color scheme for Cass's costume - Navy blue for the cape and cowl and dark grey for the body suit instead of the usual black for both, with solid black reserved for the inside of the bat symbol outline on her chest making it pop out more. Honestly I kind of prefer this? But I generally prefer the grey and navy bat suits over flat black on Bruce as well.

...

Robin #70 pencils by Gordon Purcell

See, the monochrome black suits are a bit flat and boring by comparison, and a lot of colorists don't know how to render them in a way that they don't just look grey or blue instead of black anyway, at which point why not just embrace it and make them grey & blue to begin with?

But anyway, Cass shows up with Bruce at the end of this issue in her aspect as Batman's Shadow / Silent Enforcer, and you know I'm not a huge fan of that characterization. Visually though... she looks off here, imo. Wrong proportions, too tall / head too small. Doesn't read as a teenager, imo. Something weird going on with her cape. But she's only barely there in the background and largely obscured by Bruce or dialog bubbles, so it's not like the artist had a lot of room to work with here.

....

Batman: Legends of the Dark Knight #124 pencils by Rafael Kayanan

I'm... not sure what's going on in that one panel... Is she standing on the crossbow? Ninja or not, I'm pretty sure he would have noticed that and also not been able to support it. Is she just landing on it to knock it off aim? Then why is there so little sense of motion? Weird panel. The kick is fine, though.

Perfectly serviceable art for Cass in costume here. No particular notes or complaints from me. I especially like the way Kayanan does billowing scalloped bat capes. We also have Cass in her canon black next to Bruce in my preferred blue and grey, from a colorist who can definitely show the difference between the three. Oh, what could have been!

......

Batman: Shadow of the Bat #93 pencils by Paul Ryan

Busy issue with tons of characters and a lot going on. Batman's mostly made up with Gordon at this point, they're getting together for some planning and mission assignments. Still Cass as the silent shadow, but for once Cass is shadowing Azrael instead of Batman.

They get a mission here that will play out in tomorrow's post.

In the mean time, I don't think the artist did a particularly great job with Cass here, but it's not bad at all. Plus these are a couple small and crowded panels in an issue with just so many different characters so I'm inclined to cut them some slack.

......

Here we have five different extremely brief appearances for Cass across five different comic issues with different artists. The quality imo varies - I'm not a big fan of Purcell's Cass/Batgirl, I think Kayanan's is cool as heck, etc - but what I really want to call attention to, pulling back a bit from the slightly more positive note I ended up on last time, is that in of all of these brief, background/group shot appearances, imo her individual personality and identity really only comes across in Damion Scott's art.

In that panel I see the cocky teenager who's having fun, because being Batgirl is fun to her! Yes, she can at times be as broody as any Gotham hero. Yes she struggles with guilt and trauma. But she loves being Batgirl. The enjoyment she gets out of the role is a core part of her struggles with guilt, and the whole internal conflict falls apart if being Batgirl is just a labor, just a burden for her to bear.

If you look at all the non-Scott panels here, the ones I like the art for and the ones I don't, in all of them Batgirl is a faceless shadow, a generic silent ninja. She's a cypher, reserved and unknowable. And not only is that Not Cass, it's also just kind of boring and generic? Not only are there a million characters like that in comic books, those characters are mostly nameless mooks and henchmen.

When other heroes show up for similar one off group shot, background panel type appearances, they can still emote somewhat since their faces aren't fully covered. They can still throw out a quippy little comment since they aren't mute. The interpersonal family dynamics of Batman's found family are built on those little moments every bit as much as the big ones, and Cass's conceptual gimmicks excluder from them. Is it any wonder that so many writers and editors never really treated her as part of the family?

#sception reads cassandra cain #batgirl #cassandra cain

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looniecartooni · 11 months

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Been getting back into Little Shop of Horrors lately. Although- I just saw the 1960 original movie and I’ve gotta say...

I kind of feel like the play did Audrey dirty. I mean- I can understand trying to make her more of a prominent character and why certain parts of the movie were switched around for the stage play (Seymour’s mom was a weird character. She was a little funny in her own right, but really felt out of place). Audrey did lack a bit of character and personality aside from being a sweet girl, but she at least had a bit of standards.

In the movie, she was weirded out by Seymour’s mom’s weird food items and didn’t like when “Seymour” started acting strange and demanding all of a sudden. Poor Audrey in the stage play gets abused by the sadistic dentist who had a rather minor role in the movie, but seriously got dialed up in the musical. And when confronted with the idea that she was dying- she was seriously way too willing to be sacrificed to the thing that tried to kill her and many others while in the movie, she well... lives.

I can understand wanting to give her more of a personality and more of a role to relate and sympathize with so that Seymour gets the girl in the end (which happens in only the 1988 movie version for sequel purposes and because the 1988 test audience didn’t like the dark ending clashing with the film’s rather cartoony silly vibe). But still- Audrey feels robbed of being at least having slightly more standards.

And there was one scene where she was seemingly on a date with Mushnik (which felt out of place too so I can kind of see why that was switched out) while the dentist and her are never seen together. I can get trying to make skid row seem like a much more awful place than the movie made it and giving the dentist a bigger role to where is death almost seems to be rooted for, but making him Audrey’s abusive boyfriend instead of being someone like Mushnik who almost left without paying the check... well it makes sense for theater since its dramatic and again makes Seymour feel like he’s the hero, but then it also makes Audrey suffer in more ways than one.

I’m not saying she needed to be like a hero with no man’s help or entirely a lousy character for being a woeful girl that just dreams of a better life outside of her awful town and abusive relationship. I’m just saying compared to the source material, she feels a bit reduced from what she was before. And in turn, in the musical it makes Seymour almost feel like a “nice guy” who is clearly the better option Audrey wants- duh! Seymour's given lines like “I don’t like that guy, Mr. Mushnik. Especially how he treats Audrey. She deserves a prince” and “Wipe off your make up, let me see your clean face”. And then in turn Audrey basically says, “Oh sure, I’ll die in a plant for you if it means you’ll continue living good. Even if you did kill my ex boyfriend and our ex-boss.” 1960 Audrey at least was kind of willing to ask, “Why are you acting this way, Seymour? I don’t get what’s come over you. At least sort it out before you go out with me again.”

Now granted- the 1960 film, the musical, and the 1988 adaptation are all extremely good with a couple questionable things here and there for good reason and a lot of funny jokes. Each has their own unique way of telling their story and they tell it well. The musical was aiming to tell a Faust like story in a time when female love interests usually were displayed in a certain way so that the main male love interest can kind of be seen as the better option. And obviously on the stage, it needs to be dramatic. 1960 Audrey wasn’t a feminist icon or anything and there wasn’t a lot to her. The only thing we really knew she wanted was Seymour because he was sweet and Seymour did things like name a plant after her. I’m not even sure why Mushnik and Audrey went out on a fancy dinner together- neither really expressed interest in one another aside from maybe extending Mushnik’s flower business. But Audrey seemed less... ditzy in the 1960′s version which isn’t always common for 1960′s movies and Seymour wasn’t really given motives to kill (which did make kind of silly things happen that were understandably turned around- like Seymour getting hypnotized by Audrey Jr. and pursued by a seriously persistent hooker).

Well- long essay short, I can see why certain parts of the 1960 version was changed around for the play, but that in turn may’ve made Audrey’s character feel robbed of what standards she had. But the play version also shows a girl so broke down by the abuse she went through that she thinks in her perhaps dying moments, sacrificing herself to her new love interest means she’s giving him and herself serenity. Just a part of me wishes that there was at least able to be a blend between the original Audrey and the musical Audrey so she’d at least seem slightly less passive.

I’m also not saying that Seymour was a hero by any means either. The decision to make Audrey II play on his desires makes for a slightly more interesting take than a hungry plant that eats bodies Seymour accidentally killed. Audrey was one of his greatest desires and him feeling like he was somehow just in his attempt to kill Orin (rather than somehow accidently stab him in a silly duel- the 1960 movie relied heavily on comedy more than deep motives like the musical). But in making Audrey more damsel-in-distress kind of, we also end up getting a more pick me/ nice guy Seymour rather than the 1960 sorta clueless Seymour that just really likes Audrey and that Audrey supported. Of course, Seymour needs sympathy as well and at least some form of seemingly noble intentions when being the protagonist that wants the girl, but having Audrey being too willing to die for him when movie Audrey is willing to walk out on him (granted a little unfairly because it was Audrey Jr. who kept being “weird”) and asking he’d get his act together while asking why he won’t explain himself at least gave her at least some form of grit in the situation.

Perhaps it only makes sense in context of the movie rather than the play, but I stand my ground... Audrey I deserved better.

#little shop of horrors #essay #arguement #movies #musicals #audrey ii #I wrote another essay- dang it #I feel Audrey deserved better

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braintapes · 1 year

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21, 30, 7 hehe

21. Art styles nothing like your own but you like anyways

Art styles that rely heavily on linework, or a solid ink kinda style, are SUPER cool. My usual style is 'glob of colors exploded haphazardly onto the canvas' so anything involving a lot of tiny detail ESPECIALLY with the lines makes me go heart eyes. I also really enjoy cartoony, exaggerated styles. I love love love super stylized facial expressions, they're SO fun.

Some examples of artists/artwork I really like and am inspired from:

Niccillustrates has a beautiful style that features solid, largely unshaded colors and gorgeous linework/inking, which is most obvious in their Undertale fan art. Seems like they've taken down a lot of their older stuff which is a shame, this piece is one of my absolute all time favorite inspirations of mine. The little lines in everything, especially the flowers...AGH!!! Here's a more recent work! The contrast is gorgeous and I adore the shapes in this so much.

Retroautomaton's art has this overall pleasantness and smoothness to it that makes me feel like I'm drinking a milkshake, but like in visual form. Here's a few pieces I especially like. The fluidity and sense of movement in the lines/figures along with the bright, poppy colors is just!!! so lovely!!!!

ArtsyDudeJude's pieces are so EXPRESSIVE!!! The way he really pushes facial expressions in particular is super inspiring - all his original character design stuff in general is tbh. I look at linework like his and go. man I couldn't do that but it looks SO GOOD. Here's some of my favorites!

Last one I swear but I wanna mention my pal Dana, RedEyesRetroDragon on here! The way she stylizes characters is SO fun and dynamic I love it a lot. I don't know barely a thing about ygo BUT I care these guys bc of Dana's art. PLUS her inking!!!! Holy woah! LOOK AT THIS PIECE!!! AND THIS ONE!!

30. What piece of yours do you think is underrated?

Hmm this is hard! Usually when I get reception on my art it's really kind and lovely and when I don't, I generally chalk it up to people just not being online/not seeing it at that time so I don't worry too much about it.

I suppose...since I draw a lot of fanart, it's easier for my original stuff to sort of slip by the wayside. So I'll use this one as an opportunity to gush a bit about this piece I did a little while ago!

People have left some really kind and sweet comments on it so I can't say it's underrated but it is my favorite original piece I've ever done. I felt clever about the caption because you can see it a few different ways - maybe 'taking form' refers to the canvas, reaching out and taking over the person. Or maybe the person is reaching IN, merging with the painting. Maybe the painting isn't taking form as in stealing, but taking form as in manifesting itself a human body. The possibilities are endless! Also I like the silly goofy expression here <3

OH AND WHILE I'M HERE. This piece is also not underrated but this was pretty cool too.

7. A medium of art you don't work in but appreciate

SO MANY!!!!! But the first one that comes to mind is photography! Photography is so cool and fascinating and while I don't think I could ever get /super/ into it, I have a huge amount of respect and admiration for the craft! A good photograph is SOOO satisfying to look at, like it's literally the art of composition and lighting!! How cool is that??

ALSO music!!! Gah I want to make my own music so badly!!! But there's SO MANY building blocks I'm finding it kind of difficult to learn. That said I have such an appreciation for people who make songs and sounds and things!! OH AND SOUND EFFECTS. EDITING. THAT'S AN ART TOO AND I LOVE IT.

Production work in general!!! To me it's art and it's beautiful and I want to be a part of it. If I could have any job in the world no questions asked, I would want to work in stage lighting. Concerts, theatre, idc, that kinda work is right up my alley. There's just something I adore about like, all the little details that go into making a production work that most people don't think about or notice because it's designed not to be noticed, but people still worked on it!!! People still put their time and effort and craftsmanship into it! <3 <3 <3

this is about to turn into a whole essay about all the different art mediums i love efjkdshajhg Sorry this is so long but i really can gush for hours about this stuff. Thank you so SO much for sending these!!!

#THANK U AGAIN #i have so much love in my heart for art #i also keep a folder full of art pieces i rly lke that ive reblogged over the years #im at almost 2000 images now and nowhere near done sorting everything

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keefwho · 10 months

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July 17 - 2023 Monday

8:27 PM

I had decided to password protect this blog to make it totally private but the truth is I don’t want to do that. I hate talking to myself. I’d rather it be public even if no one is actually reading it. I feel better having things out there. I do wonder about the harm it could do though if people close to me see such unfiltered thoughts. I wouldn’t have to worry about that if I hadn’t linked it to my other Tumblr awhile back. Maybe I can change the URL, unlock it, and maybe shake the graphics up to not clearly be me. Maybe it would be nice to almost be incognito despite the fact that I say enough personal things on here to probably figure out who I am. Maybe the goal will be to intentionally be more vague and secret.

11:06 PM

Today was okay. Breakfast was potstickers and spicy ramen which was good but I did worry slightly if it would be okay on my tummy despite eating it before. I did well with work today, I like what I’ve been doing using color in my sketch sheet. I drew the first porn of my newest pony OC Avena today. After this I have one last big commission to do this month from the guy that pays double to have it done. I did my leg workout but I don’t think it’s enough so I planned to fill my 2 workout-free days with small leg workouts. I just really want that ass and know I gotta work hard to make it happen. Lunch was a hot dog and a macaroni cup. I think I did a good job on today’s request and made just a little more progress on my bathroom world. I spent some time in my friends server as usual and had fun, I’m just starting to make more consistent conversation with more people there. I still don’t know if I feel it clicking but I will give it more time. It will at least hold me over until I find people that do click better. After work was done I felt inspired to draw a little bit more. After THAT I started to feel lost as usual. I had trouble figuring out what to do that would bring me meaning. I know I like VRchat so I hopped in for a bit to try and socialize. I did have a happy little conversation with this brand new player. He is a 31 year old guy who got his Quest 2 days ago and was hopping worlds. I thought he was a furry because I joined a public “Verified Furry” group instance but he was not associated with that. He just happened to pick this cartoony goat avatar. He was nice to talk to, socially adept unlike the few furries that joined and crowded our conversation. He didn’t stay on for too long though because of his headset’s battery life. I told him he could join me whenever, especially if he gets his Quest hooked up to his PC like he plans to on Wednesday. After that I tried hopping to find more people but had no luck. Another friend joined on me that I didn’t quite want to put up with and as usual he tried fucking the first people we met. I was honestly just super hungry at this point so I got off to make dinner. I watching Twitch until my bestie called and we chatted just a bit before she fell asleep. Ever since I’ve been watching someone stream Novel AI to write a funny little story. I thought about using it myself to write smut just for me even though I stand against using AI for creative means. In this case though it would be totally private for my use. Not sure I will actually put the time into that though. During this time I also made a happy little graph on my time tracking sheet to visualize how much I work per day compared to the rest. I love data like that.

#journal #diary #vrchat #ai

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classic80sand90smovieloves2 · 3 years

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Meeting and Dating Casper McFadden

(Not my gif)(Requested by anonymous)

- Moving into a new home was never easy. Oftentimes, it meant packing up everything you owned, leaving a bunch of good memories behind, and traveling across the country to a new town where you’d have to make all new friends and renovate old fixtures.

- But there was something about your new house that made it both easier and harder to live in: the fact that it was haunted.

- Obviously your family didn’t find out about the ghosts until after they’d signed the papers and even if they were warned about it, they probably wouldn’t have believed the realtor, but none of that mattered now. Now you were stuck in a old house with a bunch of spirits, stuck until your parents save up enough money to move again.

- So what made the manor easier to live in, you may ask. Well, the fact that it came with a friend….

- You and Casper meet the day you move into the Whipstaff Manor. You’re wandering around, exploring the home and trying to figure out which room you want to live in, unaware that there’s a specter following you.

- The minute Casper sees you, he’s head over tail. You make his undead little heart race and have him second guessing his every action. Which is the main reason it makes him a while to formally introduce himself, he’s too scared that he’ll ruin his first impression.

- Sadly for him, his first impression still doesn’t go over well, regardless of how much he practiced.

- In his defense, it wasn’t anything that he did, it was more the fact that you were suddenly face to face with a phantom. Anyone would have freaked out in response to that, and they would have freaked out to any ghost as well; no matter how friendly.

- So, like the rational young woman that you are, you scream and take off like a rocket, dashing out of the room and down the hall to find a more secure and safe looking room to hide in until your parents get back from the store.

- He follows behind, attempting to calm you down and feeling downright awful for scaring you. Once you’ve locked yourself away into a broom closet, he gives you a minute to breathe before he calls out to you, telling you that he’s sorry and trying to coax you out so that you can talk.

- It takes you another minute to be convinced and to trust him when he says he isn’t gonna hurt you, but eventually, you do brace yourself and open the door.

- Once you do, you find that he really isn’t as scary as you’d originally though he was. In fact, he was actually sort of cute; in a cartoony sort of way, and he’s friendly to boot; so you wind up feeling a bit silly for being so frightened of him. And after you begin to think like that, the two of you begin to develop a close friendship.

- While his uncles might be incredibly obnoxious and annoying, you can’t deny that you enjoy having the ghostly presences in your home; especially when school roles around and you find yourself feeling like an alien with no one to turn to. You might not have any living friends in your town but you at least have a few see through ones at home that ensure you’re not completely alone.

- But, compared to your primarily platonic feelings, Caspers feelings for you were a lot more complicated. He valued your friendship and enjoyed having you as a pal, but he also had more romantic feelings towards you. In simpler terms: he’d had a massive crush on you from the moment you walked in.

- And though he’d have loved to confess his feelings and see if you felt the same, he knew that it was practically impossible for the two of you to be together; at least until you’d died …or until he was alive again!

- The minute he remembers the Lazurus he immediately erupts into a fit of excitement and joy. If you could get it to work, he could be alive again and the two of you could be together for the rest of your lives, either as friends or as something more, he honestly didn’t care which; though he hoped it was the second one.

- So he tells you about the invention and the two of you get to work. You take the wild trip down to his fathers lab, search around until you find what you’re looking for, load the contraption up with it’s necessary elixir, and pull the levers with bated breath.

- You don’t know what you’d expected to walk out of the machine but it certainly wasn’t this. Perfectly done blond hair, shining blue eyes, and a face that made you suddenly flustered to be in your best friends presence. He looked like a Disney prince and you were captivated.

“How do I look?” He asked nervously.

“Perfect,” you responded a little too quickly. “I mean, human, normal …living.”

- His face broke out into a smile and he threw his arms around you, pulling you into a tight hug. The action caught you off guard and made your heart race but you didn’t mind in the slightest.

- Once you’d finished hugging, he pulled away slowly and you found yourselves locking eyes. His gaze flickered to your lips and before you knew it, the two of you were leaning forward and sharing a kiss.

- His uncles may or may not have interrupted you but the “damage” was already done. You were just as hooked on him as he was on you and neither of you could be happier.

- Casper loves pda. He loves being able to actually touch you and be out in public and show the whole town that the two of you are together; even though half of them are confused as to who he is.

- He touches you and holds you close whenever he can. He’s waited to do it since the moment he met you and now that you’re together; and he isn’t ice cold and only semi-solid, he enjoys every little ounce of affection he can provide and obtain.

- Handholding.

- Cheek kisses.

- Long, soft kisses. They’re sort of a contrast to his usual hyper behavior, which is why, if you ever need him to calm him down and focus, all you have to do is ask for a kiss or make it obvious that that’s what you’re going to do. He skids to a stop and happily complies as he gives you an adorable little smile.

- Pet names aren’t really his thing but he does call you by fun nicknames that he’s come up with; usually a shorter or longer version of your name.

- Cuddling is a must with Casper. He absolutely loves it, no matter how the two of you do it. Sometimes you’ll lay on his chest, other times you’ll spoon, and other times you’ll face each other on the bed and talk until one of you dozes off.

- Speaking of: he definitely watches you sleep every now and again, which sounds far more creepy than it actually is. Like, you’ll be talking late at night and you’ll fall asleep and he’ll just look at your peaceful face for a while.

- If we’re going with the assumption that Casper maintains some of the aspects of being a ghost, I think it’s safe to say that he’s occasionally at least a little cooler than a normal human, which makes him the perfect companion for hot days.

- Being carried and flown around.

- Sometimes; especially prior to him being in the Lazurus, he forgets that you’re not a ghost and gets you into some uncomfortable situations. And after he turns human again, he definitely has to get used to not being able to go through walls and have things go through him when they’re thrown or fall.

- Testing out exactly what he’s still capable of doing and if there’s any limits to his new life. Is he perfectly normal? Does he have ghostly powers? Do the effects occasionally wear off during certain times or seasons? It’s all stuff you have to figure out.

- For a while after he’s brought back to life, he spends all day experiencing everything he missed when he was still alive. All the smells, sights, and touches; he runs around like Jack Skellington while you sit back and watch with a smile.

- Going to the mall. It’s one of his favorite places to visit, he just loves the entire atmosphere of the place; especially since he wasn’t really able to go and enjoy everything about it before he turned human again.

- Tv dates.

- Playing different games with each other. Board games, pirates, video games, you name it, he’ll do it.

- Sitting on top of the lighthouse with him.

- Enjoying the view from outside of the manor. You have the perfect view of the ocean from your garden so the two of you can always throw a blanket down and stare out at the sea together.

- Just goofing off with each other. Running around the house together, sliding down the stairwell, having him push you in a chair down the halls, etc. You’ve got a huge house to mess around in, why not take advantage of it?

- Dancing together. He told you he was a good dancer.

- Late night conversations. You can always talk to him about anything you want or need to.

- Catching him watching you a lot. He always has such a loving gaze when he’s looking at you, just seeing his face when he’s watching you do something or speak is reassurance that he really cares about you.

- Always having a warm and excited greeting when you return home from school. He also probably occasionally goes with you or at least walks you there or visits during lunch.

- He loves making surprises for you. Throwing you little parties or coming up with different ways to make you smile or cheer you up after school or whenever he can see that you’re feeling down is one of his favorite hobbies.

- He wants to be with you like 25/7 so don’t be surprised if he’s constantly bothering you with his presence. It’s a good thing you love him because if you didn’t he’d become very annoying, very quickly.

- Him just appearing at random is commonplace so your parents and you definitely have to take some time to get used to it. I mean he lives in your house and now that he’s human again, it’s definitely a bit easier than when he was a ghost, but still.

- Getting chairs pulled out and doors opened for you. He likes being a gentleman.

- Him cooking for you. He definitely tries to impress you with his skills and all the inventions he uses; and he just likes doing something nice like that for you.

- Discovering all his dads inventions and letting him tell you about them. It’s really quite fascinating to see how they all work and how excited he gets while showing you how to use them.

- I have a feeling that he doesn’t like winter; for obvious reasons, and whenever it comes around, all he wants to do is stay inside with you and do indoor activities. If you were to want to go out, it’d take you a while to persuade him and even if you did; or were only going out by yourself, he’d spend forever bundling you up and making up a bunch of rules to keep you safe.

- Probably dealing with his ghostly self every now and again. I have a feeling that the Lazurus machines effects occasionally wear off for a little while from time to time so while he’s alive most of the time, you do have moments of spooky transparency as well.

- Pranking each other and other people. He might be a sweetheart but he also has a bit of a mischievous streak.

- Him always wanting to show you whatever cool thing he sees, does, finds, or hears about. Just being able to share things with you makes him happy.

- Listening to his stories from when he was alive or the decades he wasn’t.

- Fixing up his room for him and hanging out up there with all his toys.

- Being gifted some of his mothers things. Dresses, jewelry, stuff like that.

- His uncles bothering the two of you. They’re constantly harassing and teasing you; just try to pay them no mind.

- Standing up for him when his uncles are being more awful than usual.

- He might be the only person you can really bond with in your town, considering the fact that whenever you have anybody over, they’re almost always harassed by his uncles and scared away. Which Casper may or may not be sort of happy about.

- Casper gets jealous pretty easily. Anytime another guy takes interest in you, he always feels the need to mock them behind their backs or be passive aggressively not so friendly whenever they approach you when you’re out with him. It’s best to not bring up guys in your class unless it’s obvious that they only like you as a friend; but even then he’d wonder why you need friends (even if they’re girls) other than him.

- He’s sort of overprotective of you. He just got his life back so he certainly doesn’t want anything bad happening and putting yours in danger.

- He absolutely hates fighting so whenever the two of you have an argument, he’s always quick to try and settle it and apologize; even if he doesn’t really think he’s done anything wrong.

- Saying “I love you” isn’t really his forte. He prefers saying and doing other things to show you that he does.

- The two of you sort of just have to go with the flow and see where your relationship takes you. You don’t know how exactly the rest of his “life” will go so you just try to enjoy the present and what you have right now.

#casper mcfadden imagine #casper mcfadden headcanon #casper mcfadden imagines #casper mcfadden headcanons #casper 1995 #casper imagine #casper imagines #casper headcanons #casper headcanon #90s movie imagine #90s movie imagines #90s movie headcanons #90s movie headcanon

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strangemeatpie · 2 years

Text

gonna document and give my thoughts on the lupin movies/specials ive seen in this post under the readmore because hyperfixation has me behaving most unwise. warning this is will get long

blood seal of the eternal mermaid (2011):

+ really lovely character designs especially for lupin he looked great

+ animation = good!!!

+ lupins dynamic with the maki was cute. i like seeing lupin in the cool big bro role

+ some gr8 zenigata moments

+ i liked those introspective moments with lupin questioning his identity and legacy

+ toonami dub cast. tony oliver lupin is just Right

- main plot wasnt super interesting to me tbh

- the rest of the gang kiiiinda felt sidelined? it felt very centric to lupin and i mean yeah he is the main character but i feel like theres usually a lot more gang shenanigans you know

bye bye lady liberty! (1989):

+ idk if everyone is gonna vibe with these 80s character designs but personally i loved them. it had a cartoony energy that felt fun. animation was nice too

+ silly :^) it made me smile a lot while watching

+ i felt like the whole cast was well utilized here. everyone got some good moments

+ moemon

~ tonally this movie is kind of.... bizarre. i wouldnt say thats totally a bad thing because personally i like bizarre tone but it might not be satisfying for those who prefer something more concrete or mature. this special almost feels like it could be something you could watch with your family with how goofy it is.... but then it will hit you with something that is clearly not family friendly

the castle of cagliostro (1979):

+ its a miyazaki movie. do i really have to elaborate. in the 1 hour in 40 minutes of this film you will have a wonderful time

+ pretty accessible for anyone to enjoy even if they dont know jack shit about lupin. i watched it with my gf who had never seen a lupin anime before and we both had a great time

+ i really gotta hand it to miyazaki for creating this kinder, gentler version of lupin. feel like this movie had to be pretty influential to future characterizations of lupin that have him as a lovable little rascal instead of a devastatingly horny morally bankrupt creature of chaos

+ fluffy jigen

+ peak zenigata design

+ badass fujiko

- id say the only real drawback of this film is that while it IS a great and accessible point for franchise beginners, they might get whiplash from moving from this pleasant gentleman thief lupin to a LESS gentlemanly thief lupin....

episode 0: the first contact (2002):

+ polycule: orgins

+ *pops voice* HAMBAARGAH?

+ jiglup my beloved..... seriously a jiglup essential. jigen is gay as hell in this special and i wouldnt have it any other way

+ the whole scene near the end where goemon chases lupin with zantetsuken

+ when lupin is briefly shown to have a whole wardrobe full of feminine clothes that would only really make sense for him to have if he wears them regularly. probably for disguises but i like that he seems so comfortable with it and its not made into a joke either. in fact in his very first scene he is disguised as a woman and was femme fataling for a heist and i honest to god thought he was fujiko at first

- .... not to say this or many other pieces of lupin media are progressive. ngl there were some parts i feel didnt age great particularly one horny lupin moment with fujiko that left a bit of a sour taste in my mouth

- artstyle is just kinda Bland. idk if i would go far enough to say its BAD but it didnt stand out to me

the first (2019):

+ YES!!!!!!!!!!!!!!!!!!! YESSSSSSSSSSSSSSSSSSSSSSSSSSSSS THATS WHAT IM TALKING ABOUT BABYYYYYYY THATS THE GOOD SHIT THIS IS HOW YOU TRANSLATE 2D ANIMATED CHARACTERS TO 3D

+ i had so much fun watching this movie its a fucking blast. everything looks gorgeous

+ watched the dub and it was fantastic especially tony oliver doing a great job with lupin as always

- big cw for n*zis though and its unavoidable since they are the antagonists and its a big part of the plot

- besides that honestly i cant think of many complaints maybe the story isnt amazing but i feel like the primary objective of this film is to be fun and it succeeds at that

the fuma conspiracy (1987):

+ cute!!!!! a fun lil movie thats an enjoyable watch

+ character designs and animation is great

+ i liked murasaki she was so good

+ terminally gay pops

+ opening song BANGS

~ this movie somewhat notorious for not featuring the usual voice cast for the time because of budget reasons which is pretty weird but... ok? personally it didnt affect my enjoyment of the movie and these voice actors did a fine job but some may be off put by it

- no yuji ohno either 😔

the hemingway papers (1990):

+ jigens terrible taste in men

+ cute artstyle that is pretty much the same as bye bye liberty

+ i really enjoy jigen in this one. hes hung up over his Mysterious Gunslinger Past™️ and tries to be the lone ranger for a bit but in the end he cares about his silly polycule too muh

- gonna be honest this one kinda dragged for me a bit plot wise. there were a lot of cute moments but besides those and jigen’s ex sideplot it wasnt terribly interesting

- pops was definitely sidelined 😔

island of assassins/walther p38 (1997):

+ this is a great more action oriented special! if you are looking to watch something more serious but not quite koike levels serious this is a solid choice

+ i actually was pretty interested in the plot itself which is rare for lupin specials lol

+ amazing smooth animation and fight scenes!! it wasnt too shocking to find out that it had been worked by many well known talents in the industry like gainax/trigger’s hiroyuki imaishi

+ MY FUJIGOE CRUMBS

+ elen was a pretty cool original character

+ zenigata WAS kinda sidelined again but..... theres a scene where he literally resurrects himself from the brink of death right after his heart stops because someone in the room mentioned lupin. i think that makes up for it

- artstyle/character designs are kinda... idk if i would say BAD but they are very much a Generic 90s Action Anime style. not my favorite look

jigen’s gravestone (2014):

+ jiglup. i loved their relationship progression so much!!! it seems like they are still early in their partnership in this movie... work partners but not quite friends yet.... at first. you can really see the turning point where their relationship start evolving into something deeper and into the mutual trust we come to expect from them. its great im rotating them in my mind

+ animation is so so so so so great and sexy also

- time to address the elephant in the room... if you have seen jigen’s gravestone, or know anything about the plot, chances are you know what im talking about. fujiko’s narrative treatment is BAD bad and deeply disappointing even though i enjoyed the rest of the film a lot. really say what you will about twcfm but... sayo yamamoto would have never put fujiko in a scene like that, at least never at that level of gratuitousness. i heard these films do get better with fujiko and im still plenty of excited to watch more but yeah that was Yikes

operation return the treasure! (2003):

+ this special was like. delightful. what a good goofy little experience. was laughing AND smiling

+ idk if it was just me but kanichi kurita seemed to be putting in effort to make lupin sound EXTRA silly. and i totally appreciate it because this lupin is so cute

+ animation was solid!

+ i thought the premise was great. the concept of the gang having to return a bunch of treasures instead of stealing them is so fun. the plot got a little strange with the alien stuff there at the end but hey its lupin its natural at this point

+ jigen :^) i love him being all like “this job is DUMB and im not doing it” at the beginning and then getting fully invested in the antics. this guy is way too weak for his partner

- Man in a Dress Joke :^/ for the most part the humor in this special is superb but understandably this one does not land great even if it is far from the worst of these jokes ive seen

prison of the past (2019):

+ must a lupin the third special be “good”? is it not enough to watch some entertaining stupid shit?

+ i really enjoyed watching this ngl the plot was not interesting but i enjoyed the character interactions enough that it made up for it

+ im glad yata was utilized in this special because his dynamic with zenigata is delightful. i hope they get to do more funny shit together in part 6

+ huge win for lupin/jigen/goemon enjoyers. it was really cute how goemon has a bit of reflection on why he decides to stay with these clowns and comes to the conclusion that he loves being part of this circus

+ jigens terrible taste in men: the return

- like i said the plot isnt interesting and i wouldn’t call it an Essential watch either but hey i came here to be entertained and i was entertained

tokyo crisis (1998):

+ finally time for pops to shine!! and he certainly does!

+ actual memorable original character!!!! bring back maria you cowards….

+ this is an ultimate jigoe special they are paired up for most of it and they are so goddamn funny

+ seriously this special is full of great gags

+ tho im more used to the toonami dub cast i saw the dub for this special recommended so i gave it a shot… and it Owns though i still prefer the toonami cast overall

+ animation is seriously top tier

- it might have been implied (in the dub at least) that zenigata had romantic interest in maria which is yknow a little weird since hes twice her age but ultimately its pretty low key and he gets firmly Father Figure Zoned by the end and nothing ever goes beyond that

#star log #lupin iii #also pinning this lol

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youtuberswithalex · 4 years

Text

Period

Summary: Swallowing his panic, he tried his hardest to take a deep breath. He grabbed a wad of toilet paper and wiped, hoping to scurry to his room and get rid of the evidence of any injury before anyone could find out, but it came back soaked in just as much deep, dark blood as before. Tears sprung to his eyes as he let his hyperventilating take over.

“Daaaaaad!”

(Trans!Virgil; Adoption AU; Romantic Logicality, Paternal Moxiety, Brotherly Prinxiety, Creativitwins)

Warnings: Blood, periods, crying, explanation of the menstrual cycle, brief mention of sex, implied/referenced past child abuse, brief mention of past character death, Remus Antics (brief, non-graphic mention of a gory scene in an old movie)

Word Count: 2316

A/N: So, this has been a fic I’ve wanted to write for 12+ years, a fic that’s transpired fandom after fandom after fandom: an explanation of what a period is, to help others who won’t get/understand an explanation from other sources. I know this gets a little info-dump-y, but I tried to make it understandable. This fic is for you kids who are nervous about getting yours for the first time, like I was, and I hope seeing characters you love going through it, too, can help!

This is also the first fic I’m posting, I guess, of this Adoption AU I’ve had in my head for a while! I’ve got a couple other ideas in mind, including a part 2 to this focusing more on Roman and Virgil, sooo hit me up for some AU questions, if you have any!

-----

It was true that Virgil hadn’t really been feeling well in the past week.

He didn’t know what it was, but everything just felt… off. He didn’t want to socialize with anyone; being around people had been making a fire of rage burn in his chest, and the fact that he didn’t know why just made it ten times worse. He was exhausted to the point of nearly falling asleep in class, and would have slept through his alarms twice and been late if it hadn’t have been for Roman waking him up when he didn’t come for breakfast.

Speaking of, he hadn’t had much of an appetite, and he’d hardly been eating because of it. Even the idea of eating anything had made him feel a little gross. And his stomach had been cramping a lot.

Realistically, Virgil knew this was something he should tell Patton or Logan, but he just couldn’t bring himself to do it. It didn’t matter how many times Roman reassured him that their dads wouldn’t be angry at him for getting sick; until he saw it for himself, he wasn’t going to be able to believe him. So what if Patton was a nurse? So what if Roman and Logan had butted heads dozens of times since Virgil had moved in, and it had never dissolved into a screaming match? That didn’t mean they wouldn’t turn on him, or that he was a good enough kid to avoid getting on their bad side!

Besides, he wasn’t throwing up or running a fever! He was just going to waste their time if he said anything. They had more important things to worry about than him. It’s not like he was dying or anything.

…Or, so he’d thought, until Thursday afternoon when he went to the bathroom and found his underwear covered in blood.

Virgil almost screamed at the sight. As soon as he recovered, he frantically searched his body for any sign of a scrape or scratch that could have left such a mess. There was nothing. Maybe… Maybe it had already healed?

Swallowing his panic, he tried his hardest to take a deep breath. He grabbed a wad of toilet paper and wiped, hoping to scurry to his room and get rid of the evidence of any injury before anyone could find out, but it came back soaked in just as much deep, dark blood as before. Tears sprung to his eyes as he let his hyperventilating take over.

“Daaaaaad!”

Footsteps came rushing to the door faster than he’d ever heard in this household. “Virgil, are you okay?”

He choked back a sob. “I-I’m bleeding…!”

“Okay, it’s going to be okay, kiddo,” Patton soothed. “Can I come in?”

Virgil looked at himself, still on the toilet, and set the wad of toilet paper on the tank. He scrambled to stand and pull his pants up before whimpering out an “Uh-huh”.

Patton calmly came in and shut the door behind him. “Alright, where are you bleeding?”

“I-I don’t know!”

“You don’t know?” he asked with a frown.

“I…” Virgil picked up the toilet paper and showed it to him, lowering his voice to a whisper despite no one else being in there with them. “It was all over my underwear,” he explained. “And when I wiped, I…”

He trailed off as Patton tilted his head to inspect the blood, and then understanding faded onto his face as he looked away in thought. While it was only a few seconds, it felt like an eternity; his stomach started to cramp again, and Virgil found himself trembling.

“I-I haven’t been feeling good this week,” he admitted. “My stomach’s been hurting, and—and all I want to do is sleep, and I didn’t say anything because I didn’t want to bother you guys, and I’m sorry, I should’ve said something, I don’t want to die, I don’t want to be sick, I don’t want to have to go to the hospital, please—!”

Patton shushed him and ran his fingers through Virgil’s hair. “Hey, hey, relax, it’s alright! You’re okay, Virgil. You’re not going to die, trust me. Especially not on my watch.”

He leaned over, put the toilet lid down, and gently pushed Virgil to sit on it before kneeling in front of him. He took a few seconds to chew on his lip in thought.

“Virgil,” he started, “At your old school, did your teachers ever take an afternoon to talk to you guys about puberty?”

Virgil shook his head.

Patton let out a breath and nodded. “I guess they probably think it’s a little too early to talk about it, huh?” he muttered. “Am I allowed to touch your stomach, honey?”

Virgil hesitated, but he nodded after a moment. Patton reached up and placed his hands on Virgil’s lower belly. When he flinched, he used his thumb to rub gentle circles into it.

“Okay, so, in your body, right down here, you have this thing called a uterus,” he softly explained. “When people are pregnant, that’s where the babies grow before—”

“Am I PREGNANT?!”

“No, no, no—!” Patton had to hold back a laugh, taking his hands away to cover his face for just a second before returning them to their original position. “You’re not pregnant, Virgil, don’t—don’t worry about that!”

Virgil snapped his mouth shut, lower lip still trembling. Patton offered him a reassuring smile as he continued.

“Your uterus has these two things connected to it called ovaries.” He used his two index fingers to draw out where they would be. “They hold a bunch of tiny little eggs inside of them that eventually would turn into people—but only under certain circumstances, at certain times, usually involving another person. If you were to get pregnant, you’d know, understand? It’s not going to happen randomly.”

Patton didn’t move on until Virgil nodded.

“Okay. Now, about once a month, one of these two little guys is going to let one of their eggs go,” he said, “and it sticks to the wall of your uterus. And your body goes…”

Patton threw his hands into the air and waved them around. “’Yay! We’re gonna have a baby!’” he cheered in a cartoony voice. Virgil let out a weak snicker. Patton counted it as a win.

“It starts to get ready for this potential baby by building up this lining around the walls, so that it’ll be extra protected from harm. And for a little while, if you… Ah…” Patton’s face turned red. “Do… certain things, with certain people, that egg might get fertilized, and that’s how pregnancy starts.”

“Like… kissing?”

Patton hummed. “No, you’d have to do a little more than that. More, uh… adult stuff.”

Virgil nodded, looking at the floor very seriously. “Taxes.”

It was a fight to keep his laugh in. “R-Right. Taxes.” He cleared his throat and continued. “Um, anyway, if that egg doesn’t get fertilized, your body says, ‘Oh, darn! Well, maybe next time!’, and it gets rid of the egg, and then it gets rid of that lining so it can make a fresh one for the next egg.” He pointed to the bloody toilet paper still gripped tightly in Virgil’s hands. “That’s what that blood is. It’s not a cut, and it’s certainly not an omen of death. It’s just a sign that you’re growing up.”

Virgil stared at the toilet paper for a long moment. “…Am I going to have to do this every month?”

“Well, not at first,” Patton replied, putting his hands on his knees. “This is a brand new feature in your body right now, so it’ll take a bit for it to fall into a real cycle. For a little bit, you might have a couple within a month, or you might not have it for another three after this. But, eventually, yeah, the body will balance itself out.”

“How long is that gonna take?”

“It depends on your body. If it takes a while, or it doesn’t seem like it’s going to balance at all, we can look into some options to help, like birth control or hormone therapy. Modern medicine is a great thing,” he said with a wink. “How about we save that conversation for a little later, though? See how this pans out for now?”

There was a beat, and then Virgil slowly nodded. He shifted and tipped his head away. “What do I do about my underwear?” he whispered.

Patton hummed and sat back, looking up at the ceiling. “Well… I’ll be honest, kiddo, I can talk your ear off about anatomy and the medical side of things, but I don’t have a clue about the products and stuff. How would you feel if I called Remus’s mom and asked her to come explain that stuff to us?”

Virgil wiped at his eyes. “Okay.”

Offering a gentle smile, Patton held his arms open; there was a moment of hesitation, and then Virgil leaned forward and wrapped his smaller arms around him. Patton held him tight and rubbed his back.

“Thank you,” he whimpered.

“Of course, sweetie. That’s what your Pop and I are here for,” he reassured. “And don’t you ever worry about bothering us if you’re not feeling well, okay? We care about you more than whatever silly things we might be working on. We want to take care of you, okay?”

Virgil shuddered in a manner that was suspiciously similar to that of a repressed sob; when he spoke next, his voice was tight and high-pitched. “Okay.”

They sat like this for a moment, with Patton holding his son close, rubbing a hand over his lower back, until he pressed a kiss into his hair and pulled back.

“Alright, Virge, I need to go call Mrs. Drake,” he said. “Is your stomach still hurting? Or anything else, for that matter? I can get you some medicine to help, if you want.”

Virgil nodded, scrubbing his eyes and taking a deep breath.

Patton nodded and climbed to his feet. “Okay. I’ll be back as soon as I can, promise.”

He stepped out of the bathroom, shutting the door behind him and leaving Virgil alone with his thoughts again. He was still shaking, yes, but the terror of thinking he was going to die was settling into the more manageable fear of learning a new routine…

And maybe, a little, the risk of starting to put his trust into someone.

But maybe there wasn’t so much to fear in that one.

Virgil leaned forward and finally dropped the bloody toilet paper into the trash.

----------

The front door slammed open; Logan and Roman both nearly jumped out of their skin from where they sat at the dining room table.

“Virgil, we got your little butt-diapers!”

There was the sound of a light swat, and then the snatching of a plastic bag.

“Stahp, Remus, he’s already having a hard time with it!”

Snickering echoed through the entryway as the two climbed the half-flight of stairs leading to the main floor. As Remus made a beeline to tackle Roman out of his chair, Logan adjusted his posture to be more formal and nodded at Mrs. Drake.

“Good afternoon, Alya,” he called.

“Hi, boys,” she quickly responded. “Are they still in the bathroom?”

“I believe so, yes.”

Mrs. Drake nodded and hurried off just as Roman wrestled Remus off of him. He glanced at the hallway, and then between his twin and his father.

“Wait, what’s going on?”

“Your baby bro’s anus is bleeding for the first time!”

“No, Remus,” Logan scolded. He turned to Roman. “He’s experiencing his first menstrual period. Your father called Mrs. Drake to help teach him the technical aspects of how to best handle it.”

Roman blinked and sat up straight. “Oh! Is he going to be alright?”

“Yeah, Mom brought a bunch of stuff to help,” Remus replied, waving his hand as he plopped into the open seat next to Roman. “Pads, painkillers, heating rice bag sock things, the whole shebang. And a bunch of chocolate and candy and stuff!”

“Ah, good. I’ve seen studies that dark chocolate helps with cramps,” Logan stated.

Remus sighed. “A shame. I was hoping we’d get to see Virgie’s tiny baby rip out of his stomach. Like that scene in Aliens!”

Roman let out a whine and swatted him. “Dude, that’s my little brother!”

“Oh, come on! Your other dad’s a nurse! He could stitch him back up in no time!”

“That is not how nurses work!”

Logan hummed and adjusted his glasses, turning back to the papers he was grading. “Astounding. In less than two minutes, you’ve expressed your ignorance in both anatomy and the careers of the medical field. I suggest you brush up on them both if you truly wish to study in the field of dentistry.”

“Haa, brush up,” Roman laughed.

Logan shot him a glare over the rim of his glasses; Roman and Remus high-fived.

“Do your homework, Roman.”

Roman grinned and turned back to face his homework, but his mind instead floated back to Virgil’s condition. He bit down on his lip and shifted before looking up and tapping his pencil end against the table.

“Seriously… Virgil is going to be okay, right?” he asked.

Logan let out a soft breath. “Your brother is going to be just fine,” he gently reassured. “This is a natural thing for many people who possess uteri. He might be in pain for a little while, but ultimately, he will be alright.”

“My mom deals with it every month, and she’s not dead yet,” Remus pointed out. Then, with his grin fading a bit, he added, “Our mom probably had them, too. She must’ve, if she had us.”

Roman watched him for a long moment, and then he nodded, swallowing the lump that had snuck into his throat.

“Okay,” he whispered. “Okay.”

---------

Second A/N:

Hey, folks-- So, as it turned out, I made a bit of a mistake in explaining this. So sorry about this! Thank you so much to @romanslunchbox for pointing this out and correcting me:

“ It isn’t a huge mistake. However, in your fic you stated that the egg gets stuck in the lining of the uterus. But that is only possible with a fertilized egg. An non-fertilized egg dies in the oviducts before it can even reach the uterus. After the egg dies certain hormones are released to start the menstruation about 2 weeks later (how that works is an entire shit show of hormones and stuff). It takes a while for these hormones to be released, so the uterus keeps producing more lining for the egg to get stuck in. When the uterus finally gets the signale that there is no pregnancy, that is when the menstruation starts. “

#sanders sides #sanders sides fanfiction #virgil sanders #patton sanders #paternal moxiety #the ending's kinda weak but eh #i wrote this in one day #whaddya gonna do #roman sanders #logan sanders #remus sanders

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popculturebuffet · 3 years

Text

The Three Caballeros Ride Again Review!: And Ladies (Ride of the Three Caballeros)

Saludos Amigos! I’m back with yet another comics review! And we’re back on The Ride of the Three Cablleros! Thanks again to WeirdKev27 for commissioning this retrospective. It’s going to get pricey and I greatly appreciate it. PREVIOUSLY ON RIDE OF THE THREE CABLLEROS

In short.. a bunch of short segments of varying quality, a very thirsty Donald hitting on ladies, the first appearance of Panchito and some very good music. A fun time was had by all. Along with a LOT OF drugs by the Disney Animators. The film wasn’t a huge success, but out of the 6 package films, it was a fan faviorite alongside the Mr. Toad and Ichabod movie, and thus was rereleased quite a bit, as well as being one of the first of this era to end up on VHS due to it’s cult popularity. As for Panchito and Jose they’d get plenty of success overseas, with both getting solo series in their respective home countries, Jose himself having just resumed having comics again this year, and being rightfully massive characters. But despite being a hit with fans across the world.. in the US... they were pretty much shoved in the Disney Vault for a few decades. Jose would show up on the Wonderful World of Disney, in it’s various forms, three times after the Three Caballeros while Panchito just vanished aside from reuses of the Three Caballeros footage. Their careers in the US just sorta vanished for a few decades. But as suddenly as they vanished, our boys returned triumphantly. Naturally being the most used out of the duo, Jose would show up for the first time in decades during Mickey Mouseworks, a show full of new late 90′s produced Mickey Mouse shorts, all but two of which would end up being recycled for the much more popular and well loved House of Mouse, which would feature the triumphant return of the Cabs to animation after so long away. We’ll get to that next time, as just a year before the Cabs had already reunited in the pages of Walt Disney’s Comics and Stories in one of Don Rosa’s best loved tales. The Ride of The Three Caballeros was something Don Rosa had wanted to do since he got the job writing Duck Comics in the first place. As he explained in the back of the complete library edition named after this tale, Uncle Keno isn’t the biggest fan of the Donald Theatrical shorts. Having experienced the Carl Barks comics first, and having built his career around them later, he just wasn’t a fan of the goofier, angrier, less nuanced theatrical short Donald, often feeling like he was an entirely different character from the one he loved. And.. honestly he’s not wrong. Both were built for entirely different kinds of comedy: While both did slapstick, Slapstick, along with standard comedy shenanigans, was the main weapon in Shorts Donald’s comedic arsenal. Barksian Donald, while not immune to slapstick, was more like a well built sitcom character: Multi layered, sympathetic when he needs to be, but still having tons of faults to be exploited for laughs and to play off other characters. As a result while I like Donald in the shorts I do prefer Barks version of him, and the shorts Barks did are usually the best of both worlds, combining Donald’s everyman schtick with his slapstick schtick. Of course later cartoons would pick one or the other or combine both, but I do get his point and at the time he wrote this story the only cartoon show starring Donald was.. Quack Pack.. which I can only imagine his reaction to seeing that train wreck.

But as you can probably guess there was one exception and it was The Three Caballeros. Don genuinely enjoys the beautiful music and the wonderful chemistry the three have. So after a trip to Mexico gave him the perfect setting and the fire in his belly to finally do it, he finally wrote the story. And since they weren’t Barksian characters and hadn’t had any other apperances in decade, Don also took a dive into their comics. Since Jose was more of a fancifial freeloader in his comics, Don decided to ignore this characterization and go with his own based on the film: A latin playboy and lounge singer. And i’m okay with him doing that, as unlike say with Marvel and DC when they destroy a character, Disney characters are both more fluid continuity wise and his is still rooted in a version of the character, and he’s fully accepting and apologetic that some fans hate him for this. Also for some damn reason they redesigned Jose at some point in his Brazil to look like this:

This is far from the dumbest comic book costume change i’ve seen, but it’s certainly one of the most lame, as his original outfit is dapper, stylish and fits the Brazilian version of him well. And it’s not like you CAN’T update the classic Disney characters with modern appearances. Quack Pack, which has somehow come up twice in this review, did so great with Donald and Daisy, giving them new clothes and a haircut in Daisy’s case but both still look great. Same with Goofy for Goof Troop who just wore a dad sweater and bow tie, which puts him in the small but significant club of “Bow Tie Wearing Characters who have defined my life” with Opus the Penguin and the 11th Doctor. You can update a classic character’s’s appearance without coming off like...

Which given Jose’s outfit there is horrifyingly similar, says something. Anyways, Rosa had more use for Panchito’s stories, which had him as a cowboy protecting small towns with the help of his trusty steed Senor Martinez. Rosa loved both aspects and thus used them here, with Martinez getting a makeover to fit Rosa’s style better. Rosa is also the one to popularize Panchito’s last name, having found it on a scrap of research, not realizing the character’s last name was not at all widespread and thus giving him a canon one that has stuck to this day, and sighing in relief when he finally got conformation from another fan this name was indeed something Disney had used after loosing his research scrap. So with the two boys characters set, a plot set up and a whole sequence planned we’ll talk about on the way “The Three Caballeros Ride Again!” was born. How good is it? Well join me under the cut and i’ll tell you.

We open in Mexico, specifically near the Barranca Del Cobre, aka The “Copper Canyon” of the Sierra Madre, a natural land formation simlar to the Grand Canyon that Don Rosa saw during his trip and thought would make a great setting. While larger than the Grand Canyon, Rosa figures in his notes it simply isn’t as popular because it’s more isolated than the Grand Canyon and that, combined with it having trees inside distracting from it’s rugged beauty, makes it much harder to build a tourist industry around. The four are headed to El Divisadero, because this comic is determined to kill me with it’s difficult to spell names apparently, where Huey, Dewey or Louie spouts off for no particular reason about the currently being built Chihuahua El Pacifico Railway. Seriously the boys might as well be the security guard from Wayne’s World in this comic, their role for most of their brief page time is just to set up stuff for later. I mean i’m fine with setting up your setting but there are better ways than just spouting off tons of exposition apropos of nothing.

Donald has driven the boys here for a Woodchuck Jamboree. I did actually look into Jamborees, as before this it only had ever come up in one of my favorite movies of all time, Moonrise Kingdom, and mentioned occasionally in the Ducktales Reboot. Jamboree was first used for a worldwide scouting Jamboree but has gone on to mean a huge gathering of scouts, with the Boy Scouts of America having one every four years, so odds are it’s just a big yearly or quarter yearly thing for the woodchucks. Still it would be nice to see a big gathering like this in the series, especially since several of our cast are involved in them, including the possible power trio of Huey, Violet and Boyd, and Della and Launchpad could easily be slotted into the plot as seen in this season’s premiere.. as could Dewey and Louie if they really want to since according to Frank their members.. they just aren’t nearly as invested as their brother, and thus don’t do Woodchuck stuff unless he drags them into it, as seen with “Day of the Only Child” in the series itself. It does make sense: Dewey doesn’t have the survival instinct or patience for camping, and Louie hates effort, the out doors, and doing things for anything but profit. Scouting is all of that. So the boys have driven all this way for the Mexican Jamboree, as they’ve been carefully raising their tarantula Tara, and the Tarantula Breeding Badge is only given out in Mexico, which is plausible: Different branches of a worldwide organization would have different awards and what not in different countries. And Tarantula’s are also native to mexico so that makes sense.. and I want you to apricate that I’m afraid of spiders, not cartoony ones, for instance, this is adorable.

Galvantula4Life. But real life ones or realistic looking ones? Yeah no fuck that. So I had to go to the Wikipedia entry and see several horrifying looking sizeable spiders for this one tiny fact. Your welcome. Tara ends up on Donald’s face with the boys assuming Donald is sad to see her go instead of you know FUCKING TERRIFIED A GIANT SPIDER IS ON HIS FACE. This gag does not work.. but probably because as I said i’m afraid of spiders and this is my nightmare, you little sociopaths.

The boys however worry about what Donald will do for the weekend as they prepare to board the bus to the Jamboree... why it’s meeting in an out of the way town like this I have no idea, but i’d guess plot convince. They realize he has no friends, which Donald shrugs off, and they REALLY shouldn’t say to his face, but ruminate on it once he leaves to do whatever after vaguely talking about friends he had in the past.

I like this scene even though it annoys me a bit: Ilike it because it does set up how Donald really DOSEN’T have any friends in the comics. It’s part of WHY Rosa was drawn to the Cabs: Their one of the few equal relationships donald’s ever had, people who treat him as a partner, in both sense probably, a friend, a true amigo. As the boys point out Scrooge is a monster to him in the comics, paying him 30 cents an hour which I actually put into an inflation calculator to get an accurate read on how little that was by 2020 standards.. and it’s 3 dollars an hour. Hence why I call him a monster, why that bit hasn’t aged well, and why Rosa REALLY, REALLY should’ve retired it. It dosen’t help reading that knowing Disney largely treated Rosa the same way is cringe inducing at best, if not for any fault of his own. It being cringe inducing for an employer horribly mistreating and underpaying his employees though is his fault, he’s a grown ass man, even in the 90′s this had to be a problem, be better.

And yes i’m being hard on Don Rosa but just like with the comics thing, I simply expect better from the man given just how much respect I have for the guy. His art is gorgeous, his research is immaculate, his knowledge of old films is wonderful and his love for them so infectious i’m tempted to seek the ones he’s mentioned in notes out. He’s a truly wonderful guy and one of my faviorite comic writers.. but I have to treat him fairly like I do ANY of my idols. Just to prove that, I love Grant Morrison, especially his run on New X-Men, but a lot of it hasn’t aged well including some of the language and the entire subplot with Emma manipulating Scott into having an affair when he wasn’t in the best mental place and she knew that and was acting as his therapist, and treating that as a regular affair REALLY doesn’t play well nor should it have. I love Al Ewing, with all my heart and soul, but his run on Ultimates, while having some great worldbuilding and a spectacular cast, ultimately wasn’t very good after the first arc. Not terrible but not good. John Aliison, of Scary Go Round and Giant Days fame, while impressive has had plenty of stories I just didn’t like for various reasons and will probably get into some day and some parts of his stories haven’t aged well. It’s the hard but necessary part of being a critic: You have to be objective and see all the parts of a creator’s creation, not just the ones you like and call them out when they screw up. To me being a fan isn’t about just blindly loving something, it’s about knowing WHY you love it and being willing to call out faults while still thoroughly enjoying the work. There’s a fine line between being blindly loyal to someone, which has created Zach Snyder's awful cult of personality that I hate so much, and being an overly critical shithead and I hope I’m straddling that line.

Back on the scene after that filibuster they point out Gladstone, who himself is a monster to me for how he doesn’t lift a finger to help his nephews or cousin, and constnatly flaunts his luck to Donald, and is a bit more than teasing especially since he tried to, you know, steal your house once boys. That’s canon.. that’s a barks story so it’s canon here. You.. You remember that right? He tried to steal your house. And we will be getting to that one next month, just you wait. Finally the Daisy part that annoys me slightly. The boys being sexist.. was sadly the style at the time this story is set, the 1950′s, and thus plays better for me than it does in Ducktales, as their just little boys and don’t know better. Them assuming Girlfriends aren’t like having friends, while accurate though does bother me a bit, but only because the way this story treats Donald’s relationship is PRETTTTTYYYY bad and this sets that up. But we’ll get to that. Thankfully this foreshadowing of terrors to come is quickly forgotten as we get a GENUINELY great two panels of Donald lamenting his lack of friends. It just works really well, selling his loneliness and how isolated he truly feels without any, which while I have friends I can relate to as I only really hang out with on regularly.

This is what I was talking about. While I will point out Rosa’s flaws.. their truly outweighed but his artistic mastery. In just three panels he really has a truly emotional and heartrending scene, and just that one close up among them is all we need to get the true depths of Donald’s loneliness. I can be hard on the guy, but it’s because he’s one of the best there is, best there was, and best there ever will be and thus I hold him to a high standard. But with that we transition to...

Or rather first his boss at the hotel, whose pissed his headliner has skipped out on him again to woo a lady, and while he plans to fire the guy, only isn’t throttling him because he figures one of his “Senorita’s” boyfriends will do that for him. And while I do like Jose as a playboy i’m not really fond of him trying to have sex with someone in a relationship, as it puts both him and the person he’s having an affair with in a really bad light. It does fit the character, I just don’t have to like it. As for this particular Senorita, it turns out her boyfriend is a notorious Bandito and is thankfully out of town. So yes, Jose is essentially acting out Come A Little Bit Closer by Jay and the Americans.

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Naturally just like the song, said Bad Man returns, Alfonso “Gold Hat” Bedoya, a machete wielding baddie who while understandably pissed about another man making time with his girlfriend, is less understandably about to murder Jose. Though unlike the song, Alfonso’s Lady, rather than help Jose, encourages her boyfriend to murder him and clearly has a fetish for cheating on her boyfriend with various men and watching as he kills him which.. Jesus. This is why while I don’t LIKE the idea of Jose hitting on women in a relationship it does work here, as he’s still not nearly as bad as either of these two, so it evens out. Jose escapes with his umbrella but crashes.. right into the back of Donald’s car. Rosa, Alfonso’s lady, encourages him to murder both of them for funsies, and being a brutal thug, Alfonso obliges and shoots at the car. And since, to quote the duck himself, Donald doesn’t like being killed “Even a little”, he books it out of there.

Alfonso doesn’t peruse them though. He’s on the trail of a treasure hunter who has a map to the lost town of Tayopa, which contains untold silver, but before he can do that he has important buisness to get to.

I fucking love that gag and that Rosa snuck more adult gags in there knowing plenty of Duck Fans, such as myself, are grown men, women and others who can handle this sort of thing, while still slippnig it past the kids.

Donald, once the fear’s worn off a bit, starts to wonder WHY he’s running when he’s not the one who pissed off the guy, and ignores Jose’s good point about the fact Alfonso really dosen’t seem like a guy who sees nuance.. until Donald sees a wanted poster for Alphonoso and keeps driving. He eventually gets far enough away to feel safe.. and confront the guy who got him into this mess.

Now kiss. While sadly, they do not, we do get a lovely warm reunion between old pals. Rosa keeps their past vauge as, correctly, he pointed out in his authors notes that the Cabs movie really had no plot, accurate, so instead just vaguely alluded to Donald having known the two in his pre-daisy and boys past and likely had similar adventures to the movie, but adapted more for Rosa’s barksian universe. Jose explains he often finds himself cash poor and thus hits the road to drum up some money, and Mexico is a great place for that as it has plenty of tourist money.

Though as Jose talks about their past we get the most uncomfortable running gag of the story.

While Donald’s paranoia here is played for laughs.. it just.. isn’t all that funny that Donald’s relationship with Daisy in the Rosa canon is apparently sooooo deeply unhealthy that just HEARING about him having a romantic past before him, as Rosa confirmed this was pre-daisy in his notes, causes Donald to panic and worry she actually somehow heard this. It just isn’t funny.. it speaks of MASSIVE relationship issues and some form of domestic abuse on Rosa!Daisy’s part. It’s stuff like this why there’s only a handful of Donsy relationships I like: Her treating him like shit is reduced to a punchline, instead of being used for character growth. It’s also why I’m deeply dreading covering “Legend of the Three Cablleros” at the end of this retrospective. I just don’t like when Disney media treats Daisy expecting too much of Donald or being hyper jealous of him as hilarious and while I take this more as the story not ageing well rather than barks fault, as since then Domestic Abuse against Males has become a more widely known and talked about issue, it still doesn’t’t make it plesant. It just makes this not entirely his fault. Just like it’s not Stan Lee’s fault this panel is both deeply hilarious and uses a now kinda racist term.

I named an entire youtube channel after that.. we all have our regrets. I also bring it up since currently Harry’s become terrifying villain Kindred... and thus the current big bad of an entire Spider-Man run and the being hopefully bringing one more day into the light and hopefully leading to it’s undoing.. once had a goofy mustache he genuinely referred to a “Fu Manchu Face Fuzz” that for all we know he regrew under the mask.

Donald fondly remembers the old days of being a badass adventuring team and decides, screw it, let’s go show that Gold Hatted Paloka whose boss.. but being Donald ends up driving them into The Copper Canyon instead. Our heroes end up lost in the canyon and , fitting for Donald get shot at. I can only imagine his thoughts right now.

Their mysterious attacker threatens them.. before revealing himself to be Panchito, whose glad to see his friends having mistook them for Alfonso. Turns out HE’S the mysterious treasure hunter Alfonoso was after, to no one’s surprise. We get another deeply unfunny “Daisy’s only a thousand miles away gag” as the boys reminisce and get introduced to Panchito’s horse, Senior Martniez. He also tells the boy about his map.. but how he’s hit a snag as the lost town where the silver, from a silver mine.. is now buried under pounds of volcanic rock, a volcano having erupted. This is artistic license as Don Rosa admits there aren’t any known volcano’s in Mexico, but that they also still haven’t found that missing town, so this was his explanation. All is not lost as Donald’s globetrotting with Scrooge meant he knows his history.. and thus spots an old mission which, at the time, were used by preists as cover for secret mines. Donald naturally bungles his way in and we get the much better running gag of the Cabs thinking Donald did something amazing when he really just wondered into slapstick. They end up down the shaft, with Jose deciding Donald can’t do all the work, and finding a secret entrance under a sanctum sanctorum.. a religious thing I have no idea what it ii s but is clearly where Dr. Strange got the name. Regardless they find some old kegs filled with pure silver. As Panchito puts it:

And he did ideed. In a nice moment that shows off his character, Panchito has no hesitation for sharing the wealth: He wouldn’t of got this far without his friends, and he wont get the Silver cashed in without their help. He also fires off his guns in celebration.. forgetting their in a cave, a gag I genuinely like.

After some off screen loading and hoisting, the boys are slowly on their way out of the canyon, with Donald’s Car and Senor Martinez pulling the cart with the silver together. With some downtime the three talk about what they’ll spend the money on.

About what you’d expect. A big beautiful music venue

For Jose, and a nice ranch to retire at for Panchito. Both despite being wondering souls would love a simple place to call home, in their own personal styles. While they are BIG goals, their also likeable and understandable ones: Jose just wants to stop having to do all these tours and carouse and party and perform at home. Be his own boss, and live his own dreams instead of working for whoever will put up for him. Panchito just wants to retire from being a wondering hero to a peaceful life of farming, an honest reward he well earned. And Donald?

This is easily one of my faviorite moment’s of Rosa’s, one that really cuts to comic donald’s character: Sure he can be lazy, a trickster, hot tempered, and overconfident.. it’s why we love him.. but at the end of the day he genuinely loves those boys and their his first prority and I can see why the reboot took that trait and made it his defining one. They may annoy and frustrate them and he may pull a switch on them, 50′s after all.. but he loves his boys and knows they’ll do great one day and despite his spendthrift ways when given big money.. their all he can think about. Sure Donald probably has his own personal dreams, but instead of going big and retiring he’d probably just take only a small sliver of that money to open a humble hot dog stand or something, so he could have something of his own to provide them, while still giving most of the money to their college. Scrooge is who we all want to be.. Donald is who we are at our core: Flawed people who just want to do our best. It’s why I love the guy so much. The boys rest in the small town of El Divisadero, which like the town we started in is a real place, though both are much smaller, even as of 2000 when Rosa made his visit, so he had to embelish slightly. THey stop at a local watering hole only to find Alphonso. While Jose is naturally worried, Gold Hat has moved on to Panchito and wants to know why he’s here. However Donald thinking quickly says he’s part of their nightclub act, and we get a rousing version of the three cablleros, which when reading this I synched up to the song. I won’t put it here, as it’s too big for tumblr and it really works more as a whole, but needless to say, it’s the highlight of the comic. While Rosa did have doubts about putting a musical number in a comic, and it’s often trickey, he makes it work with the energy, vibrance and number of gags, that compensate for the music not being there. There’s tons of great gags, from Donald getting thrown out window, to the stone faced crowd who only cheers when Alphonso ends the number by whacking the three with one of their own guitars. Alphonso quickly realizes what’s goin on, finds the silver, and then hyjacks the train. The boys take off after him in the car, as Donald triumphantly states “The Three Cablleros Ride Again!”. The three head after Alphonzo, who finds them when trying to release the other cars to increase speed, and then shoots at them. It seems hopeless... until donald gets launched into the air, into a cactus then back into Alphonzo knocking his guns out in a great bit of slapstick. The Conductor, likely not knowing about the others or not carring, detaches the cars though, so our heroes and villian are now sent rocketing through the world’s most dangerous railway. Which, as you’d probably already figured out, is very real and what inspirited rosa to use this setting and thus indeed wind through dangerous mountainsides and over thin cliffs like a real life Donkey Kong Country level. Eduardo still has his machete though and easily beats Jose’s umbrella, but some more Donald slapstick and him apologizing to daisy about the senioritis as he wishes her goodbye seriously GET SOME COUPLE’S COUNSELING IF THAT EXISTS IN THE 50′S. It puls his sombrero down over his head, and with jose’s umbrella top landing on it, carries him off where he ends up in a lazy asshole sheirff’s jail for a gag. The boys however continue going back.. and the railway is unfinished at this time in history and while they save the silver, their fucked. But Donald has a plan, running to the back of the cars to get his car, and while it has trouble starting, Panchito throws some chilie’s in the tank to get it moving again. The boys find the silver.. but when one barrel spills they find out it’s not actual liquid silver.. but quicksilver, which was used for silver refinment. So while i’ts shiny, and toxic so of course Jose sticks his hand in before knowing what it is, it’s worthless. Probably. The boys.. all have a nice laugh over it. I love this moment. Sure the boys lost their dreams.. but like Scrooge, the three belivie theirs always another rainbow. What matters is the journey they had and the reunion that restored their friendship. Donald also muses the boys are smart enough to get their own scholarships anyway, so it’s no big loss.. but he does have to get back to Disvadero as the jamboree ends tonight and Jose agrees as he now needs a job again. The owner balks, understandably since Jose missed a performance to get laid and then disappeared overnight.. but the Hotel Owner is visiting so as long as he can provide a big act he’s good, and while Jose is worried as he already gave them his best, the boys naturally pitch in to be the cablleros once more. After all

So we close on Huey, Dewey and Louie returning, still worrying about donald, when they find him on stage. We then end on a truly heartwarming and great last few panels.

Final Thoughts: What else can I say? This story is beautifully drawn, as usual for Rosa, well paced, fun and really fleshes the Cabs out from the movie. It has a warm, fun adventurous tone and it’s nice to see Donald in the lead since Rosa usually did Scrooge stories and thus Donald was the justifiably surly sidekick instead of the main man> here he’s in the spotlight and gets to show just what he’s made of, while still being the hilarious mess we all know and love. The story honors the original film well, while forging it’s own path and is beautifully built into history. My only real complaints are the nephews being annoying, Alphonso’s somewhat overwrought accent, and of course the daisy gags.. but it’s all HEAVILY outweighed by one of Rosa’s finest hours and easy enough to ignore. Check this out if you can. It’s a classic for a reason.

If you liked this review, you can commission your own by messaging me on here or at my discord technicolormuk#655 for five dollars a comic story or animation episode. Whenever the ride resumes next, we’ll coming on down to the house of mouse to see the boys return to the screen. In the meantime keep an eye on this space for regular Ducktales reviews every Monday, including once this run ends as I intend to start playing catchup, loud house reviews whenever, my tom retrospective that’s returning soon, and my retrospective on the Life and Times of Scrooge McDuck, with chapter 2 of that also coming soon. Until then, there’s always another rainbow.

#the three caballeros #jose carioca #panchito pistoles #donald duck #don rosa #ride of the three caballeros #the three caballeros ride again #huey duck #dewey duck #louie duck #daisy duck #mexico #comics #reviews #elmo keep

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cosmic-navel-gazin · 4 years

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This is something a bit different from me, but in light of the recent announcement from Ubisoft that there’s going to be a remake of Prince of Persia: Sands of Time coming out in January 2021, I thought I’d share some thoughts.

(This started out small but got outta hand so super long post incoming, no spoilers for the games)

So first off, a bit of my history with the original game.

I’m a big fan of the Prince of Persia (PoP) franchise, and I’ll fully admit that nostalgia plays a big part in it. You see, in many ways this 2003 classic was my real entryway drug into the world of videogames.

It wasn’t the first videogame I had ever played. My friends had consoles, there were some games on the school computers, but I didn’t own games as a kid. As far as my parents were concerned, these were all the spoils and soul damning devices of Lucifer himself. You know how it is, every generation goes through this thing of blaming all the world’s problems on a new artform: rock and roll, comic books and then videogames.

So yeah, a gaming console or buying games for the home computer was a BIG NO-NO!

But of course, the more an authority figure says you can’t have something, the more you want and crave it. It was only a matter of time until the opportunity presented itself to me.

And then the day finally came.

It was just me and a couple of friends, going to this new magazine store near the school. And there it was: the dvd case that came with a gaming mag for like 5 euros if I remember correctly, stupid cheap for such a great game.

There was doubt, there was fear, there was anxiety. I didn’t know much about the game, only the old 1989 DOS Prince of Persia:

This had the same name but looked different. I was seduced immediately.

The case stared longingly at me:

It’s not my fault, I was bewitched and I bought it.

My symbol of rebellion, my first big transgression, and my first real treasured posession that I bought with hard earned money.

PoP:The Sands of Time was my original sin so to say:

Accurate representation of what happened that day

I furiously installed the game as soon as my parents left the house. Played it for a couple of hours and stood in awe at the thing - the cinematics, the cool parkour moves, the arabian nights setting, the time manipulation to undo mistakes when platforming or in combat, the Prince breaking the fourth wall saying:”no no no, that’s not what happened, let me start over” whenever I died and got a game over…

You have not experienced true fear if at some point in your life you didn’t feel the cold sweat running down your back as you hear the very distinct sound of your parents’ car arriving when you’re doing something “prohibited”.

As soon as I heard that sound, I quickly quit the game, uninstaled it (I could not run the risk of them finding out I had tainted their machine with a videogame *gasp!*), and ran to my room to hide the game before opening the door for them.

Neetheless to say, I never made much progress since I had to start over every time after quitting and uninstalling the thing. I would just play those first couple of hours over and over, never knowing how the story progressed, but I was happy all the same. At one point I knew every line of dialogue, every music cue, every sound effect of that beginning part. It would be some years before I got my first laptop and finally managed to complete it.

All of this to say that the game means a lot to me. Not just as a product or piece of entertainment. This wasn’t casually playing on someone’s gameboy advance or PS2 to have a bit of fun and pass the time.

This was more intimate.

It was just me; the game; a dark room and a blanket; and a sincere and charming, simple but compelling story told seamlessly through mechanics that only enhanced it. This was me witnessing gameplay and storytelling going hand in hand in a way that even many of my other favourite games don’t do, or don’t do as well (there’s usually some disconnect where a game only manages to really excel at one but not the other).

Ok, so on the announcement and trailer:

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As a big fan you might think I was super hyped for this.

But I gotta say…no, not really.

I’m not super angry, but I’m not really excited either honestly. And I don’t think it’s just the rough and uncanny character models and animation that people are pointing out all over (although that doesn’t help).

I guess to talk a bit on that, I should stress out that my problem isn’t that it doesn’t look realistic enough. To be honest, and this is going to sound rich from a big Witcher 3 fan, I think that the gaming industry overall, moreso big tripple A titles, seem to have this unhealthy obsession with photorealism. Like, I don’t need to see the characters’s pores to care about these polygon people. Strong art direction is what I feel is more valuable. I just don’t think this arms race to photorealism is sustainable. Games are taking longer to make and fund, and I’d rather have dev teams spend more time polishing and refining the games’ mechanics and/or story if the trade-off is less “realistic” graphics.

It might just be personal preference, but I wish we were getting more stylized character and world design. Go look at some screenshots for Pathologic 2, a game that came out last year that hits that sweet spot between full-blown cartoony/caricature and realistic by today’s standards:

And I think that is somewhat what they were going for with this remake’s character models (or I hope it was). But it’s still not quite there, hopefully they’ll work on improving those so they can hit that sweet spot also.

(in defense of my hipocrisy and love of The Witcher 3, I think the more realistic look was appropriate for the world they were portraying, it benefits from it. However I don’t think I would love it any less if it had less detailed models and environments)

One last thing on the graphics.

I will say this though, at least from the footage we see in the new trailer the team seems to be capitalizing on colour. Big vibrant reds, blues, whites and yellows in the environment look great, and really captures the 1.001 nights/arabian nights feel that I absolutely love. I appreciate that since there’s always this tendency for remakes to suck all the colour and life from the original (in both games and movies), regardless if it fits the setting and tone or not.

Anyway, I think the reason I’m very much without a big reaction is that I believe the 2003 original is a true classic, a masterpiece even - I guess I should stress out that when I say masterpiece, I don’t mean it’s perfect. Just that the whole is bigger and better than the sum of its parts, that the things it does right, it does so right, that it completely overshadows the flaws.

The story, the art direction, the gameplay (the holy trinity of platforming, combat and puzzle solving), the brilliant introduction of the dagger of time as a gameplay and story mechanic (one of my favourite mechanics in all of gaming), the music, the charming duo that is the Prince and Farah, the tight pacing with the game being just the right length and not overstaying its welcome, the outstanding level design where you’re never stuck doing one thing for too long (the game is always juggling between combat, story, platforming and puzzles, mixing and matching)…

Looking at all these things, I just really don’t think we need a remake because I don’t think there’s that many glaring terrible flaws that could justify it.

Adding more scenes and content could be good, or it might backfire: bloat and ruin the game’s already excelent pacing and fluidity (which I think is the main keyword that better describes the original, everything flows superbly). The original was only 6-8 hours long and it is better for it. I’m not confident that adding dozens of hours of gameplay like the big tittles today would help at all.

The only real improvements I can see are:

tweeking and perfecting the combat (I’ve seen it mentioned that they’re implementing a targeting system which sounds good);

perhaps also better Farah’s A.I during combat when you have to help protect her from swarms of enemies;

Maybe throw in a couple more enemy types? The cut sand tigers for example?

usual things like adding the option of subtitles, add the ability to skip cutescenes;

But other than that…

I don’t even think the graphics of the original look bad. They’ve aged of course, with the game being 17 years old, but still. I installed it last night and played through the first hour to take some screenshots and I think they’re still good:

I can understand the MediEvil remaster, the Spyro remaster or the more recent FFVII remake in terms of wanting to update the graphics. I can understand that not everyone can easily go back to these low poly lads:

But this game? I know I’m influenced by nostalgia and all, but I don’t think it needs that makeover that badly, especially when compared to these other remakes and remasters. Funnily enough, I just noticed that these examples I just listed were all PS1 games. PoP: SoT was a PS2 , PC and Xbox game. PS2 era games have aged far better visually and don’t need that big a makeover in my most humble opinion.

It would be one thing if the original was out of print like a Rule of Rose scenario ,where you can’t find the game unless you go to ebay or something and it’s stupid expensive. Or if it was a pain to get running on modern systems like it was with Grim Fandango, until it got a remaster.

But no, you can find the Sands of Time trilogy and the PoP (2008) reboot on GOG and Steam (on Steam only there’s also the PoP:The Forgotten Sands midquel). So there isn’t the usual problem of the game no longer being accessible to people who want to play it, which helps justify the need for a remake.

The original still plays nice, sounds nice and looks nice, so I guess this all goes to show that at the end of the day, this remake just feels a bit unnecessary to me, at least from what little the trailer showed (I would love to have my bitter cynical ass proved wrong though!).

Maybe I just have a superhuman tolerance for older games and how they look, I really don’t have that big a problem if the game itself is good or interesting, so I don’t always think older games need remakes.

Maybe my falling out of love with Ubisoft in this last decade has curbed forever any hype I might have for their announcements, even when they pull out my son, my baby boy Prince of Persia out again.

Maybe I’m just burnt out and too pessimistic about remakes, remasters and adaptations (although game remakes usually do better than film ones).

And this makes me a bit sad because I don’t want to sh*t all over the first piece of “new” Prince of Persia content we’ve had since 2010??? Oof, it’s been a while.

Especially knowing that Yuri Lowenthal is coming back and excited to voice the Prince again. And I also don’t want to be too harsh since we’re looking at an alpha of the game. But so far I’m just very numb to this, I do seriously hope it turns out good and that they don’t rush it out the door. But I’m not convinced we need a remake in the first place. The original is a milestone, a game changer. I’d rather see a game that had great ideas and poor execution being remade than something people already love and consider a masterpiece.

Guess we’ll see how I feel once more news and footage come out.

Oh and feel free to share your own thoughts on this remake. I’m curious to know what both fans and newcomers alike think.

small edit: I can’t believe I was just watching this Sands of Time playthrough on youtube and at one point it is said: “Another game that is designed similarly to this is Soul Reaver actually.”

Of course! I didn’t even see it! All of my favourite things are connected!!! Maybe that detail was another thing that helped me getting really into Soul Reaver as I was first playing it.

#prince of persia #prince of persia: the sands of time #prince of persia remake #ubisoft #videogames #my ramblings #I can't seem to write a short post to save my life!

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love-takes-work · 4 years

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The Art of Steven Universe the Movie: Outline & Review

The Art of Steven Universe The Movie was released March 3, 2020. It's a wonderful journey through the concept art, character development, and experience of fashioning these ideas into the movie we all love.

Nuts and bolts: The book is published by Dark Horse, and it was designed by Ryan Sands (a zine specialist), with commentary by Takafumi Hori, Kat Morris, and Rebecca Sugar. It includes art by Rebecca Sugar, Kat Morris, Takafumi Hori, Alonso Ramirez Ramos, Angie Wang, Ashley Fisher, Becky Dreistadt, Chromosphere, Danny Cragg, Elle Michalka, Hilary Florido, Ian Jones-Quartey, Jasmin Lai, Jeff Liu, Joe Johnston, Julian De Perio, Katie Mitroff, Leonard Hung, Miki Brewster, Patrick Bryson, and Paul Villeco.

Full review below with low-quality images.

[SU Book and Comic Reviews]

An introduction explains the same origin story that Rebecca Sugar told us in the movie DVD's commentary: that she accidentally restored her phone to factory settings and lost years of important stuff, and she ended up applying that devastating premise to her movie. That combined with the concept of "breaking" the main premise of a TV show to make a movie was how she got started developing the story. The opening of the movie styled like a storybook is blocked out with some great drawings and breakdowns of which narration would go to what storybook pages. This is combined with some partial sheet music for "The Tale of Steven." Rebecca writes about how she felt having to wrap pre-production on Season 5 only to take on this even bigger movie challenge. The biggest challenge was writing all these songs in such a short time--six weeks--and having to deal with the stress, being crushed under all that pressure while still wanting to do this story so badly, and it was humbling to still have to work so hard to sell the idea. The feeling of relief to finally be done that Steven expresses in "Happily Ever After" is very similar to what Rebecca went through feeling like she wanted to be finally done but still knowing what she had to do to climb an even bigger mountain. Some very cute Steven-at-age-16 and Connie in Space Camp clothes follow. Notes indicate that Steven and Connie are the same height now, but his poofy hair is just slightly higher than her head.

Notes from 2017 also give us the "Neckstravaganza": design notes on Steven's new form, with a neck and a jacket. It's very cool.

Some beautiful Joe Johnston boards follow, with sequences from the "Happily Ever After" song. We also get Angie Wang's final design (with Ashley Fisher's color) of the injector, including some sketchy concept art for it from Rebecca Sugar and Hilary Florido. In the rough concept notes, they call this the "Mega Injector," with notes for Takafumi Hori to use for scale. It looks beyond huge in a Leonard Hung drawing.

Spinel concepts are next. Some notes explain that aivi & surasshu (the usual composers) were involved very early since it was a musical, and Rebecca included them when pitching the story to the Crew so they could organically develop the sound. The heart shape was central to Spinel from the beginning, and early versions of her had an entire heart shape to her head.

(There's a doodle of what looks like a cartoon dog in the pile of drawings shown in this section. It's not clear what that was.)

Spinel was given the heart imagery partly because Rebecca had learned early on about the importance of symbols, and when it came time to assign one to Steven, the star was chosen because it's so positive and is read as gender-neutral. Rebecca still hadn't used hearts for anything, so it was time. They also incorporated really old, dated character design ideas to make Spinel feel like an outdated cartoon from the rubber hose era.

The aspect of her design with the running mascara versus cute eyelashes predated the rotation of her Gem. Rebecca likes to start with more realistic sketches when she's figuring out a character, and then she'll move to making it more cartoony. A quote from Miki Brewster is shared: "Spinel can do anything, as long as it's entertaining!" Her "best friend" form is described as "a doll for friendship fun & games! Of a different era--hokey, charming, weird...super gullible and trusting. Incredibly loyal, constant entertainment machine!"

When it comes to developing her "worst enemy" form, Rebecca explains a bit that she has a really complicated relationship with old cartoons because nostalgia is not compelling to her--the animation from the 1930s is so neat, but considering the social limits and the way the industry was at the time, Rebecca doesn't think she could have participated. Especially considering nowadays she even had to struggle to be allowed to tell the stories she needed to tell and it would have been impossible five years ago. The norms of the time aren't entirely extricable from the art itself.

Takafumi Hori weighs in with commentary on how fun it was to animate a scary but fun character on top of Miki Brewster's boards for the "Other Friends" fight sequence.

Next, moving on from the central new character, they also spend some time discussing Steg. Rebecca first explains "Steg Multiverse" as a character so uplifting he can make you fly, combining Greg's unending support and Steven's positive power. She makes reference to the early "stegosaurus" concepts they had for his look, but they didn't want to lose the opportunity to have his hair flow. Rebecca confirms that the pompadour idea was established in "Steven and the Stevens" so they wanted to give it to Steg, and she credits Paul Villeco for really finalizing his design and bringing him to life.

And of course the poofy hair from Steven and the double-necked guitar was essential for Steg.

Next, the book gives us a whole page of handwritten notes about "Drift Away." Kat Morris explains the intentional duality of the scene--how Spinel should be shown seeing her own past with new perspective, being embarrassed, blending together who she was with who she is. The partial lyrics to the song and some sketchy boards are offered.

Rebecca shares her personal connection with the subject matter--how she once left a stuffed animal in her garden and the side facing the sun faded. It really made a mark on her as a child that things changed without her, because of her actions, and that she'd left this treasured toy alone without thinking about it all that time, letting it be affected by the elements without her interference. She wrote "Everything Stays" for Adventure Time based on that plushie, and realized that she was writing about it again for the Steven Universe movie.

Many beautiful miniature boards are shown in this section.

Partial sheet music for "Drift Away" is also offered here. It's credited to Rebecca Sugar and Aimee Mann. The music sheet is followed by some lovely images of the garden by Julian De Perio, Patrick Bryson, and Leonard Hung.

Takafumi Hori returns for a discussion of the final fight sequence during "Change," which he animated from Jeff Liu's boards. He discusses trying to keep the fight feeling dramatic and serious even though Spinel's fighting style is funny. He wanted to keep her tension. Hori-san throws in a word of thanks for being allowed to work on his favorite show again, praises Jeff and Miki, and compliments Rebecca Sugar's demos. He hoped we'd get a soundtrack album. (Of course, we did.)

Some final boards by Rebecca Sugar and Becky Dreistadt of the characters in their show gear descending the steps close out the book. There are also some cute little doodles at the end on the credits page, like a head of lettuce with caption "lettuce adore you" and Spinel in a drifting go-kart laughing, captioned "drift away."

The back cover pictures Steven with his arm around a heartbroken Spinel, comforting her.

Overall, the book is wonderful--the accompanying information is generally not new to anyone who watched the DVD's documentary and commentary, and many of the sketches have been released one way or another directly by the artists through Instagram, Twitter, or Tumblr blogs. There was still plenty of wonderful new concept art that wasn't already out there, and looking at some of the iterations Spinel and Steg went through was particularly captivating. There was no new insight into the development of the plot beyond the premise and the Spinel-related conflict, though; nothing about how they decided to focus the Garnet storyline, the Pearl storyline, and the Amethyst storyline for how they would each get their memories back, and there was no spotlight on their movie versions--modern Cotton Candy Garnet, copycat baby Amethyst, and factory settings uncustomized Pearl. I was hoping especially for some Amethyst stuff because the movie was the first place we got to see her with the simple default outfit and segmented limbs. It was primarily an art book with commentary on some of the most definitive movie aspects--it didn't reach the depth that Art and Origins gave us. It has a start-to-finish feeling in a sense, but it's mostly just splashes of information that are fun to know. It's a great companion and definitely should not be missed by any fan of the movie. I recommend it heartily!

[SU Book and Comic Reviews]

#steven universe #steven universe the movie #the art of steven universe the movie #movie art book #myblog

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halfusek · 4 years

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1) I have a theory regarding what happens in Abomination. As you had explained, both timelines, both in Real World and Story World were connected until the break in Story World occurs with the death of S!Thomas, but there are some details that I consider important to understand the reason why Magenta did that. You mentioned that that death altered what was going to happen in the future in Story World, what if it happened... But what if S!Joey did it on purpose to avoid the same fate as

Hey ho hello there! Thank you for submitting this theory, it definitely isn’t a nuisance to me, I absolutely love it when people dive so deep into my story and have so many thoughts about it, I’m flattered! :D

And while it’s an interesting theory, I’ll tell you right off the bat that Magenta doesn’t really have that kind of insight to the reader’s mind nor mine. The 4th wall breaks indeed are supposed to be meta but it also was kind of a jab at the real Joey in that moment from him. There is no input from me as a “character” in the story, as Abomination was supposed to be a theory turned into a comic all along I’m only including there events which I have thought to be possible to be canon [with exceptions for a few “OCs” I had to make - random employees to fullfill other roles].

But there is of course a reason why story Joey is aware of, well, being in a story as there is a reason for him to act different than the real Joey! :D

Characters from the real world being now in the story world are more exaggerated, more “cartoony” as in the values that pop out most about them in reality, pop out here to the max. As for the story itself, their reality consist only of things relevant to the story. And finally, there’s this whole thing with the objectives these characters have and how they interpret them.

In a sense they are different characters. Especially those that haven’t died in real life.

But at the same time they are kind of the same person. Especially those that died in real life.

With a few exceptions here and there. :)

And this is where my answer is gonna get long with pictures attached and rambling so I’m gonna put the rest under the cut~

So, you know how there’s the Tombstone Picnic cartoon with it’s missing ending, right? As in - in the canon Bendy universe - when Bendy runs away from a skeleton and there’s a shadowy figure standing over him which he looks up and smiles and the screen goes black.

I’ve referrenced it a few times throughout the comic because it’s really important.

Like this old-ass panel comes from Part 2 and some events happening in it are Joey and Bendy watching the episode with Bendy getting uncomfortable about being imperfect - he looks at what’s supposed to be his arms and legs.

Generally parts 1-4 aren’t my proudest work art-wise nkjdf but there’s some things Very important to my little universe here.

I’d say especially pay attention to panel 101 in this batch.

Then, eons later, there’s part 33 and it’s one that got a few people confused that the comic is ending because this is the title I gave it when posted:

With the last panel of this part like this:

Because, technically, this is where the story of the real studio ends and is a turning point of the comic. So, in a way, it is the end. But not the end of the story.

What I assumed with the world of Bendy was that there are two worlds: the real one and the story one which is more like a cartoon. Not just because the story world looks cartoon, it even acts like one with repeating over and over again and not being able to change what’s been done in it [save for few details].

An ending of a very important cartoon episode is missing and never comes and that’s probably what is on the end reel that Henry plays when he comes around but playing the end doesn’t stop things from repeating, it simply puts an end to the current iteration of the cycle.

Back to the comic’s timeline - the story world is created.

I’m a silly goose, I know. :^)

Story Joey gets created and yeeted into the story world asmr - that’s panels from part 35 and it’s very short and weird. It’s not entirely meant to be taken literally.

It starts from little parallels between story Joey and story Henry - at least for how it is in my universe, they are both looping and starting from reading a letter from each other’s real life counterparts.

In the next part [36] this is what story Joey is looking at when he breaks the 4th wall and this is where the events start changing and he kills Thomas before he quits - generally part 36 is the “equivalent” of part 18 with some repeated panels and some a bit edited and these entirely new from the new timeline. But this is all for laying down the differences betwen real and story Joey off the bat.

You could say that real Joey “would do anything to make his dreams possible” but reastically speaking you’d expect a person to have some kind of brakes, that stop them from doing literally anything. Well, as story Joey is an exaggerated version of real Joey, those brakes kind of get done. He’s dead pan fixated on doing literally anything. And as real Joey on his way of moral decay accepted murder as a solution sometimes, story Joey kind of just doesn’t hesitate.

Another thing about parts 18 and 36 is the mention of Henry.

I haven’t gotten on it quite yet with the story Joey but what I’m gonna say is this: take real Joey’s obsession with blaming Henry for leaving mixed with leftover feelings he has for him and try to... simplyfy them and turn them Up.

Spoilers: it’s a mess.

OKAY BUT GOING BACK TO THE TOMBSTONE PICNIC WHICH IS REALLY WHAT MATTERS IN THIS RAMBLE-

In part 35 I lay down that I chose Joey to be the shadow in Tombstone Picnic.

At the time I took this decision I did it because I figured it just suits my version of the story better but honestly as of now I’m ever more convinced that it’s the case.

Because the reason why it being Henry would be cool is that if he was in a cartoon then he could be imprinted from this part of the reel - as this is apparently what’s needed in universe to print ink figures - so this is how in-game Henry would come to be.

BUT

Now DCTL has confirmed that regular humans can get inked and in BATDR trailers we met Audrey that kinda just looks like a cartoonified person which is very likely what happened to Henry. Also there’s this part in DCTL:

When Buddy Boris wakes up after being turned his Boris - cartoon - part of their mind is awoken. He sees a shadowy figure that seems dysproportional to him implying he sees someone with human-like proportions.

Then Buddy wakes up and he sees... Joey.

To me the parallel is pretty straight-forward tbh ¯\_(ツ)_/¯

But, of course, I decided for it to be Joey long before DCTL came out so I guess it’s just a cool thing to point out lol

The one thing with how I presented it in part 35 is that Joey wears the labcoat - technically he shouldn’t be wearing it, he should look like Joey usually looked like when the cartoon was made - in 1929. But not gonna lie it makes more sense for the shadowy figure to look like that with the coat included :P

And so story Joey takes away the ending by... literally ripping it away, tearing it from the reel. It’s kinda literal and kinda a metaphor.

The explanation for it is my main point here. Why I brought up that story characters are kinda different from real characters.

Because story Joey IS his own character. He’s been his own character since 1929. He’s literally a print of the cartoon. Right from the Tombstone Picnic reel.

Both he and THE END.

And here’s a little theory/headcanon - I’d like to think that cartoon reels/parts of them used for printing cartoon figures kind of just... get erased from the universe. It would explain why we never get to see that part of the cartoon and why things like that happen in the Handbook:

Ah, a convenient random splash of ink.

So, that’s why story Joey is literally ripping the end away from the cartoon world, because this part is being taken away. Forever.

And what happens with Henry ending the story is that he... imprints the ending itself.

The end is brought to life, and the end = death and welp to me it appears that Henry has the role of the “reaper” as he’s connected to maaaaaaanyyyy death themes, literally called to “be one to bring death” and can get a cool scythe.

Soooo story Joey isn’t just story version of the real Joey, he’s not just Joey 2.0.

He’s the shadowy figure and essentially - a toon.

That was the main thought of this ramble but as I’m on it I’ll throw more stuff linked to this:

In part 41 story Joey visits Bendy for the first time in the story world - real Joey did it right after Thomas tried to quit, but again, story Joey had different priorities.

And. Throwback. Remember part 2? Where Bendy and real Joey watched the Tombstone Picnic? The reason here it’s Tasty Trio Troubles is kinda because in part 40 Butcher Gang figures were created from Lacie, Shawn and Grant so this is like a follow-up.

But back to part 2. Bendy was uncomfortable with his lack of limbs back then.

Parts 1-2 and 41 have a few panels that are intentionally drawn to look similiar or almost the same even, same with dialogue, like that:

Never trust me when I do that.

The reason is because-

I’m a clown. :o)

#WOW THIS GOT LONG IM SORRY FDNFDLK #im very passionate about me lore #bendy and the ink machine #abomination #joey drew #bendy the dancing demon #the ink demon #story!joey #halfpost #long post #body horror #squish #magenta #halfask

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wollfling · 3 years

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Hello! I have an art question, if you don't mind talking about art stuff! I'm trying to get better at drawing, but having a really hard time with figuring out how to draw people. I feel like I've made progress with things like animals, objects, etc but I just can't get my drawings of people to improve! You draw people (and everything else tbh!!) so beautifully, do you mind if I ask how you learned to draw them? Or if you have any advice? Thank you for posting your art here, you're such a big inspiration and I love seeing your posts when they come across my feed! 💗

I love talking about art stuff!!! ♡ firstly, thank you aww ;×;) !! I'm so flattered, its really so sweet of you to say that!!

(( oh my god once again I've written so much I am so sorry! I put a tldr at the end, I couldn't quite go into much detail about specifics because im not quite sure what specifically you would like to improve, but I did try to cover some bases but please don't be afraid to message me with any more info or questions!!! ))

I'm a bit of the opposite where I can only draw people and struggle making progress with everything else lol, I admire you a little bit!! 🤭

People can be hard to capture, because we naturally (subconsciously?) examine them trying to determine things like emotion and im not quite sure how to put it but... health? For most people, its easy to see if someone is tired or sick at a glance. This comes into play when drawing people because we are wired to immediately analyze everything about them and pick up things that are wrong (think of uncanny valley type stuff!)

I often think about something bob Ross said, I dont have the time to hunt it down but what he said was basically along the lines of; he prefers painting scenery, because when we see a scenic painting its easier to think "this looks like somewhere ive been!" And its more believable. Meanwhile, its hard to capture the exact likeness of someone. If its a little off, we feel it looks "bad". I may have changed or added some points in there, but I think that was the general idea? 🤔 thats not to say scenic paint is easy in any way, its just about how we view it.

My point in this is, the key to drawing people is to create a believable figure. And how to achieve this depends on the style you draw them in ! I can only offer advice for stylized drawings (i struggle to draw hyper realistic people, and I also just don't enjoy it? Lol) but im assuming that since you like my art you're okay with that? ^^

In regards to how I learned to draw, well.. ive been doing it since I can remember ^^; I grew up watching anime which definitely altered my style and interests, and when i was in high-school I transitioned from an "anime adjacent " style, to a generalized "stylized" look, and now I strictly use photo reference which has helped make my style less cartoony but it still shares cartoon elements I feel? For a long time I drew without using references at all which im sure also contributed to how I draw things now. I havent had a chance to take art classes, so I've learned mostly by self study. Practicing drawing from reference, looking up tips and tricks youtube videos, watching other artists work and looking closely at their pieces to try and see how they achieve certain looks. Eventually it all adds up! How i draw people is a reflection of like 20 years of this!!

My biggest regret is not taking art "seriously" and going nearly all of those 20 not properly studying. This is my biggest piece of advice :^( unfortunately, im still learning how to do this myself, I think "studying" is a learned skill and hard to do without instruction. But if you can draw animals and objects I think you probably know a little bit on how to. So then looking a bit deeper into "improving", what about your drawings do you feel are lacking?

Circling back to my earlier paragraphs, how you want to improve depends on what sort of style you are going for and the way you want to portray or capture people. Portraits rely on technical skill i think. I'm not sure i could offer valuable advice here..

Comics, manga, and graphic novels sole intention is to tell a story through drawings. They don't give metaphors (usually!! Sometimes they do but not in the context im trying to explain) and/or tell us how characters are feeling, they show us! This is why the art styles of them often have exaggerated features, and simplified features. The eyes tend to have more detail because we read eyes for emotion, mouths are exaggerated because they are key to reading emotion (most importantly so I think! Watch: 🙂☹ the only difference is the mouth, but we can tell they feel totally different emotions.) Noses in comparison are usually more simplified as they, out of all features of the human face, are the least expressive.

If you want to improve your drawings of people so that they are more expressive and relatable, I would try to analyze how your face changes with emotion and perhaps practice with one of those emotion chart meme templates!

Illustration work is similar, but I feel the face doesn't actually matter as much. If you look at full bodied illustrations of people and zoom in on the face, you'll find that they are sometimes quite simplified! When viewing a full bodied person we generally take in the body's language first. It would take me a long time for me to explain in detail on this post (though I would love to talk about body language in illustration please let me know of you would like me to... also the body language of two figures.. but ill spare you for now ♡) I would recommend gesture drawing and timed studies. I improved drawing so much when I started doing this (I use the site quickposes a lot, set a high timer and draw!!) If drawing the face is hard for you and you can't seem to get anywhere, try focusing on the body for a little bit! Especially how bodies look when bending and twisting.. which might sound random, but I think it helps get a better understanding on how proportions can change with pose.

I wrote so much and I really didn't mean to. Its always hard to answer questions like this without much information like what your goal is and what look you want to achieve. I hope I didnt scare you away with my horrible novel of an answer but if you'd like to give more detail or ask any more questions please I welcome you to!! I love talking about art and I love love love hearing about other peoples art ;^; ♡

Tldr; when trying to improve drawing people it may not be as simple as working on technical skill, its important to keep in mind purpose, emotion, body language, and art style

#i always feel bad when people message me and I reply with an entire novel #which is 90% of the time....dhsjhsj #anon i hope i was even a little bit helpful..

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tirorah · 3 years

Text

Road to Berlin’s ‘Road to Berlin’ Sure Was a Road to Berlin Episode

Hiya, everyone! It’s that time of the week, but don’t worry, your assigned reading is pretty light this time. Because, honestly? I don’t have much to say about this episode in terms of character arcs or themes or the like. Instead, you’ll find my brief thoughts under the cut, as well as my favorite stuff from Episode 11.

In the end, this episode was a follow-up to the ending of Episode 10, and also the start of the final offensive, which makes Episode 11 the middle chapter of a three-parter. This is always difficult to make satisfying--look at any pre-planned trilogy and you can see the struggle with ramping up the tension while also not blowing the series’ full load, as it needs to set up the final, climactic piece.

Consequently, Road to Berlin (the episode) didn’t do a lot of exciting things; it simply moved the story along. And that’s 100% fine. It’s just not as richly packed with content as most of the season has been. There was also some blatant reuse of old footage again (they really love that shot of Trude brandishing her guns, don’t they?) but again, I felt it was within acceptable parameters. I did feel like the episode was holding back a bit with the aerial combat, though. Seems the Ratte was the biggest star of the show for this week.

Without further ado and in no particular order, here are my favorite things from this episode!

Patton’s Redemption

Sort of. He was still a gloating idiot, but he actually valued Yoshika’s power enough to argue the 501st’s case to his fellow generals, and he showed admirable tenacity when the Neuroi’s full power gradually revealed itself. He didn’t shout nearly as often either, and was much more reasonable. Overall, he was far less cartoony and made a decent start at showing us why he attained his current rank.

Although I’ll never forgive him for this. That, and calling Yoshika a ‘little missy.’

This Line from Minna

It’s delivered calmly, but I like to think this is Diplomatic Minna Speak for ‘Fuck off and up yours, she saved your damn butts!’

And another thing: the doctor said it’d take Yoshika a week to be able to fly again, but Minna wants a delay of ten days, not seven. It seems she wants half a week extra so that Yoshika can recover more, which is both prudent and kind of her.

The Generals Being Children

Both amusement and disbelief filled me as I watched the generals of different nations bicker like bloody schoolyard kids. It’s true what they say: War. War never changes. (And especially not the ego of man.) The fact a bunch of grown men devolved into chest-thumping and throwing crap at one another is hilarious. Even Lucchini’s been more mature than that this season, and that says something!

Shizuka’s Turbulent Emotions

Again, Shizuka shows off her similarities to Trude; I feel like she’s definitely the type to hold this in until it comes spilling out in one ugly cry like it did here. She just wasn’t able to hold it in as long, likely due to her relative youth.

We also finally got to see the one character arc thing in this episode I was hoping for: Shizuka and her relationship with orders. For the entire season, we’ve constantly seen Shizuka’s rigid obedience to orders reinforced. But when Mio tells her to keep the Shinden’s presence a secret, we see the first time an order brings her true, internal conflict. Although it culminated in a good cry and not her disobeying said order, I have a feeling she’ll buck the trend and either tell Yoshika about the Shinden, or fly it herself.

Finally, it’s nice to see that she doesn’t let her injury scare her, and channels her guilt into some awesome attack runs. Much credit to her; she’s grown quite a bit, and not because she’s emulating the others, but by growing into her new responsibilities as a combatant.

Yoshika Doing What She Can

Respect was earned by Yoshika this episode. Although she was obviously disappointed she wouldn’t be able to fly with the others into the final battle, she didn’t let it get her down and decided to do whatever she could to help. That meant we finally got to see her newly attained medical skills again! All those books she checked out in Episode 1 sure came in handy now.

If you will, think back all the way to Season 1, Episode 2 for a moment. A Neuroi attacked the ship bringing Yoshika and Mio to Europe, and a sailor was injured by shrapnel. Back then, Yoshika was severely shaken by the combat, and when she tried to help the sailor with her healing magic, she was promptly rebuked by someone else, as healing him with the shards still inside would only hurt him further.

But here, people rely on Yoshika’s medical knowledge and even Patton greatly respects her for it. Her suggestion to hole up in the Flak Tower is also a huge success, likely saving all of their lives.

Shirley's Amusement at the Ratte

Why, Shirley, what are you insinuating here? Surely Karlsland isn’t compensating for something! They just like their prototypes huge.

And Perrine’s Dismay

Harrumph! Size doesn’t matter, obviously! Just look at Perrine’s chest.

But honestly, someone else pointed this out too: the fact they’re relying so much on experimental and/or new things shows how desperate they are, and how fragile their gains are.

Speaking of The Ratte

The Ratte is awesome. The way its rounds punched through the Neuroi walls... *chef’s kiss* It’s obvious where the love and attention went this episode: all the carnage! We also got to see a lot of Berlin’s ruins, which is a nice change from fighting over ocean and rural landscapes. In my opinion, this was the way to go with the budget.

Also, Dem Walls!

They were so cool! I was amazed by the way they could reform to cover the gap where they were under attack! They even showed the little drones coming in to stack on top of one another. And later on, how the main body used the walls to shield itself from the Ratte’s full power was also very impressive! I love how powerful the walls were, but that the Neuroi’s resources weren’t infinite. That’s how you write your antagonist.

Not to Mention the Dome of Death!

Let’s be honest: we all knew a snag was coming. But not only was this a clever trap by the Neuroi, it also showcased the Neuroi using the debris to build more of themselves!

Miscellaneous Things

Something I didn’t mention in my Episode 10 post was Lynne’s support. She’s been really good at looking out for Shizuka! And she also scored a huge hit on the drone horde, which was great. And this time, Perrine also took the time to reassure Shizuka; as the one who was originally assigned to train Shizuka, it’s good she’s showing her gentler side now.

The 502nd made a brief cameo! I haven’t watched Brave Witches yet, which I’ll have to get on after this season finishes. It was also really cool to see how the other Joint Fighter Wings were pitching in for the war effort. The 501st are definitely the stars of the operation (as they should be), but there’s a multi-prong attack going on off-screen. Exciting stuff!

I also really like the little touches that RtB’s been so good at this entire season. For this episode, it’s the blue tulip on Yoshika’s bedstand. Seeing as the episode starts on the day after the ending of Episode 10, this means someone (maybe Perrine?) had a Queen of Nederland shipped out to Kiel really quickly, just for Yoshika. It’s sweet!

Finally, while Minna and Trude clashed during the previous episode, here they work together to support one another during combat. Trude comes to Minna’s aid the moment she’s attacked.

The Stuff I Thought I’d Get, But Didn’t

I’d speculated on this episode and came up with things I thought I’d get to see. But nope!

First of all, what’s RtB’s deal with Mio? I can’t believe Minna’s had more subtext with Trude than with Mio this season! Even when the two of them finally spoke with one another for the first time since Episode 2, there was no blushing or anything like that! Are the days of Minna and Perrine fawning over Mio over? Is there someone on the writing team who loves Trude like I do, and has the same problems with Mio that I do? This is really...well, weird. I can’t describe it in any other way.

Anyway, she’s now bringing the B-17 to Berlin, meaning she might get involved somehow (and is also bringing the Shinden, possibly so Shizuka can fly it.) But here I was, thinking, ‘Oh, that plane they showed Mio with in the opening, she’ll fly that, and it’s going to have anti-Neuroi armor!’ and yet I’m not seeing any indication of that happening at all. Mio isn’t even in that plane right now. It’s the Ratte who got the anti-Neuroi treatment, and again, Mio’s presence felt...functional, I guess.

There’s something about her screen presence that bothers me, actually. I didn’t think about it before, because she was absent so much it just didn’t cross my mind, but...what happened to good ol’ jolly Mio? I don’t mind her being a bit more serious--RtB’s been a more serious season, after all--but we haven’t had a patented Mio Laugh since the first episode, and I miss it. Let’s hope the final episode gives her a nice sendoff.

Secondly, for all the fuss they made about Yoshika and Shizuka’s conditions with that downright tragic ending in Episode 10, the two of them bounced back pretty fast. It’s literally been a day and Shizuka’s already running around fine? And Yoshika doesn’t seem to be experiencing any lingering negative effects of her overexertion? (Aside from the obvious.) For a season that’s so focused on consequences and a consistency in tone, I feel like the two of them got off a bit light.

I was also expecting Trude and possibly Minna and Lynne having sad moments because ‘oh no, people we care about are hurt!’ but because Yoshika and Shizuka seem mostly fine, that didn’t happen at all.

Usually, Episode 11 is the one that ends on a somber note, but here it seems they moved that to Episode 10, and instead had Episode 11 strike a more optimistic tone. No one really showed off their flaws, either; maybe Episode 10 was the bookend to that theme after all?

Into the End

The episode ends on a very interesting note. Everyone finds out Yoshika is also trapped inside the Neuroi dome--and why, exactly, was no one informed of her presence on the Ratte?!--and they’re ordered to mount a rescue operation for their besieged comrades.

And then Trude comes with this absolutely surprising revelation:

I imagine at least one staff member had a chuckle at the fact the cast is now embarking on another Road (in)to Berlin.

The what, now? This wasn’t built up or alluded to at all; I have questions, show! Not to mention, how does Trude even know about this? And why is she the one announcing it, and not Minna, the world’s best mom and team captain?

Anyway, the preview seems to indicate some sort of tunnel run--I briefly wondered if they’d have to venture in on foot, but it seems to be big enough for them to fly.

This shot is ominous.

I’m highly intrigued by this decision. Obviously, the final confrontation will play out outside, but to yank the Witches from the air and into a much more claustrophobic space is a confident move. I can only imagine the surprises the final episode has up its sleeve.

Anyway, all in all, this was a decent episode, and while it did have lots of neat little character moments, it’s obviously setup for what I hope to be a spectacular ending.

Even if it doesn’t quite deliver next week, though, RtB’s been so consistently great that it’s already cemented itself as my favorite show ever.

#strike witches #road to berlin

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